Great sounds, but it's out of my pay grade. I've committed myself to really mastering triads first. I made the mistake of trying jazz exercises, while not working on the real fundamentals. Nobody likes a crappy jazz pianist, n'est-ce pas? My piano teacher is supportive of my decision. Time to get back to my Moulin de Ville.
What’s funny is every time I’m behind my board you will hear me playing those colors in just about every song!!!! But I’m told that I’m too laidback!!!🤔
Хорошо. Но наивно. На 88 клавишах рояля можно взять 309 485 009 821 345 068 724 781 056 аккордов. А уж последовательностей аккордов:) И для каждой из них всегда найдется контекст, в котором она будет звучать консонансно, и даже идеально.
Just a note on the tritone substitutions. They're not called that because the new root is a tritone away. They're called that because the tritone interval in the original chord - e.g. E and Bb in C7 - is the same as the tritone interval in the substitute chord, in this example - Bb and E (or Fb) in Gb7.
Hmm... They are called that precisely because the new root is a tritone (3 tones = 6 semi-tones) away. A secondary propriety is that (in a dominant chord), the (minor) 7th is exactly a tritone away from the 3rd, and conversely.
Hi Jeff, thanks for the information. Everything great as always. one question. Would you play these chords exactly the same (especially the ones with root) if you are performing with a bass player? It does still works the same?
This is super tasty choices. The piano tones are to die for. Thanks for sharing this lesson. Its very inspiring to listen to your way of navigating through the chord choices and voices. I'm heading over to your suggested video on Jazz Piano chords. Thanks!
Man, you packed a ton of great stuff into such a small amount of time. I'm a guitarist, but love to see how pianists approach chord progressions. Well done
Beautiful! Your voicings are always so tasteful. Please keep more RnB/soul stuff coming.
Great sounds, but it's out of my pay grade. I've committed myself to really mastering triads first. I made the mistake of trying jazz exercises, while not working on the real fundamentals. Nobody likes a crappy jazz pianist, n'est-ce pas?
My piano teacher is supportive of my decision. Time to get back to my Moulin de Ville.
Quick and to the point, immediately getting into the material. Thank you, loved this 🙌
Sneaking in Elvis @5:30 ...you slick bastard lol
Great video man!
If David Guetta was a jazz teacher
The keyboard wouldn’t be plugged in 😩
What’s funny is every time I’m behind my board you will hear me playing those colors in just about every song!!!! But I’m told that I’m too laidback!!!🤔
Jeff, the beard turned you into a GIGA-CHAD!
Very fancy! lol Awesome lesson and great explanations! Thank you!!!
Lol. I see what you did with the GSus chord there
Хорошо. Но наивно. На 88 клавишах рояля можно взять 309 485 009 821 345 068 724 781 056 аккордов. А уж последовательностей аккордов:) И для каждой из них всегда найдется контекст, в котором она будет звучать консонансно, и даже идеально.
Greatest lessons, quick, deep, interesting. Thank You. What Rhodes Sound do you play in the viedeo? Michael.
Subscribed. Thank you, love your style and the way you deliver the great content. Looking forward to more
Holy G sus! That was a good one!😁
Just a note on the tritone substitutions. They're not called that because the new root is a tritone away. They're called that because the tritone interval in the original chord - e.g. E and Bb in C7 - is the same as the tritone interval in the substitute chord, in this example - Bb and E (or Fb) in Gb7.
Hmm... They are called that precisely because the new root is a tritone (3 tones = 6 semi-tones) away. A secondary propriety is that (in a dominant chord), the (minor) 7th is exactly a tritone away from the 3rd, and conversely.
Just play the damn thing!
2:01
Stank and crap face engaged.
Happened to me too.
Thanks Mr. Schneider. I've soiled my pants at work.
Excellent Video and explanations!!! Decided to go sleeveless and bring the guns out 💪💪💪. I fully endorse it!!!!
Can someone explain that chart?
There’s a video walkthrough included in the free download. Check it out!
Bringing Maroon 5 to the jazz jam
5:07 Gsus ❤😂
Progression 4 is PJ morton kkk
Hi Jeff, thanks for the information. Everything great as always.
one question. Would you play these chords exactly the same (especially the ones with root) if you are performing with a bass player? It does still works the same?
AHhhhh this is so good, thank you !!!!!
Don't know doodlely about playing piano but you are a fine teacher and I'm subscribing.
This is super tasty choices. The piano tones are to die for. Thanks for sharing this lesson. Its very inspiring to listen to your way of navigating through the chord choices and voices. I'm heading over to your suggested video on Jazz Piano chords. Thanks!
which rhodes are you using bro🔥
Pretty sure it's Keyscape
@@ProffessorMusic thank you 👊🏿
Just what I was looking for. Very cool progressions! Thanks!
Sounds amazing Jeff!
Incredibly cool progressions, Jeff. Thanks so much for this! Benjamin
Gsus 🤣🤣🤣
5:08 G sus (Jesus)😅
🎵🎶🎹🎹🎻👍🏻👍🏻
Excellent video, thank you.
That's some cool sounds to work on the weekend! Thank you sir!
The best of youtube, as always! Thanks !
autojaleo.
Sounds like some nice gospel chops 😎
Awesome! What sort of keys sound is that? It's beautiful!
Some sort of Fender Rhodes setting.
F key tutorial pls bro
Do you play soprano sax too?
"G-sus" was a good one
Man, you packed a ton of great stuff into such a small amount of time. I'm a guitarist, but love to see how pianists approach chord progressions. Well done
Lovely, I haven’t tried it, but would have said the G13 may be better with a #5. As you have the natural 5th before that, probably nice to walk it up.
Thks!
5:31 - Wise men sayyyy
Thank you so much now I have stds
Yes sir doc
this is great
Niiiiice!!!!
Milles merci !!!
cool
❤
🤣
what is "that soulful sound"?