How To Transcribe in 7 Steps
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- เผยแพร่เมื่อ 23 ก.ค. 2024
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Chad LB is an international recording artist who has toured globally as a bandleader, and with superstars ranging from Chris Botti to Taylor Swift. He has been a featured soloist with premiere ensembles like the Juilliard Jazz Orchestra, and was formerly a member of the multi GRAMMY winning Afro Latin Jazz Orchestra. Despite his demanding tour schedule, Chad is on faculty as a visiting artist at the San Francisco Conservatory of Music for their new Roots, Jazz and American Music degree program.
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Use coupon code “CLB5” for $5 off an instant download of the “Chad LB Transcribed” PDF ebook by Wesley Chin. www.chadlb.com/store
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After watching this video I decided to tranpose Sonny Rollins' five chorus solo on St Thomas through 12 keys. I've done 5 keys so far.
Did it help?
As a guitarist, I must say that your content is almost always fresh and useful as it really gets into the nuts and bolts of building melodic lines: sth that a lot of guitarists and guitar teachers gloss over. So, thank you and best wishes in this difficult time.
Great stuff Chad really needed this! Thank you!!
You're honestly a blessing to us all! Thank you for sharing so much!
Great video! Thanks for the lesson, I will try!
These tips are awesome! I've been transcribing your "Yesterday" quartet piece and this helps out a ton
Thank you, Man! While watching this video I thought that you are in near level with Parker, Coltrane, Brecker. But in comparison with them you are teaching in addition. Thank you!
Thank you so much!! It’s really helpful video.
Thanks for the advices ! I'm a bass player and l'm currently transcribing a Wes Montgomery solo, transposing each phrase in 12 keys is a massive work but so valuable !
Even though i am a pianist i always get so much value from your videos!! Thank You so much!
This was very informative. I've been having trouble transcribing lately bc I've realized that I wasn't really internalizing solos the way I wanted to and learning the most content possible. Thanks for giving me a lot more to work with! You're incredible as always
Informative video with useful tips on transcription and soloing. Baby steps for me all the way. Thank you
What an amazing teacher - excellent concepts and discussion - thank you! I’m a guitarist so I mainly think in terms of scale degrees when I transcribe and practice lines. I love taking melodic cells and combos and transposing to several other keys, usually chosen based on the II-Vs in the tunes I’m working on. That’s one of my favorite ways to practice.
thank you so much for sharing!
great content, lots of valuable information in these videos.
Thanks for watching!
Very inspiring and informative les. Sincere thanks.
Great ideas and methods as always. Just playing a Parker tune (head) in all keys with the goal of making each key sound as "slick" as the original has worked for me because his tune can include colorful chord substitution notes in themselves. Like the singing part too!
Fantastic lesson - thank you!
Thank you. Great explanation
Dude thank you for this videos which means a lot for beginner level musician as I am.Greetings from Turkey.
Thank you so much. There's so much to unpack. Like treasure or one of those gift boxes. Work never looked so good.lol
Haha thanks, Richard! Glad you’re enjoying the content!
This video is amazing as all of yours are!
Thank you, Adam!
Very useful, I was transcribing your solo on Yardbird Suite from the Standard sessions series you have here on TH-cam, and it's been a very long time since I've transcribed something. A day after learning some frases and trying them over different keys and chord progressions and I already hear them in my improvisations.
Great video, love your playing and teaching style. I think there is another thing students can do to improve their transcribing capabilities: know your scales adn apreggios. So much of jazz is based on these two, if you know them and have them under your fingers you can trascribe more efficiently.
Amazing !
I’ve been waiting for that video!!!!!!
Thank you Chad for the cool video and the cool blues lick sir
Thank you, Chris!
OK! Hearing you play it makes alot more sense!
Hi Chad! Thanks for this
Awesome video - really helpful. Really wish this had been out when I was in high school!!! 😭😭
Keep it up; this is dope 👍👍👍👍
Hey I was just shedding this tune! One of my favorite Bird tunes.
I think the Chad meme probably originated from Chad LB, what a chad, always shedding great stuff
Love you bro and i learn from you playing the trumpet hope to meet you one day i live in the Bahamas and you help me tremendously Happy New Year and all the best to you!!!!!
What an amazing lesson. Learning a solo is one thing, but you show how to unwrap it and use it as a springboard for your own soloing. This can keep your study going for ever, a brilliant challenge for a growing musician.
Thanks for watching! Glad you’re enjoying the content!
done learning softly as in a morning sunshine in 12 keys
The cool blues lick never fails
This is a great video! Two things I would add: listen to the solo over and over and over. This will let you memorize it really easily.
Write variations on your favorite phrases in the solo. This helps get it in your vocabulary without copying exactly.
Imitation is key. I am by far not a great Jazz player, but I ate slept and pooped Sonny Rollins in college. I tried to emulate even the sounds of the keys of his horn popping and tiny sounds of spittle you could hear from his embouchure and the fuziness of his tone (Saxophone Colossus).
You move your face around and try to match the colors of tone. I've been racking my brain hating my playing and this....this is the key. Back to transcription. Even if you habe 20 minutes to practice.....you should be teanscribing and analyzing.
Thanks Chad! Would love to do a lessonone day.
The 7 steps:
1. Get a coffee.
2. Power up computer.
3. Check E-mail.
4. Check Facebook and Instagram.
5. Post vitriolic comment on jazz education video.
6. Start transcribing.
7. After 5 minutes finish transcribing because of that impossible-to-figure-out passage.
haha
Hey Chad. Thank you very much for your work and sharing here on TH-cam.
I was transposing a melodic phrase using the chord degree numbers strategy and I couldn't know what scale degree i should attribute to some notes under a half dim or dim chord.
Example: under the F#º7 which one is the 9th (G or G#)? which one is the 4th (Bb or B)? and so on.
Thanks for the great content, Chad. One question and one remark: do you actually transcribe on your horn or on a keyboard or piano?
And the remark: I find writing down the transcription yourself extremely helpful for understanding the rhythmic approach of a soloist. I had various teachers telling me that rhythm is actually more important than notes.
wow your voice is good
Marvelous: Shavua Tov!
Please do a lesson on alternate fingerings.
I think I might be up to Step 7. I recently finished learning Sonny Rollins' solo (6 choruses, drum solo, then 5 choruses) on St Thomas and I'm thinking about putting it through to 12 keys.
Learning the omnibook in the original alto key and then up a half step is a great way to go through all the keys. Learning a solo in all the keys is fun but you end up going really high.
Thats some giant steps
Superior video, Chad. The Charlie Parker piece you transcribed up in three different half steps...how do you plan to apply them in solos?
great stuff man thanks! im a guitar player lol
My favorite Charlie Parker solo
The writing down part is also great for the ancillary benefit of improving your reading.
Hey, I am a piano player. Are most of the videos for all instruments or exclusively for horn players
Sub titulos en español por favor !!!!!Gracias...
I found that listening to this at 1.5x speed works quite well. Just gotta concentrate a little harder
IN your analysis of the G7 pickup, why does it have to be a scale? Why can't he just be playing the tensions b9 and #9. against the chord with notes of the key C for all others?
Where is the most reliable place to find changes for tunes? I’ve tried the internet, the transcription books, and iRealPro, but they’re all often so different.
Great question! Ultimately you’ll want to get the hang of transcribing chord changes yourself from the recording because I find all books and apps to have errors, and sometimes there’s no right or wrong, it’s just a matter of deciding which options you want to do yourself. I’ll try to do a video on transcribing chord changes soon :)
Chad LB Thank you very much, your videos have been enormously helpful for me.
Chris DeCarlo thank you, Chris! So glad you’re enjoying the content!
iRealPro is the move buddy
craze
Chad looks like crazy Jafar from Aladdin. Thanks for lesson anyway))
Your voice reminds me of Owen Wilson. Are you from the same place or something?
Make a video on funk.
What if you're stupid slow at learning by ear? assuming the transcription isn't available in writing.
I really dig this video and Chad is a Monster player but I really wish cats would mention the importance of matching timbre, tone color, dynamics, and nuance when transcribing. There is so much more than just playing and analyzing the notes. You can see examples of what I speak of on my channel. I transcribe guitar solos on the sax
RE step 1 - What if it’s an unknown song?
Anybody know what tune chad lb was playing at 4:53?
I think its Mack the knife
@@kadenn8811 appreciate it
Yo soy vuestro cliente...
because when I listen to an improvisation of a song it sounds the same as all the others? because all improvisations seem like study exercises? I'm not talking about your sax solos, I'm talking about the solos of most saxophonists, shouldn't an improvisation be a variation of the melody? I don't understand how the term improvisation is handled today
Modern soloing tends to allow every type of solo styles, but some the newest "hippest" sounds are playing flashy lines and playing outside of the key and resolving. Personally, it's not my cup of tea since there are a lot of folks who rely on that too heavily but, like everything, it's all about moderation. Take some things like the cadenzas at the end of Dizzy's night in Tunisia. Since a cadenza is unaccompanied, you have no choice but to play horizontally to keep the progression/key, vertically for interest, melodically so it doesn't get boring, using phrases so things don't ramble, and you'll even hear on those old recordings playing lines outside the key and resolving well.
In my opinion, it's all about how you use the tools. You can make amazing solos that are less melodic (take Allen Vizzuti, whose soloing I don't care for, but is undeniably outstanding)
of course your name is chad
I assume Transposition will soon let you know how much you are relying on muscle memory, and will force you to memorise the form better lol
I just love your long and fine analyses, but it dont mean a thing if you aint got that swing.
Do you transcribe the chord changes in step one as a part of memorizing the chord changes? If so, how specifically? Are you arpeggiating on your sax or are you using a piano/keyboard? What are you listening to specifically in the recording in order to transcribe the chord changes? (Piano/Bass)
Or do you look up the changes before even starting on a tune/standard?
0:42 im sorry what. A flat???
you made music un enjoyable thanks
What an amazing teacher - excellent concepts and discussion - thank you! I’m a guitarist so I mainly think in terms of scale degrees when I transcribe and practice lines. I love taking melodic cells and combos and transposing to several other keys, usually chosen based on the II-Vs in the tunes I’m working on. That’s one of my favorite ways to practice.