Thank you so MUCH for this! Really delightful and instructive! I can sight read music as single note melodies, but have trouble reading two or more parts simultaneously. I wonder, Do you have any suggetions for improving that? Do you slowly work out each part separately then combine them? Do you practice short phrases two to four measures at a time? I'm really seeking to improve that part of my playing and reading. Showing the notation is VERY helpful! It always bugs me when guitarists mention TAB, since TAB is USELESS without the notation too. And TAB does not explain anything. Only non-reading guitarists use TAB. I wonder why they do that when reading music is SO much easier and faster. Anyway, I LOVE your channel! Best wishes and please keep up this wonderful content !
Thank you! Yes, I recommend going from motive to motive until forming complete phrases and then moving on to the next ones. For example, in this piece, the first 4 measures form the motive of the fugue, which is then repeated in the lower voice in measures 4-8, thus forming a complete phrase. When practicing, it's good to know the different voices in case you want to emphasize one more than the other, but it's better to practice them at the same time to develop muscle memory. To sum up, gradually study between 2 to 4 measures until forming complete phrases (which are usually 8 measures long), and then continue this process until you have learned the entire score. Regarding the question about tablature, I believe it's frequently requested because it's the fastest way to learn a piece for those who couldn't learn standard musical notation. In fact, there are manuscripts from the 15th century and earlier that already used tablatures. It's quite useful, but it lacks information compared to a regular score. Sorry for the long paragraph, I hope it helps!
What a nice gem. I really enjoyed the playing.
Thank you! I'm glad you liked it!
Qué hermosa música!!!!! Da gusto escucharte... Enhorabuena!!!!!
GREAT work!
Thank you!
¡Qué hermoso trabajo! Toda una novedad para mí. ¡Muchas gracias! 🙏
@@andresbregant muchas gracias! Siempre intento arreglar obras poco conocidas o que no han sido adaptadas para guitarra para aumentar el repertorio!
👏👏👏
Great!
@@luciocsordas Thank you.
Fantástico!!
Beautiful! thanks very much for sharing the sheet music as well. Looking forward to learning this one!
Thank you! I Hope you have fun learning it!
Maravilloso trabajo!!
Muchas gracias!
Bravo!
Muchas gracias!
Thank you so MUCH for this! Really delightful and instructive! I can sight read music as single note melodies, but have trouble reading two or more parts simultaneously. I wonder, Do you have any suggetions for improving that? Do you slowly work out each part separately then combine them? Do you practice short phrases two to four measures at a time? I'm really seeking to improve that part of my playing and reading. Showing the notation is VERY helpful! It always bugs me when guitarists mention TAB, since TAB is USELESS without the notation too. And TAB does not explain anything. Only non-reading guitarists use TAB. I wonder why they do that when reading music is SO much easier and faster. Anyway, I LOVE your channel! Best wishes and please keep up this wonderful content !
Thank you! Yes, I recommend going from motive to motive until forming complete phrases and then moving on to the next ones. For example, in this piece, the first 4 measures form the motive of the fugue, which is then repeated in the lower voice in measures 4-8, thus forming a complete phrase. When practicing, it's good to know the different voices in case you want to emphasize one more than the other, but it's better to practice them at the same time to develop muscle memory.
To sum up, gradually study between 2 to 4 measures until forming complete phrases (which are usually 8 measures long), and then continue this process until you have learned the entire score.
Regarding the question about tablature, I believe it's frequently requested because it's the fastest way to learn a piece for those who couldn't learn standard musical notation. In fact, there are manuscripts from the 15th century and earlier that already used tablatures. It's quite useful, but it lacks information compared to a regular score.
Sorry for the long paragraph, I hope it helps!