Friedrich Gulda plays Gulda: Aria (Solo Version) - 1990
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- เผยแพร่เมื่อ 28 ก.ย. 2024
- On November 19th of 1990 Friedrich Gulda gave an encompassing account of his unique art in an uninterrupted 90-minute solo performance at the Philharmonie in Munich, Germany. LOFT music is proud to have presented and recorded this memorable musical event.
Friedrich Gulda - Aria (Solo Version)
Watch the whole concert: • Gulda Non Stop - Fried...
Friedrich Gulda (16 May 1930 - 27 January 2000) was an Austrian pianist and composer who worked in both the classical and jazz fields.
Born in Vienna as the son of a teacher, Gulda began learning to play the piano from Felix Pazofsky at the Wiener Volkskonservatorium, aged 7. In 1942, he entered the Vienna Music Academy, where he studied piano and musical theory under Bruno Seidlhofer and Joseph Marx.
He won first prize at the Geneva International Music Competition in 1946. Initially, the jury preferred the Belgian pianist Lode Backx, but when the final vote was taken, Gulda was the winner. One of the jurors, Eileen Joyce, who favoured Backx, stormed out and claimed the other jurors were unfairly influenced by Gulda's supporters. Gulda began to play concerts worldwide. He made his Carnegie Hall debut in 1950. Together with Jörg Demus and Paul Badura-Skoda, Gulda formed what became known as the "Viennese troika".
Although most famous for his Mozart and Beethoven interpretations, Gulda also performed the music of J. S. Bach (often on clavichord), Schubert, Chopin, Schumann, Debussy and Ravel. His recordings of Bach's Well Tempered Clavier are well regarded by collectors. Apart from the Well Tempered Clavier, Gulda performed very few other pieces by Bach and recorded even fewer. Gulda's later reliance on co-operating with companies whose recording techniques were primitive in comparison to those espoused by more sophisticated rivals stood him in very poor stead with regard to posterity. The rescued Mozart sonata tapes issued on DG are unbelievably bad in terms of recorded technical quality; likewise the Debussy Preludes and Bach recordings of the late 60s and early 70s.
From the 1950s on Gulda cultivated an interest in jazz, writing several songs and instrumental pieces, and at times combining jazz and classical music in his concerts. In 1956, he performed at Birdland in New York City and at the Newport Jazz Festival. He organized the International Competition for Modern Jazz in 1966, and he established the International Musikforum, a school for students who wanted to learn improvisation, in Ossiach, Austria, in 1968. He once said: "There can be no guarantee that I will become a great jazz musician, but at least I shall know that I am doing the right thing. I don't want to fall into the routine of the modern concert pianist's life, nor do I want to ride the cheap triumphs of the Baroque bandwagon."
In jazz, he found "the rhythmic drive, the risk, the absolute contrast to the pale, academic approach I had been taught." He also took up playing the baritone saxophone.
Phillips Records included Gulda in its Great Pianists of the 20th Century CD box set, which came out in 1999. His piano students included Martha Argerich, who called Gulda "my most important influence," and the conductor Claudio Abbado.
He expressed a wish to die on the birthday of Mozart, the composer he most adored, and did so. He died of heart failure at the age of 69 on 27 January 2000 at his home in Weissenbach, Austria. Gulda is buried in the cemetery of Steinbach am Attersee, Austria. He was married twice, first to Paola Loew and then to Yuko Wakiyama. Two of his three sons, Paul and Rico Gulda, one from each of his marriages, are accomplished pianists.
en.wikipedia.or...
What beautiful music!
I respect him and love his piano music.
Cudnie!!!!!!!!
This is like a master class for the piano. Thank you so much. I'm going to tell all my students to watch this and listen for the beautiful subtle counter-melodies in the LH and the exquisite last note. Just beautiful.
아리아
저토록 명료하고
투명하여
쟁반 위 옥구슬 굴러가듯
저만큼 자유롭게
어디에 구속도 받지 않고
혼자 스스로 만족하여 무대에 서고
기품 있어라
음 하나하나 지극한 정성으로
건반을 보다듬는 저 손길
시간의 흐름은
진정 이토록 아름다운 순간에는
아주 천천히 흘러갔기에
경쾌하였다
부드럽고 따뜻함이 물씬 배인
저 깊은 울림의 당당한 가락은
진정한 예술가여
삶의 비밀을 깊숙이 알아버렸기에
서로가 따뜻하게 감싸야함을 알려주는
발해유민님의 말 하나하나가 그냥 쓰여진 것이 없어서 아름답군요 3년전에 달으신 덧글이지만 그냥 지나칠 수 없었습니다. 건승하십시오!
발해유민님과 improvy님의 댓글이 Gulda님의 Aria와 어우러져 너무나 아름답습니다
Unvergleichliche, phänomenale Anschlagstechnik -wunderbar!!!!!!!
So beautiful very spiritual.
May he rest in peace.
Fancy seeing you here! 😉
Beautiful! I could keep listening to it for the whole day non troppo. Thanks for posting! I am wondering where to find the background information of this composition, since I couldn't find anything on the Internet. (Forgive my ignorance, haha). It is so beautiful that I couldn't help to know more about it. Thanks!
Hejian Zhu
Send for "Friedrich Gilda" ARIA Piano Solo , publisher is papageno . I sent for a copy from SCHOTT MUSIC LIMITED
48 GREAT MARLBOROUGH STEET LONDON W1F 7 BB
Keep Listening and Good Luck.
It is the melody to a song, he composed for PLacido Domingo " NIna Carina" in about 1972 You can find this song on youtube
th-cam.com/video/EHyAK2UXxOg/w-d-xo.html
What a sweet way to shut down an applause.
Tuve la fortuna de disfrutarlo en el Palau de la Música de la ciudad donde vive Paco 😘 Moral
❣
Me parece haberla escuchado en alguna película....
Gulda herbie hancock
Ich hab die Aria so gern. Seit vielen Jahren. Und es ist für mich ein Beispiel, dass manchmal die Virtuosität und die Eleganz und die Empfindsamkeit des Künstlers ein einfaches, ja banales Thema so anrührend und tief macht.
Je suis profondement touché par ce merveillieux chant de Friedrich Gulda, à l'Amour qui est Dieu pour moi.
Es ist ein Genuss diesem phantastischen Pianisten immer wieder zuzuhören! Sehr schade,er weilt nicht mehr unter uns!
what a musical gift to humanity. I just dearly love how of a magician he is with phrasing and telling a story with the melody... unbelievable
Je suis profondement touché par ce merveilleux chant de Friedrich Gulda à l'Amour qui est Dieu pour moi
Un cas de la musique mais quelle carrière non seulement classique mais le jazz qu'il aimait mais à chaque concert un plaisir de l'écouter et de le regarder jouer, un tout grand monsieur !
Armonia, melodia, tocco, grande!
Very reminiscent of Andante con espressione second theme K.311
He could get quite unusual timbres out of this piano...
So beautiful. Thank you for posting this.
之間倏 Glad you liked it!
+之間倏 Yes, thank you sooo much !
To me ,so deeply moving and has been since I first heard it in 2015. I have now sorted the score of Friedrich Guida's Aria, (Transcription Rainer Nova ) and with the help of my Tutor Paul Wilkinson ,will endeavor to play this peace over the next Year or so.
Total genius. Show this to anyone who thinks that no new tonal music can be written
1:21 - 1:23 = Beethoven
Il me fait penser à la mort d'Orphée. Et le pianiste à Nelson Frair ...un peu .
Il est juste un peu plus froid(metalique)
@@militaryandemergencyservic3286oui la montée chromatique
No one thinks it can't be written. It's just an anachronistic way to compose music. If you want to stick to the idiom of composers from 300 years ago, you are welcome to do so, but don't expect to be viewed as someone who offers something unique or new. If I want to hear tonal, classical era type music, I can just put on Mozart and hear it done 100 times better than a modern composer trying to imitate the style.
Only geniuses like him can turn a syncretic composition into a true masterpiece.
Syncretic composition ?
너무 아름답네요.
Genialne, jak przeżyć życie.
❤✨💫🌟
Que c'est beau ❤ ce musicien est un génie pour l'éternité.
Il interprète tellement bien Mozart.....
J'espère qu’ils sont ensemble la haut !
Ce n'est pas de Mozart mais de Gulda ... à la manière de ...
@@deodatdechampignac je n’ai malheureusement pas eu la chance d’entendre Mozart jouer en revanche je suis pianiste et je fais de la musique depuis 50 ans ,pour moi parmi d’innombrables interprètes deux correspondent à ma sensibilité Keith Jarett dans les concertos pour piano et Gulda.
Pour l’orchestre c'est sans conteste Harnoncourt.
@@gabrielgabidu13 Comme vous j'aime Mozart joué par Gulda (et par Jarett) mais cet aria n'est pas composé par Mozart mais par Gulda !
What a beautiful man, what a beautiful pianist! Wonderful touch on the piano, out of this world. R.I.P Maestro
I totally agree!
Beautiful!
OMG!! so beautiful!!! made me so happy!!
+Corina Mora Crazy good :-)
love this!
Corina Mora
Me too Corina, so moving. His playing of this Aria strikes a chord with in my soul that transcends beyond explanations.
Friedrich Gulda called this composition " da capo aria without words." This designation simultaneously spins association with Mozart's piano concerto KV 467 2nd movement as well as Verdi's and Morden " canzoni."
This piece of music is therapeutic.
Arrebatadora, bravo!!!
How charming! I would like to know, where can I find the score of this version please(1993 Japan Concert Version). Thank you very much!
th-cam.com/video/5bieA3_VmVs/w-d-xo.html
What a beautiful
B. piękne! Brawo!
alguna vez escuché está bella obra y pensé que era de chopin
Es waren wohl Zauberhände, die einem Klavier solche Töne entlocken konnten...
angel voice
Unerreicht....
Perfezione assoluta!!!!👏👏👏
Sunt mișcat, fără cuvinte...
Anyone knows composer who uses as much trills as gulda?
나 이곡 쳐야함 ㅇㅇ
Он сразу написал то, что подходит для категории классики ))
인생이 아름다운이유 굴다의 아리아가 있기때문입니다
... GENIUS.
where can I purchase this music?
The master of trills!
❤good❤❤
'>>> E N L I G H T E N E D
❤❤❤❤
❣
Grazie!
😍😍😍
gorgeous. pop music played with a baroque sensibility.
Słucham to już parę lat, nikt tego jeszcze nie zagrał tak jak on.
Very pretty pop music played with incredible mastery. He was no composer, I'm afraid.