This is one of the most valuable speed up process of a project that I've ever seen. No nonsense information, just pure extraction of expertise gained throughout the years condensed into straight up 30 minutes of talk. That was amazing.
Well i'm from the scp short film, but what you just create is amazing and i'm happy that i watch it. That make me want to begin to learn how to create this landscape. THANKS
Super nice video. I know that the video is now old and you probably have a better workflow now, but maybe you wanted to know that you can select multiple textures in octane and then right click and add a transform or projection node to all of them with one click. Huge timesaver for me personally. Thanks for the video :) Especially the trick with the nulls for comping is super cool, never have i seen that someone do :)
Your work is seriously stunning and insanely impressive. No matter what you do I always love it. Also, I'm sure you get this question a lot and im sorry if im being a part of a broken record by asking, but do you plan to make any more SCP short films? You and Evan Royalty are my favorite short films creators and in a Q&A he said he MIGHT make one more and that had me a little sad. Would love to see a a continuation of the universe of the 096 short film with other SCP(s).
Also. When making a landscape. Would you recommend using Cm or Metres as the scale? Does it have to represent real world size or just the same ratios relevant in the scene?
Great tutorial. Quick question. I have to build a mountain scene in C4D. Animate the sunset fland out out around 720 frames at 12k and need to keep the file photo real as possible. Will using this technique still allow me to export to a render farm. Or is it a technique only targeting a still or small animation?
You'll probably run into Vram issues with a scene that big, so optimizing all of your textures and geo will be important. You may want to break the scene up into foreground mid and background and render seperately and comp later. Or make use of plates for really distant objects/landscapes. Hope that helps.
@@MrKlayVFX That is helpful, I am trying to re create what you are doing here with redshift, it seems like it will work the same or similar. Does making all the landscape textures in World Creator make more sense than just using standard redshift materials without their textures. Using some from quell or Pixel Labs. As I will need to output this to a render farm and already discovered they do not like the redshift tessellation.
@@critchee I would use the masks from WC, but to avoid repeating textures, use some type of chaos node (not sure about Redshift) to create variation in the texture.
17:39 in WC3 when following this step w the displacement map as the driver for matching the surface placement-- its off by a lot no matter the adjustment w height offsetting. frustrating.
Mr Klay can you make another film if SCP-096 and maybe this next film can be the end ut please make sure you end it and don't leave us on a cliff hanger thank you you are awesome
Hi, I’m just a kid with anxiety and have a fear of scp 096, the shy guy. I’m curious of how you thought of this and just wanted to confirm it’s fake 😄. So sorry for bothering you. I have 80hd dyslexia and anxiety. Have a great night. -ellis cutter ;-)
This is one of the most valuable speed up process of a project that I've ever seen. No nonsense information, just pure extraction of expertise gained throughout the years condensed into straight up 30 minutes of talk. That was amazing.
Well i'm from the scp short film, but what you just create is amazing and i'm happy that i watch it. That make me want to begin to learn how to create this landscape. THANKS
Welcome aboard!
I'm also from the scp 096 short film it was amazing tysm
@@MrKlayVFX This tutorial will help am also use cinema 4d
More of these. This was a great tutorial. Thanks for showing us your workflow.
Those „clouds“ are ingenious. Thank you. Learned a lot from your knowledge.
Would love to see your post-production workflow in depth next time. Learned a lot from this tutorial, thank you!
Noted! Thanks for watching
I love this.
Your work is the best
Insane work. Love this style of not caring to much about tiny details early on. Thats something i get stuck on.
Legend. A full job description in one video lol ❤
Very chill video, thanks for breaking everything down!
Well this is epic
Super cool! one of the best tut ever
Ive learned so many cool techniques watching your tuts! pls make more c4d/octane!! something scifi related would be AMAZING!
Every time better than the past one ;)
Need That BGM, so great!
Damn, and you haven't crashed once.
thats a miracle for me lol
Best Tutorial ever !
This is really informative and helpful. Nice one!
Glad it was helpful!
this was so useful! I'm newly learning cg, please make more tutorials/process videos like this if you can!
Super nice video. I know that the video is now old and you probably have a better workflow now, but maybe you wanted to know that you can select multiple textures in octane and then right click and add a transform or projection node to all of them with one click. Huge timesaver for me personally. Thanks for the video :) Especially the trick with the nulls for comping is super cool, never have i seen that someone do :)
Great Share same more tips
this is amazing
This is awesome.
Your work is seriously stunning and insanely impressive. No matter what you do I always love it. Also, I'm sure you get this question a lot and im sorry if im being a part of a broken record by asking, but do you plan to make any more SCP short films? You and Evan Royalty are my favorite short films creators and in a Q&A he said he MIGHT make one more and that had me a little sad. Would love to see a a continuation of the universe of the 096 short film with other SCP(s).
A new Kickstarter for Evan Royalty's new SCP Film just released today.
Thanks !
有史以来最好的教程！
Very tutorial man !! Really interesting 😊
WOW!
1 question...is scene highlands02 included in version 2 or is your scene?
Wow🔥
Also. When making a landscape. Would you recommend using Cm or Metres as the scale? Does it have to represent real world size or just the same ratios relevant in the scene?
I would always suggest sticking to real world scale, with landscapes meters probably would be best to stay with.
This man is a chad. He doesnt use blender because hes too much of a professional
610 fanfilm? 🌚
btw nice channel
Hey! Great tutorial! How did you drag in your forester bush from one window into your original scene?
You can just copy and paste it into your scene. Our shift-drag the 3D project into your scene.
the fact that he put cows in front of a burger billboard
Great tutorial. Quick question. I have to build a mountain scene in C4D. Animate the sunset fland out out around 720 frames at 12k and need to keep the file photo real as possible. Will using this technique still allow me to export to a render farm. Or is it a technique only targeting a still or small animation?
You'll probably run into Vram issues with a scene that big, so optimizing all of your textures and geo will be important. You may want to break the scene up into foreground mid and background and render seperately and comp later. Or make use of plates for really distant objects/landscapes. Hope that helps.
@@MrKlayVFX That is helpful, I am trying to re create what you are doing here with redshift, it seems like it will work the same or similar. Does making all the landscape textures in World Creator make more sense than just using standard redshift materials without their textures. Using some from quell or Pixel Labs. As I will need to output this to a render farm and already discovered they do not like the redshift tessellation.
@@critchee I would use the masks from WC, but to avoid repeating textures, use some type of chaos node (not sure about Redshift) to create variation in the texture.
MrKlay sir when is gonna be your next scp full movie or next episode?
17:39 in WC3 when following this step w the displacement map as the driver for matching the surface placement-- its off by a lot no matter the adjustment w height offsetting. frustrating.
On the displacement mid level of your surface texture, is it set to .0?
Mr Klay can you make another film if SCP-096 and maybe this next film can be the end ut please make sure you end it and don't leave us on a cliff hanger thank you you are awesome
I got one forestor tree and a low poly one too and my C4D scene is a laggy as can be... you must be super optimized I don't get it
Are you viewing the objects, or in line mode in an octane scatter? You can optimize the trees trunk and branch side count to help reduce polys.
MrKlay I would appreciate if you answer my questions could you show us your 096 face and will you make other scp films? Pls answer
nicc
you should make an scp 173 sort film
Please make another 096 movie or termination logs I want to know if it’s dead please ❤❤
please where can we get your ground maps?
Will there be a 2 scp 096 movie
Have u made a XK class scp yet?
Is it hard to get into graphic design and vfx? Besides the computer price lol
Not really, there's ton of online resources for learning, along with Blender being a free program to get started in.
Can u make scp-049 short. Movie or long. Plz and make ne actorts gurad 3 05-1 site 19 breach 5 mtf-nu7 and mole rat
Please make another SCP Short film
Acho que acabei de ter uma partida de clash royale com você
can you send me the landscape 😅
Why are you in my notifications? I haven’t even subbed to you?
Did you watch one of his SCP short films? Check his channel, there's not that many videos on it.
Have chainsaw will travel
Hi, I’m just a kid with anxiety and have a fear of scp 096, the shy guy. I’m curious of how you thought of this and just wanted to confirm it’s fake 😄. So sorry for bothering you. I have 80hd dyslexia and anxiety. Have a great night.
-ellis cutter ;-)
It’s fake
Sus
SCP
Good video!
Really shows how ya don't actually need any talent nor even middle level skill to do artwork anymore since it's literal ALL by computer.
Congratulation, you earned the "dumbest comment of the week" medal. :)
You must be that one art teacher that forces everyone to draw apples with shadows for a living even when 90 percent of the class is ready to move on
RATIO
ded channel lol