LucasRaps | Dropped out, DJ Maphorisa, Nasty C, Blxckie, Bloc 13, 14 Million Crib, Ghost Hlubi
ฝัง
- เผยแพร่เมื่อ 22 ส.ค. 2022
- DISCLAIMER: The view(s) and opinions expressed on this show by the host(s) do not necessarily reflect those of the channel. Furthermore, the views and the opinions of the guest(s) do not reflect those of the host(s) and the channel.
---------------------------------------------------------------------------------------------------------------------------------------------------------------
Everything SA Music
Premium South African Music Content
The Rea & Blvck Steph Podcast Episode 66
Guest: LucasRaps
Stream: everthingsamusic.podlink.to/ESAM
Group chat: t.me/everythingsamusic
Edited: @blvcksteph
Intro & Outro song by : NatorDeep - Best Friend
Sound by : Nkhaotic
Follow Everything SA Music :
/ esamnetwork
/ everythingsamusic
/ esamofficial_
/ everythingsamusic
/ everythingsamusic
Follow Rea :
/ reagopane_
/ reagopane
Follow Blvck Steph :
/ blvcksteph
/ blvcksteph
/ officialblvcksteph
/ blvcksteph
Follow: Nkhaotic
/ nkhaotic
/ nkhaotic
#TheReaAndBlvckStephPodcast #EverythingSAMusic #ESAM #Rea #BlvckSteph #ESAMPodcast - บันเทิง
This is interview was important now we understand Lucas let's go support the boy
That wasn't an interview , That was an artist painting us a picture of who he is.👑
Maphorisa is not given enough credit bafethu
Good interview guys
No Mann this concept of having a guest is nice boyz i really enjoy it way more... keeo it going.
The Big 60 run has been absolutely stunning 🙏🏾✨✨
I love this content, can yoh please focus on hip hop 💕
This was great ❤️
🔥🔥no words ..just 🔥🔥🔥💯
Dankoo boys, got THE Y.O.G himself 🔥🔥😭✅✅
"The boys are back"❤
Yo...Lucas came through with the Mazaa this time...🔥🔥👑
Too fresh.
3rd time i rewatch this full pod
Eyy bros Can I suggest something like at the end of an interview can you ask the guest their top 5 dead or alive of all time excluding themselves it would be very interesting to hear and also ask them to rate their own albums
Easy derr gents, this was a nca one 🐙🔥. ESAM boys up!!
I love how you guys listen & didn't create sum controversy over all the dude says, let the artist outsell themselves. 🏆😂
Lucas is 👑 🔥🔥🔥
“Like I got uhh , that was a wack flow.” 🤣🤣🤣
Dope🔥🔥🔥🔥
🗣 “LucasRaps , the Y.O.G.”
LUCAS THE Y O G 🔥🔥🔥
Lucas got more humour these days 🔥🔥🔥😂
Yessir 💯
Haven't been here in a while, my niggas keep pushing
this interview ended weirdly😂😂
bro way too weird how this ish ended. & I think it's the last question that fucked up the vibe & energy
Hope he can rap about these exact stories..
Guys put oil on the hinges of that gate😂
Let’s go🏃🏿♂️🫱🏾🫲🏽
Thanks guys🏆🏆🏆
Big Qosh💸💸
Y.O.G, The Big Qosh!!!
🌍🤴💞🙌Hotep to the Young Kings
Rea behaves when artists are here😂
Wait till they vaii 😂😂yoh gonna see the real trait 😂
@@worldwidemotivation2616 true, I thought I was the only one who noticed it🤣🤣🤣🤣
im hre i missed the last 1 with lux but for this im hre
You know lukey he the truth 🔥🔥🔥
Rea issa listener fam. He reads a person as they speak. and for the first time ever i hear the coloured accent slipping out as Lucas speaks... if he could take advantage of that and do what Youngsta did yesses
Ey thrills only here
Im not gonna lie I enjoy this podcast more than the biggest podcast in Africa
Me too I swear!
Great Interview… Kodwa 😅
Steph the whole interview: hmm... yea....hmm...hmm..hmm...hmm..hmm..yea...hmm
😂
Nhlanhla Lux comes on the pod then all of a sudden the bru's change the time they drop trying to confuse the enemy 😂
Lool I see it
Haiii Bouiii which one is this one?
@@EverythingSAMusicTV we are big fan dnt change time
First I was Monday 13 pm now it Tuesday at 7 pm
@@tarbhiza honestly the whole process took longer this time around.
@@EverythingSAMusicTV ❤🪂
Lavie Is mizing me too
liiiiiiiiiieeeeeeeesss..................................LUCASCAPS🧢🧢🧢🧢🧢...with the trees
this nigga understands the game
🔥🔥🔥🔥
This nigga Steph and misusing the word "which" 😂😂😂
One of my hommies for campus told me about lucas back in school coz dey went to d same school...n i always thought he was hyping d nigga kanti d nigga was lit d4 d blow 🙌
SHOUT OUT LUKE
Phori is thee GOAT
The roots of South African hip-hop (80s-90s)
Perhaps the most definitive act in South African hip-hop and the group largely credited as forerunners of the movement were Prophets Of The City (POC), formed in Cape Town in the late 1980s. Founding member DJ Ready D recalled those early years in the documentary FedeFokol: 25 Years of South African Hip Hop: “I was your typical Cape Flats kid, running around and doing what Cape Flats boys do. I didn’t really think I would assume the role of an activist within our communities or through music.”
POC released their first album, Our World, in 1990. Today they are credited as the first hip-hop crew in South Africa to record and release an album. Led by the inimitable voice of Shaheen Ariefdeen on raps, POC would carry on carving a niche for themselves on the South African hip-hop landscape, performing overseas in the 90s as well as at Nelson Mandela’s inauguration in 1994.
Around the same time, another hip-hop crew with a similar vision arose from the Cape Flats. Led by the dynamic rap talents of Emile XY, Black Noise would go on to carve their own path in South African hip-hop, despite changing their lineup as time went on. Formed in 1988, the group soon found a loyal following in Cape Town and Joburg. In 1992 they signed to the label Tusk (the local subsidiary of Warner Elektra Atlantic) and released their debut album Pumpin’ Loose Da Juice!. Emile has been the mainstay of the group, going on to champion events such as the annual African Hip Hop Indaba, which showcases the different elements of hip-hop (breakdancing, graffiti, MCing, DJing) over three days.
Importantly, political consciousness was always at the centre of their vision. Adam Haupt, Associate Professor of Media Studies at the University of Cape Town, sums up this early period of South African hip-hop in his book, Stealing Empire: “Like POC, Black Noise has always aligned itself with black consciousness thinking, hence the crew's consistent reference to black - as opposed to coloured - identity. This, in part, is what the term 'conscious' hip-hop indicates, but it also alludes to the idea of raising critical consciousness via hip-hop as a lifestyle, philosophy or art form. It is in this area that POC and Black Noise have been active.”
Popular discourse around South African hip-hop typically centres on the overarching influence of POC and Black Noise. While these crews - cultural movements in their own right - deserve their place in history, it is important to not overlook other regions in South Africa which served an equally important role in raising awareness about hip-hop culture, such as Def Boyz in the Eastern Cape, whose grassroots initiatives continue to reverberate through small communities and inspire a new legion of rappers. One of the founders, Xolile Madinda, is involved in literacy projects and community debates to uplift his community.
In Johannesburg, hip-hop took centre stage at Le Club, a mecca of sorts (similar to The Base and Club Fame in Cape Town) where the current cream of South African hip-hop cut its teeth. Founded by DJs Bionic and Blaze, Le Club's centrality to the scene cannot be over-emphasised. Vouks, a legendary breakdancer who is still active on the scene, had this to say about the significance of the club, which has since been converted into a clothing store: “I would call it the hip-hop hub for all youngsters, your top MCs and your underground MCs. This is where the cyphers and the B-boys and everything went down every single weekend.”
Other musicians experimented with hip-hop during the 1980s and early 90s, long before it entered the mainstream. As early as 1984, the late bassist Sipho Gumede was dabbling in hip-hop as The Boogie Man, rapping in isiZulu on tracks such as ‘Jika Jika’. Senyaka had a hit in the late 80s with ‘Go Away’, a song that bridges the gap between 80s bubblegum/disco, hip-hop and the kwaito genre that would dominate the local music industry in the 1990s. Rapper Taps released albums such as Let’s Go (1990) and Young Hip And African (1991). Natano Braché rose to prominence in Cape Town as a club and radio DJ going by the name DJ Natdog. His maxi-single ‘B-boys’ was released in 1990. I.N.T.R.I.B.E, a group from Johannesburg, released Bubblegum In My Afro in 1992. Their name stood for Intelligent Natives Teaching Revolutionary Intellectual Black Education, a nod to movements like Public Enemy and the Jungle Brothers, as well as POC and Black Noise, whose music carried a message of self-awareness.
An important factor in the rise of hip-hop in South Africa is the emergence of YFM, the Gauteng-based regional radio station which launched towards the end of 1997. The Sprite Rap Activity Jam, an hour-long weekly segment co-hosted by Kalawa Jazmee co-founder DJ Oskido and Rudeboy Paul, heralded another phase for the evolution of hip-hop. Suddenly rappers had an attentive audience who would listen to their music. However, for the latter part of the 90s, hip-hop did not manage to make a dent on the broader South African music industry. Kwaito had taken a strong footing, followed closely by house music (which eventually overtook it in the early 2000s). As a result, hip-hop in South Africa was sidelined for long time. In retrospect, this allowed the movement to re-organise itself and establish its identity.
man came with the whole research 🔥🔥
@@luzukosonkapu8502 what research???? That's what it is.... Facts is Facts
That R14million story is BIG CAP
In 2013 Lucas and his parents relocated to Ladybrand Free State as his father was working at Lesotho that's how I begun to know him for a period of 3 years as I was building him a skateboard ramp and his father used to bother him with school work cause the boy was not good at school and he once said one day he will drop out of school and he was around 12 years old and he said he will be famous and he will buy the table mountain
people saying Lucasraps is cappin is offside literally how you know? we don't know other sources are facts but whatever it was cool interview.
besides that hip-hop history thing and house topic was something i disagree in my opinion
I don't like the way they cornered Lucasraps making him seem like he's the problem and why things went left with blxckie🚮
If he recorded at Phori's crib does it mean Phori owns the masters outhouse songs
PHORI gets a mechanical rights split
@@omolemontsakotsienyane Thank You
My boy Rea with the Chinchilla! 😎
Yini i chinchilla
@@cucumberpranks6370 A chinchilla is a type of rodent brayaka. The fur on his jacket is inspired by that animal.
@@Thatothatothato yini i rodent ??
😂😂haha
@@cucumberpranks6370 😂😂no bro just dont
lawd maphorisa is too much
Lucas I'd advise you to stick to that genuine vibe and sound you did when you first came up bro that 'without me' sound
Ahh Rea said Lucas is wack mos
When artists are in the building we behave 😂
🤭 welele.
BIG CAP 🧢
🤣🤣🤣Brooooo
@@juniorabulele9084 😂😂 😂
Album was wack?
Na, majority of people lik it
Sum are saying its wack coz they just haters
Sgila or sgela we no you black Lucas
This nigga slang thou🤣💥💥💯💯makes me wanna talk like him
IF YOU HAVE TIME PLEASE SEARCH
Brutal Fista - I Need A Break (Ft Jay Onesixx)
ENJOY
Hai… being a rapper is not easy, but s/o to yog not a fan but homie uyakwazi ukuzi khulumela.
Uyasiqhela wena... Some of us been listening to Ab Soul, K dot, Elzhi, Mos def and such. Telling us we don't understand your wordplay is a trash excuse. Think of sth better.
interviews are not for you. You just listen to the story even if u can see if its cap u guys just seat back and not challange the guest. rea always folds and not say what he always says. that house cap was too much😅🤣😂🤣🤣🤣
🤣🤣🤣exactly
He said it was a "leased house", meaning he was renting it. You need to read and listen in order to understand things
@@loto8662 I heard that but at first he said he bought the house when he was asked by mzansi a listers so and in this interview he said that's his house and he changed the story to he leased the house niggas should have asked him what was the reason for him to lie
I think they can't attack the guest. They ask him relevant questions and when he caps, we will hear it.
Why you with the negatively... if this sh*t isn't for you, don't watch it, and stop hating
I honestly love Lucas but at times he can be arrogant..Bruu cant be talking about huns and money wire-wire..yes, its his current lifestyle and all but can we atleast hear some sentimental shit !!!
Did u listen to his new ep on SoundCloud?
Lucas Raps’ sound is mediocre. I feel like his music needs to improve. He is always talking about hunns and money
He said, it's his current situation
Definitely he will change He is still young and he will grow trust me 🤞 he is a talented young man l he's hustler 🇿🇦🇿🇦🇿🇦🇿🇦🇿🇦🇿🇦💯🤞