Outstanding - with a superb selection of compositions, crystal-clear diction, bhava-laden singing, and shining both as a singer and as a team leader. Soar ever higher!
Balakrishna!! Excellent support! Every ragam was simply flowing out of your rythams, especially saveri!! This happens, only with a total understanding of the ragas as well as the vocalist.👏👏👏👏
Balakrishna!! Excellent support! Every ragam was simply flowing out of your rythams, especially saveri!! This happens, only with a total understanding of the ragas as well as the vocalist. ,
All these artistes must be compelled to listen to Aliveni by the great KVN who popularized this song along with Lalgudi and Palghat Raghe navaratri kutcheri! They ought to present kutcheris in their proper forms including the vilambitha kala rendering of Ali veni
I must applaud the vidushi for explaining a new concept of Savavarnam. The Natta song Pahi shaure is rare and wholly welcome. I hope and pray that this sweet Natakuranji will not end up with another percussiony sound assault. But the mridangam is the culprit with fast beating forcing the singer to render fast any way.
Nice concert as expected from Amrutha Venkatesh ,but marred by improper adjustments of audio volumes between voice and the instruments. Voice was getting drowned in the sound of the instruments. Only in alapana voice could be heard distinctly. Even after pointing out by Amrutha, the same continued. .
ESS as organisers have failed the singer and the audiance by neglecting to check whether the volume coming out of the instruments is well balanced. This neglect has very adversely affected an otherwise excellent concert.
As a Kerala- transplant living in Calif I am happy there are Carnatic artistes in Kerala. But -- they have to learn when to beat fast and when to slow and when to adapt to differnt style of beating. Sorry ...
Why the need for FAST swaras with every song? The undesirable pattern becomes an assault on the rasika's ears. The mridangam sets the fast tempo with the same style of fingering no matter what song is sung. Add to mridangam ghatom and morsing. It is simply a noisy riot.
On a temple festival ground with mutitudes of people milling around chatting as a social contact time this kind of percussion in its loud -- forget for a moment Mridagam stands for "Mridu" "angam" -- meaning soft sounds; with pauses -- listen to the Abhinavanandi Palghat Mani Iyer -- for the rasika to dwell on the meaning of the words and phrases. Here everything is done in a huury as if to catch the only night train. Sorry ... the vidushi deserves better pakkoms.
Outstanding - with a superb selection of compositions, crystal-clear diction, bhava-laden singing, and shining both as a singer and as a team leader. Soar ever higher!
When the mugharsangh accompanies the violin there is this absence of hurry ... that's soothing ...
Nice Thukkada songs in Dwijavanthi,Behag and and thrilling Thillana
So very Enchanting and Enthralling Concert, Sung with Super expertise and very Good Bhava. 👌👌👌
Superb performance with raga bhavam clear sanghatis and swara stanam. Talented singer and good team leader!
❤ Excellent performance thanks for your support
Balakrishna!!
Excellent support!
Every ragam was simply flowing out of your rythams, especially saveri!!
This happens, only with a total understanding of the ragas as well as the vocalist.👏👏👏👏
Very good as always. Hearing the varnam Saaveri for the first time. Excellent choice of krithis.
Excellent concert. My Namaskaram to Prince Rama Varma Sir, Amrita & her team of very talented artistes.
What a violin.amrutha as usual excels
Wonderful nattakurunji
Outstanding Behag alapana ... I wish it went on a bit longer !!!
Good. Please upload Concert of Hari Agnisarmans held on 12.5.2024.
Resonating Ramapriya Great going
Excellent singing 🎉 accompanists’ support superb.but Mirudangam volume v.high than main artist
Voice similar to DK PATTAMMAL IN SOME PLACES. GOD BLESS
I am continuing to listen as there may be rare songs in her paddhati. That's all
Thanks, ESS to this upload. Wishing the artists.
Excellent performance by Amrutha Venkatesh.
Not heard such detailed Ramapriya in recent times Kudos to all
Very nice
Excellent concert
Excellent performance
High class Hamsanandi Alapana
Excellent.pakkavadyamvoicekonjamkammiyanassupur
Yes the pakka badam , violin and mrudangam were too loud.
Auto correct made vadyam into badam😆🤣😃
Thanks ESS. Pranaams. As always Amrutha madam and Ajith sir fantastic. Of course rest of the great artists. Once again 🙏
Amrutha madam!!
As usual, excellent presentation in total 👏👏👏
Balakrishna!!
Excellent support!
Every ragam was simply flowing out of your rythams, especially saveri!!
This happens, only with a total understanding of the ragas as well as the vocalist. ,
RRAGAM NAATTAI VERY SMOOTH ❤
With the Natakuranji comes another fast and furious fast swara elaboration. Where is the kucheri paddhati for slow -- vilabitha kala -- rendering?
All these artistes must be compelled to listen to Aliveni by the great KVN who popularized this song along with Lalgudi and Palghat Raghe navaratri kutcheri! They ought to present kutcheris in their proper forms including the vilambitha kala rendering of Ali veni
I must applaud the vidushi for explaining a new concept of Savavarnam. The Natta song Pahi shaure is rare and wholly welcome. I hope and pray that this sweet Natakuranji will not end up with another percussiony sound assault. But the mridangam is the culprit with fast beating forcing the singer to render fast any way.
🙏🙏🙏🙏🙏
Dwijavanthi and Behag were outstanding
Thanks for the upload. Beautiful
Excellent concert Sometimes let down by poor audio control - drowning vocals
Very nice concert👏👏👏🙏
🙏🏻
Super Nattakurunji
Excellent concert🙏
Nice concert as expected from Amrutha Venkatesh ,but marred by improper adjustments of audio volumes between voice and the instruments. Voice was getting drowned in the sound of the instruments. Only in alapana voice could be heard distinctly. Even after pointing out by Amrutha, the same continued.
.
Excellent
Namasthe.
Rendering of not frequently heard songs in Saveri and Nattai.Brisk beginning. Balanced support artists' contribution
🙏🙏🙏🙏
Please upload Concert of Hari Agnisarman kappiyoor rendered on 12 th April
👏👏👌👌
Nattai Kurinji song is also new
👌👌👏👏🙏🙏
Pahijagathjanani is also sung in vasaspathy
That is another composition
That is another composition
That is another composition
Ramapriya !
👏👏👏
ESS as organisers have failed the singer and the audiance by neglecting to check whether the volume coming out of the instruments is well balanced. This neglect has very adversely affected an otherwise excellent concert.
Yes vocalist voice barely audible
As a Kerala- transplant living in Calif I am happy there are Carnatic artistes in Kerala. But -- they have to learn when to beat fast and when to slow and when to adapt to differnt style of beating. Sorry ...
Why the need for FAST swaras with every song? The undesirable pattern becomes an assault on the rasika's ears. The mridangam sets the fast tempo with the same style of fingering no matter what song is sung. Add to mridangam ghatom and morsing. It is simply a noisy riot.
On a temple festival ground with mutitudes of people milling around chatting as a social contact time this kind of percussion in its loud -- forget for a moment Mridagam stands for "Mridu" "angam" -- meaning soft sounds; with pauses -- listen to the Abhinavanandi Palghat Mani Iyer -- for the rasika to dwell on the meaning of the words and phrases. Here everything is done in a huury as if to catch the only night train. Sorry ... the vidushi deserves better pakkoms.