Reinhard Keiser - Sinfonia from 'Der lächerliche Printz Jodelet' (1726)

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  • เผยแพร่เมื่อ 28 พ.ย. 2024

ความคิดเห็น • 9

  • @alexanderp3689
    @alexanderp3689 8 ปีที่แล้ว +7

    I love the sound of this overture. I wish Keiser was performed or recorded more regularly.

  • @harryandruschak2843
    @harryandruschak2843 8 ปีที่แล้ว +6

    The sudden appearence of La Folia startled me.

  • @ISAACHALLEY3000
    @ISAACHALLEY3000 4 ปีที่แล้ว +3

    2:55

  • @christianwouters6764
    @christianwouters6764 4 ปีที่แล้ว

    Who influenced who, Keiser Telemann or the other way around ? Very simple but effective and inventive music !

  • @freiermensch6569
    @freiermensch6569 2 ปีที่แล้ว +1

    3:25 Händels Sarabande?

    • @Mercer1012
      @Mercer1012 2 ปีที่แล้ว +1

      Older than that. This is the La Folia schema that originated in the Renaissance.

    • @freiermensch6569
      @freiermensch6569 2 ปีที่แล้ว

      @@Mercer1012 Yes, you are right. I know a lot versions of La Folia, but they don't sound like Händel's Sarabande. This one does.

    • @Mercer1012
      @Mercer1012 2 ปีที่แล้ว

      @@freiermensch6569 It just sounds like a La Folia to me. Handel's was in D-minor, this is in G-minor.

  • @theophilos0910
    @theophilos0910 2 ปีที่แล้ว +1

    ‘Der Laecherliche Printz Jodelet’ literally means ‘the Ridiculous Prince Jodelet’ - and the deliberately musically tasteless & ‘silly’ overture to this rompy little Singspiel of 1726 sums up its title very aptly / what fun to write such dreck comedy - though I doubt very much old Fux reprinting his Gradus that year would approve the results ! LoL