Wunderschöne und detaillierte Interpretation dieses jugendlichen doch perfekt komponierten Sextetts in verschiedenen Tempi mit klarem doch warmherzigem Klang des historischen Fortepianos, seidigem doch gut phrasiertem Ton der unvergleichlichen Violine, milden Tönen zweier Bratschen, tiefem Ton des Violoncellos und zurückgehaltenem Ton des Kontrabasses. Die intime und perfekt entsprechende Miteinanderwirkung zwischen den sechs Virtuosen ist wahrlich ergreifend. Wunderbar vom Anfang bis zum Ende!
First I've ever heard this - many thanks! I've learned that the opus number is misleading - posthumously published, this is from when the composer was 15, before the Octet. I can't help wondering if this was his effort to make a piano concerto for a chamber ensemble. The major fake-out in the final movement is particularly delicious!
Just brilliant! Man was Mendelssohn on fire in his teens. Very mozart influenced ---like an undiscovered mozart sonata!
Wunderschöne und detaillierte Interpretation dieses jugendlichen doch perfekt komponierten Sextetts in verschiedenen Tempi mit klarem doch warmherzigem Klang des historischen Fortepianos, seidigem doch gut phrasiertem Ton der unvergleichlichen Violine, milden Tönen zweier Bratschen, tiefem Ton des Violoncellos und zurückgehaltenem Ton des Kontrabasses. Die intime und perfekt entsprechende Miteinanderwirkung zwischen den sechs Virtuosen ist wahrlich ergreifend. Wunderbar vom Anfang bis zum Ende!
So unexpected in Mendelssohn, in the last movement it begins in a light, merry mood and ends in a grim mood. Reminds of Brahms in that sense.
This is quite simply beautiful music. How could you ever get tired of listening to it?
C'est un très joli morceau de musique composé de six instruments qui s'harmonisent bien ensemble. A recommander !
This piece has irregularly one violin, two violas and two cellos. This creates profound harmony and clear melody, I think.
But piano?😉
1 violoncelo e 1 contrabaixo
the double bass: cries in low tones
@@rogerio7546 sorry
What a brilliant ending!
Lovely composer! Very nice ,love it
Thank you for posting this wonderful piece!
Holy juvenalia Batman! This is one for the ages!
First I've ever heard this - many thanks! I've learned that the opus number is misleading - posthumously published, this is from when the composer was 15, before the Octet. I can't help wondering if this was his effort to make a piano concerto for a chamber ensemble. The major fake-out in the final movement is particularly delicious!
Strange that he would call the third movement 'Menuetto'.
It's quite obvious that the composer was a piano virtuoso.
And he composed it at the age of 15 in 1824. (The producer of this recording)..
@@peterwatchorn5618 Wow!! Mendelssohn was a child prodigy
Yes, this is clearly influenced by Hummel, closer to the Piano Quintet than the Septet.
Impressive and unexpected coda!