Hi Gustav, I'm not sure if you'll see this but I'm curious about something you have in the book: "Choosing the Nikon F Mount also gave us the advantage of being able to use the Nikon D800 for our “digital” comparison.” Is there a way we can have access to that D800 version of the scene to compare to the digital?
Hi Vernon, I have found the files for the D800. Those images were test shots and were not captured on the day of the film shoot. The images from the D800 were used to evaluate and lock in the exposure settings which were used in the day of the film shoot. The D800 was basically a polaroid camera for the shoot. Send me an email to films@getflavr.online with your requirements and a brief outline of your curiosity in the digital images (just for my curiosity....)and i will create a dropbox with the files for you. I originally was going to include the D800 images within the book but decided not to in the end, to keep it purely analogue. Thanks for reaching out... Cheers Gus.
Hi Gustav,
I'm not sure if you'll see this but I'm curious about something you have in the book:
"Choosing the Nikon F Mount also gave us the advantage of being able to use the Nikon D800 for our “digital” comparison.”
Is there a way we can have access to that D800 version of the scene to compare to the digital?
Hi Vernon, I have found the files for the D800. Those images were test shots and were not captured on the day of the film shoot. The images from the D800 were used to evaluate and lock in the exposure settings which were used in the day of the film shoot. The D800 was basically a polaroid camera for the shoot. Send me an email to films@getflavr.online with your requirements and a brief outline of your curiosity in the digital images (just for my curiosity....)and i will create a dropbox with the files for you. I originally was going to include the D800 images within the book but decided not to in the end, to keep it purely analogue. Thanks for reaching out...
Cheers Gus.