Thanks for reviewing this. I've also generally only used it (and not often) from within PL. One thing I learned to do (the hard way, even before I got VP and was using Nik Perspective Efex) was to allow for "anti-keystoning" when composing ultra-wide shots (especially featuring architecture) by adding significant margins to the top and sides of the subject so nothing critical gets cut off when I use a lot of correction. Of course, you lose a lot of pixels, but that's the price you pay for rectilinear geometry if you don't use tilt-shift or a view camera. Agreed that sometimes a little convergence looks more natural.
After you click the switch to turn off the correction just click back on the tool. To re-enable it rather than the switch. It saves you a whole click. I generally use the tool directly in photolab but recently started using proRAW then Luminar Neo so will use it stand alone more in the future.
Many thanks for this very nice and helpful teaching. Bravo !
You are welcome!
Thanks for reviewing this. I've also generally only used it (and not often) from within PL. One thing I learned to do (the hard way, even before I got VP and was using Nik Perspective Efex) was to allow for "anti-keystoning" when composing ultra-wide shots (especially featuring architecture) by adding significant margins to the top and sides of the subject so nothing critical gets cut off when I use a lot of correction. Of course, you lose a lot of pixels, but that's the price you pay for rectilinear geometry if you don't use tilt-shift or a view camera. Agreed that sometimes a little convergence looks more natural.
Great point... being a little lose in the composition :).
After you click the switch to turn off the correction just click back on the tool. To re-enable it rather than the switch. It saves you a whole click. I generally use the tool directly in photolab but recently started using proRAW then Luminar Neo so will use it stand alone more in the future.
Great tip thanks for that.
Well demonstrated … 👍
Thank you! Cheers!