@@jonevans870 "B 1/2 W diminished" can be interpreted as "B half-whole diminished". It's a scale commonly used in jazz, where you start at a tonic, then play up in a half step/whole step pattern until you reach the tonic again.
PAROLES : Fly me to the moon Let me play among the stars Let me see what spring is like on Jupiter and Mars In other words, hold my hand In other words, baby, kiss me Fill my heart with song and let me sing forevermore You are all I long for All I worship and adore In other words, please be true In other words, I love you Fill my heart with song Let me sing forevermore You are all I long for, all I worship and adore In other words, please be true In other words In other words I love you
Would be nice if it switched up the feel a little. By the third chorus I really wanted a 4 on the floor with a walk. Fun to play along to though, thanks!
yea, it gets more complicated as you go , but sweeter too. Frank played with Nelson Riddle . Some of us punks might not get that far. Start with intermediate and then move to a simpler stack of chords or more advanced if you there. Bang out the leadsheet on piano if ever you lose confidence. Intimidation is not inspiring, right . I believe these videos ( TH-cam) are really helpful. Since Frank is gone., hold your head up and play. I’m sure he’d want it dat way .
Can I get exact chord voicings for that backing track? I'm a begginer in jazz and there is so many of them and my ears are not that well trained to not get confused. I found chords for original song and they are different than yours, I mean your version is in different key, but I can't transpose original voicings to your version. Actually the best will be a video, because except of chords there are a lot of different sounds too.
You have to thing that the chord progression always changing in this melody. If starts in A minor, as we see, change to A major in the end of compass. So, when this change happen, your improvising changes too. But, try to pentatonic in scale in A minor, that fits well. With the time and study, hearing their sonority, you will understand the style
7th grade of major scale harmonization or 2nd in minor scale harmonization. it's used as the 2 for the minor 2 5 1 or as a substitution for the dominant 7 (in major mode)
It means that is a minor chord with a flattened 5th. For Bø it means B as a root, D as the minor 3rd, F as flattened 5th and then A as the flat 7. For a full diminished chord (Bo) you have a double flat 7 which will be Ab. For Eø the same theory applies, the notes will be E, G, Bb, D.
Listen to more music! The reason we get stuck in ruts of playing the same stuff is because we haven't trained ourselves with different melodic ideas from different people and we end up playing the same ideas. Listen to other people, other instruments, read transcriptions and listen to how ideas are incorporated into jazz lines, studies, etc. Íts all about balance between your ideas and new lines derived from other people until you can make your own stuff up based on the jazz language that you've learnt.
Actually I would say it is C, Am is parallel, but melody builds on C scale. Also you can always double check root on the pre last bar, before turnaround, because there are endings of the tune most of the times
@@pavlotreba Sure you can say that. Relative majors and minors have the same notes but in different orders. It's just a matter of context and application.
The chords played here are more sophisticated than the ones shown.
Always, in jazz :-)
welcome to jazz
play the chords for about 5 years, you'll catch on
@@JoeAhmadGuitar Sure, if i would know the exact chords.
@@armandruckli7916 Fiddle with it. Sounds wrong? Change it up.
The A minor/Harmonic minor scale matrix works pretty good and B 1/2 W diminished over B dim
altered over G7 and E minor Pentatonic Blues over E7
" B 1/2 W diminished" can you explain what that means in terms of the scale to use? :)
@@jonevans870 "B 1/2 W diminished" can be interpreted as "B half-whole diminished". It's a scale commonly used in jazz, where you start at a tonic, then play up in a half step/whole step pattern until you reach the tonic again.
useful to practice thanks!
PAROLES :
Fly me to the moon
Let me play among the stars
Let me see what spring is like on
Jupiter and Mars
In other words, hold my hand
In other words, baby, kiss me
Fill my heart with song and let me sing forevermore
You are all I long for
All I worship and adore
In other words, please be true
In other words, I love you
Fill my heart with song
Let me sing forevermore
You are all I long for, all I worship and adore
In other words, please be true
In other words
In other words
I love you
Anybody else learning by ear the chord comping? I came to solo my brains out on this track but the rhythm work is so good I have to learn it🎸
Would be nice if it switched up the feel a little. By the third chorus I really wanted a 4 on the floor with a walk. Fun to play along to though, thanks!
yea, it gets more complicated as you go , but sweeter too. Frank played with Nelson Riddle . Some of us punks might not get that far. Start with intermediate and then move to a simpler stack of chords or more advanced if you there. Bang out the leadsheet on piano if ever you lose confidence. Intimidation is not inspiring, right . I believe these videos ( TH-cam) are really helpful. Since Frank is gone., hold your head up and play. I’m sure he’d want it dat way .
that hat is killing me
literally, me too
Chouettes voicings! Mais j'avoue que j'eusse espéré que le batteur lâchât un peu son charley :o)
Haha ! Oui dans celle-ci je voulais la garder en double-time tout du long :-)
Nice charts!
Great track dude. Subbed u. Respect!! Keep it up!!
Play it at 1.25x on the play back speed. Boom, performance tempo.
Only for that "Get me to the moon quickly, Boom!" vibe. Which is not the point of the song.
Nice sound 👍👍
can i please use the backing track for an instagram video and credit accordingly? =)
Yes !
What key is this in?
I make it C major/A minor relative. D minor pentatonic will work nicely over the G7/Dm7 chords too, with the II-V relationship.
If I have to listen to that guy say "learn this one fretboard pattern" one more time ...
Can I get exact chord voicings for that backing track? I'm a begginer in jazz and there is so many of them and my ears are not that well trained to not get confused. I found chords for original song and they are different than yours, I mean your version is in different key, but I can't transpose original voicings to your version. Actually the best will be a video, because except of chords there are a lot of different sounds too.
You have to thing that the chord progression always changing in this melody. If starts in A minor, as we see, change to A major in the end of compass. So, when this change happen, your improvising changes too. But, try to pentatonic in scale in A minor, that fits well. With the time and study, hearing their sonority, you will understand the style
Wish I couldnfind a 3/4 version
Make one! If I have time i will make one this weekend and upload it. But if not you try it bro I'm sure you'll do great!
key of am?
Can anybody tell me what notes are used to create "BØ" and EØ or maybe some theory behind it
That symbol means "half-diminished", also written as Bm7(b5). Use this site when you're not sure on the notes www.pianochord.org.
Thank you so much,
I'll check out the site
7th grade of major scale harmonization or 2nd in minor scale harmonization.
it's used as the 2 for the minor 2 5 1 or as a substitution for the dominant 7 (in major mode)
It means that is a minor chord with a flattened 5th. For Bø it means B as a root, D as the minor 3rd, F as flattened 5th and then A as the flat 7. For a full diminished chord (Bo) you have a double flat 7 which will be Ab. For Eø the same theory applies, the notes will be E, G, Bb, D.
Can it be that this is generated with ireal pro?
Nope. Real human muscians :-)
Marvelous!!
PRIMA SORT
go fabo sor
Old one was better despite the chords.
why does all my improv sound the same (flute)
Listen to more music! The reason we get stuck in ruts of playing the same stuff is because we haven't trained ourselves with different melodic ideas from different people and we end up playing the same ideas. Listen to other people, other instruments, read transcriptions and listen to how ideas are incorporated into jazz lines, studies, etc. Íts all about balance between your ideas and new lines derived from other people until you can make your own stuff up based on the jazz language that you've learnt.
이무진
Thank you for your backing tracks other guitar players check my vids out n I’ll watch yours too! Thank you if you watch, tell me what you think!
Too much cymbal
What key is it in?
A minor
Usually the first chord that's shown on a chord chart is the key. Not always but usually. In this case it was a Minor.
Am, or A Aeolian
Actually I would say it is C, Am is parallel, but melody builds on C scale.
Also you can always double check root on the pre last bar, before turnaround, because there are endings of the tune most of the times
@@pavlotreba Sure you can say that. Relative majors and minors have the same notes but in different orders. It's just a matter of context and application.