The way Mr Horowitz plays middle section of the C sharp minor Waltz at 10:35 may be some of the most true cantible I've ever heard come out of a piano. Exequise, magical and hypnotic. Pure Musique...
Ahhhh, that exquisite palette of touch, pedal mastery, and his rhythmic subtlety.....how could anyone enjoy......Unnamed!!!! Hint DGG commercial Italian product......
Ah! ...... The Mazurka full color spectrum as only V. H. could reveal: Ephemerally wistful, yet comes tragedy with a T capitalized. Interspersal of Light beguiling, inevitably transfigured into the breaking heart.
Not as common at all to come across an unreleased "new" experience of the master playing, after all the almost-endless replays of the recordings that have always had!....I am listening now, absorbing....experiencing!
"J'ai vu des archipels sidéraux et des îles dont les cieux délirants sont ouverts au vogueur" I have seen sidereal archipelagos and islands whose delirious skies are open to the sailor - Arthur Rimbaud
Those Mazurka's are absolutely amazing!! I wonder if Moriz Rosenthal was present at this recital. He was still alive and lived in New York. Rosenthal's recordings of Chopin Mazurkas are equally stunning and original, although less subtle and not as beautiful as this set of Chopin Mazurkas by Horowitz. Really beautiful, thanks a lot!
What an added present....I played the ppus 63 nr.2 at my Tully NY debut.....1972...also in Hamburg and Berlin.With the first integrales of the young Rubinstein, Friedman.....Cherkassky...all models of Chopin Mazurka playing
Rather disappointing "Funerailles", hasty, bangy and overwrought almost to the point of panic, at all events far inferior to the stupendous 1950 studio recording.
Couldn't disagree more. He is in much better control of his pianissimos here and his phrasing and pacing, far from panicky, is actually spacious and leisurely compared to that studio recording. The crisp articulation of the bass octaves is fabulous, not bangy, and much clearer than in the 1950 studio recording. He had his engineers doctor the bass in many of those studio recordings to create precisely the overwrought sonority you refer to; this is how he sounded live and undoctored in Carnegie Hall, as I experienced it live.
The way Mr Horowitz plays middle section of the C sharp minor Waltz at 10:35 may be some of the most true cantible I've ever heard come out of a piano. Exequise, magical and hypnotic. Pure Musique...
It is such a privilege to hear the young Horowitz and so many of these unreleased recordings are even better than the ones we're used to.
Funérailles will forever be a favorite. Love his interpretation. Thank you 🖤
Exquisite and marvelous and thank you for posting this! It is so refreshing always to hear Horowitz perform...
Thank you for this treasure
Thank u for uploading valuable sound source.
The last funeral march has been modified by him.
Ahhhh, that exquisite palette of touch, pedal mastery, and his rhythmic subtlety.....how could anyone enjoy......Unnamed!!!! Hint DGG commercial Italian product......
Ah! ...... The Mazurka full color spectrum as only V. H. could reveal: Ephemerally wistful, yet comes tragedy with a T capitalized. Interspersal of Light beguiling, inevitably transfigured into the breaking heart.
he said "the mazurkas are pure gold" and the way he plays them turns them into gold....
The King 👑👑👑👑
Best Au bord d'une source EVER
Not as common at all to come across an unreleased "new" experience of the master playing, after all the almost-endless replays of the recordings that have always had!....I am listening now, absorbing....experiencing!
Maximum artistry, how enjoyable!
"J'ai vu des archipels sidéraux et des îles dont les cieux délirants sont ouverts au vogueur"
I have seen sidereal archipelagos and islands whose delirious skies are open to the sailor
- Arthur Rimbaud
Those Mazurka's are absolutely amazing!! I wonder if Moriz Rosenthal was present at this recital. He was still alive and lived in New York. Rosenthal's recordings of Chopin Mazurkas are equally stunning and original, although less subtle and not as beautiful as this set of Chopin Mazurkas by Horowitz.
Really beautiful, thanks a lot!
Just curious, isn't this the exact same recital?
th-cam.com/video/e7cel67YHdY/w-d-xo.html
What an added present....I played the ppus 63 nr.2 at my Tully NY debut.....1972...also in Hamburg and Berlin.With the first integrales of the young Rubinstein, Friedman.....Cherkassky...all models of Chopin Mazurka playing
!
13:20-25 - only Horowitz
On rêve d’une intégrale.
Do you know the date of these recordings? Such beautiful playing.
th-cam.com/video/e7cel67YHdY/w-d-xo.html
Pretty sure it's March 28, 1945
Amazing! I am sure Liszt would of approved!
OMG! "....Rarities", indeed!
0:24 böse
Pretty self indulgent on that waltz, eh?
You’d rather he indulged someone else?
And a thousand times more interesting than anyone else's.
Rather disappointing "Funerailles", hasty, bangy and overwrought almost to the point of panic, at all events far inferior to the stupendous 1950 studio recording.
I enjoy his 1932 and 1950 recordings of this, feel free to listen to his 1948 recording here as well:
th-cam.com/video/DMRRwiVm6h0/w-d-xo.html
Couldn't disagree more. He is in much better control of his pianissimos here and his phrasing and pacing, far from panicky, is actually spacious and leisurely compared to that studio recording. The crisp articulation of the bass octaves is fabulous, not bangy, and much clearer than in the 1950 studio recording. He had his engineers doctor the bass in many of those studio recordings to create precisely the overwrought sonority you refer to; this is how he sounded live and undoctored in Carnegie Hall, as I experienced it live.
The 1948 live recording on our channel (see above link) is perhaps even more convincing. My overall favorite version is his 1932 rec.
@@pianoredux7516 Felt the same way.