I am so obsessed with this piece. I need to learn how to play all the parts. That is of course beyond my current capabilities, but I will persevere and I hope to achieve that goal before i die.
While I love the idea behind this, the ingenuity and the creativity that went into the creation of this; I think from a critical standpoint, the cello should have had part in the melody. I cant help but feel as though this piece was composed beautifully and though the violin was representative to beauty and strength (almost to a degree of too much self-importance) the cello was starved of a moment of beauty. In my mind throughout the piece I could have easily seen the melody being subtly taken by the cello in those moments of silence. As though a call and response between the first violin and the second violin was reignited by a beautiful and unexpected cello melody. Once again, I cannot help but feel as though the cello was starved of a moment in spotlight and the violin in this piece "likes the sound of their own voice" a little too much. Criticisms aside, this was a very original and interesting take on Satie's Gymnopedie No.1 I had not heard before. Thank you and I apologize for the critique, it is from a place of love for this piece.
Isn’t this arrangement by Ray Chen and the Berlin quartet (Made in Berlin) I saw it many years before this quartet. Just search Ray Chen and Satiation. This is beautiful but I like the way Ray and the other 3 Musicians play it, these girls even copied the stomping on the ground, which in the original the guys did it out of emotion (less scripted and more rousing)
This is, and it was precisely the cellist Stephen Koncz from Made in Berlin who made this arrangement. No one copied anything, everything is properly credited
This rendition is better all around and you sound musically incompetent and also pathetic and bitter. Take your own advice and “just search” the score.
The intense parts sound like they're coming from a much larger group! It's crazy the amount of sound you can get with only four instruments
Wtf… What a sound, What a tune… No words…
I still love to hear this performance of this arrangement of this piece. Wonderful!
사는게 그지같을때마다 주기적으로 듣고 있어요👍
홍콩에서 앵콜곡으로 연주하셨는데 감동으로 눈물이...
Can’t stop listening
흔들리지 않는 편안함, 에스메 콰르텟 짱
This wonderful. I love the arrangement and the beautiful musicality of the quartet.
I love to hear this perfomance.
What a beautiful arrangement! I am enjoying all the videos of the Esmé Quartet!
I am so obsessed with this piece. I need to learn how to play all the parts.
That is of course beyond my current capabilities, but I will persevere and I hope to achieve that goal before i die.
너무 훌륭합니다
놀래서 더 쓸 말이 없습니다
It's not only good sence of arrangement but also fantastic one with the famous music evere.
A truly fascinating arrangement of Satie's much loved piece, played here with gusto and tenderness by this wonderful quartet. Thank you 💗 !
Wow!❤️❤️❤️
Excelentní.🌞🌞🌞
Fabulous!
여린 음악인들의 파워가 대단들하십니다. 거기에 깊이와 아름다움이 같이하니 한결 더 하는군요 ^^ 밝은 미래가 여러분께 함께하시길 기원합니다.
나는 이 편곡에서 이 작품을 좋아한다. 나는이 공연을 좋아한다!
it's just perfect.👏👏👏👏
I love this arrangement of thid piece.
Performed perfectly!
Brilliant!! Have loved this piece since I first heard it a few years ago. Great performance 👏
Absolutely wonderful playing!
아름답고 훌륭하게 수행되었습니다!
i just love this sooooooooooo much
👍 역시 연주는 에스메콰르텟
Amazing !❤
에스메 아니면 절대 느낄 수 없는 특별함!!
BRAVO!!!!
12월 12일 슈투트가르트 공연 너무나 잘 봤습니다. 정말 프로그램 다 좋았고, 이 앵콜곡이 특히 너무 좋았어서 계속 흥얼거려요. 진짜 너무 감동이었습니다 ㅠㅠ 종종 와주시면 꼭 갈게요!!!
Absolutely beautiful.
Inventive, original and beautiful! Brava!
originally played by MADE IN BERLIN quartet arranged by Stephan Koncz
두시간 넘는 공연 너무 잘봤습니다!! 이 앵콜 듣고 있자니 이 날 생각이 나서 다시 또 뭉클하네요😭
와! 다시 들을 수 있을까 했는데 이렇게 영상으로 올려주시다니요💕💕💕 이 날 공연 너무너무 좋았는데요! 또 빠른 시일 내 좋은 프로그램으로 서울에서 만날 수 있길🥰🥰🥰🥰
😭😭😭😭😭🙌🏽🙌🏽🙌🏽🙌🏽
❤❤❤❤
Yall played this better than the writers/og players 😮
This is awesome! Where can I find the arrangement?
you may search for Stephan Koncz, the original arranger of this version
TY!
While I love the idea behind this, the ingenuity and the creativity that went into the creation of this; I think from a critical standpoint, the cello should have had part in the melody. I cant help but feel as though this piece was composed beautifully and though the violin was representative to beauty and strength (almost to a degree of too much self-importance) the cello was starved of a moment of beauty.
In my mind throughout the piece I could have easily seen the melody being subtly taken by the cello in those moments of silence. As though a call and response between the first violin and the second violin was reignited by a beautiful and unexpected cello melody.
Once again, I cannot help but feel as though the cello was starved of a moment in spotlight and the violin in this piece "likes the sound of their own voice" a little too much.
Criticisms aside, this was a very original and interesting take on Satie's Gymnopedie No.1 I had not heard before. Thank you and I apologize for the critique, it is from a place of love for this piece.
혹시 악보 어디서 구하셨는지 여쭤봐도 될까요??ㅠㅠ
Isn’t this arrangement by Ray Chen and the Berlin quartet (Made in Berlin) I saw it many years before this quartet. Just search Ray Chen and Satiation. This is beautiful but I like the way Ray and the other 3 Musicians play it, these girls even copied the stomping on the ground, which in the original the guys did it out of emotion (less scripted and more rousing)
This is, and it was precisely the cellist Stephen Koncz from Made in Berlin who made this arrangement. No one copied anything, everything is properly credited
the stomping on the floor is in the sheet music xd, is other version, only enjoy the music.
Also, the arrangement is ready to buy xd.
This rendition is better all around and you sound musically incompetent and also pathetic and bitter. Take your own advice and “just search” the score.