Chopin: The Four Ballades (Cho Seong-Jin)
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- เผยแพร่เมื่อ 15 พ.ค. 2024
- Chopin’s ballades are written to such a pitch of harmonic innovation, expressive power and structural novelty that they sort of exist in a valley of their own making. Nothing any other composer wrote (even other ballades, to be sure) really compares to them. The most immediately striking feature about them is their narrative musicality: transitionary passages are extraordinarily beautiful, and really do not need to be justified by what they are moving to or from; and a small digression might open up a whole new harmonic or developmental vista, a trait especially evident in the last ballade.
Each ballade offers radical new treatment of (or engagement with) sonata form. #1 and #3 superimpose on the goal-oriented sonata form an arch-like symmetry (both have a mirror reprise and a striking central episode with new material that serves as pivot), #2 imposes a two-key scheme upon what initially looks like a simple alternation between two themes but really is not, and #4, the most structurally rich of the set, fuses sonata form with the more static form of the theme and variations.
BALLADE 1
00:00 - INTRODUCTION in Neapolitan harmony [Note minor 9th motif in LH at 0:34, wrongly indicated in this edition as D-G-D; it should be D-G-Eb]
EXPOSITION
00:42 - Theme 1
02:20 - Transition
03:19 - Theme 2, limb 1 [Note its harmonization in 4ths, mirroring the horn calls which introduce it, and the use of subtle hemiola in the LH]
03:59 - Theme 2, limb 2 [Really a diminished version of Theme 1]
DEVELOPMENT [This section puts both Themes in direct and violent contact with each other: there is no transition bridging the two, only a section where Theme 1 tries desperately and almost fails to reach the high B which begins Theme 2 (5:07). The themes’ tonalities (G min/Eb maj) are also brought into unstable alignment (A min/maj)]
04:48 - Theme 1, opening with a minor 9th descent
05:15 - Theme 2, climax
05:49 - Transition
06:05 - Theme 3 [A brilliant waltz much like Chopin’s waltzes of this period]
06:20 - Transition
RECAPITULATION/REPRISE [Note the arch-like symmetry: Theme 2 is presented before Theme 1, in its original key]
06:40 - Theme 2, limb 1
07:09 - Theme 2, limb 2
07:44 - Theme 1, again heralded by a falling minor 9th
CODA - 08:30. Note the profusion of falling minor 9ths in RH figuration, as well as the Neapolitan harmony from the introduction,
BALLADE 2
EXPOSITION
10:00 - Theme 1, F maj, a siciliano/pastoral
12:20 - Theme 2, A min
DEVELOPMENT/FALSE REPRISE
13:13 - Theme 1, F maj. Looks like a reprise, but -
13:52 - veers off course, into harmonically complex modulatory territory. This section is where the heavy lifting that shifts the entire tonal centre of the work takes place.
15:33 - Theme 2 [In D min, which is revealed to be a suspension that resolves to A min. This section substitutes for a reprise proper.]
CODA/CLOSING SECTION - 16:15 [References to Themes 1/2]
BALLADE 3
EXPOSITION
17:33 - Theme 1, lyrical
19:40 - Theme 2, dancelike, developed in F maj/F min/C maj.
21:47 - Theme 3
DEVELOPMENT/ REPRISE [As with Ballade 1, note how the themes are presented in reverse order]
22:36 - Theme 2, Ab maj
23:02 - Theme 2, C# min, developed with LH counterpoint. Note that the LH figuration is based on a diminished version of a section of Theme 2 (heard most clearly in the LH at 23:25)
23:27 - Theme 2, developed with RH figuration, climax.
23:42 - onset of harmonic instability
24:29 - Theme 1, now triumphant
CODA/REPRISE - 24:58, Theme 3
BALLADE 4
25:19 - INTRODUCTION in dominant (C maj)
EXPOSITION
25:50 - Theme 1 [Note how the theme itself is sequential/variational in character, being made of a short phrase repeated in different keys]
26:51 - Theme 1 VAR.1 [very slight decoration]
27:46 - Episode 1 [Based on Theme 1]
28:53 - Theme 1 VAR.2
29:29 - Transition
29:49 - Theme 2, a chorale/barcarolle
DEVELOPMENT/EXTENDED BRIDGE [in contrast to the typical development, while there is harmonic exploration there is no buildup of tension, and the material comprises the only lighthearted passages in the entire piece]
30:57 - Modulating sequential passages
31:45 - Strands of Theme 1 combined in three contrapuntal lines. One of the lines turns into -
32:08 - The magical return of the INTRODUCTION, whose distant A maj harmony functions as dominant to -
RECAPITULATION/REPRISE
32:48 - D min, where Theme 1 returns in VAR.3, a striking canonic variation that fully exploits the theme’s sequential qualities to modulate back to F min
33:51 - Theme 1, VAR 4. It’s extraordinary how Chopin places a Bachian variation (No.3) right beside a full-blooded romantic one (the cantabile-decorative treatment of no.4).
34:33 - Theme 2, in Db maj, climax. [Note how beautiful the writing is: see e.g., 34:50, with the overlay of notes in groups of 4/6/9]
35:44 - Extended pause on dominant [structurally mirroring the introduction]
CODA: 36:14 - เพลง
00:00 - Ballade No.1 in G Minor, Op.23
09:59 - Ballade No.2 in F Maj/A Min, Op.38
17:33 - Ballade No.3 in Ab Major, Op.47
25:19 - Ballade No.4 in F Minor, Op.52
Cho Seong-Jin’s playing is marvellous: it is consistently reverential, finely detailed, and anti-virtuosic, as you might expect from someone whose role models are Zimerman and Lupu. Even the most virtuosic passage is voiced fully, and the pauses which mark out crucial transitions and harmonic shifts are fully observed. There is some excellent cantabile playing in the melodic passages (and beautiful chord voicing too), and the quiet passages have a tenderness and reticence that’s petty moving.
I've listened to this set from mr. cho for a while, and I can't agree more. Fantastic.
4:15 woooow!!!! so beautiful..........
what do you mean by anti-virtuosic.....
I think that Ashish means that Cho is trying to showcase musicality, rather than his own technical skill, as the stereotypical 'virtuoso' is likely more prone to do.
Ashish Xiangyi Kumar
I'm glad that I discovered classical music
Same
No buddy. Classical discovered you.
Up is right
Yesss
Amen brotha
I love how he can play loudly without sounding like he's just banging the keys.
Kristian J. Magic lol
hahah i cant relate its so hard
nah i kinda sound he's banging the keys.
35:47 is the part where you as a pianist inwardly hope, that the audience is not clapping at you.
What?
Underrated comment
@@yoaveden The audience is normally supposed to wait until the piece finishes to applaud - here, the piece isn't finished yet but someone not familiar with it might assume that it is due to the pause there
This actually happened during Yundi Li's performance of this Ballade...you can see the pain on his face when the audience starts clapping.
I still remember the time I got interrupted in a concert because they thought the piece ended. It was my 2nd concert. I was smiling outside, but not inside. For the sake of my 4th concert (two months ago) I raised my finger (as Vinheteiro does) so that they know I'm not done yet. It saved Tchaikovsky, and I got it down naturally. Easily my toughest concert struggle, I was borrowing quite some time to come up with the answer
#1: most exciting
#2: most dramatic
#3: most charming
#4: most beautiful
Exactly
lol
@@user-tm5ln3ty5b 8
@@DanielFahimi gae
@@DanielFahimi gae
8:30 is just so insane. I love the sound of it
I think it's the favorite of many people.
It's so good
Yeah i agree, i usually don't like when they play the coda fast, but this one is so clear and crisp, its irresistable
Laterino Craperino the tempo is supposed to be fast
@@RaZorasiangamer yeah, but if you saw zimerman's interpretation of the coda, he does slow down a bit to give it more clarity and emotion
Cho Seong-Jin is absolutely one of best interpreters of Chopin music. He just feel it. His victory in International Chopin Piano Competition '15 in Warsaw was clearly justified
Interpreter not impersonator
@@desktopmoss5617 maybe, english is not my native language 🤷🏻♀️
and to think Entremont gave him a 1...
A słuchała Pani kiedyś Ingolfa Wunder’a?
@@Weirdoshibe nope. It's Rubinstein
seong jin cho must be one of the greatest pianists alive. all of his interpretations are very good, and are without any fluff or showoffishness.
"Showoffishness!" I love it.
Chopin would be very happy if he heard this.
Cho's performance of the op.52 has to be among the best I've ever heard. Deathly, ethereally beautiful.
35:27 The best interpretation I've ever heard
23:15 is the absolute height of genius. What a gift to the world these Ballades are.
that just sounds like la campanella
@@Pr0tal bruh no
@@Pr0tal wtf no
@@Pr0tal nooooooo whyyyy
Ah, CHOpin
chaud lapin
Aaah Fuet!!!!
This made me laugh too much
Anaïs Abecassis 😂😂
LoL
I tried (and failed) to learn the 4th ballade a couple of years ago, and I still remember the nightmarish passage from 28:53 to 29:33 and how hard was to even just try to express the melody between all those chords. I used to listen to Cho's recording and ask myself "How is this possible?"; and the way he plays the coda, mesmerising and unbelievable. The best, simply the best, the greatest pianist of our time
@@ibrahimsaka511 everyone has their own opinion 🤷♀️
@@ibrahimsaka511 "you have a wrong point" how dumb do you have to be to call an opinion on a best pianist wrong?
@@ibrahimsaka511 there is no 'wrong' or 'right' in opinions bruh
I am learning it right now and I can say that those measures are indeed a nightmare to pull off, but once it's done, it's not only one of the most beautiful passages in the whole romantic era (for me) but also fun to play. The fun thing also happena with those rising thirds in the coda. Hard as hell, but once you learn it... Fun!
I might add that the 4th ballade is my favorite of all ballades ever and a dream for me since i started learning the piano. To be practicing and learning it now it's just a huge dream coming to life and I play it with a sacred respect. Can't wait to have it all done and play it on stage.
4:15-4:21 Unique individual traits in that passage that tells the pianist is definitely Seong-Jin Cho. I love it.
So simple notes, but so touching
No interrumpir ..🧐😵💫
내가 제일 좋아하는 곡... 곡이 서사가있을수있다는건 진짜 센세이셔널한거다 한곡안에 기승전결 스토리가 다있다
The third ballad is seriously one of the most beautiful things I've ever heard
16:15-17:02
This is Seong-Jin Cho, one of the best pianists of our generation. Extraordinary, i’m speechless on his approach of the coda.
Especially through 16:26-16:42
How he prolongs the notes and approaches the dynamic in that passage with such flexibility.
i love this part
one of the best sounds of chopin
I agree
The amount of maturity he can play with at such a young age, he truly understands the music
18:34 I'm used to hearing pianists play that chord and trill sudden and vigorously, but here he plays it so smoothly, very brilliant!
His extraordinary melodies seen to be speaking to us. The stories conveyed can be conceived in our own minds. I guess one could say that his remarkable scores take us on new found journeys! How awesome is that!
The left hand bass phrasing from 8:30 to 8:50 is out of this world
A role model to every pianist. Seong jin cho is just amazing.
Agreed
Zimmerman should be, not him
@@greenapple306 It all depends on your opinions. Seong jin cho might be a role model to a lot of people while zimmerman or any other pianist could be a role model to others.
STRAIGHT FACTS
I didnt even know it was him playing wow lol, his la valse by ravel is absolutely flawless. After yuja wang pianists just keep getting better
Anyone else get the absolute CHILLS @ Theme 2 climax? 5:15. Love this version, btw. Cho's the Man. Excellent choice, Kumar! :)
Probably my favorite moment in all of Chopin's music.
Seong-Jin Cho has to be one of the best Chopin interpreters of our time.
28:51 is one of my favourite passages in all of classical music
Cho has a very unique way of bringing up inner voices which no other pianist has paid such an amount of attention to in their recordings. Makes you wonder how many other beautiful voices hide in the sheet music. Truly, this man is a genius in his field
About a year ago, I was given the opportunity to take a trip to Switzerland. On one of the stops was a wooden cabin that overlooks a valley lake, the streets and peoples of Seelisberg sank into the mountain vistas. There was a radio in each room, and that night I fell asleep to German news and narration, and this. Hearing it now, all I can think about was that room, the mountain vistas, the valley lake, everything.
As I’m typing this now, it is snowing there, and all I can think about is how happy I am that I can call a place the world away my home.
Thank you for this lovely compilation of music, I didn’t realize how much I needed it until I heard Chopin melodies once again.
Returning back to this comment over a year later, and all the memories still rush back to me when listening.
Beautiful comment.
corny ahh comment 💀. sounds beautiful tho
@@alfredwegener9813
Yeah, a bit corny, but can you blame me lol
The section at 34:33 is some of the most beautiful writing in all of piano literature.
Echoherb 37:25 also. So calm
I fell for that, lol.
Wow now I have to go all the way back to where I left off
i love the part starting at 34:33 especially 34:52 - 34:58!
Echoherb I think the same, it is really beautiful.
Wow love these structural analyzations !!!
GAHH KYLEEEEEEEE XD
Kyle Landry I love you🌷🌷🌷
So good to see you here, Kyle!
Kyle?? The Kyle Landry? I didn’t expect to find your comments here
lol its called sheet music
Before discovering Cho Seong-Jin, I always listened to three recordings of the fourth Ballade: Zimmerman, Horowitz and Cortot. Zimmerman for hearing what's written and to help with practice, although I always found his a bit boring, Horowitz for the energy bursts and his great staccato in certain passages and Cortot for the poetic feeling and the (sometimes dangerous) ambition in some passages. Cho Seong-Jin has something of them all and even more! Absolutely marvellous!
34:33 - breathtaking. After the meandering lushness of the first eight minutes, this melodic line just floats with such clarity and simplicity. And he does this by doing the opposite of what most pianists do here by backing off the pedal, p-pp, and voicing the rh to let the single line shine through unadorned. So beautiful.
Ballades played that way tell us how much seong Jin cho deserved his Chopin prize - btw no need to be polish to get that Chopin feeling - both Chopin and mr Cho are God sent - cause being able to feel these masterpieces the way he does at the age he has is like a miracle to me... Thank you Cho for showing us the best of Chopin coming from your heart. I love You.
Roland Schimpf Thanks Mr Schimpf for your not Schimpfwort but a charming comments ~ I agree with you totally. "Cho & Cho-pin", what a miraculous gift for "Musikliebhaber unsere Zeit"!
Don't know if i like Zimerman's or Seong-Jin's interpretations better, they are both amazing
True. Both are champions of the ballades. Untouchable by everyone else as far as I’ve seen
You've said it all. Same for me here
Agreed. Why focus on just one when you can enjoy both for what they offer? At a certain level, art transcends normal life, and for me it's no longer about comparisons and all about the experience.
I like Zimerman better. But Cho is still amazing
19:40, I can believe how good the melody is, I felt in love with it. It's so calm and peaceful...
My favourite ballade of all time
Chopin works wonders with his melodies. I think the third Ballade really showcases this. They are just so unique but still sound lovely.
Wow. That 3rd ballade just hits different. Where did the notion of it being "weaker" than the rest ever come from?
This is the best interpretation of 8:24 I've ever heard. You can feel the absolute blast of intensity channeled and then dropped on that low note
05:15 젤 조아하는 파트당...
저도 맨 첨이랑 이부분 좋아해여ㅜㅜ
same
머야 언제 85개 됐어 감삼당 히히
와 한국인 오랜만에 본닼ㅋㅋ 외국거만 찾아보다가 첨봄ㅋㅋㅋㅋ
전 (15:56) 16:15
So precious!
36:40 The dynamics and voicing here are absolutely insane! Usually people stay big here but he really dims it down to get big later
1 and 4 are unreal
Cho's renditions of the 2nd and 3rd ballades are absolutely beautiful, and I argue that they're the best I have ever heard. His 1st and 4th are also wonderfully expressive. With winning the Chopin Competition and this album, he has already affirmed himself as a legend in the making.
#4 is the most beautiful piano piece of all time
you're not lying
Not easy to disagree with this
You're not wrong. First time I heard it was on a classical station in Baltimore when I was 17. Garrick Ohlsson was playing it. I just remember hearing the opening melody sing out, and I was struck literally speechless.
@@timward276 I first heard it on headphones at age 14. I was in the sun with wind blowing, and within 30 seconds I felt like I was floating.
This music is beautiful
I truly love and support this yet young but prominently mature pianist, Cho Seong-jin, expecting his bright, bright future.
The harmonies at 8:13 are so amazing and forward-looking for Chopin's time. He is strongly, repeatedly emphasizing the 7th scale degree (F#) in the melody, over a #4 fully diminished 7th chord (C#o7), which wants so desperately to resolve to the dominant, which is reaffirmed by the D in the bass. It's an accented non-chord tone that makes it sound like a kind of C#o7 / DM7 polychord, or for fellow jazz musicians a GmM13#11/D.
Note how the chord has not one but TWO major sevenths in it (between the D and C# and the G and F#).
And as if that weren't enough, he then resolves the 7th in the melody unexpectedly to the 9th (A), which makes a THIRD major seventh.
It's so dissonant yet so beautiful, tugging at your heartstrings with painful sorrow.
To our modern ears, jaded by post-tertian harmony, it might not sound revolutionary, but imagine how it would have sounded then.
Thanks for pointing it out :)
Coda
No.1 8:17~
No.2 16:09~
No.3 24:51~
No.4 36:14~
I love the melody right before move on to coda
so I included it in range😉
Not every hero wears a cape.
Not the codas but ok
No. 1 - 8:30
No. 2 - 16:15
No. 3 - 24:29 or 24:58
No. 4 - 36:14
@@bornegaming3037 it is wdym
@@bornegaming3037 yo u stupid it is the codas
I Dare to say that Cho's sounds .. . . Most touching in my heart and pleasant to my ears.
The chromatic scales are so majestic..
this No.4 makes me cry
Can’t help myself ❤❤❤ just love it!
Grazie velvet touch Maestro!
cannot believe the way he interprets ballade 3. Since the part of coda, he expresses the piece as if storm is slowly devouring the melody. Interesting to see him using pedals to deliberately crush the sounds, and emphasizing left hand for maximizing the darkness of the notes. Such a wonderful rendering, cho!
조성진의 쇼팽 발라드...너무 좋아요...😭😭
I honestly think this interpretation is up there with Zimerman's; and I truly believe Cho will be regarded as one of the best pianists of the 21st century.
Zimerman is waaay better
@@mikolinek13ziom Yeah, well, that's just, like, your opinion, man. In all seriousness, I didn't state it as a matter of fact that Cho's interpretation was better. I just said that it was my opinion that Cho's is up there with Zimerman's interpretation (however, I will give you that Zimerman's interpretation is probably the gold standard for the Four Ballades).
Agreed
@@mikolinek13ziom Why Zimmerman is better???
@@mikolinek13ziom I agree that he is better, but only slightly.
Amazing first ballade especially the coda, his coda is Incredible
All of them were amazing tbh
TheGreenPianist indeed, great dynamics.
Great stuff as always AXK. These 4 Ballades along with a few Beethoven Sonatas and Rach 2 I could not live without. Desert Island stuff. Wonderful playing. I've noticed some interesting fingurings I need to try too. Thanks
Chopin is my favourite composer. He exactly opened a new life for me. I adore playing his music on piano and I love to learn new things from him. Now I learn the first ballade.
I've never heard about this pianist before, but when I found this video.. Oh, God, I think I'm crying. It's so wonderful and beautiful. I'm kinda melting like an ice-cream from this.
Be carefull whit the first balade . I know just 10 % perfectly and the 40% i know, but not perfectly . the next 50% i dont know .
Same
☺
He does Chopin the best imo
This is just perfect.. It's so sensitive and at the same time it is so deep to understand his interpretation of Chopin. He truly expresses Chopin I guess.
There is so much stunning excellence in this entire recording that one has no idea where to begin. He is one of the greatest pianists and musicians that ever walked the planet.
Those 5 quiet chords in the 4th ballade feel like you're in the eye of the hurricane, before the storm starts up again in the coda.
16:15 he really took the "agitato" personally
Wow! He sounds like he always is in full control of the instrument, everything feels so measured and exactly were it should be. These recordings genuinely made me sing along the melody.
Seong-Jin Cho is by far my favourite pianist of all time!
Bithovin
@@joannalu9460 do you mean Beethoven?
@@jeremykalhok7324 I see I was summoned.
Im glad your lie in April introduced me to this beautiful piece
This "mysterious" silence at 13:27 sound ironically beautiful and strong to me, it's like it tell you the brutal end of a story, but finally she's not finished yet. Like life is an eternal circle like this, the same melody repeat, it begin for someone and still end for another one, and sometimes in your life you will have hard times... Fucking exactly as this entire n°2 Ballade.
Fabulous. I can play the first ballade just enough to know what a masterclass in voicing and phrasing this is
I chose to watch this video to help me study but it is impossible to focus on my work when I can't help myself but to awe every second of this majestical playing of Cho Seong- Jin. This is honestly absolutely beautiful.
조성진의 레코딩에서 알프레드 코르또의 향기가 난다.. 특히 2번 코다 부분에 분산화음을 정박으로 연주하는 것이 아니고 루바토로 연주하는 것은 현대 레코딩에서 잘 찾아볼 수 없는 요소인데 정말 대단하고 쇼팽에 대해 완벽하게 이해하고 있다는게 몸으로 느껴진다.
CHOPIN composed so many deep moving pieces, it does boggles one's mind how someone who was born in war torn Poland at that time can produce such astonishing music...unique only to Chopin which no other composer can emulate. Thank you Chopin for your contribution to the world. Though you are no longer with us, your music lives on forever. RIP Chopin. You are beyond amazing!
Generally for the ballades I prefer Zimerman, however there is no doubt that Seong-Jin Cho plays these masterpieces with an insane amount of respect and purposefulness. In fact, I think that I actually prefer his ballade 1 coda to Zimerman's. This is without a doubt one of the best recordings of these pieces that exists today. Someone once told me that Seong-Jin Cho's playing is "anti-virtuousic" and I have thought about it and I have to say that I agree. Thanks for posting and thanks for the structural analyses as well! :)
Try Ashkenazy's 1960s recording on Decca (re-issued on CD) - my favourite of all, but I'm not daft enough to say it's 'the best'. Different interpretations and preferences are what make music the great art form that it is.
When I attended zimmerman's piano recital few years ago (he played scherzi), they were each different to his recordings that are available on youtube. Of course it was way better to listen the piece in the hall (live) cause I was immersed in his playing that I forget how it was but beautiful playing. I think sometimes pianist has some kind inconsistency with his/her way on playing. If you were there, you would forget everything about analysing it and what you probably wanted would probably "I wish he played more" xD
But yesh. different interpretations is what makes classical music great otherwise it'll be monotonous (well duh). I prefer to have a lot of selection of pianists than listening to one specific pianist.
Zimmerman actually praised seongjin-cho
I bought his cd 3 months ago, I love how his ballades sound
Seong-jin Cho is one of my favorite pianists
100% certain this is the best 2nd ballade I've ever heard. Incredible.
Deserved win .....saw him in London just after .... his playing was exemplary.
poplife123 you’re so lucky😭
Chopin will always be remembered for his contribution to the evolution of musical language. As witnessed by his virtuosity and innate sense of harmony, Chopin has expressed the many levels of human emotion.
6:04~ It is really addictive and refreshing to come down clearly and lightly from the part that starts with and suddenly pull it gently into legato.
내가 4개의 발라드를 숨도 안쉬고 초초집중해서 듣다니.. 조성진만이 할수있음..
29:02 how can something that beautiful even exist
Perfect voicing at 6:09 just speechless
The attention to detail in this version is really breathtaking.
Ballad 2 is so exquisite in its beauty. That intro always makes me think of the Civil War era. Like the Union soldiers are coming home, victors but having survived a brutal conflict and the South is defeated.
About 35 minutes of pure beauty…
32:08 tears every time
I think that the coda of the first Ballade is the best i’ve ever heard
Just watched the Pianist. Needless to say, this song has a new meaning for me.
The first Ballade is my favorite piece of Chopin and it will be my favorite one for my entire life.. It is such an emotional piece, pure beauty !
Beautifully played ...that's what I use to listen in my country Poland others played... That's the feeling that's ballade ! with all moods and feelings. Bravo.
Aahh, that third balade's inner voicings are magical.
22:41 the voicing is insane
1 is the most beautifully tragic and intensely interwoven pieces ever, the way Chopin alters the first theme for the second part of the second to create this juxtaposition between this reminisce/dream for the ideal world and the bleak reality is genius. Also the mirror reprise in which this altered second theme is structured to come first and directly contrast the first theme which has the final say and kills any hope for the better tommorow and then the coda(just like the introduction) wraps everything up so fittingly in a tragically-epic manner...a piece in a league of its own
Bellissimo 🥰
My favorite piece by anyone is ballade no 1, and even better, it is played by my favorite artist
When I listen to this I feel all the deepen soul of mankind, it’s good it’s sorrows it’s obscurity, the mystery we live in. In the inexorable flowing of time there is a piano and somebody playing this.
Everytime I listen to these pieces, I feel like I'm listening to opera.
Best Ballade #2 in existence IMO. You can really feel the agitato during the coda.
Браво, незабываемое исполнение это шедевры в руках исполнителя.
Nicely played. Lots of feeling.
The opening of the 3rd Ballade... it's like a casual acknowledgement of something beautiful that ought to be appreciated.
Overall godly performance but where he really shines for me is his timing. It's so easy to sound overly dramatic or not give a passage the space it needs, but he's just spot on each and every time.
Simply gorgeous and heartbreakingly sumptuous. I'm discovering this pianist. My heart, brain and soul exploded. The third is a bit too sugary to my taste, but the rest... And top of it all, he never tries to show off, always with tremendous sensibility.
Thank you for uploading this recording.
와 .. 감탄밖에안나온다