Boris Giltburg piano - Live from Wigmore Hall
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- เผยแพร่เมื่อ 15 ธ.ค. 2023
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Turning his attention to Chopin, Giltburg presents the 1839 set of 24 Preludes, a highly influential work inspired by Bach’s 48 which in turn became the model for examples by other composers, including those of another special figure for the pianist - Rachmaninov - whose 1910 set of 13 examples completed his total of 24.
Boris Giltburg PIANO
PROGRAMME
FRYDERYK CHOPIN
1810-1849
24 Preludes Op. 28
SERGEY RACHMANINOV
1873-1943
13 Preludes Op. 32 - เพลง
06:50 Recital start
07:14 Fryderyk Chopin : 24 Preludes Op. 28
52:32 Sergey Rachmaninov : 13 Preludes Op. 32
1:35:02 Encore - Fritz Kreisler arr. Sergey Rachmaninov : Liebeslied
1:40:44 Encore - Sergey Rachmaninov : Prelude in G minor Op. 23 No. 5
Thank you
One of the most attractive and influential contemporary pianist-musicians!
Just brilliant, enchanting, passionate, such a wonderful artist!
I've never seen Boris give less than 100 percent to his art. True artist.❤
Great performance of the Chopin, very personal approach to tempi, tempo changes, rubato, but so clear and structered in every detail. And the fazioli sounds gorgeous, very well captured.
All the voices are so clear and very very colorful, Bravo ❤
It is the first time that such a great Wigmore Hall concert is interrupted again and again by advertising.
What a great concert! What a pianist!
At 1:26:00, I hope the woman in the background is just in awe of his playing and not sleeping...
Absolutely enchanting!
Brilliant!!!
What a treat this was! Bravo.
you have been added to my favorites next to your Op 23 set - bravo!
Great performance !
Bravo!
Gran pianista, de una exquisita y apasionada sensibilidad para trasmitir el espíritu de una obra tan delicada como la de Chopin y la del genial Rachmaninoff. Desde Argentina, mis felicitaciones y el deseo de que sea más reconocido.
6:50 Recital start
chopin prelude no.16 at 32:00
💐
Unusual for a recital program to begin with the op. 28 preludes…it usually takes up the entire second half of a recital program, after intermission
10:05 😱 Amazing!
Wonderful pianist. Is it my imagination or does he hesitate in the Chopin Prelude No 8 in F sharp minor Bar 22, at 17:40?
hesitate? lost it completely. Good recovery though
Yes, I rewound to see? But he could fall off the piano bench and it would still be brilliant!
@@PS-te7rh
It was a split second slip, hardly "lost it completely." Hope you got more out of his artistry than that.@@PS-te7rh
@@PS-te7rhWhat a fantastic answer !
Just a memory slip. Good recovery in a difficult spot. @@PS-te7rh
Does Wigmore own that Fazioli? Or did they bring in for Giltburg? I believe Hewitt played on a Fazioli at Wigmore sometime in the past couple years as well.
Ah they just addressed this post encore: Not Wigmore's Fazioli. They brought it in for the performance.
Is it Fazioli F278 or F308?
Looks like only 3 pedals?
Poor video quality.
Listen to the music and his piano playing… who cares about audio quality??!!
I have here quality 1080p and with headphones is stereo.
@@michelangelomulieri5134 Don't get me started on feeling the language of music. It would just be nice to see such good concerts in a higher quality resolution. when there is an opportunity today.
He needs to work on his legato playing. Pedaling is also leaving a lot of holes in his phrases. Too much staccato being used. Sound is Dry from insufficient pedal.
This comment is way off in all respects. I listen to allot of Giltburg recordings and this one like others is excellent. Some of the other comments are focusing on the quality of the video negatively. I would agree that this video seems more remote in audio recording and lighting.
I'm used to Rachmaninoffs own way of playing HIS Preludes followed by Richter, Weiseberg and other Greats. This slow, anemic, overly bare bones transparent, dry way does not appeal to me or many others.
Recording not at best quality! Projection and nuances not captured as usual.. Range of sound not optimal.
Shut. Up. Pompous ass….