1:32 = my fingering is 2 3 3. The 3 4 4 feels unstable. At 1:58-2:03 isn't that section off string? Or legato? And at 5:34, I thought the chromatic spiccato parts was till piano until the last few measures where it has crescendo?
Thanks for weighing in. Regarding your first two points, I'd say it's entirely subjective. 1. "Stability" is in the eye of the beholder and, 2. the choice of stroke here is up to the candidate to make their clearest rhythmic argument. (That said, be prepared to play most discretionary passages differently if the committee asks for it. And perhaps we have different definitions of "legato.") And regarding point 3., I'm not sure I understand the question. But I suspect my response is that dynamics are relative, not fixed. My approach is to treat *auditions* as a clarifying exercise, not a performance. And sometimes clarity means shading the ink, not blind fealty to it.
@@roberth.simonds7051 No worries. I have played Don Juan so many times in my audition videos (my channel), and I have my 2nd live audition tomorrow! So was checking audition tapes just to get everything ready
![Ranking ALL Violin TECHNIQUES [Difficulty Tier List]](http://i.ytimg.com/vi/_q9kGrjg5qI/mqdefault.jpg)
Incredible video. Perfect for professionals auditioning for an orchestra job
Thanks for listening, Dehan. I hope the video helps and let me know if you have any questions.
Great job explaining. I wish I had this vid 10 years ago when I was auditioning.
Thank You!
Nice!
thanks !
Thanks for listening!
I’m a pianist. Why am I even watching this? Lol.
Please Mozart violin concert number four
lesson
1:32 = my fingering is 2 3 3. The 3 4 4 feels unstable. At 1:58-2:03 isn't that section off string? Or legato? And at 5:34, I thought the chromatic spiccato parts was till piano until the last few measures where it has crescendo?
Thanks for weighing in. Regarding your first two points, I'd say it's entirely subjective. 1. "Stability" is in the eye of the beholder and, 2. the choice of stroke here is up to the candidate to make their clearest rhythmic argument. (That said, be prepared to play most discretionary passages differently if the committee asks for it. And perhaps we have different definitions of "legato.") And regarding point 3., I'm not sure I understand the question. But I suspect my response is that dynamics are relative, not fixed. My approach is to treat *auditions* as a clarifying exercise, not a performance. And sometimes clarity means shading the ink, not blind fealty to it.
@@roberth.simonds7051 No worries. I have played Don Juan so many times in my audition videos (my channel), and I have my 2nd live audition tomorrow! So was checking audition tapes just to get everything ready
i cant concentrate with freaking obama in the wall 💀