It looks enough like film. One of the better emulations I've seen for sure. It definitely alleviates that overbearing un-stylized video look too many indie movies have these days. Great job. This will help a lot of people.
@@ToxicTurtleIsMad By "un-stylized video look", I'm talking about movies like Asphalt Angels or Rise of the Black Bat (the first two to come to mind available on TH-cam). Basically, movies with some distribution shot poorly on consumer quality cameras that just look like home video. Granted, those movies typically have a host of other problems aside from the look. I'm not comparing this to any film emulations from any studio you've readily heard of. All that said, "hipster home movie", although clearly used as a pejorative, is a fair description of the final result. My personal favorite film emulation from a recent movie people have actually heard of is Netflix's They Cloned Tyrone, which is lightyears ahead of this.
@@ToxicTurtleIsMadserr profile matched a bunch of cameras to make accurate luts. He did his own test shots with film to get to create the luts. So in a sense, it’s accurate to his film look, but may not be accurate to the film look you have in mind. Remember, there is no singular film look, because there are so many creative variables in the film processing pipeline.
Just bought FilmVision v2! I'm absolute in love with all of your work serr. Thank you so much for this! I'm starting my filmmaking/videography journey, and I'm obsessed with the film-look but the process just seemed overwhelming. Thanks so much for simplifying it and boosting my dream to create! ❤
Great stuff! One small tip: I saw you were using a CST to go from LogC to Cineon gamma. If you’re converting one log gamma to another always make sure to disable tone mapping in the CST. The tone mapping feature is when you’re converting from a log type to a display type gamma.
I just picked up this emulation and it is outstanding! Thank you for putting this out there. I am using this on an upcoming video about vintage racecar culture and the tones are a match made in heaven. 🙏
It's always a joy to see film grain. The stuff today is way too sharp, its gone too far, when I watch a film, I dont want it to feel like a documentary.
Hi, serr! Big fan here, love your work ❤ Few questions: 1. Do I need Davinci’s full version to use film vision 2? 2. It works with Dlog (ski drone log) too? If not, what do you suggest if I want to use it in drone shots? Thanks!
Only the grain node requires the full studio version, you can just turn that off and use the powergrade with free davinci :) I have free grain overlays linked in the description for you to use instead! & yes d-log is included!
Hello, I had a question... I use a Nikon Z6, so what is the preferred color profile that I should use? Also, what are the key difference's between V1 and V2
Мужик, я из России, смотрю твой канал и мне нравится! Это здорово! Я только учусь снимать, спасибо что вдохновляешь! Успехов тебе, друг! Когда нибудь я перееду в твою страну и буду снимать как ты)
incredible work. I love your approach and the artistic universe you propose. I love the music and would like to know who the artist is and the title of the music. Thank you for your answer.
I’ll have to get back to you about the iPad app! But as for as how it compares with cineprint, I’d say this is a much more mature take on film that could be used to emulate all the way up to 35mm & 65mm with more natural tones.
Serious question: Does this work with HDR? since you're using a LUT at the beginning and it includes ACES. Is the output of that LUT rec.709 or does it output ACES AP1?
I've tried all of the film emulation packs under the sun and this one legitimately emulates the looks extremely well. Used this with my Epic and couldn't be more happy with the results. Well worth the money 💯
You think this would work well with a BMPCC original? Looking to start making short films. Want to invest in the right camera that will get me the perfect filmic look
Working on a iPhone LUT should be ready soon! But you can still use it with iPhone footage. You just have to use a colorspace transform in davinci resolve.
Hi Serr! I have an issue, when I export my videos the whole video ends up looking really dark, any tips for fixing that? I've already corrected the rec-709a issue
why is it when you click with mouse on one of the nodes "wb or labscan or split tone" that you do not get automatically transported to the section in davinci where you can further tweak things? you are assuming I know where "wb" or "split tone" can be adjusted. I just sit there clicking on the node and nothing happens. So I have to research where i need to go to adjust. Why is it forcing you to do an extra step?
Hey! I just purchased the filmvision II Powergrade and it looks a bit different from the power grade in this video, I'm not sure if this is the updated version, but I wanted to ask if there are any tutorials on the new version?
hey there serr! I am very new to all of this, but I will get an iphone soon that can shoot in the new apple log format, and I've been looking around for ways to emulate the film look. I've so far landed on the free version of davinci, paired with some form of color grading - but it looks like it will need quite a few workarounds to get the features of the full version and bigger plugins like dehancer or even the halation and noise features of this powergrade tool to work. Is there a way to get the halation and noise to a point where it is comparable to the "big money" plugins?
It looks enough like film. One of the better emulations I've seen for sure. It definitely alleviates that overbearing un-stylized video look too many indie movies have these days. Great job. This will help a lot of people.
Not a single "motion picture" looks like this. This, like any other "film emulation" looks like a hipster home movie.
@@ToxicTurtleIsMad
By "un-stylized video look", I'm talking about movies like Asphalt Angels or Rise of the Black Bat (the first two to come to mind available on TH-cam). Basically, movies with some distribution shot poorly on consumer quality cameras that just look like home video. Granted, those movies typically have a host of other problems aside from the look. I'm not comparing this to any film emulations from any studio you've readily heard of. All that said, "hipster home movie", although clearly used as a pejorative, is a fair description of the final result.
My personal favorite film emulation from a recent movie people have actually heard of is Netflix's They Cloned Tyrone, which is lightyears ahead of this.
@@ToxicTurtleIsMadserr profile matched a bunch of cameras to make accurate luts. He did his own test shots with film to get to create the luts. So in a sense, it’s accurate to his film look, but may not be accurate to the film look you have in mind. Remember, there is no singular film look, because there are so many creative variables in the film processing pipeline.
You are my most beloved video artist. Whenever new work comes out, I purchase it without a single doubt. I sincerely admire and support your talent.
Yoo will the powergrade work with my iPad Pro m1 DaVinci??
Just bought FilmVision v2! I'm absolute in love with all of your work serr. Thank you so much for this! I'm starting my filmmaking/videography journey, and I'm obsessed with the film-look but the process just seemed overwhelming. Thanks so much for simplifying it and boosting my dream to create! ❤
is it working with the Iphone videos on davinci resolve or premiere ? thanks
Happy to hear that❤️
@@hamzansf5335yes! There is a Rec.709 LUT that you can use with your iPhone footage.
does it work on the free davinci or do i need to get the stuido version ? thanks
Great stuff! One small tip: I saw you were using a CST to go from LogC to Cineon gamma. If you’re converting one log gamma to another always make sure to disable tone mapping in the CST. The tone mapping feature is when you’re converting from a log type to a display type gamma.
Soooo good man
❤️
I just picked up this emulation and it is outstanding! Thank you for putting this out there. I am using this on an upcoming video about vintage racecar culture and the tones are a match made in heaven. 🙏
This is fricken beautiful
Nice work! Great to see someone doing actual zooms instead of scaling in post
That genuinely looks amazing.
This Is one of the best film emulation tutorial I've seen so far, your explanations and methods are pretty good, great job dude!
These are stunning edits! Cant wait to cop this! Thanks for making these!
A few days ago, I came back to this channel in the hope of new video I would have missed... This is just perfect !
It's always a joy to see film grain. The stuff today is way too sharp, its gone too far, when I watch a film, I dont want it to feel like a documentary.
so glad to see you’re back! i missed your content 😊
Glad to have you back serr❤️
Hi, serr! Big fan here, love your work ❤
Few questions:
1. Do I need Davinci’s full version to use film vision 2?
2. It works with Dlog (ski drone log) too? If not, what do you suggest if I want to use it in drone shots?
Thanks!
Only the grain node requires the full studio version, you can just turn that off and use the powergrade with free davinci :) I have free grain overlays linked in the description for you to use instead!
& yes d-log is included!
@@serr Wait, doesnt the Halation require the full studio version as well?
@@mdh-op6vh yes, but I have two other nodes of halation included in the powergrade that are from scratch and don’t require the studio version!
@@serr adding onto this - will this work with the new apple log on the new iphone 15s? sry very new to this
@@felixkrell890 @serr I have a similar question. Which lut should you choose to work with videos from iPhone 14 pro?
Bought it right away. Appreciate the Discount Code for us OG Customers. ❤
YOOOO whats the song in the intro? EPIC
My boy Brown Sensation on the thumbnail
wowww seriously amazed by this!! can't wait to try. thank you.
Surprised you’re not using an ARRI yet… glad you’re back
can this be exported to a working lut to use on a black magic video assist shooting in b-raw adding a color space transform before?
Hello, I had a question... I use a Nikon Z6, so what is the preferred color profile that I should use? Also, what are the key difference's between V1 and V2
Beautiful, thank you.🖤
which camera/lense is your go to video camera? Looks great!
This is a steal for that price 🖤
Definitely a great tool in the kit! Great job on these Grades!
Мужик, я из России, смотрю твой канал и мне нравится! Это здорово! Я только учусь снимать, спасибо что вдохновляешь! Успехов тебе, друг! Когда нибудь я перееду в твою страну и буду снимать как ты)
gorgeous footage dude
omg!! thanks so much for this video!🥺i hope it does really really well!
Let’s go!!!!!
If you could share the intro music. Thanks.
It says Final Cut Pro, does it actually work with it? If so do you have a tutorial?
LOVE THIS CAN'T WAIT TO TRY IT OUT
Where do I get the “I am still developing” T-shirt??? I keep searching for it without succes :(
incredible work. I love your approach and the artistic universe you propose.
I love the music and would like to know who the artist is and the title of the music.
Thank you for your answer.
Love FlimVision v2 man, i am wondering is there a lut for iphone's footage ?
We missed you man ❤❤❤
Amazing work!
It looks amazing
what camera are you using? beautiful shots with nice composition
Great! Is it working on DaVinci resolve on iPad too? What is the difference to CinPrint 16 Powergrade? Thanx a lot
I’ll have to get back to you about the iPad app! But as for as how it compares with cineprint, I’d say this is a much more mature take on film that could be used to emulate all the way up to 35mm & 65mm with more natural tones.
@@serr thanx a lot! The CinPrint 16 Powergrade is working great on the iPad so I think your Powergrade should work fine too!
This is amazing and thanks for this! Which one do I choose for go pro?
Depending on which profile you shot on! But a safe bet is the rec.709 LUT.
Is there Leica L Log lut in that package?
what do you shoot with?
Wow!! Thank you for sharing, just subscribed :)
Hey, just bought it but there’s no included tutorial? Thanks in advance if you’re able to help
awesome work man!
It'd be cool to find a way to do this while retaining all the darker details in the original footage
Just shoot with a camera with good dynamic range and maybe adjust the contrast in your camera before hand. Also crush the darker details.
What is this music? So great! Can you tell me? Great video!
hi, @serr i just bought the powergrade for davinci version ii, DOESNT COME WITH A TUTORIAL VIDEO
Amazing!!! Would this emulation work on a standard profile?
Yes! Just use the rec.709 LUT included.
Where did you get your intro titles. They look great!
Serious question: Does this work with HDR? since you're using a LUT at the beginning and it includes ACES. Is the output of that LUT rec.709 or does it output ACES AP1?
Love it! Do the premiere LUT versions have grain?
They don’t! But I linked free grain overlays in the description for you to use :)
@@serrGotcha, thanks for letting me know. I’m excited to purchase and try them out 🙌
can we use FilmVision2 powergrade on DaVinci iPad version?
What do you think about FujiFilm X-S20? Im not sure to pick x-s20 or XT4 for video
👀
ridiculously good
I've tried all of the film emulation packs under the sun and this one legitimately emulates the looks extremely well. Used this with my Epic and couldn't be more happy with the results. Well worth the money 💯
Very cool. Question: in DaVinci, how do you get those nodes onto a clip? Just drag them on from a Menu?
Where can we find the full tutorial when we bought the plug in ? Thanks in advance
I really enjoyed watching! Thak You!
But one question, are your LUTs for Red colorspace? My english is not the best so maybe i got confused...
When grading F-Log2 footage in DaVinci what is your go to cst setup?
Where do you usually get your music? Love them so much！
Does it work with final cut?
following
Does just applying the lut to a node affect how much you're able to push or pull your information vs using a proper CST?
what camera do you use?
You think this would work well with a BMPCC original? Looking to start making short films. Want to invest in the right camera that will get me the perfect filmic look
Great look. Question. Does it work on rec2020 iphone footage?
Working on a iPhone LUT should be ready soon! But you can still use it with iPhone footage. You just have to use a colorspace transform in davinci resolve.
bought the v2 LUT package! i presume i can layer this over another LUT that already included an FLog-2 CST in the previous node?
Would this work with V-Log on the Lumix S5ii Camera? btw fantastic job, it looks amazing.
Yes! There is included LUT for V-log.
Really liking FilmVision v2 so far but had one question, for the free version of Davinci is there any way to strengthen the halation methods 1 and 2?
Hi Serr! I have an issue, when I export my videos the whole video ends up looking really dark, any tips for fixing that? I've already corrected the rec-709a issue
Love it so much! Thanks! Any way you can provide a proper LUT for Zcam's Zlog2 ? that would be so amazing!
man, this is gold!
Can i use that for HLG instead log?
I see you sell powergrade v1 and v2 what is the different?
What do you set your Color science and Color processing mode to in project settings?
Beautiful work as always Serr! I noticed your CST started from arri-log-c. Did you shoot this on an Arri camera?
Are you using Color managment by default?
That product includes workflow in Davinci studio?
why is it when you click with mouse on one of the nodes "wb or labscan or split tone" that you do not get automatically transported to the section in davinci where you can further tweak things? you are assuming I know where "wb" or "split tone" can be adjusted. I just sit there clicking on the node and nothing happens. So I have to research where i need to go to adjust. Why is it forcing you to do an extra step?
Looks Dope as usual
Bro's on fire fr 🔥
look how short the premiere section is compared to the davinci section
Finally Serr…
where is lut pack dowland ? ( fv2 500t kine log 3 )
Hi! Am I to assume the footage must be shot with a cine camera listed in the pulldown menu?
When you install this, do the nodes auto appear in, say DR like in the video? Like the EXPOSURE, WB, etc?
Do you think that this would work in LumaFusion on iPhone ProRes video? Filmic has a ProRes 709 setting which I assume is compatible.
Solid ! Regards utmost hero
Hey! I just purchased the filmvision II Powergrade and it looks a bit different from the power grade in this video, I'm not sure if this is the updated version, but I wanted to ask if there are any tutorials on the new version?
Interesting, what looks different? Should be the same exact one from the video. The full tutorial is in the description!
@@serr hmm ok! The nodes are different! Not sure what caused the difference but I have more nodes than the ones in the video.
@@TheAdeSeun Take a screenshot and email me! emulatedfilm@gmail.com
Also make sure you bought film vision 2 and not Film vision 1!
Wait! I just figured it out! Sorry about the confusion! Thanks for the help again!
film is not only color, its kinetics
Best film emulator in the game 😤
Hi I don’t have the conversion luts in my powergrade please help
Can I use this powegrade without having davinci studio?
Does it also applicable for 8bit Camera like the Fujifilm XT30? Does FIlmvision v2 also applicable if I am just using free version of DAVINCI resolve?
Yes I’ve tested it on 8bit cameras & have had good results! It will work with free version as long as you turn off the grain node.
@@serr Wow this is topnotch! By the way a follow up question though, whats the difference between FILMVISION 1 vs FILMVISION 2?
hey there serr!
I am very new to all of this, but I will get an iphone soon that can shoot in the new apple log format, and I've been looking around for ways to emulate the film look.
I've so far landed on the free version of davinci, paired with some form of color grading - but it looks like it will need quite a few workarounds to get the features of the full version and bigger plugins like dehancer or even the halation and noise features of this powergrade tool to work. Is there a way to get the halation and noise to a point where it is comparable to the "big money" plugins?
How does it compare with dehancer and what are your thoughts on it?
hey serr I only have 8 bit log but id still like to use this Powergrade. would I still get good results on non log eterna footage?
I've tried it on my 8-Bit Footage and it still looks great (Sony A7SII)
@@Richrufio just tried it yesterday. results were amazing. io switched out the film vision 2 LUT for one from FV 1