Support us on Patreon and get more content: / classicalvault --- Anton Bruckner Symphony No 9 in D minor Gustav Mahler Jugendorchester Herbert Blomstedt London, Proms 2010
....This kind of music links the world, all generations to come, if they are wise enough to recognize it ever and ever again. There can hardly be another teacher like Maestro Blomstedt for this magnificent young orchestra. A philanthropist with a big heart and equal mind. Mi piace moltissimo
I don't think he was quite the oldest active conductor at the time of this concert in 2010 - that could have been Pierre Boulez (born in 1925) - but he certainly is now. Boulez, too, liked working with young musicians and orchestras and sharing his experiences and insights with them.
I was sitting in the stalls at this performance and was overwhelmed by the excellence of the music making. It was the first time I'd heard this piece live and is still one of the best live Bruckner performances I've experienced.
Not the last word in interpretation, but thoroughly enjoyable to see these young performers play this majestic music. Love that arsenal of basses on the back row,
At last someone conducts the end of the last movement nearly as well as Schuricht. This really is a marvellous orchestra and this is a fabulous performance, a worthy successor to their great Mahler 9 with Abbado.
I think he's now the last true Maestro, including Maestro.Eschenbach, M.Barenboim, and so also, Maestro.Sir Simon Denis Rattle “Noblesse oblige ∽≒ Japanese physical philosophy and spirits of Bushido" that succeeds Maestro.Szell, Dr.Böhm, Maestro.Karajan and Maestro.Masur, etc. They have been able to conduct complete memorization in the stage production by imposing the score and the texture of organic music through the study of scores for their own identity building, which has been repeated for many years'ing. Each of them is Zarathustra himself written by Nietzsche, a master of Shugendo(Japanese mountain asceticism-shamanism incorporating Shinto and Buddhist concepts) with such a “Great Force”! I will reiterate it, but in reality, the "Force" that was praised in the movie "Star Wars" is the dimension of the daily study of the person's own elan, which is absolutely unbearable. That is really precious! That is, they do not understand it at all, including Nelsons, rather than not dare to understand it, it is always a coward with an "escape stance" and what a score, this is a tag tag of red 🟥 blue 🟦 yellow 🟨 Sticking it up🤣🤪🤭😆😅, just staring at the actual production and the score of the sticky note sticking so that he does not overlook it, it is like a parasite with his own sticky note score like a Bible or a symbol of authority It looks "camouflaged". That is the difference and superiority between those who want to be conductors, especially Chef conductors and those who do not. The real Chef conductor is always standing on a dangerous cliff leading to the summit. However, it is a Zarathustra-like delight for him. th-cam.com/play/PL42D15C5E3B8A9A3B.html th-cam.com/video/DS6aGe5bfwo/w-d-xo.html th-cam.com/video/22mfWMioWWA/w-d-xo.html th-cam.com/video/Mua_84uAOG8/w-d-xo.html The final check of the score reference ends at the rehearsal (briefing). After that, in the actual performance, they only flap the wings with improvisation. It is a "serious game" of a very significant dimension. th-cam.com/video/OULabXciATk/w-d-xo.html th-cam.com/video/F1qASfzTAfQ/w-d-xo.html th-cam.com/video/RpCNGTRvQVI/w-d-xo.html th-cam.com/video/nGvFlp3luzo/w-d-xo.html th-cam.com/video/Az-kHLRQhsk/w-d-xo.html
oft zu laut , zu schnell , pausen werden ignoriert , das verhältnis der instrumene (-ngruppen ) zueinander bisweilen völlig unbeachtet gelassen , bruckner soll die symphonie dem " lieben gott " gewidmet haben . blomstedt scheint sich eher an die lärmende , hektische , egomanische betriebsamkeit des hic et nunc zu richten. die musiker waren klasse . aber sie wären bruckner gerechter geworden , hätte ein dirigent wie celibidache mit ihnen das werk einstudiert.
Don't like it. Blomstedt conducts, especially the first movement, way too fast. He is 24 minutes!!!! faster than Celibidache, 23 minutes!!! faster than Maazel and even 16 minutes!!! faster than Nelsons, as a younger recording. I bet the old man just wanted to go to bed fast.
Well, you get longer entertainment with the other conductors, but for my taste Blomstedt is closer to Bruckner's intentions than Nelson. Bruckner is loud and maybe disturbing, but so intensive. Blomstedt does a great job here!
Bruckner's Symphony 9 is about as close to heaven as most of us will reach. Very touching and exciting musicians and conductor.
....This kind of music links the world, all generations to come, if they are wise enough to recognize it ever and ever again. There can hardly be another teacher like Maestro Blomstedt for this magnificent young orchestra. A philanthropist with a big heart and equal mind.
Mi piace moltissimo
The oldest living conductor conducting a youth orchestra BRAVO
I don't think he was quite the oldest active conductor at the time of this concert in 2010 - that could have been Pierre Boulez (born in 1925) - but he certainly is now. Boulez, too, liked working with young musicians and orchestras and sharing his experiences and insights with them.
I was sitting in the stalls at this performance and was overwhelmed by the excellence of the music making. It was the first time I'd heard this piece live and is still one of the best live Bruckner performances I've experienced.
Explendid performance of this orchestra. Well done maestro Blomstedt
This symphony is comfortable to the ear and to the soul and will quench and moisturize my parched soul and evoke immeasurable deep emotion
my favorite symphony and I like this dirigent - since 15 years. ♥ I thank you for that
I thought that was most enjoyable.Good to see the young perpetuating good music. There is hope for us yet.
So encouraging to see young people playing like and this and rather well too
7:08 The music of our solitude as we look into space and stare at the stars! We are alone, and the universe is giant!
Beautiful Symphony...Beautiful Performance. Thank You All~!!!!
Not the last word in interpretation, but thoroughly enjoyable to see these young performers play this majestic music. Love that arsenal of basses on the back row,
mrsneaky2010 I agree! Better to effort an expressive performance rather than a highly polished but soulless one.
32:16 with a smile. nice !
2:14 All those bare arms moving in (near) unison, great visual
Genial...
At last someone conducts the end of the last movement nearly as well as Schuricht. This really is a marvellous orchestra and this is a fabulous performance, a worthy successor to their great Mahler 9 with Abbado.
There are no great Mahler 9ths by Abbado. All his Mahler is smoothed out, prettified and bland.
Großartig ✝️✝️✝️❤️❤️❤️🙏✨✨
Danke CANTUS 5 🙏❣️❣️❣️✨✨
🙏🙏🙏🙏🙏♥️♥️♥️♥️♥️♥️
I think he's now the last true Maestro, including Maestro.Eschenbach, M.Barenboim, and so also, Maestro.Sir Simon Denis Rattle “Noblesse oblige ∽≒ Japanese physical philosophy and spirits of Bushido" that succeeds Maestro.Szell, Dr.Böhm, Maestro.Karajan and Maestro.Masur, etc.
They have been able to conduct complete memorization in the stage production by imposing the score and the texture of organic music through the study of scores for their own identity building, which has been repeated for many years'ing.
Each of them is Zarathustra himself written by Nietzsche, a master of Shugendo(Japanese mountain asceticism-shamanism incorporating Shinto and Buddhist concepts) with such a “Great Force”!
I will reiterate it, but in reality, the "Force" that was praised in the movie "Star Wars" is the dimension of the daily study of the person's own elan, which is absolutely unbearable. That is really precious!
That is, they do not understand it at all, including Nelsons, rather than not dare to understand it, it is always a coward with an "escape stance" and what a score, this is a tag tag of red 🟥 blue 🟦 yellow 🟨 Sticking it up🤣🤪🤭😆😅, just staring at the actual production and the score of the sticky note sticking so that he does not overlook it, it is like a parasite with his own sticky note score like a Bible or a symbol of authority It looks "camouflaged".
That is the difference and superiority between those who want to be conductors, especially Chef conductors and those who do not. The real Chef conductor is always standing on a dangerous cliff leading to the summit. However, it is a Zarathustra-like delight for him.
th-cam.com/play/PL42D15C5E3B8A9A3B.html
th-cam.com/video/DS6aGe5bfwo/w-d-xo.html
th-cam.com/video/22mfWMioWWA/w-d-xo.html
th-cam.com/video/Mua_84uAOG8/w-d-xo.html
The final check of the score reference ends at the rehearsal (briefing). After that, in the actual performance, they only flap the wings with improvisation.
It is a "serious game" of a very significant dimension.
th-cam.com/video/OULabXciATk/w-d-xo.html
th-cam.com/video/F1qASfzTAfQ/w-d-xo.html
th-cam.com/video/RpCNGTRvQVI/w-d-xo.html
th-cam.com/video/nGvFlp3luzo/w-d-xo.html
th-cam.com/video/Az-kHLRQhsk/w-d-xo.html
Great youth orchestra..playing their hearts out for probably the last great conductor Bruckner that understands the tradition
Gut
Who are the orchestra with so many young ladies?
27:24
톰톰윤 톰톰 톰톰
Can music bring you down? Yes, it can: 7:08 - devastating - when listening to this I feel I might take the rope. I've decided to prefer Mozart.
コントラバスが、あんな後ろにいるぜ…。
Astonishing that Blomstedt conducts Bruckner's music as he would do any other one. Wait man, it is Bruckner ! "Adagio" is not "allegretto" !
12 double basses? Overkill much?!
Quotenwagnerianer yeah but what a fabulous noise!!
That should be the minimum for this symphony(and Bruckner in general)
oft zu laut , zu schnell , pausen werden ignoriert , das verhältnis der instrumene (-ngruppen ) zueinander bisweilen
völlig unbeachtet gelassen , bruckner soll die symphonie dem " lieben gott " gewidmet haben . blomstedt scheint
sich eher an die lärmende , hektische , egomanische betriebsamkeit des hic et nunc zu richten. die musiker waren
klasse . aber sie wären bruckner gerechter geworden , hätte ein dirigent wie celibidache mit ihnen das werk
einstudiert.
Don't like it. Blomstedt conducts, especially the first movement, way too fast. He is 24 minutes!!!! faster than Celibidache, 23 minutes!!! faster than Maazel and even 16 minutes!!! faster than Nelsons, as a younger recording. I bet the old man just wanted to go to bed fast.
Blomstedt was following the instructions of Bruckner. Celibidache and Maazel were way too slow.
Yes indeed. Blomstedt is one of the best conductors for performing Bruckner. Another reference is Karajan.
Well, you get longer entertainment with the other conductors, but for my taste Blomstedt is closer to Bruckner's intentions than Nelson. Bruckner is loud and maybe disturbing, but so intensive. Blomstedt does a great job here!
Blomstedt is too fast but Celibidache is boring, arrogant, slow and overrated conductor