Samuel Coleridge-Taylor - Three-Fours, Op.71

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Intro : [0:00]
I. Allegro molto [0:05]
II. Andante [1:58]
III. Allegro moderato [5:28]
IV. Vivace [9:16]
V. Andante molto [12:05]
VI. Allegro assai [16:02]
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Piano - Waka Hasegawa
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Samuel Coleridge-Taylor was a British composer and conductor. Of mixed-race birth, Coleridge-Taylor achieved such success that he was referred to by white New York musicians as the "African Mahler" when he had three tours of the United States in the early 1900s. He was particularly known for his three cantatas on the epic 1855 poem The Song of Hiawatha by American Henry Wadsworth Longfellow. Coleridge-Taylor premiered the first section in 1898, when he was 22.
Coleridge-Taylor's greatest success was undoubtedly his cantata Hiawatha's Wedding Feast, which was widely performed by choral groups in England during Coleridge-Taylor's lifetime and in the decades after his death. Its popularity was rivalled only by the choral standards Handel's Messiah and Mendelssohn's Elijah. The composer soon followed Hiawatha's Wedding Feast with two other cantatas about Hiawatha, The Death of Minnehaha and Hiawatha's Departure. All three were published together, along with an Overture, as The Song of Hiawatha, Op. 30. The tremendously popular Hiawatha seasons at the Royal Albert Hall, which continued until 1939, were conducted by Sargent and involved hundreds of choristers, and scenery covering the organ loft. Hiawatha's Wedding Feast is still occasionally revived.

[@deolindapinhogarciabertolo707]

Lindo!Bravo!👏👏👏👏👏

[@none5020]

These are really lovely, I can't believe I've never heard of this composer till now. True definition of a Hidden gem

[@RachManJohn]

Good old SCT.