Ahhhh. A transposer. Was the realignment of the harpsichord in the later 17th century really such a good thing? Reading O'Brien and later works makes one seriously wonder.
This artist, recording, and recording company appear to have vanished into the ether. Would appreciate any information about availability of this recording.
I had no idea instruments from that time period transposed - allowing for the very many variations in pitch all across Europe and indeed beyond. The subject needs more research?
A good start is the section on the 1638 Ruckers (from which this one was copied) in the Russell Collection, Edinburgh. This is covered in Russell 'The Harpsichord and Clavichord', and in more depth in O'Brien 'Ruckers'.
Was this ever published as a CD? I've looked high and dry for it, and can't find even a hint of it anywhere. This is one of those rare 'must haves'. Any help would be appreciated. Thanks in advance.
I'm struggling to find any information about Wolfgang Schröder the harpsichordist. The version of Mein junges Leben hat ein Endt is remarkably similar to Johannes Keller's in another recording on TH-cam.
I much prefer the sound of the copy by Grieswisch, but I have a feeling that the microphone placement for this recording was too close so I would hesitate to make a final judgement without having heard both instruments live.
@@md95065 The Griewisch instrument is a really phenomenal instrument. The word 'ghostly' springs to mind: we're not just listening to 17th century music, we're physically transported back to that century.
OMG. Utterly gorgeous. I feel as if I've been dragged back to the period. Thank you for posting.
Absolutamente SUBLIME... Gracias!
One of the finest recordings I've ever heard!
Exquisitely played. With elegance and a wim of airiness.
Very nice indeed! Thanks for publishing both discs
Ned Nederlander approves this message.
Lute stop 1:04 11:44 56:30 1:00:28
Ahhhh. A transposer. Was the realignment of the harpsichord in the later 17th century really such a good thing? Reading O'Brien and later works makes one seriously wonder.
Bom produces a convincing sound.
This artist, recording, and recording company appear to have vanished into the ether. Would appreciate any information about availability of this recording.
I had no idea instruments from that time period transposed - allowing for the very many variations in pitch all across Europe and indeed beyond.
The subject needs more research?
A good start is the section on the 1638 Ruckers (from which this one was copied) in the Russell Collection, Edinburgh. This is covered in Russell 'The Harpsichord and Clavichord', and in more depth in O'Brien 'Ruckers'.
Was this ever published as a CD? I've looked high and dry for it, and can't find even a hint of it anywhere. This is one of those rare 'must haves'. Any help would be appreciated. Thanks in advance.
Johannes Keller
@@paulnijsten8390 Thanks (and sorry for late reply!)
I'm struggling to find any information about Wolfgang Schröder the harpsichordist. The version of Mein junges Leben hat ein Endt is remarkably similar to Johannes Keller's in another recording on TH-cam.
Is this a commercial recording and if so is it still obtainable?
Dommage que le micro soit placé beaucoup trop près de l’instrument.
Whose version of this instrument sounds better? Bom's or Grieswisch's?
I much prefer the sound of the copy by Grieswisch, but I have a feeling that the microphone placement for this recording was too close so I would hesitate to make a final judgement without having heard both instruments live.
@@md95065 The Griewisch instrument is a really phenomenal instrument. The word 'ghostly' springs to mind: we're not just listening to 17th century music, we're physically transported back to that century.