There are a lot of pretentious bass player youtubers who faf around and waste time. You are NOT one of them. You get straight to the point in a direct no BS way that is clear and not over complicated. Thanks mate. These are great tips. Very appreciated.
The one thing I wish I knew at 16... Don't sell your 1970's Fender Bassman rig to pay for car repairs, because 30 years later you'll wish you hadn't and won't be able to afford it.
I’m a 25 year seasoned bassist. My other tip would be, play all styles of music. Don’t like country? Don’t like jazz? Don’t like gospel?If you really wanna excel in music industry and get paid doing studio work then learn the techniques of multiple genres of music. First off, I PROMISE you it will make you better. Secondly, you will learn to appreciate more music. Lastly, you have set yourself up for more calls.
All great tips Alphie! My favorite was #1. Dispite feedback from bandmates and other musicians; it took me a long time to accept myself as a legitimate player because I didn't sound just like my idols. Doing so has been liberating; and my confidence really grew.
Thanks Chad! I'm glad you enjoyed the video. I hope you're in a better headspace when playing now. Take it from me, you don't need to sound like your idols. Borrow from them and take the best bits but always be yourself!
"Use lighter gauge strings"? No, that should have been consider using a lighter or heavier gauge, either one can be a revelation in tone and feel depending on the player and what works for each. If you play lighter, try heavier and vice versa. If you play less notes, don't bend a lot of strings and want a huge, stable thump, light strings might not be your answer.
As someone how played 45-100 most of his life, I'd say that's cool, BUT have yourself one bass with 110 and tune it down to Eb or D and give yourself some time. Most chances you'd fall in love with that. Heavy strings got power, punch, and they let you play softer and still sound mighty. I now play only 110 on D tuning and goddamn 125 on C tuning ;)
If you aren't able to or don't want to mic a cab in the studio, you can achieve similar results by doubling your DI track. You do a high pass on one track and a low pass on the other track. On the track that's just the high frequencies, you add your grit and distortion. The track that has the low frequencies, you keep clean. There are many more advanced sonic techniques you can get into once you've split the tracks in this way, but that's the basic idea.
I like it Rome, great tip! I'd also add you can slightly pan each track (just a little on bass) to make it fuller. Like you said, there's so much you can do.
Honestly, a $250 Behringer bass head sounds amazing thru a top-tier cabinet. I’d say spend more on the cab, that way it can come along with you as you get ‘better’ heads.
those old Peavey bass heads could make any cab sound like crap, not sure I agree. Of course the cab is very important but your head can be used as a direct box to the PA and be used for recording. Ultimately you need both the head and cab to be amazing.
@@rrdream2400 Depends. The Mark III & IV series from the late 70’s are fantastic for punk and metal. Probs not gonna make it in a jazz trio, but tons of country bands used ‘em. The Mark V & VI series are terrible; they abandoned all that sweet, sweet growl to chase the Hartke/Trace Elliot tone. They’re ridiculously bright or sound like you buried your amp in a coffin; no in between.
@@KesslerMickschGeorgeII you have a point, I recall the guy from Skynyrd getting a good tone from one. Also agree on the Hartke/Trace tone, I just hated it. I liked Ampeg and Acoustic heads back then, they weren't boomy or bright.
@@rrdream2400 I always liked Ampeg and Orange tone. I do like the Hartke stuff for playing really fast and loud; it’s just the other brands that did that kind of hi-fi tone failed miserably. The only ones that sound good are the old Hartke and David Eden stuff; they were able to punch up the attack and compression without scooping out all of the mids and making the top end sound like angry monster bees
Very enjoyable content! Lots of information and everybody who wants to become a better bassman should listen to this. You provided so much stuff to dig further into the art.
Great video here, brother! Lots of great and to the point tips but for me, the one tip that lots of people will probably just overlook or ignore is your #1 tip: *_BE YOURSELF._* Unfortunately, many people fall victim to the whole _"trying to copy this or that bass "idol"_ simply cause they see the bass community has been focused solely on a very small percentile of players for decades upon decades. I love being a bass player and I love the bass community worldwide but, one thing I have noticed which bothers me to no end is how the bass community has put a certain and very small number of famous bass players in the spotlight and will simply *_REFUSE_* to shed any of that spotlight on other great bass players for "X" reason(s). For *_DECADES,_* we've heard the same names again and again in Rock music (for example) - Lee, Butler, Harris, Burton, Entwhistle, Squire, Claypool etc... For every one of those names placed on pedestals, there are far more names that hardly, if ever, get mentioned or acknowledged despite the fact that they have played on very well known bands and made very well known music. Don't get me wrong, I'm *_NOT_* saying these people whose names I mentioned don't deserve their place in the spotlight or the credit they are given. The problem here, as I see it, is when such a focus is put on these famous bassists that it's almost inevitable that new players will look up to them and think that the best thing to do is emulate/copy them simply because of how high they are regarded within the community. This leads to mass "cloning" and loss of identity and eventually to people getting creatively "stuck" in their playing and being seen as just another "wannabe" drop in the bucket amongst a sea of "clones". There are so many awesome bassists out there that never get their due credit and recognition simply because they aren't slapping at the speed of light or playing a million notes per second. This is why most people who begin to play will never get seen or heard, no matter how talented they are. They will only be seen as just another flashy copycat instead of being seen as a versatile player who can really contribute to a band and the music they play within that band. For me, the mark of a great bass player is being able to play bass in a way that elevates the song you are playing in. A way that makes that song memorable and to stand out, even if it's by playing a very simple but solid bass line. Hopefully we, as a community, can grow and learn to recognize that greatness comes in many different ways, not just speed and flash. Again, great video here. Thanks for your hard work and time in making this content!
Thanks Modsleix, that was a great write up, thank you sharing. I Agree 100%. I think sometimes it's just more important for a player to fulfil themselves and forget about the zeitgeist. If you serve yourself first you will always be happy.
Yo Alfie, good to see you this evening. Some sound advice there. Particularly in getting some lessons, one might be an accomplished player but some lessons from a teacher or a fellow player, I guess can give you a different prospective in playing and musicalike. I'm going to be looking into that. Re..spect! Brian
Hey Brian! Good to see you! Thank you for getting in touch, I'm glad you enjoyed the video. I imagine even a super talented player will have faults (even miniscule ones!) that have become ingrained. It's a bit like driving, we all have bad habits haha.
"there's no lying to an acoustic bass" very very true. If you don't have an acoustic bass but do have recording software, that's another great way to see any short comings in your playing. Just check out the DI track and observe. I didn't realize how much sympathetic vibration was carrying though on one or two strings due to inadequate muting. Went back to the drawing boards, improved my hand positioning and boom, cleaner playing, less to worry about in post.
When I took up bass in the dark ages the selection of strings were limited.I ignorantly put unwounded strings on my bass that tore my finger tips to shreds.Fortunately my calluses healed strong and I never had another problem.
"Those are rookie numbers" 😂. In all seriousness though. Would that extra new bass make you play better? Or can you consolidate it with just one instead? I feel like I can't buy any more basses until I sell one. Horrible feeling!
You need a precision with flats, active jazz 5 string, fretless, 5 string modern bass with humbuckers and maybe one novelty or character bass like short scale eb0 or rick or bass vi or beatle bass
I like all the points in this video and I actually learned a lot. For the point about short scales, I actually think starting with a full length is beneficial if you, like me, wanted to use the bass to be a better guitarist. My thinking when I got my first bass was if I grow the strength and dexterity for the larger instrument, the smaller one will be easier to play. I have pretty small hands and I always struggled with stretches and runs, and it worked. After about a year though I actually started caring about the bass and its purpose and place in the band and I take my bass playing much more seriously now. I've been watching a few bass oriented channels lately and this one in particular has been a huge help and inspiration for me to pick up my bass and play
Thank you for the kind words Brayden I'm glad my video was off use to you. That's interesting you would prefer full scale over short. When I first started playing bass, guitarist friends were warning me over the size and string thickness. If that were to put off any would be bassists, then perhaps a short scale would help! Thanks your comment dude, hope to see you again!
Best bass tone is an SVT running through 2 JBL E-140 15'S. On the SVT, treble at 2:00 o clock, Mid at 2:00 o clock, Bass at 3:00 o clock, Ultra high off, 800 hrz, ultra low off. Plugged in to normal bottum Jack. And using a P-Bass.
I wish I knew not to neglect the mid range on my amp. By that I mean turn it almost all the way down and turn the bass all the way up. Just made it sound muddy and hard to hear what I was actually playing. Also I wish I knew just because a bass had active electronics doesn't automatically make it better than a bass without them.
The title of this is spot on. I know/use almost all of these tips, but I really wish I knew them sooner! Really good stuff here. I did a live TV show not long ago, and the sound guy had a DI and a mic on my cabinet. I said, "you MUST be a bass player", and he just smiled. Then on the other end of the spectrum, the drummer in my band thought my bass only comes out of the subs in our PA's speaker stacks. Couldn't understand why I kept listening at the tops for my bass. Wouldn't be so bad except for HE was flying the faders. I literally had to explain that bass guitar isn't just low frequencies for the subs. I couldn't believe it.
Thanks Skeeter! Ah man you must have been ecstatic when the engineer gave you a mic! Good rule of thumb. Don't let drummers near the board, remember they've lost their top end 😂 (seriously, have him check his hearing!)
#16 Learn a few covers in different keys! Every cover band in the world plays the same songs so try learning them a step higher or lower. You never know who may end up singing with you and it’s good to be able to compensate on the fly!
Man you made me use thinner strings on bass because of the cliff burton video you made and if i hadn't watched that video I wouldn't have found that bass is super fun
Ben, thank you so much for telling me that. I'm super thrilled you managed to play bass with light strings. I'm very happy for you. I remember as a kid, some older friends used to say "Bass strings are so thick they'll cut your hands!" They're wrong of course! But using lighter strings must be such a relief. Good for you man!
- Brotha, you do such a great job on this channel!!! I just recently found yr channel and can't help but power watch all your vidz!!! Your attention to detail from history, guitars, Cabs & Equipment is very well done!!! I'm spreading the word about this channel, you definitely deserve 100K subz. Im a guitarist, but love the bass players you've covered 🤘😎 If I could mention a bass player to cover 1st one that comes to mind is MARTIN MENDEZ of the band OPETH maybe in the future 👍 Again love the channel, Keep up the GREAT work!!! 🤘😎💪🤜🤛
Thanks very much Rawr! I appreciate every word dude, you flatter me. Guitarists are welcome here don't you worry! Martin Mendez is a great suggestion, I'll see what I can do. Thanks dude!
I have been using Funkmaster's and 30-90 since 1980 on all my Basses !! Play simple with the Kick and in the pocket...Remember Less is More..And i agree with you 100 percent my friend !!
Geezer and Geddy! My two favorites! I started with Geddy Lee's string gauge but realized I wanna go lighter. I'm starting to get outside the Fender realm as well and attracted to short scale basses being a little guy. Wish I knew that 15 years ago.
The only thing I think you missed is HAVE FUN what I tell new bass players is that if you’re not having fun you’re playing bass wrong. Other then that I loved the video!!! If you do another know your bass player could you perhaps do John entwistle I know he’d be challenging
My tips for bassist 1.less is more. Use less play more. 2.practice to your songs daily with headphones to master every detail. 3.change your strings often. 4.have rigs ready. Example. 1. Bass rig amplifier. 2. Modular (helix axfx etc) 3. Di pre amp (darkglass tech 21 etc) 5. Play with as many people as you can.
Thanks for those tips. When someone says about "yourself in music" it's always reminds me Mike Inez's quote:"Your unique tone is your hands". Actually this is how it works. Thanks again, Alfie! p.s. How about Ben Shepherd (Soundgarden) bass rig video?
Thanks PxlSnake, it's all true! There's only one of you who can play in that unique way. How cool is that? Ben Shepherd is high on my list dude! I'll hope to get to him soon!
Thicker strings do have their place and I have them on two of my basses atm. It annoys me when someone says "No no, you NEED thick strings" ... Do I really?!
Try different types of strings - yes! (if you have two basses, string one with flats & one with rounds, for instance) Try different types of picks - yes! (and don't be a finger-playing snob or a pick-playing snob...get comfortable plating BOTH ways) The tip about a good bass cab, yes! All the advice was sound, in fact and here's what I'll add..... * In lieu of hiring a bass teacher, get proficient at learning songs from records. All of the best players in the business are there as your teachers! (lessons are as free as the air!) Some players will naturally pick up a song with one or two listens but if you struggle to learn songs this way - STICK WITH IT. It'll come! * Don't ignore your tone control! How many years did I play my Precision with the tone control locked at "ten"? Too damned many! I missed out on a truckload of great sounds that my bass was capable of. Don't be a dummy like me. * Thumb rests are too under-rated. If your bass doesn't have one, INSTALL ONE! The P. Bass came from Fender with one but they got the position slightly wrong - at least for my playing. I shifted it only about 1/2" and it suddenly felt right & comfortable. * Pick up another instrument. You don't need to be super serious in your approach to playing another instrument but do let your musical curiosity drive you. A lot of you probably play guitar too - so there's your second instrument. But it can be anything from bongos to a penny whistle to a cheap, yard sale keyboard! * Lock in with the kick drum WHEN IT FEELS MUSICALLY RIGHT to do so. But don't neglect what everyone else is doing, either. Feel free to double some of the lead passages or follow some of the vocal melody. Everyone else in the band is mystified by what you do, so you're free as a bass player to do whatever you want! (and that's a bit of a secret, so keep it under your hat)
@@WhichBass You're very welcome. I don't think I'm unique in saying I "fell into" playing the bass. My older and cooler brother gave me a bass when I was 12 or 13 and said if I can learn some Paul McCartney parts, I'd be doing well. He added, "there are always lots of guitar players around but everybody's looking for a bass player"! It's a nice place to be in a band. Everybody leaves you to the alchemy of bass playing, which means you're free to explore. Don't we all seek freedom?? LOL!
i would add learn how to play fretless. teaches your ear how to intonate and by the time you can play a fretless so that it sounds like a fretted, your technique will have drastically improved- learning to play jaco licks should be a right of passage for all bass players. but whatever you do, DONT get it in your head that ripping the frets out of your most expensive bass is a good idea. do that to a cheap squier J if you really want to, but stick to buying a factory made fretless to avoid ruining your favorite bass. great video alfie and love the channel
Thanks a lot Nick! That's a brilliant tip. Fretless will drastically improve your fretting and pitch perception. If you can stick with it and be patient you'll reap so many benefits. You won't catch me ripping frets out of anything. I wouldn't dare!
This video is all kinds of hell yes. And yes always double track if the recording engineer hands you a DI and won't mic up your rig then leave that studio cause that sound engineer is clueless.
Lately I've been wondering how to polish my sound in my band, I'm quite happy with how I sound atm but I was looking for something more unique. I for sure could try some of these... and man do I need some lessons...
I wish I knew that: 1. Bass playing and bass practice are two different things. Without practice plan it's hard to make progress. 2. Give up the tabs and learn by ear.
Brilliant tips Karol dzięki. A focused practice session will change the way you learn bass or anything else for that matter. Learning by ear has a difficult learning curve but if you can nail it early you are already out performing most bass players. Quality points!
Been playing 35+ years now, and I still think I want lessons. Haven't ever tried bass lessons. I did take guitar lessons for about 8 weeks once. The guy told me then I didn't need lessons, I needed a band to learn more about composition and playing to an audience. I still watch Charles Berthoud and feel like I want lessons on two handed tapping stuff... specifically composition, but then I wonder how much of that I'd really use in my band anyway. Besides, he only plays 4 strings... I've moved up to 7 and use the full range available on that instrument.
That's an interesting point Brian. I think it really depends on what you personally want to improve on. Like you said, you want to improve tapping but would you use it? Well only you can answer that! I wouldn't rule it out though, it might help you in another area in the future.
I believe you are completely wrong about the placement of the compressor. It should go closer too, if not the very end of the pedal board. I've playing for 40 years and have tried it in many different positions and that's where it sounds best. I have mine second to last, right before my BBE Sonic Maximizer.
Neither is wrong, they just provide a different effect depending on placement. If you're looking to control overall dynamics, put the comp at the end. If you're looking to feed your board with a steady input, place it at the beginning.
All solid advice, dude, and in relation of Tip #1; In the words of Audioslave, “Be yourself, that’s all that you can do”. On a second note, I’d still love to see a video on Roger Waters, Paul McCartney, John Entwistle or Phil Lynott sometime
Thanks Andrew, I'm glad you enjoyed the video. It's weird how being yourself is always overlooked in this day! I'm sure I've told you a hundred times I'll be doing Roger, Paul and John eventually! I haven't forgotten
I've been pondering adding a short scale and possibly tuning it up as a tenor bass. Have a few I've been looking at, but is debating what pickup style to go for and if the slightly higher range would affect the tone?
Yeah at 15 it was play hard and turn the amp all the way up took me a while to realize different settings on the amp can really make cut through the wall sound of heavily distorted guiatars lol also being yourself like everyone else wanted to sound like my heroes Geezer, Geddy, Cliff Burton, Flea, Jack Bruce, Steve Harris, Eddie Jackson and many more once stop trying sound like them you find your sound and style
I "restored" a Matsumoku Hollow short scale recently. And its all I pick up anymore. On my solid body I hammer the strings with my fingertips but on the hollow i need a way lighter touch. Aside from it being short scale it also has flats. When i pick up that bass i just play differently, and as a result has gotten me out of playing the same stuff all the time. It seems like I'm writing new stuff daily.
@@alecmullaney7957 I haven't but I did consider them, but the flats are great. I went with rotosound short scale monel strings. It gives the bass a warm deep sound but still very articulate. It is surprisingly versatile especially for a passive bass.
Fantastic content here! Every bass guitarist should watch this, and give each tip thoughtful consideration. I appreciate your dedication and support of the Bass Collective as a fellow member 😉
@@WhichBass Yes sadly I replaced it with an Acoustic 370... Amazing amp Now I have finally replaced it with a 86 LB 100! I know it's not a 70s model but it's the next best thing without spending a fortune. I really enjoyed this segment, Thanks Man
Ah come oh Gill! What's so bad about a short scale?! I suppose for me it's like holding those little tiny spirit bottle and feeling like a giant ... Just me then!
@@WhichBass It all comes down to glove size. Standard scale is good if you have medium hands, long scale is good if you have large hands, short is good is you have small hands.
@@WhichBass I do..the little 15" and 12" inch were incredible..for the time..to this day I still have my old sunn 2x 15"..and a sun S1200 sun amp..never used pedals until a couple years ago..got a Tec 21 sansamp..direct..im havin fun..can send you a pic if you like..👍
When it comes to string gauges, I play bass from 92-94 on 96-97, I know Ken Smith from 030 050 070 090 and it was the best thing that happened to me in my life. I always play with whatever bass they give me. And with the strings that I have but that gauge of strings, my brother, they are the best for progressive metal funk or whatever I want to play at least I am bored by common gauges but that's just my opinion.Luckily I found after several years a person who makes strings of any gauge here in Argentina and since I found him I have solved my life because the Ken Smith with the importation there are always problems and the ones I got have nothing to envy them, they are very very very good if not I would not use them those are some of the problems with being a poor third world bassist hahahahaha
I think people need to worry less about messing with EQ's and just play. I honestly like the tone of my bass and bass amp with their EQ's flat and a 50/50 split between the P and DJ pickups. Just roll on the volume and play. Bass tone seem much less temperamental than guitar tone.
Ah, the strings. I've bought blue Dean Markley strings, but the B string was too long for my Yamaha trbx305. Then my bass tech (idk if it's the correct word for it) told me, that he has got Rotosounds, I was like, Fine... Guess what, it didn't fit either. You know what strings did fit tho? Elixir. You know what's funny about Elixir? They cost like 70$ HAHA :D
You can just clip them. I play short scale basses and use Roto sound regular length. If they are too long i bend the string and snip the string above the string so they don’t slip. If the string is too thick for the tuner hole bend the string and unwind a layer above it. There is always a hack to make it work, its just time consuming. Practice setting up your own instrument, paying a tech over time is a ton of $$$.
@@18JR78 You know it was too long, so the string reached the key, even before it started to get thin. He told me that if he puts it up, it'll probably break. He also set the truss rod and stuff. My father told me to bring it to the workshop.
Joining a band taught me more than any lessons did personally but thats me. I would say join a band because it forces you to grow (if the band is decent) and then watch a lot of how-to videos to supplement it
@@adamcornell6738 I'm 50. Been playing since 1983. I don't even practice bass anymore. I am learning keyboard and saxophone. Nothing more for me to do with bass that I have not already done.
If you tune up, you want to stick with thinner strings. Thicker strings help for lower tunings. It works that way because you’re balancing out string tension and less stress on your truss rod/neck.
My personal tip... Try not to be a brand whore... I lucked out and got a Kramer made Specter NS II as my first bass (Thank you Jason Newsted Ian Hill and Nikki Sixx). I owned and played that for over 20 years before hard times hit and I had to sell it. As luck would have it times got better just a few months later and I was able to get a used LTD B-10. Due to the radically different neck shape I found myself playing way better then I had. Dont get me wrong, Spector makes some AWESOME stuff (I'm about to try out one of the Dimension basses here soon). My point is, it matters very little what name is on the headstock. If it fits, then play it. If it fits WELL, then play the hell out of it!!!
Great tip Scott, thanks for sharing. When I got my first real bass I was dying for a Stingray. Wanted one forever. I played it and it didn't feel right. My bass teacher said "try this Lakland" I thought it looked weird but after playing it, it was perfect. Always try gear!
@@alecmullaney7957 They're handy for scraping weed tins for crystals, that's about it. There's nothing you can do with a pick I can't do with my fingers.
There are a lot of pretentious bass player youtubers who faf around and waste time. You are NOT one of them. You get straight to the point in a direct no BS way that is clear and not over complicated. Thanks mate. These are great tips. Very appreciated.
Thank you Nigel, I'm flattered by your compliment. I'm glad you enjoyed it, I really appreciate it!
As a seasoned player, there were definitely things here I've forgotten. The biggest being number one.
That's good to hear Chris! I hope I've given you some encouragement! Who have you been performing as recently if not yourself?!
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@@nicholasbstone Gotta pay the bills mate.
The one thing I wish I knew at 16... Don't sell your 1970's Fender Bassman rig to pay for car repairs, because 30 years later you'll wish you hadn't and won't be able to afford it.
I sold my Ampeg SVT at 17 wish I still had it , would love 50th Aniv.SVT
It was an early ampeg reverbarocket for me. 5 class-A watts.
Yeah, I did this... Fender Bassman head and cab. So dumb.
Same goes for my 88 Mockingbird and Crate 1/2 stack to pay the gas bill
Ah dude, sorry to hear that.
I’m a 25 year seasoned bassist. My other tip would be, play all styles of music. Don’t like country? Don’t like jazz? Don’t like gospel?If you really wanna excel in music industry and get paid doing studio work then learn the techniques of multiple genres of music. First off, I PROMISE you it will make you better. Secondly, you will learn to appreciate more music. Lastly, you have set yourself up for more calls.
100% Agree Chris. Even if you don't like or enjoy other genres, it's important to understand how they work mechanically.
@@WhichBass absolutely bro. I was in a side jazz band thing for college years ago. It literally took my bass playing for all genres to another level.
All great tips Alphie! My favorite was #1. Dispite feedback from bandmates and other musicians; it took me a long time to accept myself as a legitimate player because I didn't sound just like my idols. Doing so has been liberating; and my confidence really grew.
Thanks Chad! I'm glad you enjoyed the video. I hope you're in a better headspace when playing now. Take it from me, you don't need to sound like your idols. Borrow from them and take the best bits but always be yourself!
great point... our idols don't sound like anyone else, which is what makes them so great
"Use lighter gauge strings"? No, that should have been consider using a lighter or heavier gauge, either one can be a revelation in tone and feel depending on the player and what works for each. If you play lighter, try heavier and vice versa. If you play less notes, don't bend a lot of strings and want a huge, stable thump, light strings might not be your answer.
Agree. There’s a lot of oversimplification goin on on this video.
As someone how played 45-100 most of his life, I'd say that's cool, BUT have yourself one bass with 110 and tune it down to Eb or D and give yourself some time. Most chances you'd fall in love with that.
Heavy strings got power, punch, and they let you play softer and still sound mighty.
I now play only 110 on D tuning and goddamn 125 on C tuning ;)
I'd agree! My main tuning is D standard 45-105. I say C tuning for 5 strings!
If you aren't able to or don't want to mic a cab in the studio, you can achieve similar results by doubling your DI track. You do a high pass on one track and a low pass on the other track. On the track that's just the high frequencies, you add your grit and distortion. The track that has the low frequencies, you keep clean.
There are many more advanced sonic techniques you can get into once you've split the tracks in this way, but that's the basic idea.
I like it Rome, great tip! I'd also add you can slightly pan each track (just a little on bass) to make it fuller.
Like you said, there's so much you can do.
Honestly, a $250 Behringer bass head sounds amazing thru a top-tier cabinet. I’d say spend more on the cab, that way it can come along with you as you get ‘better’ heads.
those old Peavey bass heads could make any cab sound like crap, not sure I agree. Of course the cab is very important but your head can be used as a direct box to the PA and be used for recording. Ultimately you need both the head and cab to be amazing.
@@rrdream2400 Depends. The Mark III & IV series from the late 70’s are fantastic for punk and metal. Probs not gonna make it in a jazz trio, but tons of country bands used ‘em. The Mark V & VI series are terrible; they abandoned all that sweet, sweet growl to chase the Hartke/Trace Elliot tone. They’re ridiculously bright or sound like you buried your amp in a coffin; no in between.
@@KesslerMickschGeorgeII you have a point, I recall the guy from Skynyrd getting a good tone from one. Also agree on the Hartke/Trace tone, I just hated it. I liked Ampeg and Acoustic heads back then, they weren't boomy or bright.
@@rrdream2400 I always liked Ampeg and Orange tone. I do like the Hartke stuff for playing really fast and loud; it’s just the other brands that did that kind of hi-fi tone failed miserably. The only ones that sound good are the old Hartke and David Eden stuff; they were able to punch up the attack and compression without scooping out all of the mids and making the top end sound like angry monster bees
@@KesslerMickschGeorgeII I never played through Orange. The new Aguilar stuff is amazing the few times I played through them, very tube like response.
Very enjoyable content! Lots of information and everybody who wants to become a better bassman should listen to this. You provided so much stuff to dig further into the art.
Great video here, brother! Lots of great and to the point tips but for me, the one tip that lots of people will probably just overlook or ignore is your #1 tip: *_BE YOURSELF._* Unfortunately, many people fall victim to the whole _"trying to copy this or that bass "idol"_ simply cause they see the bass community has been focused solely on a very small percentile of players for decades upon decades.
I love being a bass player and I love the bass community worldwide but, one thing I have noticed which bothers me to no end is how the bass community has put a certain and very small number of famous bass players in the spotlight and will simply *_REFUSE_* to shed any of that spotlight on other great bass players for "X" reason(s). For *_DECADES,_* we've heard the same names again and again in Rock music (for example) - Lee, Butler, Harris, Burton, Entwhistle, Squire, Claypool etc...
For every one of those names placed on pedestals, there are far more names that hardly, if ever, get mentioned or acknowledged despite the fact that they have played on very well known bands and made very well known music. Don't get me wrong, I'm *_NOT_* saying these people whose names I mentioned don't deserve their place in the spotlight or the credit they are given. The problem here, as I see it, is when such a focus is put on these famous bassists that it's almost inevitable that new players will look up to them and think that the best thing to do is emulate/copy them simply because of how high they are regarded within the community.
This leads to mass "cloning" and loss of identity and eventually to people getting creatively "stuck" in their playing and being seen as just another "wannabe" drop in the bucket amongst a sea of "clones". There are so many awesome bassists out there that never get their due credit and recognition simply because they aren't slapping at the speed of light or playing a million notes per second.
This is why most people who begin to play will never get seen or heard, no matter how talented they are. They will only be seen as just another flashy copycat instead of being seen as a versatile player who can really contribute to a band and the music they play within that band.
For me, the mark of a great bass player is being able to play bass in a way that elevates the song you are playing in. A way that makes that song memorable and to stand out, even if it's by playing a very simple but solid bass line. Hopefully we, as a community, can grow and learn to recognize that greatness comes in many different ways, not just speed and flash.
Again, great video here. Thanks for your hard work and time in making this content!
Thanks Modsleix, that was a great write up, thank you sharing. I Agree 100%. I think sometimes it's just more important for a player to fulfil themselves and forget about the zeitgeist. If you serve yourself first you will always be happy.
Yo Alfie, good to see you this evening. Some sound advice there. Particularly in getting some lessons, one might be an accomplished player but some lessons from a teacher or a fellow player, I guess can give you a different prospective in playing and musicalike. I'm going to be looking into that. Re..spect! Brian
Hey Brian! Good to see you! Thank you for getting in touch, I'm glad you enjoyed the video. I imagine even a super talented player will have faults (even miniscule ones!) that have become ingrained. It's a bit like driving, we all have bad habits haha.
If you can’t afford an acoustic bass, play unplugged. Clarity, attack and articulation all can be improved by not plugging in.
Yeah that works too!
"there's no lying to an acoustic bass" very very true. If you don't have an acoustic bass but do have recording software, that's another great way to see any short comings in your playing. Just check out the DI track and observe. I didn't realize how much sympathetic vibration was carrying though on one or two strings due to inadequate muting. Went back to the drawing boards, improved my hand positioning and boom, cleaner playing, less to worry about in post.
When I took up bass in the dark ages the selection of strings were limited.I ignorantly put unwounded strings on my bass that tore my finger tips to shreds.Fortunately my calluses healed strong and I never had another problem.
Wish i knew i didn't actually need 5 basses.
😂 no, yes you do. In fact, you know you need more.
"Those are rookie numbers" 😂. In all seriousness though. Would that extra new bass make you play better? Or can you consolidate it with just one instead? I feel like I can't buy any more basses until I sell one. Horrible feeling!
@@WhichBass I have a single bass & single (playable) guitar. The only two instruments I really want badly now are a Bass VI and an acoustic guitar
You need a precision with flats, active jazz 5 string, fretless, 5 string modern bass with humbuckers and maybe one novelty or character bass like short scale eb0 or rick or bass vi or beatle bass
G&L L2500 covers just about everything I need.
I like all the points in this video and I actually learned a lot. For the point about short scales, I actually think starting with a full length is beneficial if you, like me, wanted to use the bass to be a better guitarist. My thinking when I got my first bass was if I grow the strength and dexterity for the larger instrument, the smaller one will be easier to play. I have pretty small hands and I always struggled with stretches and runs, and it worked. After about a year though I actually started caring about the bass and its purpose and place in the band and I take my bass playing much more seriously now. I've been watching a few bass oriented channels lately and this one in particular has been a huge help and inspiration for me to pick up my bass and play
Thank you for the kind words Brayden I'm glad my video was off use to you. That's interesting you would prefer full scale over short. When I first started playing bass, guitarist friends were warning me over the size and string thickness. If that were to put off any would be bassists, then perhaps a short scale would help!
Thanks your comment dude, hope to see you again!
Best bass tone is an SVT running through 2 JBL E-140 15'S. On the SVT, treble at 2:00 o clock, Mid at 2:00 o clock, Bass at 3:00 o clock, Ultra high off, 800 hrz, ultra low off. Plugged in to normal bottum Jack. And using a P-Bass.
I wish I knew not to neglect the mid range on my amp. By that I mean turn it almost all the way down and turn the bass all the way up. Just made it sound muddy and hard to hear what I was actually playing. Also I wish I knew just because a bass had active electronics doesn't automatically make it better than a bass without them.
You were a fan of the California smile.
Exactly. Midrange is presence
This makes me sad. Mids are where it's at!
The title of this is spot on. I know/use almost all of these tips, but I really wish I knew them sooner! Really good stuff here. I did a live TV show not long ago, and the sound guy had a DI and a mic on my cabinet. I said, "you MUST be a bass player", and he just smiled. Then on the other end of the spectrum, the drummer in my band thought my bass only comes out of the subs in our PA's speaker stacks. Couldn't understand why I kept listening at the tops for my bass. Wouldn't be so bad except for HE was flying the faders. I literally had to explain that bass guitar isn't just low frequencies for the subs. I couldn't believe it.
Thanks Skeeter! Ah man you must have been ecstatic when the engineer gave you a mic! Good rule of thumb. Don't let drummers near the board, remember they've lost their top end 😂 (seriously, have him check his hearing!)
#16 Learn a few covers in different keys! Every cover band in the world plays the same songs so try learning them a step higher or lower. You never know who may end up singing with you and it’s good to be able to compensate on the fly!
Man you made me use thinner strings on bass because of the cliff burton video you made and if i hadn't watched that video I wouldn't have found that bass is super fun
Ben, thank you so much for telling me that. I'm super thrilled you managed to play bass with light strings. I'm very happy for you. I remember as a kid, some older friends used to say "Bass strings are so thick they'll cut your hands!" They're wrong of course! But using lighter strings must be such a relief.
Good for you man!
- Brotha, you do such a great job on this channel!!! I just recently found yr channel and can't help but power watch all your vidz!!! Your attention to detail from history, guitars, Cabs & Equipment is very well done!!! I'm spreading the word about this channel, you definitely deserve 100K subz. Im a guitarist, but love the bass players you've covered 🤘😎 If I could mention a bass player to cover 1st one that comes to mind is MARTIN MENDEZ of the band OPETH maybe in the future 👍 Again love the channel, Keep up the GREAT work!!! 🤘😎💪🤜🤛
Thanks very much Rawr! I appreciate every word dude, you flatter me. Guitarists are welcome here don't you worry! Martin Mendez is a great suggestion, I'll see what I can do. Thanks dude!
I have been using Funkmaster's and 30-90 since 1980 on all my Basses !! Play simple with the Kick and in the pocket...Remember Less is More..And i agree with you 100 percent my friend !!
Thanks Ernie! Good call on the funkmasters!
Geezer and Geddy! My two favorites! I started with Geddy Lee's string gauge but realized I wanna go lighter. I'm starting to get outside the Fender realm as well and attracted to short scale basses being a little guy. Wish I knew that 15 years ago.
Good call! Let me know how lighter strings work out for you and the SS bass.
The only thing I think you missed is HAVE FUN what I tell new bass players is that if you’re not having fun you’re playing bass wrong. Other then that I loved the video!!! If you do another know your bass player could you perhaps do John entwistle I know he’d be challenging
Spot on Luke. Having fun is always overlooked. I have John Entwistle on my list, I hope to get to him one day. Great suggestion thank you!
#1 Tip....Play the Obvious. Solid.
As always alfie is being informative and useful! 😎
Thanks Dario! I hope you got some use out of it!
For overdrive, you can also user a mixer (such as the Boss LS-2) to blend clean and distorted signals and retain low end and tone
Sbsolutely! Good call.
My tips for bassist
1.less is more. Use less play more.
2.practice to your songs daily with headphones to master every detail.
3.change your strings often.
4.have rigs ready. Example. 1. Bass rig amplifier. 2. Modular (helix axfx etc) 3. Di pre amp (darkglass tech 21 etc)
5. Play with as many people as you can.
Brilliant tips Anthony, awesome stuff. Couldn't agree more. Changing your strings is underrated!
Or never change them
@@zeusapollo8688 this is something I totally agree on
Started using 35s about a month ago they're the best
I bought some after following my own advice, still need to put them on! Gah!
Thanks for those tips. When someone says about "yourself in music" it's always reminds me Mike Inez's quote:"Your unique tone is your hands". Actually this is how it works. Thanks again, Alfie!
p.s. How about Ben Shepherd (Soundgarden) bass rig video?
Thanks PxlSnake, it's all true! There's only one of you who can play in that unique way. How cool is that?
Ben Shepherd is high on my list dude! I'll hope to get to him soon!
These are all things that have helped me a buuunch in growing as a bassist. Very well done dude! My only thing to add is make sure your having fun!
Thanks Gutter! Glad you enjoyed the video. You're dead right about having fun. If you're not digging it you're in the wrong game.
Wow excellent bass life tips, thanks so much your videos are the best!!
I appreciate that! Thanks Manuel.
"I Wish I Knew This At 15"... You ain't kidding!!!!!!!!!! I do like a bit thicker strings now than I did then though.
Thicker strings do have their place and I have them on two of my basses atm. It annoys me when someone says "No no, you NEED thick strings" ... Do I really?!
Try different types of strings - yes! (if you have two basses, string one with flats & one with rounds, for instance) Try different types of picks - yes! (and don't be a finger-playing snob or a pick-playing snob...get comfortable plating BOTH ways) The tip about a good bass cab, yes! All the advice was sound, in fact and here's what I'll add.....
* In lieu of hiring a bass teacher, get proficient at learning songs from records. All of the best players in the business are there as your teachers! (lessons are as free as the air!) Some players will naturally pick up a song with one or two listens but if you struggle to learn songs this way - STICK WITH IT. It'll come!
* Don't ignore your tone control! How many years did I play my Precision with the tone control locked at "ten"? Too damned many! I missed out on a truckload of great sounds that my bass was capable of. Don't be a dummy like me.
* Thumb rests are too under-rated. If your bass doesn't have one, INSTALL ONE! The P. Bass came from Fender with one but they got the position slightly wrong - at least for my playing. I shifted it only about 1/2" and it suddenly felt right & comfortable.
* Pick up another instrument. You don't need to be super serious in your approach to playing another instrument but do let your musical curiosity drive you. A lot of you probably play guitar too - so there's your second instrument. But it can be anything from bongos to a penny whistle to a cheap, yard sale keyboard!
* Lock in with the kick drum WHEN IT FEELS MUSICALLY RIGHT to do so. But don't neglect what everyone else is doing, either. Feel free to double some of the lead passages or follow some of the vocal melody. Everyone else in the band is mystified by what you do, so you're free as a bass player to do whatever you want! (and that's a bit of a secret, so keep it under your hat)
Great tips Roger, thanks for writing that up!
@@WhichBass You're very welcome. I don't think I'm unique in saying I "fell into" playing the bass. My older and cooler brother gave me a bass when I was 12 or 13 and said if I can learn some Paul McCartney parts, I'd be doing well. He added, "there are always lots of guitar players around but everybody's looking for a bass player"! It's a nice place to be in a band. Everybody leaves you to the alchemy of bass playing, which means you're free to explore. Don't we all seek freedom?? LOL!
Medium gauge strings are ideal for short scale basses as they compensate for less tension. That might be their best application.
Great call Seth, that would be quite useful.
i would add learn how to play fretless. teaches your ear how to intonate and by the time you can play a fretless so that it sounds like a fretted, your technique will have drastically improved- learning to play jaco licks should be a right of passage for all bass players. but whatever you do, DONT get it in your head that ripping the frets out of your most expensive bass is a good idea. do that to a cheap squier J if you really want to, but stick to buying a factory made fretless to avoid ruining your favorite bass.
great video alfie and love the channel
Thanks a lot Nick! That's a brilliant tip. Fretless will drastically improve your fretting and pitch perception. If you can stick with it and be patient you'll reap so many benefits.
You won't catch me ripping frets out of anything. I wouldn't dare!
GK backline! haven't seen those in years
Haha, I've had that amp for decades now ... Almost literally! I really want to trade it in for something a bit fresh.
Can’t disagree with any of these. Good work.
Thanks Geordie! Glad we're on the same page.
thank you for this helpfull video Alfie, keep it coming great job!
Hey JJ, good to see you! Thanks dude, I'm glad you enjoyed it. Thank you for watching!
This video is all kinds of hell yes. And yes always double track if the recording engineer hands you a DI and won't mic up your rig then leave that studio cause that sound engineer is clueless.
Thanks Jason, glad you enjoyed it. We gotta teach those engineers we exist!
Medium gage is great with me. However right now I am using heavy gage. . . Big difference
Big difference, big sound!
Thanks
Good advice👍🎶
Lately I've been wondering how to polish my sound in my band, I'm quite happy with how I sound atm but I was looking for something more unique. I for sure could try some of these... and man do I need some lessons...
Let me know what works for you Javier I'd love to know. Lessons are a great investment for your playing.
I wish I knew that:
1. Bass playing and bass practice are two different things. Without practice plan it's hard to make progress.
2. Give up the tabs and learn by ear.
Brilliant tips Karol dzięki. A focused practice session will change the way you learn bass or anything else for that matter.
Learning by ear has a difficult learning curve but if you can nail it early you are already out performing most bass players.
Quality points!
Been playing 35+ years now, and I still think I want lessons. Haven't ever tried bass lessons. I did take guitar lessons for about 8 weeks once. The guy told me then I didn't need lessons, I needed a band to learn more about composition and playing to an audience. I still watch Charles Berthoud and feel like I want lessons on two handed tapping stuff... specifically composition, but then I wonder how much of that I'd really use in my band anyway. Besides, he only plays 4 strings... I've moved up to 7 and use the full range available on that instrument.
That's an interesting point Brian. I think it really depends on what you personally want to improve on. Like you said, you want to improve tapping but would you use it? Well only you can answer that! I wouldn't rule it out though, it might help you in another area in the future.
I put guitar strings on a short scale and tune down to c#.
Thats ... strange. I'm glad it works for you though! Sounds a bit like that Fender V or 5 bass? Has 6 strings, looks like a regular guitar.
Thanks for the tips Mate!
Thanks Keith, glad you enjoyed it.
I believe you are completely wrong about the placement of the compressor. It should go closer too, if not the very end of the pedal board. I've playing for 40 years and have tried it in many different positions and that's where it sounds best. I have mine second to last, right before my BBE Sonic Maximizer.
Neither is wrong, they just provide a different effect depending on placement. If you're looking to control overall dynamics, put the comp at the end. If you're looking to feed your board with a steady input, place it at the beginning.
Spot on Adam.
You are all wrong. The right way is to have two comps, one first, and one last🤘
love the Ibanez ATK basses, so under rated, especially an older model like yours looks to be
Thanks JK, I done a review on it if you want to hear it!
th-cam.com/video/xon25qxjn1M/w-d-xo.html
Excellent tips!
Thanks Richard! Glad you enjoyed it dude.
I love your shirt!
Thanks Nikkie!
All solid advice, dude, and in relation of Tip #1; In the words of Audioslave, “Be yourself, that’s all that you can do”. On a second note, I’d still love to see a video on Roger Waters, Paul McCartney, John Entwistle or Phil Lynott sometime
Thanks Andrew, I'm glad you enjoyed the video. It's weird how being yourself is always overlooked in this day! I'm sure I've told you a hundred times I'll be doing Roger, Paul and John eventually! I haven't forgotten
Which Bass That’s true, also sorry for constantly asking for them. I guess I’m just really excited to see what you’d do is all
New strings? 🤔 What happened to the ones that were on the bass when you bought it? 😁
Hey! Awesome vid! It’s nice to see you wearing the t shirt I got you 😆
Hey thank you! Yes, finally a good time to wear it! It's lovely!
I've been pondering adding a short scale and possibly tuning it up as a tenor bass. Have a few I've been looking at, but is debating what pickup style to go for and if the slightly higher range would affect the tone?
I would imagine single coils would give you a bit more bite and clarity if you wanted a higher range.
WOW ALFIE COOL VIDEO
Thank you Mark! Good to see you!
Excellent 👍👍🎸🎸
Thanks Paul, glad you enjoyed it.
Yeah at 15 it was play hard and turn the amp all the way up took me a while to realize different settings on the amp can really make cut through the wall sound of heavily distorted guiatars lol also being yourself like everyone else wanted to sound like my heroes Geezer, Geddy, Cliff Burton, Flea, Jack Bruce, Steve Harris, Eddie Jackson and many more once stop trying sound like them you find your sound and style
Well said Pedro!
I "restored" a Matsumoku Hollow short scale recently. And its all I pick up anymore. On my solid body I hammer the strings with my fingertips but on the hollow i need a way lighter touch. Aside from it being short scale it also has flats. When i pick up that bass i just play differently, and as a result has gotten me out of playing the same stuff all the time. It seems like I'm writing new stuff daily.
That's a great looking bass Ray, thanks for sharing. You'll have to share me some clips some time, I'd like that!
Have you tried nylon wound strings? They're pretty unique.
@@alecmullaney7957 I haven't but I did consider them, but the flats are great. I went with rotosound short scale monel strings. It gives the bass a warm deep sound but still very articulate. It is surprisingly versatile especially for a passive bass.
Excellent
Thanks Jacob! Glad you enjoyed it.
Billy Sheehan also uses 2 amps :)
Indeed he does! Good call.
Fantastic content here! Every bass guitarist should watch this, and give each tip thoughtful consideration. I appreciate your dedication and support of the Bass Collective as a fellow member 😉
Thank you so much Eric! I'm really happy to hear that. I hope some new players learn from my mistakes!
@@WhichBass Cheers, mate!
I love the mustang!!! I want one!! I want to try the short scale stingray badly!!
Like you need another MM in your collection Jeremy! Haha. No, I do hope you do check it out. Report back and let me know how it handles!
Tip #12.5 ……u can also place a mic behind the speaker and pick up just the subs!
Yes! A peculiar mic placement but it does have its uses for sure!
Make sure your bass is properly set up, don't neglect your strings, carry extra 9 volts for your pedals and eq if you have an active bass.
Good call! I was going to add set up but 16 tips would be strange haha.
Technically “double tracking” is a different thing.
I have 3 shirts like yours!
Nice to see another person with a good choice in clothes! Hahaha.
Good tips, brother! But I would never place an octave pedal after distortion.
Thanks Rhino! Generally speaking I'd suggest putting the Octave further down the board but I do tend to play with it before OD pedals.
What I wish I knew then is the Dr 50 I was using was incredible and I should not have been searching for another head
Oh dude, they are pretty killer. Don't tell me you got rid of it?!
@@WhichBass Yes sadly I replaced it with an Acoustic 370...
Amazing amp
Now I have finally replaced it with a 86 LB 100!
I know it's not a 70s model but it's the next best thing without spending a fortune.
I really enjoyed this segment, Thanks Man
I reject #8 😂
Ah come oh Gill! What's so bad about a short scale?! I suppose for me it's like holding those little tiny spirit bottle and feeling like a giant ... Just me then!
@@WhichBass nothing really except I'm a big guy. Playing short scales for me is like playing a ukulele 😆
@@WhichBass It all comes down to glove size. Standard scale is good if you have medium hands, long scale is good if you have large hands, short is good is you have small hands.
Those ampegs were great little combos..
My amp Fender J?! That was a GK! I'd love to get my hands on a small Ampeg. Have you any experience with those smaller Ampeg combos?
@@WhichBass I do..the little 15" and 12" inch were incredible..for the time..to this day I still have my old sunn 2x 15"..and a sun S1200 sun amp..never used pedals until a couple years ago..got a Tec 21 sansamp..direct..im havin fun..can send you a pic if you like..👍
When it comes to string gauges, I play bass from 92-94 on 96-97, I know Ken Smith from 030 050 070 090 and it was the best thing that happened to me in my life. I always play with whatever bass they give me. And with the strings that I have but that gauge of strings, my brother, they are the best for progressive metal funk or whatever I want to play at least I am bored by common gauges but that's just my opinion.Luckily I found after several years a person who makes strings of any gauge here in Argentina and since I found him I have solved my life because the Ken Smith with the importation there are always problems and the ones I got have nothing to envy them, they are very very very good if not I would not use them those are some of the problems with being a poor third world bassist hahahahaha
haha, these would be so useful if I had money!
You don't need money where we're going Marty.
I need that shirt.
I got it as a present hopefully this will guide you in the right direction! amzn.to/37Yh9n9
❤
I think people need to worry less about messing with EQ's and just play. I honestly like the tone of my bass and bass amp with their EQ's flat and a 50/50 split between the P and DJ pickups. Just roll on the volume and play. Bass tone seem much less temperamental than guitar tone.
That's fair Tony. I think looking at EQ is more important in group settings.
Had no clue Rotosound had a set that went to 30. I used to rock 35' all the time before I swapped to the Billy Sheehan set
That's interesting, I thought their Funkmasters had been around for decades and were .30-.90 I've never heard of 35's!
@@WhichBass Well Cliff used 35-90 I think.
Tip #1 in a nutshell= be innovative!
Great tip Brian!
Can I augment the tee shirt to "Frankie says Relax. The bass player is here"?
No! It's our time. Not Frankies!
Wish I knew what gear to buy back then !!
What would you have bought?!
@@WhichBass probably the fender precision first
Ah, the strings. I've bought blue Dean Markley strings, but the B string was too long for my Yamaha trbx305. Then my bass tech (idk if it's the correct word for it) told me, that he has got Rotosounds, I was like, Fine... Guess what, it didn't fit either. You know what strings did fit tho? Elixir. You know what's funny about Elixir? They cost like 70$ HAHA :D
You can just clip them. I play short scale basses and use Roto sound regular length. If they are too long i bend the string and snip the string above the string so they don’t slip. If the string is too thick for the tuner hole bend the string and unwind a layer above it. There is always a hack to make it work, its just time consuming. Practice setting up your own instrument, paying a tech over time is a ton of $$$.
@@18JR78 You know it was too long, so the string reached the key, even before it started to get thin. He told me that if he puts it up, it'll probably break. He also set the truss rod and stuff. My father told me to bring it to the workshop.
I've been using the thick part of the string wrapped around the post on my RBX 5 for years never had a problem.
1:50 I don't need no lessons to know how to rock. Yeah, baby!
Joining a band taught me more than any lessons did personally but thats me. I would say join a band because it forces you to grow (if the band is decent) and then watch a lot of how-to videos to supplement it
@@adamcornell6738 I'm 50. Been playing since 1983. I don't even practice bass anymore. I am learning keyboard and saxophone. Nothing more for me to do with bass that I have not already done.
@@natfunk5992 That's awesome. You've been playing longer than I've been alive haha
Thinner strings? But I uptune and need thicker strings...
If you tune up, you want to stick with thinner strings. Thicker strings help for lower tunings. It works that way because you’re balancing out string tension and less stress on your truss rod/neck.
This is the right answer, great job JJE.
#9: Why are you arranging the pedals _from right to left??_ I would look at my pedal board the way I read.
Many pedals have the input on the right and the output on the left. So, pedal boards tend to go from right to left.
every pedal board goes right to left. The input jack is always on the right, output on the left
@@cordellwalker7049 🤦♂️ Thanks for clearing that up.
⚜️x🤘🏻x⚜️
Thanks Eleventeen!
Play along with recordings
Oh for sure, that should go without saying!
Sound like you've studied Phil Lynott
Not recently!
My personal tip... Try not to be a brand whore... I lucked out and got a Kramer made Specter NS II as my first bass (Thank you Jason Newsted Ian Hill and Nikki Sixx). I owned and played that for over 20 years before hard times hit and I had to sell it. As luck would have it times got better just a few months later and I was able to get a used LTD B-10. Due to the radically different neck shape I found myself playing way better then I had. Dont get me wrong, Spector makes some AWESOME stuff (I'm about to try out one of the Dimension basses here soon).
My point is, it matters very little what name is on the headstock. If it fits, then play it. If it fits WELL, then play the hell out of it!!!
Great tip Scott, thanks for sharing. When I got my first real bass I was dying for a Stingray. Wanted one forever. I played it and it didn't feel right.
My bass teacher said "try this Lakland" I thought it looked weird but after playing it, it was perfect. Always try gear!
Tip #11.5 …….the bass should not be louder than the bass drum/kick
Good luck even getting there with those loud gits 😂
Forget the first like. I was like 666.
That's all we can hope for Nathaniel haha.
m o i s t b a s s i n f o r m a t i o n d a d d y
You're welcome, I think 😂
@@WhichBass my intention was to be confusing and wack, so i clearly did it perfectly
Tip 10 is not valid in a the studio most times. Sims are fine, bleed is annoying, most players bring crap.. etc. etc.. etc..
too many of these were just "buy something"
An augmention of course!
Learn Piano for ear training
That'll help too!
Turn treble off
That's a tip for getting lost in the mix, my dude
@@alecmullaney7957 not in mine and most reggae. I think it sits in there really well and makes people dance
Tone is in the fingers, the plectrum is on the floor.
What? You're telling me you have no use for a pick?
Be versatile.
@@alecmullaney7957 They're handy for scraping weed tins for crystals, that's about it. There's nothing you can do with a pick I can't do with my fingers.
@@adamcornell6738 I am, picks aren't.
@@iunnox666 I highly doubt that