Miles Davis- November 6, 1967 Salle Pleyel, Paris
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- เผยแพร่เมื่อ 15 มิ.ย. 2024
- November 6, 1967
Salle Pleyel, Paris, France
Miles Davis Quintet: Miles Davis (tpt); Wayne Shorter (ts); Herbie Hancock (p); Ron Carter (b); Tony Williams (d);
Agitation (M. Davis) 0:00
Footprints (W. Shorter) 6:35
'Round Midnight (B. Hanighen-C. Williams-T. Monk) 16:48
No Blues (M. Davis) 25:11
Masqualero (W. Shorter) 38:12
I Fall in Love Too Easily (S. Cahn-J. Styne) 48:22
Riot (H. Hancock) 58:57
Walkin' (R. Carpenter) 1:02:36
On Green Dolphin Street (N. Washington-B. Kaper) 1:11:37
The Theme (M. Davis) 1:20:42
Concert recording, broadcast by ORTF radio
THE 1967 EUROPEAN TOUR
October 28, 1967 Koninging Elisabethzaal, Antwerp • Miles Davis- October 2...
October 30, 1967 De Doelen, Rotterdam • Miles Davis- October 3...
November 1, 1967 Kulttuuritalo, Helsinki • Video
November 4, 1967 Philharmonie, Berlin • Miles Davis- November ...
November 6, 1967 Salle Pleyel, Paris • Miles Davis- November ...
November 7, 1967 Stadthalle, Karlsruhe • Miles Davis- November ...
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I can imagine Wayne walkin up to the mic for his solo on no blues
Thanks for posting, great quality, great music!
28:30 wayne shorter's double time over a mid tempo blues is still one of the wonders of the world.
G R E A T
Tony and Ron seamlessly switch tempos too. Such a perfect quintet.
Wayne make da music his n ron n Tony got his back I love the teamwork
Art Blakey on Wayne Shorter : “It’s how he scrambles those eggs!”
Upon repeated listening to the Shorter and Hancock solo sections of 'I Fall in Love Too Easily', I discovered that they plot an eerie, precise deja Vu along the lines of the progressive stages of attaining the Concorde Supersonic flight experience, based on what has been reported, and indicated on the passenger cabin display when under way. Of particular note to these ears and mind is the almost standstill, peaceful, euphoric, tranquil, turbulence-free peregrination of the actual Supersonic stage of the flight experience, expressed in the closing passages, of Shorter's solo, transitioned to Hancock, and recapitulated by a victorious, singular, swaggering, pulse of fanfare rhythmically, and harmonically for Hancock as he concludes his solo. Halcyon reflection governs my reaction to being a child 🚸 at the time, even in a world of tumult; unaware, yet sending that this music existed , going on somewhere on the planet. They, along with Davis handing off and over the script, passed the ball seamlessly. I use 'eerie' in the sense of that recurring, presaging of events. That the aircraft had yet to be put into revenue service at the point in time of this concert, is a bellwether yet again of the prescience in its expression of exploration of the possible; in the awareness, vision, and celebratory awe of newly developed(ing) technologies. They may have been oblivious to all of my contentions of their knowing this, just merely reflecting their times back then. It may have just been that Third Eye, referred to in lore. At heart, I kind of doubt it however. This indicates to me that this group was beyond artistic reliability; if we take into account the adage and axiom that, again as I stated, artists MAY reflect or presage their times. Davis and his group here successfully triumphed in these regards. Social awareness and relevancy? Let's not forget that the French 'May 68' labor demonstrations, and economic disputes were also within the next seven months of this concert and European tour. Artists of that calibre do not come along very often, over centuries, millennia, if ever. In terms of social relevancy there have been others in other fields in their own right, however. Try finding them today, or in any era, and see how 'old' this music is. There's even more to it, but space here doesn't allow me further interpolation/extrapolation.
you area crazy articulate genius mofo !!!! please continue ,,im WITH you !!
Je me souviens d'un concert de Wynton Marsalis avec mon père en 1994. Nous nous sommes ennuyés tout du long. En rentrant, je mets ce concert sur la platine laser. Après le duo Herbie Miles sur Round Midnight, mon père me dit:" Tu vois, mon fils. Miles Davis vient de me donner plus d'émotion en 30 secondes que Wynton Marsalis durant tout son concert ". Jamais écouté Wynton Marsalis depuis. Miles Davis par contre je l'écoute encore. 😎
J'étais à ce concert, quelques photos doivent se trouver dans mes cartons. Évidemment, cela m'a évité d'aller voir Wynton Marsalis ! Quant à mon père qui n'y connaissait rien en jazz, il m'avait rapporté, de New-York, l'album "Cooking" du Miles Quintet avec Coltrane...et déclenché une vie remplie de jazz à tous les étages !😄
Walkin' is the epitome of what Tony Williams brought to this band. On top of that the impact it had on Miles' playing.
Every night was a trip to the far ends of the Universe and every morning after was the realization that the search for God was located in the soul of each band member.
... for us the best concert of this year 1967 ... - incredible!
YES,yes,yes!! Nothing like hearing a performance of one of your favorite bands for the first time. I could hear this band play the same song over and over. Each performances unique in almost every way save the head/Melody. Everything in-between is an adventure....
Ja zo kan die wel weer
Wish I could have been there
I bought this when it was sold as "No Blues" in 1990 on the JMY label. There's an amazing, gorgeous, and all-too-rare unaccompanied solo by Herbie on Masqualero. Makes this great concert extra special for me.
Wow, the creativity is REALLY ON in this performance....such looseness....FREEDOM....COURAGE!!!!!
This concert moves me in so many ways...wizards each and every one of them connecting on an Interdimensional plane where ESP is the order of the night!!! ❤❤❤❤❤
I like this quintet even better than the Coltrane one.
Different dynamics. One, was like a JetArrow. The other, was like a FlamingCircle. It was moving (vibrating/axis spin/whole-plane traveling), too.
I agree the 2nd group was more innovative
I prefer it, too
@@theinsaneprophet622 I'd agree ...
Awesome set magnificently played... they are ALL ON FIRE!!! Telepathic communication.
ESP?!
Best jazz band ever
For me with John Coltrane.
I think you may be right. Only thing close is the next variation of the quintet with Dave Holland, Jack D and Chick Corea. All of those guys are easily some of the best musicians ever and its no coincidence they all played with Miles
@@scotty6124 Le meilleur petit groupe de l'histoire du Jazz certainement. Une créativité inégalée.
Happy Birthday Mr. Herbie Hancock.
More on Shorter's solo on 'I Fall in Love Too Easily''; let's look at the gestalt perspective. at the beginning, he looks over the tune, perusing it with methodical deliberation, with such authority that it is like an HD camera, panning and scanning the outlines, shapes, and contours of 'Easily'. Then, zooming inward and outward, NEWSFLASH: a change in tempo. The poised, and graceful time and metre shift, with gradual, flowing amplitude occurs (a noted feature method of this edition of the MD Quintet) from a lilting, strolling andante, to a sprite, dashing allegro forte, and then... he' (Shorter) is off to the races. Further investigations of elasticity, and plasticity of metre are augered into the actual body of his solo choruses as well, bar lines are recognized and acknowledged, but expanded and contacted however, in an ultra-progressive context, and format. I won't recount my other review perspective about the body of this gorgeous musical letter, that's done, stet. I will fast forward and jump to the ending of the solo, which is almost, or really does qualify as a sort of "new coda" in and of itself, with a balance and symmetry so sharp as to sum up the edifice he has just created, like the space probes deployed and then viewed for the first time at mission control, vis-a-vis, being his own id, ego, and super ego objectively examined, inasmuch also being the mission control. With this tune he's like a kid with brand new toys, seriously, chemistry or geology sets let's say, on a tune done countless times within the Quintet's repertoire, fashioned through discovery, into something else so new it may have altogether surprised even him, and, I would think even the most discriminating Davis listener. This is true of any soloist to one extent or another, but here, I think it is particularly incisive. Adventurous, risk- taking without a net, all methods espoused by Shorter in later years, prototypic and in full, finished form here; it is textbook 🎵 musical brilliance. Young, precocious drum genius Anthony Williams provides inventive shadings of the sonic booms left behind by Concorde, in the denouement of the solo, with expert propulsion of the schlagzeug dynamics during the entire concert, but especially showcased perfectly on 'Easily'. Need one day anything else to laud bassist paragon Ron Carter? Even if this were construed, musically, in literal terms, to do so much with a standard like 'Easily', and sundry others, it virtually expands the very title of such standard tunes to give them altogether new, expanded, universal meanings, and even composers' intents, reaching epochal/epic proportions. That Davis and all the other members moved forward from here, toward any points in their musical endeavors is divinely inspired. I mean, where else could one go, but where they did or didn't go?
An argument can be made for this being the greatest band to take any stage, anywhere in the known (hell, unknown too) universe. Greatness is an understatement.
❤I have always said that if this planet is visited by aliens and stumbled upon this Band, they after witnessing the horror that is consistent here will know that there is still hope😅
Yup
Awesome comment... definitely the apotheosis of modern jazz
I'd say without doubt prince and his band of 88, 2004 and 2007 ..Miles of 67 and 74 and parliament of 76..but that's just me
Masterful, elegant and memorable. A jazz concert that shoots for the stars and goes beyond!
Like si la esta escuchando ahora en este mismo instante
Amazing set, enjoyed it a lot!
Thanks
Classic!
Una fuente de gozo... Cómo me hubiera gustado estar ahí. Saludos desde México DF
THANK YOU
FANTASTIC !!!!!!!
Elegante!
Très difficile de faire mieux. On t'aime monsieur Miles.....
No words...:)amazing?:)????!!!
Genius revealed.
And Tony Williams is magnificent
La violence de Miles, inégalable, est toute intellectuelle et suscite l'angoisse, contrairement à celle de Coltrane qui touche physiquement. Wayne Shorter, excellent émule, est un poète. Tone williams, avec ses cymbales omniprésentes, envoûte.
Miles was awesome
Good team discussion energy commitment sincerity concern inspire confidence respect Stay Strong
Herbie Hancock is magnificent
Avec Tony Williams 🎶👍
Mortal Kombat breakdown victory.... It's Miles and Company, brilliant
And Ron Carter is super cool
Revisiting this from years back, but contemplated it in the context of today's world condition within the last couple of days, from nowhere to now here! Hmmm. The timeless, unspoken pan-sociological and geo-political relevance of Miles...in a silent way, except for the music of course. Of.great importance to me because it's the most complete and best consistency of fidelity of the concert, throughout, and to include comparison to the Columbia reissues which pale by side. These sound uncut and not tampered with, in the proper succession, continuity and order of the show programme in its entirety. It has no equal being obviously from the French radio tapes. PEACE ON EARTH 🌍
🎵🎶 ❤ 😀👌 💜 🎶🎵
💚
❤️
the only Monk tune that other people could inform as much as Monk.
☺️🌷🌱💙
THE 1967 EUROPEAN TOUR
October 28, 1967 Koninging Elisabethzaal, Antwerp th-cam.com/video/6DigkyBJvqY/w-d-xo.html
October 30, 1967 De Doelen, Rotterdam th-cam.com/video/SzcW5Sx7CwQ/w-d-xo.html
November 1, 1967 Kulttuuritalo, Helsinki th-cam.com/video/4qQOSCaVL-g/w-d-xo.html
November 4, 1967 Philharmonie, Berlin th-cam.com/video/cZRVRUeUZio/w-d-xo.html
November 6, 1967 Salle Pleyel, Paris th-cam.com/video/M107rD9DDIQ/w-d-xo.html
November 7, 1967 Stadthalle, Karlsruhe th-cam.com/video/TUAOdg66hBI/w-d-xo.html
Yooo.. SMH SMH SMH--Just Imagine On THE Same Billing If Coltrane Was Still Alive According To The Date Posted...Or Let's Reverse It Several Years Earlier When Both "The Classic Quartet" & "..2nd Great Quintet"Were @ Their Height Of 🎼🔊Power Supply Of Authority-Creative Spark Of Ideas.. Maaannn That Would Have Been Awesome!!!!
Drum solos at 27.23 and 104.09
オｰプンのアジテイシヨンのテｰマが良いよね。最高。
🏆 # 900
bueno esta bien
In my opinion best music Miles Davis did with John Coltrane without train it's like a cup of coffee without sugar have a good night everyone
Fresh ground. brewed black coffee, no sugar is GREAT
does there exist anywhere a recording of the concert that Miles made in London during the same tour?
There is apparently a fragmentary audience recording, about 20 minutes long. I've never found it.
If you are interested in this tour, watch this space this coming weekend!
This is crazy!!!! Tony is an orchestra of Art, Philly Joe, Roy, and Max. Ron senses the correct notes at every tune. Herbie is is playing a piano that still has not been invented. Miles still is not given credit for being the most advanced rhythmic soloist of the 100 years. During this period Miles is on top of every note, squeezing nuances, and laying the foundation for modern musical development. His throw away lines bears the history of the back roads on plantations and the orchestral patience of Ludwig and Satie. Wayne does not believe in the viability of cliches. He matches the intensity of every musical movement to color it with lyrical wit, harmonic invention beyond the grasp of modern musicians, and a fluidly of conscious purity that elevates the underlying melody. I get physically sick every time I hear the Band.
sheeesh. Neglect Wayne why don't you!!!!
These guys obviously may not have missed, or may have been aware of the Concorde aircraft unveiling and debut happening regionally around the same time of the tour. The French, among others, had a way of melding the use of art and science/technology. Since artists are construed to be reflections of their times, if not presaging them, I think that my statement might fly LoL 😂.. To say that this music is/was modern then and now is superfluous ,notwithstanding that it is glaringly obvious, SO then I won't say it; let's not get modern and contemporary TWISTED. Shorter's solo on 'I Fall I love Too Easily' served as a reference point to his later thematic mantra ' beyond the sound barrier', and it may be thought of as a kernel through put to his decades- later takeaway in subsequent groups and compositions. Though not necessarily happening in this form nowadays, the classical context is timeless, even if the art form has morphed (sans evolved) or not. Fads and trends don't always make for art of paradigm, maybe convenience or mass appeal and/or sales receipts. Would one discern or opine that any centuries-old European classical period or artist is DATED, OUTMODED, OBSOLETE? PAX HUMANA.
Good recording, although i wish Ron Carter were just a little more forward in the mix.
Agreed. The recordings of that time did not pick up acoustic bass as much as it should have.
@@scotty6124 Not true, some of them did. The live sound was all over the place on this Euro tour; you can tell Tony was playing different sets each night and he wasn't tuning them the same, either. There are several other radio broadcasts from this same tour with much more pronounced bass.
🍊😉😏
Attribution error but what the h ell all good
Attribution error?
two days before I was born
Incredible. So you were born two days before this concert? Wow. Incredible.
What were you waiting for?
So you were born 2 days before this Concert, So What........ ?
Wow 17:22---->
Yeah, stopped me in my tracks ... choice!
COOKIN
I know what yoU mean. Meant
I wish Herbie Hancock could have stopped, and screwed his eyes like Miles did with him, and said: Miles, just play the head, OK? Everything would have worked out and he might have saved Miles from complete self absorption.
Miles is at the top of his game. His deconstruction of the head format of improvised jazz makes no logical sense. Think about it. Either get rid of it. Call your tunes 1 and 2. Or get on with the head, even if what follows is wild. Or put the head in the middle. But it needs to show up, or call it something else, like Donna Lee. Makes no sense, I'm telling you. If he is being cubist, cut it up into recognizable motifs. Don't get his angled lines that defy the tune.
Sorry you can't hear it. Someday, maybe? There's always hope.