Actually first I heard this song thru. Aruna sairam which gave immense pleasure. Afterthat when I enjoyed thru. Abhishek I melted again and again. Though I am 62 year old I namashkar him.
Sir , You have submitted your Namaskaram to the Goddess Saraswathi who is residing in the heart of Abhishek Raghuram . Here age is not the criteria . Feel proud to submit your Namaskarams to Sri Abhishek . MONI
Absolute mastery! Can't miss those GNB touches in the Raaga Aalapana. The gentle, subtle sruthi bhetham into Surutti raagam was fabulous. Thanks for this upload.
Mother Violinist , Father Mridangist, Grandfather the Great Mridangist Shri Palghat Raghu,Mother,aside Grand mother Great Violinist Srimati Rajalakshmi,Maternal GrandUncle Shri Lalgudi Jayaram!He represent a great musical lineage.Further his mother's sister is Srimati Jayanthi Kumaresh.Such a boy has to be a Prodigal.
Such a high level of clarity and flow in his alapana! Very nice follow-up by the violinist! Expert rendition of this great song and development of the swara sequences! Thanks a lot for uploading!
Very brilliant, beautiful and enjoyable rendering. I wish Vidwan Abhishek Raghuram a great musical career. 👌🏼👍🏽👍🏽👌🏼👍🏻👍🏾👍🏾👍🏾👍🏻👍🏻👍🏻👍🏾👍🏻👍🏻👍🏾👍🏾👍🏽👍🏽👌🏼👍🏻👍🏾👍🏾👍🏾👍🏾👍🏾🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼
I am wondering who the violinist is! He/she displays traces of the great MSG, with a hint of Hindustani. And yes, it is a revelation that this composition is one among the several that Vidwan GNB never sang himself, and content in having composed them.
Excellent Rendition ! Sama Gana Lole Ragam Hindolam Ragam Hindolam Adi Talam GNB Mama Krithi Preface :- I make my bow first to Shakti. She is the Goddess of Power worshipped in many forms. She is Durga, the peaceful and benevolent Goddess just as she is Kali, the terrifying and vengeful one. She is beautiful and alluring as Meenakshi just as she is frightening as Bhairavi. How can we reconcile these opposites and focus our minds on Her ? As always I shall resort to analogies to demonstrate the perfection of who She is. Shakti is incarnate in this world as power and energy wherever you see. She is there, for example, in the bonds which hold the sub-atomic particles together. Without Her, the building blocks of this physical world would collapse. In that form she is benign, life-supporting. But innate in those very bonds is the possibility of nuclear power of an intensity which can destroy all. In this form the same power becomes terrifying. So too are Durga and Kali one and the same. She is both the benign ocean current and the terrifying tsunami. She is the energy of the magma which warms the earth from below, She is the destructive power of the lava from erupting volcanoes. She is light-giving electricity, She is the lightning which strikes to kill. She is everywhere around us and in us, from the physical power which holds the atoms of our body together to the psychic power of the Kundalini which holds our soul tied to this body. It seems to me that our Goddesses fit well into Maslow’s Hierarchy of Needs. I see Shakti’s domain as the foundation as it is She who makes life possible. She is the energy in our cells, in our limbs, in our heartbeats, in our Spirit, in the world which sustains us. Without her all else fails. So today I thank Shakti for her presence in our midst. pallavi sAma gAna lOlE, salalita guNa jAlE amba anupallavi sOma bimba vadanE nissIma mahima sadanE sAmaja mrdu gadanE kAma dAna nipuNE amba charaNam kOmalAnga kAmEshwara vAma bhAga sadanE nAma bhajita sAdhu jana pApa kUta madanE tAmasAdi guNa kalpita tApatraya shamanE tEma daya rasa pUrita dAma kamala nayanE amba Translation : She who longs for (lOlE) the music (hAna) of the Vedas (sAma), She who is a lattice (jAlE) of pleasing (salalita) qualities (guNa). She whose face (vadanE) is an image (bimba) of the moon (sOma), She who is the abode (sadanE) of limitless (nissIma) greatness (mahima). She who arises from the Sama Veda (sAmaja), She who speaks (recites, gadanE) softly (mrdu), She who is expert (nipunE) in bestowing (dAna) our wishes (kAma). She whose limbs (anga) are delicate (komala), She who resides (sadanE) in the left (vAma) part (bhAga) of Shiva (kAmeshwara). She who embraces (madanE) the heap (kUta) of sins (pApa) of the good people (sAdhu jana) who revere (bhajita) Her name (nAma). She who puts an end to (shamanE) to the threefold suffering (tApa traya, the three being adhyAtmika=caused by one’s own self, adhibhautika=caused by those around one, adhidaivika=caused by the Gods) caused by the qualities (gUna) such as Tamasa. She who is full of (pUrita) moist (tEma, implying perhaps melting?) merciful (dayA) feeling (rasa). She whose eyes (nayanE) is like a garland (dAma) of lotuses (kamala). Hindolam is a janya raga, derived from Natabhairavi (below), 20th on the Melakarta scale. The scales of Hindolam are as follows : Aa0: S G2 M1 D1 N2 S’ Av: S’ N2 D1 M1 G2 S Hindolam is pentatonic and symmetrical. This raga is normally played in the first half of a concert, before the ‘heavy’ ragas. I find it gentle, lyrical and poetic. There are a number of beautiful compositions in Hindolam. SamajavaraGamana by Tyagaraja, Mamavatu Sri Saraswati by Mysore Vasudevachar, Ma Ramanan by Papanasam Sivan and Samagana Lole by G.N.Balasubramaniam are all very well known songs.
I believe it is saama dana nipune and not kaamadane nipune in the anupallavi. And in the charanam it is paapa kute madane. I doubt if GNB would use shamane twice. If you come across MLV's version, consider it authentic. The last line I believe is hema daya rasa purita, dhama kamala nayane
Very nice rendering of the song Sir. But in Aalapana, Hindustani classical style seems to dominate in your performance. Please stick to Classical Carnatic style while singing Carnatic songs. All the best Sir
![SAFEPLANET - ดาวเคราะห์ [ THE PLANET ]](http://i.ytimg.com/vi/4X1XL3I_k3c/mqdefault.jpg)
அணைக்கும் பூக்கள்.பூச்சொறியும் ஆலாபனை.மாய உலகிற்கு சுண்ட விரல் பிடித்துச் செல்லும் லாவகம்.இந்தோளம் கேட்கும் தருணங்களில் பிரவாகம் கொள்கிறது மனசு.அதுவும் ஒன்றிப் பாடுவோர் பாடுவதை கேட்க றெக்கை பிறக்கிறது மனதில்......
வாழ்க கலை.கலைஞர்கள்.
A matured young Singer,Superb rendition
Probably the most glorious rendition of hindolam ragam 🙏
Actually first I heard this song thru. Aruna sairam which gave immense pleasure. Afterthat when I enjoyed thru. Abhishek I melted again and again. Though I am 62 year old I namashkar him.
Sir , You have submitted your Namaskaram to the Goddess Saraswathi who is residing in the heart of Abhishek Raghuram . Here age is not the criteria . Feel proud to submit your Namaskarams to Sri Abhishek . MONI
Gra.nd alapanaof hindolam, Sri. Balamurali Krishna chaya. In many places. Violin superb, sounds like m.s. anantaraman school. Enjoyed
Awasome singing of Hindolam...Superbb..👍🌺💐👌
Takes me to another world…. Thank you so much.
🙏🏽🙏🏽🙏🏽
Absolute mastery! Can't miss those GNB touches in the Raaga Aalapana. The gentle, subtle sruthi bhetham into Surutti raagam was fabulous. Thanks for this upload.
Mother Violinist , Father Mridangist, Grandfather the Great Mridangist Shri Palghat Raghu,Mother,aside Grand mother Great Violinist Srimati Rajalakshmi,Maternal GrandUncle Shri Lalgudi Jayaram!He represent a great musical lineage.Further his mother's sister is Srimati Jayanthi Kumaresh.Such a boy has to be a Prodigal.
Superb & superlative alapana of Hindolam. Abhishek is unique.
ಐ
Such a high level of clarity and flow in his alapana! Very nice follow-up by the violinist! Expert rendition of this great song and development of the swara sequences! Thanks a lot for uploading!
It's a feeling as there is a different heaven in classical music grateful for providing such service thanks all
What a voice, enchanting. Kalpana swarangal, exceptionally great.
God bless you my child.
Vijayambike
Gods blessings .So so beautiful.God bless you my boy🙏🙌🙌
Very brilliant, beautiful and enjoyable rendering. I wish Vidwan Abhishek Raghuram a great musical career. 👌🏼👍🏽👍🏽👌🏼👍🏻👍🏾👍🏾👍🏾👍🏻👍🏻👍🏻👍🏾👍🏻👍🏻👍🏾👍🏾👍🏽👍🏽👌🏼👍🏻👍🏾👍🏾👍🏾👍🏾👍🏾🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼
The best till now💯🙏❤️❤️❤️✍🏻
Gnb sir..
Heard again&again🥰🥰🥰
Just beautiful!!! One of the best rendering ever in hindolam
What a beautiful rendition of Sama gana lole in hindolam.My sincere pranams to you Abhishek ji.You made my day
What a rendering!!!!! Abhishek again and again proving that he is a legend. Hats off..
Hindolam got a perfect match. Awesome
Superb Mukhtaya
Hindolam by abhishekji super no one is there like you for alap
After hearing many times I found that last line of the kriti is like this,
Prema daya rasa poorita dhama kamala nayane....amba... samagaana. lole.
Very NIce and Excellent
సామగానం....👌💐💐💐
ಜೈ ಶ್ರೀಕೃಷ್ಣ🙏🙏
Excellent presentation of Hindolam
Amazing sir
What a complete singing …. ❤️❤️❤️❤️❤️❤️
Great rendition of Hindolam
Wonderful rendition, he has improvised a lot and genius in the field
Top class as always. Who is the violinist? Akkarai Subbalakshmi?
Exellent performance and great achievement to music world
Excellant
Soul stirring and melodious Abhishek, superb rendering of Hindolam. Violinist very very good. Could it be Akkarai Subbalakshmi?
super hindolsam by Abhishek
Amazing Abhishek. Total bliss.
HEART MELTING VIOLIN. VERY PEACEFUL. VOCAL IS ALSO GOOD. ( vijaya )
Violin who... Is it Akkarai Vijaya🤔
👌🤘🏻
பரமானந்தம் பரமானந்தம் சுகம்
He is destined to be one of the greats in Carnatic Music
Supercalifragilisticexpialidocious...............................extraordinarily good; wonderful.
Amazing talent.
Splendid performance. Thank you.
the great performance Thank you.
I am wondering who the violinist is! He/she displays traces of the great MSG, with a hint of Hindustani. And yes, it is a revelation that this composition is one among the several that Vidwan GNB never sang himself, and content in having composed them.
Thanks, Sri GNB never sang his compositions on stage. He was too self effacing I suppose.
@@nkrama Self-effacing, probably. Modesty was his second name if I go by what I have read and heard about the great singer and composer.
🔥
🎼🎼🎼🎼🎼🎼🎼👏👏👏👏👏
Very nice.
His alapana is amazing.
Great!
Abhishek I Love you.
Soulful
🙏🙏🙏🙏🙏🙏🙏
very talented and if restricted pure carnatic music it is enjoyable all the more
Why restrict great talent.Who has designed a of singing?Abhishek is not there to sit and weep.His music is full of energy.
Wonderful rendition
Very nice..
Very good
Excellent Rendition ! Sama Gana Lole Ragam Hindolam Ragam Hindolam Adi Talam GNB Mama Krithi
Preface :- I make my bow first to Shakti. She is the Goddess of Power worshipped in many forms. She is Durga, the peaceful and benevolent Goddess just as she is Kali, the terrifying and vengeful one. She is beautiful and alluring as Meenakshi just as she is frightening as Bhairavi. How can we reconcile these opposites and focus our minds on Her ?
As always I shall resort to analogies to demonstrate the perfection of who She is. Shakti is incarnate in this world as power and energy wherever you see. She is there, for example, in the bonds which hold the sub-atomic particles together. Without Her, the building blocks of this physical world would collapse. In that form she is benign, life-supporting. But innate in those very bonds is the possibility of nuclear power of an intensity which can destroy all. In this form the same power becomes terrifying. So too are Durga and Kali one and the same. She is both the benign ocean current and the terrifying tsunami. She is the energy of the magma which warms the earth from below, She is the destructive power of the lava from erupting volcanoes. She is light-giving electricity, She is the lightning which strikes to kill. She is everywhere around us and in us, from the physical power which holds the atoms of our body together to the psychic power of the Kundalini which holds our soul tied to this body. It seems to me that our Goddesses fit well into Maslow’s Hierarchy of Needs. I see Shakti’s domain as the foundation as it is She who makes life possible. She is the energy in our cells, in our limbs, in our heartbeats, in our Spirit, in the world which sustains us. Without her all else fails. So today I thank Shakti for her presence in our midst.
pallavi
sAma gAna lOlE, salalita guNa jAlE amba
anupallavi
sOma bimba vadanE nissIma mahima sadanE
sAmaja mrdu gadanE kAma dAna nipuNE amba
charaNam
kOmalAnga kAmEshwara vAma bhAga sadanE
nAma bhajita sAdhu jana pApa kUta madanE
tAmasAdi guNa kalpita tApatraya shamanE
tEma daya rasa pUrita dAma kamala nayanE amba
Translation :
She who longs for (lOlE) the music (hAna) of the Vedas (sAma), She who is a lattice (jAlE) of pleasing (salalita) qualities (guNa).
She whose face (vadanE) is an image (bimba) of the moon (sOma), She who is the abode (sadanE) of limitless (nissIma) greatness (mahima). She who arises from the Sama Veda (sAmaja), She who speaks (recites, gadanE) softly (mrdu), She who is expert (nipunE) in bestowing (dAna) our wishes (kAma).
She whose limbs (anga) are delicate (komala), She who resides (sadanE) in the left (vAma) part (bhAga) of Shiva (kAmeshwara). She who embraces (madanE) the heap (kUta) of sins (pApa) of the good people (sAdhu jana) who revere (bhajita) Her name (nAma). She who puts an end to (shamanE) to the threefold suffering (tApa traya, the three being adhyAtmika=caused by one’s own self, adhibhautika=caused by those around one, adhidaivika=caused by the Gods) caused by the qualities (gUna) such as Tamasa. She who is full of (pUrita) moist (tEma, implying perhaps melting?) merciful (dayA) feeling (rasa). She whose eyes (nayanE) is like a garland (dAma) of lotuses (kamala).
Hindolam is a janya raga, derived from Natabhairavi (below), 20th on the Melakarta scale.
The scales of Hindolam are as follows :
Aa0: S G2 M1 D1 N2 S’ Av: S’ N2 D1 M1 G2 S
Hindolam is pentatonic and symmetrical. This raga is normally played in the first half of a concert, before the ‘heavy’ ragas. I find it gentle, lyrical and poetic. There are a number of beautiful compositions in Hindolam. SamajavaraGamana by Tyagaraja, Mamavatu Sri Saraswati by Mysore Vasudevachar, Ma Ramanan by Papanasam Sivan and Samagana Lole by G.N.Balasubramaniam are all very well known songs.
Many thanks sir for the explanation.
I appreciate your explanation on kriti and raga.🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼
Please do not forget to remember the great kruti Padmanaabha Paahi by Maharaja Swati Thirunaal
Please do not forget to remember the great kruti of all time Padmanaabha Paahi by Maharaja Swati Thirunaal
Thanks s lot My Pleasure 🙏
❤️❤️❤️
Who are the accompanying artists?
Excellent
Is that HN Bhaskar on violin?
Whoever, a great fiddle. Like to know the violinist name. Plz help, someone plz..
Thanks Sir. Sounds like Bhaskar but I am not sure.
Amazing...
NICE PERFORMANCE
Can anyone tell who is playing violin there.
:saamagana lOlE raagam: hindOLam
20 naTabhairavi janya
Aa: S G2 M1 D1 N2 S
Av: S N2 D1 M1 G2 S
Composer: G.N. Baalasubramaniam
Language: Sanskrit
pallavi
saama gaana lOlE, salalita guNa jaalE amba
anupallavi
sOma bimba vadanE, nisseema mahima sadanE
saamaja mridu gadanE, kaamadaana nipuNE amba
(saama)
caraNam
kOmalaanga kaamEshwara, vaama bhaga sadanE
naama bhajita saadu jana, paapa kuta shamanE
taamasaadi guNa kalpita, taapatraya shamanE
tEmadaya rasa purita, hema (?) kamala nayanE amba
(saama)
I believe it is saama dana nipune and not kaamadane nipune in the anupallavi. And in the charanam it is paapa kute madane. I doubt if GNB would use shamane twice. If you come across MLV's version, consider it authentic. The last line I believe is hema daya rasa purita, dhama kamala nayane
@@srinivasanshivakumar6616 it is kaamadaana nipune- referring to his book.- it is paapakoota madane. the last line is damakamala nayane. not hema.
it is kaamadaana nipune- referring to his book.- it is paapakoota madane. the last line is damakamala nayane. not hema.
Samaganalolane. Bombay. Jeyssree. And. Abhishek. Singing. Very. Gd.
Abosalutly I agree. I don’t miss day to listen to them and Samaganalolane!!
super
Nice voice
Super gondola raga
Raga --- Hindolam
A for Abhishek or is it A1
Enjoyed.
Very nice rendering of the song Sir. But in Aalapana, Hindustani classical style seems to dominate in your performance. Please stick to Classical Carnatic style while singing Carnatic songs. All the best Sir
Nice mix of hindustani and Carnatic
It means that yu donot know carnstic music as well as hindustan music. Yu have beautifully exposed yur ignorance.
mastery over ragam and swarams
Very interesting to listen
Details on Voilin & Mridangam please...
Narayana Subbara
Lyrics --- ?
VERY GOOD
Super
Violin ah amazing what a peaceful moment songs renderings so good no words
Could someone share the violist name? Thanks