Please react to - In Flames - When The World Explodes (ft. Emilia Feldt) Emilia Feldt is an opera singer. Link to video - th-cam.com/video/mKG8BR292oo/w-d-xo.html
Her rendition of Purcell's Dido's Lament is my favorite of all time. I've listened to this performance countless times. She was more than a beautiful voice. She embodied the works she sang with absolute emotional devotion and passion. She became the piece. RIP to one of the greats. ❤
Thanks so much for your wonderful reaction to Jessye Norman and remembering her. For me, she was one of the greatest Operatic voices of all time. I do not feel that I am biased. There was something so ethereal and full bodied in her voice, how she interprested the music, and how she used her God-given gift in her performances. I really appreciate the wonderful thoughtful comments made by the both of you. She was one-of-a-kind, so splendid in her uniqueness. I, too, grew up in Augusta, Georgia. Jessye was 10 years older than me. We both attended Mt. Calvary Baptist Church and lived on Mill Street. My grandmother raised me and had to work every other Sunday. Jessye would escort me to Church every so often. We sang on the same choir and even as a small child, I recognized that Jessye's powerful distinctive voice stood out and was a gift. I remember looking up to her and feeling so delighted that I could walk with her to church because even then, the adults saw something uniquely special in her and held high hopes for her future. She was asked to sing on special occassions and often was the soloist in our choir. It was such a blessing to see/hear the tribute to Jessye Norman. She was such an extraordinary person who was very passionate about opera, the arts, civil rights, and human rights. Jessye was such an encourager. We grew up in a time when uplifting, encouraging, supporting, and preparing the next generation for excellence, success, and greatness was the norm, expected of us because the generation before us gave us that experience and we recognized the importance of carrying that legacy on. We are no longer living in a society predicated upon Jim Crow laws, segregation, and abject racism. Sadly, so many outside the world of Opera and opera lovers have no idea who she is and have never heard of her. She was a Trailblazer who began her career in Germany and Europe when she was offered an engagement and subsequently a three-year contract by the director of the Berlin Opera. Because of the abject racism here in America, there were many opera houses where she was not welcomed. Jessye loved working in smaller venues where she was able to have a more intimate experience with the audience. She traveled back and forth to the US and graced us with that extaordinar gift at diverse venues. However, it was not until she received great/wide acclaim in Europe that opera houses here in the US began to open their doors to her. She was strong, courageous, regal, and held onto her God-centered foundation which strenghtened her to face the many obstacles and adversities she had to endure, especially in the early years. Yet, she remained humble and gracious. My grandmother (who raised me) and I followed her career and applauded her many accomplishments and the regal dignity in which she carried herself. Thanks again again for sharing your thoughts and memories of Jessye with us.
Saw her live once. Rather a strange piece by Schoenberg, Erwartung, a very Freudian piece with about a woman lost in a forest, she looks for her lover, but her lover is dead, did she kill her lover, and all that jazz. It's only about 25 minutes long, and that was the entire concert. Ms Norman sailed onto the stage in a billowing gown made out of gold lamé, looking like Cleopatra on her barge on the Nile. And she was compelling. You just couldn't look anywhere else. She doesn't move much, but she's totally invested in what she is singing. She's a real old school Diva, bathed in Charisma. And her sound is so full and powerful. Greatly missed, but a great legacy. She was a real trailblazer in her day. She first found fame in Europe, and as an African American, she took on great German opera roles in great, but notoriously conservative, German opera houses, singing roles in Wagner and Strauss, and other composers in the canon. She was also a fantastic lieder singer. Beim Schlafengehen is magical.
I stumbled on to this very performance accidentally as a non opera fan and only watched as I had never seen a black opera singer before. I have now watched this performance once a week for years and I'm moved every time. Ms. Norman was a true one of a kind who made an opera fan out of me, I was deeply saddened to hear of her passing. May she RIP
Her royal face, her attitude, her effortless style, her intensity, her perfection, her unselfishness in representing and being the pieces she performed. She always reminded me of what human beings can be, what we all should strive for (yes, I admit: and never quite achieve) 😀
I was so sad to hear when she passed away. I had the chance to see her when I was studying music in college. We got to meet her after, and she was just as beautiful a person as she was a singer!
I've seen her perform and when she stood before you, your soul stood is anticipation as if you needed to be exhausted by her. And the tonic quality of her voice and as you say volume could and did confound the audio system where she could cause sound to fold into itself and create harmonics that were angelic. It was maddeningly blissful.
i appreciate your loving, insightful and respectful, truthful analysis of this performance. Such an honor to Jessy's memory. I wish you two superlative, intelligent musicians all the best.
Love reacting together as usual dear Jessye Norman was the 1st opera singer I connected to when I was a 8 years old. I remember listening to her recording at the #YoungTalent conservatory singing Purcell's Dido's lament. It was a revelation of a surprising and heartfelt new sound world. It was only when I was 24 years old and I got to sing Handel's #Cleopatra that I understood what poise, musicianship, relentless technique and inner strength she possessed. In the 1st interview with Norman that I've watched, she tells how she was exposed to opera for the 1st time when she got her own 1st radio transistor at 9 years old. It was the 1st time she could choose what to listen to without her brothers interfering. She was browsing the stations and came by an opera concert by chance. Luckily, the announcer described the meaning of the scenes, the clothing of the singers and the director's intentions so vividly that she didn't mind them singing in a foreign language. She said she was lucky not to be "taught to appreciate opera or to aspire to appreciate it". She just loved what she heard and wanted to sing like those singers on the radio. Norman's philanthropy is also something to be remembered, in 2003 she opened a school in #Augusta to provide a free fine arts education to disadvantaged children. Although suffering from a spine injury, she remained a positive influencer on the world's cultural scene and graceful till her last moments. As she sings here "Remember me, forget my fate". You will be remembered RIP 💗 Together with my friend Linor Oren we reacted to her performance of this beautiful aria, what a way to say goodbye to this timeless voice and force of nature. You can notice we're totally transfixed in the 1st minute, and can't take our eyes off her during the rest of the video... But who would?
Hopefully i don't sound rude, but for me black or african descended people have such an amazing singing voice so much power and soul, is my first time seeing a WOC in opera, and well is just fantastic, looks so effortless and beautiful , gorgeous woman, beautiful voice, they have that soul in their voice when they sing. Thanks for the video, and for someone like me not a opera listener know i learned something new :)
Sada MoMo you have to hear Kathleen Battle and Leyontene Price, Barbara Hendricks. There are many others. It’s a beautiful world we’re in but only Jessye Norman.
It's not rude. Your pointing out a fact, so let me explain why this happens to be. African / Caribbean peoples are spiritual. This spirituality is most apparent in our artistry particularly singing. Black performers of whatever genre have an ability of not just creating outstanding music but of connecting with every note and melody with a spiritual belief of a higher being. I don't mean Jesus or Christianity (although many would cite this) but the universe, creation. It's sub conscious. White Europeans do not have this spirituality which has been shown historically. Spirituality is in every fibre of us so those limitations which affect other artists are of no concern which is why black artists and black sports people excel in these areas. This is never discussed or mentioned in the black community . We just know this. Also Jessye sings from the black experience of slavery, from generations of pain, sorrow , trauma is in her genetic make-up which is why Miss Norman connected with her works so magnificently. She was also an extremely intelligent , disciplined artist. But please remember Jessye Norman had to be this good to get recognition when other less talented white sopranos were being acclaimed before her
You two, lovely gals, enjoying as much as I am, with such a goosebumps composition, great orchestra and the best performer that sadly left us in an impressive acting. As Jessye said once when asked how to be classified: "pidgeonholes are for pidgeons".
Hello Linor and Noam! First of all, thank you for sharing Jessye Norman's video. It has made me remember there's good in the world, thank God. I would also like to congratulate you for the channel and for the beautiful women that you are! Good luck on all of your endeavors.
Thanks for this great reaction/analysis to surely one of the greatest voices ever among us. Norman's "Habanera", under Ozawa, is one of my favorite interpretations. I don't know if it was her choice or his, but the tempo is slowed, and she deliciously enunciates every single letter. I have to say though, my favorite complete performance is the 1980 "Spirituals in Concert," along with Kathleen Battle. Norman is in top voice throughout the entire performance and one of the reviews I read said to be in Carnegie Hall that evening was to be "among heavenly angels, electrifying the entire hall." A great example of her near perfect technique is "Give Me Jesus," during the latter half of which she does what I always associate with her singing, the dropped, slightly pulled back jaw you mentioned in this video, along with sort of a tongue/soft palate thrust at the beginning of a phrase. Being a layperson, I have no clue what that's for, but I always think of it as a "vocal reset." Would be interested to hear if you thought that was some technique she adopted over the years, or just an idiosyncrasy to her own style. Also, I agree she is THE Aida for me. Price's has its own merits, but Norman's richer, cavernous, velvety timbre to me typify the role more so than Price's somewhat lighter delivery.
I remember being introduced to this Aria by Jeff Buckley, then followed by Emma Kirkby and Jessye Norman, beautiful interpretations with their unique styles. Very sad indeed but they make them sound so mesmerizing.
Oh wow. Im surprised you havent heard of Heilung yet. At least i dont find any reactionvideos to them in your channel. Heilung is a Band that focusses on old Tribal Music using runes and speach from the early iron age and proto germanic Era. If you are interested please listen/react to: Heilung - Krigsgaldr live
Would you consider commenting on Kathleen Battle, another great African American opera singer who has had a reputation as a "diva", but not in a good way. She and Jessye Norman did a fantastic concert of spirituals for PBS which is available on TH-cam. Thank you.
Thank you, I didn't know her before. :/ You should check up FloorJansen and Henk Poort doing "Phantom of the Opera". Heard he is the original phantom of the netherlands. And he also did an amazing job at "Sound of silence"..
Indeed! Her voice could cut through concrete, and yet had such moments of loveliness as well. She is the only other Wagnerian singer (including Flagstad and Jessy) that I could listen to.
For vocal artistry & a sensitive approach to her impending death Dame Janet Baker. clip on You Tube. One is moved to tears by her performance years after. Jesse Norman, a great & royal voice of immense beauty is in a class of her own. A truly thrilling voice. R I P,
Ты меня не хочешь видеть… Видимо, не без причины… Ты терпеть меня не можешь… И опять не без причин… Потому-то и не хочешь… Грустно… И не справедливо… Я, на самом деле, лучший… Из, конечно, кто не ты… Вот бы ты хотела видеть!.. Даже слышать не желаешь… Посмеешься, если спросят… Жалко, некому спросить…
please react to Juan Gabriel - Hasta que te conocí (th-cam.com/video/ga5Bo4YdgH4/w-d-xo.html) or José José - El Triste (th-cam.com/video/LWSAEGMPXT8/w-d-xo.html)
(Willing Season) Presence stately posted Robed in folds of darkness Creatures webbed in wooing Root of willing season Serving change to deadly treasure
I dont think they were using it in a racial context...I think that English may be there second language so they may not realize that here in the states that watermelon is used to denigrate blacks
Opera singers should not attempt Dido's Lament. This is supposed to be a woman dying in the arms of her friend. It isn't a contest to see if you can be heard three streets away. If you want to hear it done sympathetically, listen to Alison Moyet's version. You will have to forgive some of her east London pronunciation, but appreciate the quality.
It is also a queen dying so the interpretation can be made that this is a regal woman dying...besides this is a singular performance not a production, you don't have the the friend on stage ..
If you want to see more reaction videos from Noam and me, see our playlist: th-cam.com/play/PL7PY-1GHxCfkFnfYcG-23py8E4FnXXnrO.html
Linor Oren - voice teacher please react to José José el triste live
Please react to - In Flames - When The World Explodes (ft. Emilia Feldt)
Emilia Feldt is an opera singer. Link to video - th-cam.com/video/mKG8BR292oo/w-d-xo.html
please react
th-cam.com/video/-SwumVFUMBg/w-d-xo.html
th-cam.com/video/GU1jUiXOJpo/w-d-xo.html
Yes The Greatest Opera singer in the world Jessye Norman will be missed forever.
Her rendition of Purcell's Dido's Lament is my favorite of all time. I've listened to this performance countless times. She was more than a beautiful voice. She embodied the works she sang with absolute emotional devotion and passion. She became the piece. RIP to one of the greats. ❤
The perfection in her voice is wonderful . heavenly voice
Thanks so much for your wonderful reaction to Jessye Norman and remembering her. For me, she was one of the greatest Operatic voices of all time. I do not feel that I am biased. There was something so ethereal and full bodied in her voice, how she interprested the music, and how she used her God-given gift in her performances. I really appreciate the wonderful thoughtful comments made by the both of you. She was one-of-a-kind, so splendid in her uniqueness.
I, too, grew up in Augusta, Georgia. Jessye was 10 years older than me. We both attended Mt. Calvary Baptist Church and lived on Mill Street. My grandmother raised me and had to work every other Sunday. Jessye would escort me to Church every so often. We sang on the same choir and even as a small child, I recognized that Jessye's powerful distinctive voice stood out and was a gift. I remember looking up to her and feeling so delighted that I could walk with her to church because even then, the adults saw something uniquely special in her and held high hopes for her future. She was asked to sing on special occassions and often was the soloist in our choir.
It was such a blessing to see/hear the tribute to Jessye Norman. She was such an extraordinary person who was very passionate about opera, the arts, civil rights, and human rights. Jessye was such an encourager. We grew up in a time when uplifting, encouraging, supporting, and preparing the next generation for excellence, success, and greatness was the norm, expected of us because the generation before us gave us that experience and we recognized the importance of carrying that legacy on.
We are no longer living in a society predicated upon Jim Crow laws, segregation, and abject racism. Sadly, so many outside the world of Opera and opera lovers have no idea who she is and have never heard of her. She was a Trailblazer who began her career in Germany and Europe when she was offered an engagement and subsequently a three-year contract by the director of the Berlin Opera. Because of the abject racism here in America, there were many opera houses where she was not welcomed. Jessye loved working in smaller venues where she was able to have a more intimate experience with the audience. She traveled back and forth to the US and graced us with that extaordinar gift at diverse venues. However, it was not until she received great/wide acclaim in Europe that opera houses here in the US began to open their doors to her. She was strong, courageous, regal, and held onto her God-centered foundation which strenghtened her to face the many obstacles and adversities she had to endure, especially in the early years. Yet, she remained humble and gracious.
My grandmother (who raised me) and I followed her career and applauded her many accomplishments and the regal dignity in which she carried herself.
Thanks again again for sharing your thoughts and memories of Jessye with us.
Saw her live once. Rather a strange piece by Schoenberg, Erwartung, a very Freudian piece with about a woman lost in a forest, she looks for her lover, but her lover is dead, did she kill her lover, and all that jazz. It's only about 25 minutes long, and that was the entire concert. Ms Norman sailed onto the stage in a billowing gown made out of gold lamé, looking like Cleopatra on her barge on the Nile. And she was compelling. You just couldn't look anywhere else. She doesn't move much, but she's totally invested in what she is singing. She's a real old school Diva, bathed in Charisma. And her sound is so full and powerful. Greatly missed, but a great legacy.
She was a real trailblazer in her day. She first found fame in Europe, and as an African American, she took on great German opera roles in great, but notoriously conservative, German opera houses, singing roles in Wagner and Strauss, and other composers in the canon. She was also a fantastic lieder singer. Beim Schlafengehen is magical.
I stumbled on to this very performance accidentally as a non opera fan and only watched as I had never seen a black opera singer before. I have now watched this performance once a week for years and I'm moved every time. Ms. Norman was a true one of a kind who made an opera fan out of me, I was deeply saddened to hear of her passing. May she RIP
Loved this. What a fantastic tribute to Ms. Norman. Thank you!!!
Her royal face, her attitude, her effortless style, her intensity, her perfection, her unselfishness in representing and being the pieces she performed. She always reminded me of what human beings can be, what we all should strive for (yes, I admit: and never quite achieve) 😀
I was so sad to hear when she passed away. I had the chance to see her when I was studying music in college. We got to meet her after, and she was just as beautiful a person as she was a singer!
Thanks for reacting to this video. Your respect for Jessye Norman is palpable. May she rest in peace.
Thank you so much for this! She was my favorite. R.I.P.
Thank you for recognizing this great spirit!
I've seen her perform and when she stood before you, your soul stood is anticipation as if you needed to be exhausted by her. And the tonic quality of her voice and as you say volume could and did confound the audio system where she could cause sound to fold into itself and create harmonics that were angelic. It was maddeningly blissful.
i appreciate your loving, insightful and respectful, truthful analysis of this performance. Such an honor to Jessy's memory. I wish you two superlative, intelligent musicians all the best.
Love reacting together as usual dear Jessye Norman was the 1st opera singer I connected to when I was a 8 years old. I remember listening to her recording at the #YoungTalent conservatory singing Purcell's Dido's lament. It was a revelation of a surprising and heartfelt new sound world. It was only when I was 24 years old and I got to sing Handel's #Cleopatra that I understood what poise, musicianship, relentless technique and inner strength she possessed.
In the 1st interview with Norman that I've watched, she tells how she was exposed to opera for the 1st time when she got her own 1st radio transistor at 9 years old. It was the 1st time she could choose what to listen to without her brothers interfering. She was browsing the stations and came by an opera concert by chance. Luckily, the announcer described the meaning of the scenes, the clothing of the singers and the director's intentions so vividly that she didn't mind them singing in a foreign language. She said she was lucky not to be "taught to appreciate opera or to aspire to appreciate it". She just loved what she heard and wanted to sing like those singers on the radio.
Norman's philanthropy is also something to be remembered, in 2003 she opened a school in #Augusta to provide a free fine arts education to disadvantaged children. Although suffering from a spine injury, she remained a positive influencer on the world's cultural scene and graceful till her last moments.
As she sings here "Remember me, forget my fate". You will be remembered RIP 💗
Together with my friend Linor Oren we reacted to her performance of this beautiful aria, what a way to say goodbye to this timeless voice and force of nature. You can notice we're totally transfixed in the 1st minute, and can't take our eyes off her during the rest of the video... But who would?
I had no idea she passed away, along with Lennie she was the soul of NY Opera...
A really worthy video. Thank you both for that! And Nani, your hairstyle fits you so well, you look even younger :)
❤️❤️❤️ my idol she will be missed.
Hopefully i don't sound rude, but for me black or african descended people have such an amazing singing voice so much power and soul, is my first time seeing a WOC in opera, and well is just fantastic, looks so effortless and beautiful , gorgeous woman, beautiful voice, they have that soul in their voice when they sing. Thanks for the video, and for someone like me not a opera listener know i learned something new :)
Sada MoMo you have to hear Kathleen Battle and Leyontene Price, Barbara Hendricks. There are many others. It’s a beautiful world we’re in but only Jessye Norman.
latazra thank you so much, i would definitely check them out :) have a nice day.
African, African descended and russian singers I like very so much and for me they are best singers in the world... 🙏🏻
It's not rude. Your pointing out a fact, so let me explain why this happens to be. African / Caribbean peoples are spiritual. This spirituality is most apparent in our artistry particularly singing. Black performers of whatever genre have an ability of not just creating outstanding music but of connecting with every note and melody with a spiritual belief of a higher being. I don't mean Jesus or Christianity (although many would cite this) but the universe, creation. It's sub conscious. White Europeans do not have this spirituality which has been shown historically. Spirituality is in every fibre of us so those limitations which affect other artists are of no concern which is why black artists and black sports people excel in these areas. This is never discussed or mentioned in the black community . We just know this. Also Jessye sings from the black experience of slavery, from generations of pain, sorrow , trauma is in her genetic make-up which is why Miss Norman connected with her works so magnificently. She was also an extremely intelligent , disciplined artist. But please remember Jessye Norman had to be this good to get recognition when other less talented white sopranos were being acclaimed before her
So beautiful I love the way you described how she closed the note with the last caress
“Remember me”. How could we possibly forget
You two, lovely gals, enjoying as much as I am, with such a goosebumps composition, great orchestra and the best performer that sadly left us in an impressive acting. As Jessye said once when asked how to be classified: "pidgeonholes are for pidgeons".
Hello Linor and Noam! First of all, thank you for sharing Jessye Norman's video. It has made me remember there's good in the world, thank God. I would also like to congratulate you for the channel and for the beautiful women that you are! Good luck on all of your endeavors.
So beautifull and well reacted to by you two!
Thanks for this great reaction/analysis to surely one of the greatest voices ever among us. Norman's "Habanera", under Ozawa, is one of my favorite interpretations. I don't know if it was her choice or his, but the tempo is slowed, and she deliciously enunciates every single letter.
I have to say though, my favorite complete performance is the 1980 "Spirituals in Concert," along with Kathleen Battle. Norman is in top voice throughout the entire performance and one of the reviews I read said to be in Carnegie Hall that evening was to be "among heavenly angels, electrifying the entire hall."
A great example of her near perfect technique is "Give Me Jesus," during the latter half of which she does what I always associate with her singing, the dropped, slightly pulled back jaw you mentioned in this video, along with sort of a tongue/soft palate thrust at the beginning of a phrase. Being a layperson, I have no clue what that's for, but I always think of it as a "vocal reset." Would be interested to hear if you thought that was some technique she adopted over the years, or just an idiosyncrasy to her own style.
Also, I agree she is THE Aida for me. Price's has its own merits, but Norman's richer, cavernous, velvety timbre to me typify the role more so than Price's somewhat lighter delivery.
I remember being introduced to this Aria by Jeff Buckley, then followed by Emma Kirkby and Jessye Norman, beautiful interpretations with their unique styles. Very sad indeed but they make them sound so mesmerizing.
For curious persons. Jeff Buckley: th-cam.com/video/TMBGOCr22po/w-d-xo.html & Emma Kirkby: th-cam.com/video/iTV6F3lTU7o/w-d-xo.html
I am a fan from germany, I will miss her. She was great. R.I.P. Jessye
She is American
Jerry Albert León Mendoza Danke, ich weiß. Ich wollte nur sagen ich bin aus Deutschland. Und sie war großartig. Danke für ihre Antwort
And her German pronunciation was ausgezeichnet! Loved her at the MET as Sieglinde.
Now that's badass, thank you ladies..
Her rendition of the Four Last Songs is impeccable.
Thank you so much for this
Hi Linor, could you react to Cristina Deutekom? I am always awe struck when I hear her sing.
Such a voice!
Great review and explanation of the machinations of singing.
Please consider reviewing “Lost on you” (live session) by LP.
Cheers, Mike!
Thank you
Wow Jessye! Bravo!! RIP Queen!..Please do Liebestod Tristan und Isolde! Would love to know your thoughts on this one! From SA!
The eternal goddess though passed away - we will remember her - reverberate in our gifted ears.
Nanis hair looking nice beautiful video
You think so?... she has the high cheek bones for it to be pushed back to accentuate her beauty.
the power of real Oprea...
the voice could and most likely over-powering to those not use to big opera sound
so nice to hear...:)
Would it be possibly to get a reaction to Jinjer-Teacher, Teacher?!
Although, you may want to check out Jinjer-Pisces beforehand for.. reasons.
Nani your beatuful ❤❤❤❤
Increíble ❤️
Oh wow. Im surprised you havent heard of Heilung yet. At least i dont find any reactionvideos to them in your channel. Heilung is a Band that focusses on old Tribal Music using runes and speach from the early iron age and proto germanic Era. If you are interested please listen/react to: Heilung - Krigsgaldr live
I so enjoy your channel and knowledge you share. I would love to hear your reaction to steam powered Giraffe Automatonic Electronic Harmonics.
Would you consider commenting on Kathleen Battle, another great African American opera singer who has had a reputation as a "diva", but not in a good way. She and Jessye Norman did a fantastic concert of spirituals for PBS which is available on TH-cam. Thank you.
Thank you, I didn't know her before. :/
You should check up FloorJansen and Henk Poort doing "Phantom of the Opera". Heard he is the original phantom of the netherlands. And he also did an amazing job at "Sound of silence"..
YOU WILL BE BLOWN AWAY BY THE BAND JINJER PLAYING A SONG CALLED PISCES.
React to Epica - Cry for the moon it's a really magnificent song … ❤
Listen to Birgit Nilsson a huge voice
Indeed! Her voice could cut through concrete, and yet had such moments of loveliness as well. She is the only other Wagnerian singer (including Flagstad and Jessy) that I could listen to.
@@Ravenelvenlady I love her, she had a big and beautiful voice. Her high C is....
For vocal artistry & a sensitive approach to her impending death Dame Janet Baker. clip on You Tube. One is moved to tears by her performance years after. Jesse Norman, a great & royal voice of immense beauty is in a class of her own. A truly thrilling voice. R I P,
Please react to 'Wicked Game' Diana Ankudinova
She did already..
I'm sorry I just remember she reacted to a different song..
Love your videos Lenore. Please react to Elena Obraztsova - Voi lo sapete, o mamma (live). Greetings from Mexico
It would be awesome if you could react to “If I can dream” by Elvis!
please react to Floor & Henk - Phantom of the Opera
New hair, also nice.
Please react to video Svetlana Feodulova (coloratura soprano) - O Mio Babbino Caro
Can you react Birgit Nilsson?... 🙏🏻
Cellular Songs by Meredith Monk
Dimash - Passione
Can you react on some janis joplin ?
It's by Henry Purcell.
Oh no, not Jessye Norman! 😢
💕👏🙏🇮🇪
Reacting to Dimash-Passione pls🙏
Ты меня не хочешь видеть…
Видимо, не без причины…
Ты терпеть меня не можешь…
И опять не без причин…
Потому-то и не хочешь…
Грустно… И не справедливо…
Я, на самом деле, лучший…
Из, конечно, кто не ты…
Вот бы ты хотела видеть!..
Даже слышать не желаешь…
Посмеешься, если спросят…
Жалко, некому спросить…
hi Nani
Most see this video of a Mexican singer
José José song "el triste" blow up your brain congratulations for your job
Hi xD please react to dimash gakku :)
Dimahs. Dimash ?????
She wasn’t struggling at all.
I think they were trying to express that she was deliberately not making that part as smooth to communicate a distress in the opera..
Helo dear, please react Ingrid Boengiu - Maria,Neichii Maria ! i promise that. You will cry ! Ok ? Please 1000.000 times ,reacts that video !
please react to Juan Gabriel - Hasta que te conocí (th-cam.com/video/ga5Bo4YdgH4/w-d-xo.html) or José José - El Triste (th-cam.com/video/LWSAEGMPXT8/w-d-xo.html)
please react to Ruthie Foster, People Grinnin in your Face: th-cam.com/video/NlStYHu6H-k/w-d-xo.html
(Willing Season)
Presence stately posted
Robed in folds of darkness
Creatures webbed in wooing
Root of willing season
Serving change to deadly treasure
The watermelon was an unnecessary comment.
I dont think they were using it in a racial context...I think that English may be there second language so they may not realize that here in the states that watermelon is used to denigrate blacks
Opera singers should not attempt Dido's Lament. This is supposed to be a woman dying in the arms of her friend. It isn't a contest to see if you can be heard three streets away. If you want to hear it done sympathetically, listen to Alison Moyet's version. You will have to forgive some of her east London pronunciation, but appreciate the quality.
It is also a queen dying so the interpretation can be made that this is a regal woman dying...besides this is a singular performance not a production, you don't have the the friend on stage ..
React to Jeff Buckley
Under pitch almost consistently. Ugh.
Can you two kiss so I can react please?