⚘❤⚘❤⚘❤VIELEN DANK, Herr Pau NG!🌹🎻Sehr, sehr unvergleichlich SCHÖNER - VIRTUOSE Werk und Leistung! Tolles Video!!! 💐🎇🌹🎉🎉🎉💐👑🇦🇹👑❤🎭🎻🎺📯🎹🎂🥂🍾Herzlichen Glückwunsch zum Geburtstag! 🌹🎵HERRLICH PRACHTVOLLER Werk !.....💎.....Ich bin fasziniert von der Musik........🎶🎶🎶🙏💖Grosses DANKESCHÖN !⚘🍷🎵🌹🌟🌹🌟🌹🌟
I actually really like the tempo. I just imagine it's like the echo in the back of my mind as I'm dying and the piece I played throughout my whole lifelong career as a classical musician plays one last time in the ether before I pass away and the sound exists soft in the background. Not to make things too sad, y'all!! This is a very important historical recording and I can appreciate it for what it is with my own interpretation. I would definitely use a different tempo in the beginning for my own performance, however. Really nice, simple, and beautiful music for such an under-appreciated instrument. Grateful it exists!
Beautiful music, but I wonder if the first movement is well written for the adagio tempo. At this tempo, it seems dragging. I tried listening it at speed 1,25 and it seems more convincing so.
I agree. I customized Adagio to 1.4 and it made especially the solo part more effective, IMHO. ( Too fast for Allegro, so I set it back to original. ) Beautiful trombone concerto nonetheless.
@@Reciclassicat It is very strange. Obviously, the concert begins with the second movement. Of course, van Beethoven did the same in his 14th Piano Sonata ("Moonlight") - after all, this is a sonata without the first movement - but in Beethoven's case, we know for sure that this was the author's intention. What about Wagenseil?
When the Trombone is the soloist instrument, it is common to begin with a slow movement. Here you can listen the same concert: open.spotify.com/album/4LNaXPFkCq0vF9rS7jtkKZ
@@Leonid1969-e8d It's my suspicion that the piece was only written in two movements so an early trombonist could manage the endurance throughout the whole piece by making it shorter by a movement. Back then trombonists weren't as technically proficient as today and very few were considered apt for solo playing. Being that this piece was one of the first of its kind to use the alto trombone in a concerto setting, I believe Wagenseil intended on writing a short and simple ceremony piece for the instrument and not writing anything too risky. I think it's a really delightful piece of music and I appreciate its solemnity and simplicity.
The trombone got attention thanks to Christoph Willibald Gluck's Alceste in 1767. Among others, Johann Georg Reuter and Johann Michael Haydn wrote trombone concertante music.
⚘❤⚘❤⚘❤VIELEN DANK, Herr Pau NG!🌹🎻Sehr, sehr unvergleichlich SCHÖNER - VIRTUOSE Werk und Leistung! Tolles Video!!! 💐🎇🌹🎉🎉🎉💐👑🇦🇹👑❤🎭🎻🎺📯🎹🎂🥂🍾Herzlichen Glückwunsch zum Geburtstag! 🌹🎵HERRLICH PRACHTVOLLER Werk !.....💎.....Ich bin fasziniert von der Musik........🎶🎶🎶🙏💖Grosses DANKESCHÖN !⚘🍷🎵🌹🌟🌹🌟🌹🌟
I actually really like the tempo. I just imagine it's like the echo in the back of my mind as I'm dying and the piece I played throughout my whole lifelong career as a classical musician plays one last time in the ether before I pass away and the sound exists soft in the background. Not to make things too sad, y'all!! This is a very important historical recording and I can appreciate it for what it is with my own interpretation. I would definitely use a different tempo in the beginning for my own performance, however. Really nice, simple, and beautiful music for such an under-appreciated instrument. Grateful it exists!
The trombone was trending at the time and much the favorite of Moravians.
Toda una delicatessen musical. Tu magnífico sentido te guía.
Preciosidade delicada!
Beautiful music, but I wonder if the first movement is well written for the adagio tempo. At this tempo, it seems dragging. I tried listening it at speed 1,25 and it seems more convincing so.
I agree. I customized Adagio to 1.4 and it made especially the solo part more effective, IMHO. ( Too fast for Allegro, so I set it back to original. ) Beautiful trombone concerto nonetheless.
😊😊🎵🎵🎶🎶🎵🎵😊😊
owful tempi... :(
tempi di promiscuità🕳
The first part of the Concerto seems to have been lost?
No, it's the full concerto.
@@Reciclassicat It is very strange. Obviously, the concert begins with the second movement. Of course, van Beethoven did the same in his 14th Piano Sonata ("Moonlight") - after all, this is a sonata without the first movement - but in Beethoven's case, we know for sure that this was the author's intention. What about Wagenseil?
When the Trombone is the soloist instrument, it is common to begin with a slow movement. Here you can listen the same concert: open.spotify.com/album/4LNaXPFkCq0vF9rS7jtkKZ
@@Leonid1969-e8d It's my suspicion that the piece was only written in two movements so an early trombonist could manage the endurance throughout the whole piece by making it shorter by a movement. Back then trombonists weren't as technically proficient as today and very few were considered apt for solo playing. Being that this piece was one of the first of its kind to use the alto trombone in a concerto setting, I believe Wagenseil intended on writing a short and simple ceremony piece for the instrument and not writing anything too risky. I think it's a really delightful piece of music and I appreciate its solemnity and simplicity.
My! There were trombones back then? They weren't invented for "The Music Man"?
The trombone got attention thanks to Christoph Willibald Gluck's Alceste in 1767. Among others, Johann Georg Reuter and Johann Michael Haydn wrote trombone concertante music.
And there is the Leopold Mozart trombone concert too