The synth boost is exactly what this song needed to enhance the eery vibe and tone. The repeat effect on him saying "something" after the fibonacci moment is pure ecstasy. The ending swap into a live performance sounds unwelcoming to the ears at first, then all of a sudden just becomes acceptable almost in an instant, drawing you into the faster pace and finishing with a freakish scream that is appreciated for how it awkwardly fits so perfectly. Thank you for doing this for everyone. I'm sorry others aren't showing appreciation for this, but its likely their conscious just wasnt ready.
Dw about them, your comment alone makes it all worthwhile. I have to admit, it's a little strange having "my" "work" critically appraised like that, but I'd be lying if I said I wasn't a bit tickled by it :D Speaking of critical appraisal, your name looks awfully familiar.....are you really he?
@@biscuit2702 That was all I intended, to make sure you know this didn't go unappreciated. It depends my friend, do you know where you recognize the name from?
Brent DeCrescenzo, music critic for Pitchfork. Really no bells? That would be an uncanny coincidence, you definitely have some critic blood in you, although at the same time I don’t know why a professional music critic would be commenting on random TH-cam vids :P That’s not a slight btw, I do really appreciate your comment. Anyway, he gave Lateralus a 1.9/10. True story
I always love their live versions of this track b/c you can actually hear the synth, and the bridge during live shows with Frank playing the synth notes.
I always wondered why Frank's samples were so low in mix on the album version. The live version is what it should've sounded like. I remember as far back as 2006 when they first started playing it live, and Frank was playing his parts louder in the mix than the album back then. Pinkpop Fest 2006, for example.
I kinda can't go back to really getting into the studio edition as much anymore. I really love this, thank you. When Girls Telephone Boys is one of my favorite Deftones tracks out of their entire discography.
Awww, your welcome. I think. I definitely have mixed feelings about kinda ruining the original for you. But anyway...I don't rank it quite so highly, but it's definitely one of my favs on ST
Much better with all the extra stuff to bring the song alive more. Its like a second singer with it all sat in there. You can hear it all live so nice to hear it in the studio version.
But the synth is louder in this version (?) Sorry about cutting the fade out, I really like this live bit. Can't win em all :P Theres always the original to cheer you up ;D
🥰🙏🏾 I must stress once again that I am only responsible for about half of this, so I will split the love with my co-creator Mr Vesanic, and speak for both of us when I say it is much appreciated
Damn pal, you gave me even more of a reason to love this version, I totally see it. Trip’s Pawn Shop, always help Mercurio, Ocean House, Deb of Night, fuck the Warrens, fuck the Tremere, Fishmalk, ISOLATED, Griffith Park door trap, money # cheat, and last but not least, Don’t open it! Best damn RPG almost made, if you ask me. VTMB forever. In WESPs we trust.
Yo my man I thought in the original version those sounds were guitar feedback because you can barely hear them but this sounds so damn edgy and haunting like its hard to hear the original without hearing that nightmare sound. I had no idea this is what it was supposed to sound like. Definitely hearing this instead from now on.
Yeah, I don't know why they decided to bury it. Maybe they wanted the song to have a harder edge...who knows. But you can thank my man Vesanic for resurrecting the synth part. It was all him. Sadly, his 2011 version is no longer up here, but it's the only reason this version exists, so shoutout to him 🤟
The synth boost in the chorus I have no idea about, not my work. For the bridge I overlaid audio from a live performance. I don’t have the track now but you can probably find it on soulseek or something, the show/bootleg is Area 4 2009
Your welcome 🙂 I don't think they played this live much in '03, your lucky to have witnessed it. Interesting that even THEN the synth was much louder than on the record, I thought that's a change they made later on
Hell yeah. I can’t even listen to the original version anymore. I made my own playlist of the self titled album and replace the original song with this version, as well as the regular version of hexagram with a fan remastered version, which is great by the way, you guys should check that one out to
That's very kind of you good sir/ma'am. I assure you I am not a genius. I'm just a guy who had an idea, that built off another guys idea, and I followed it through with lots of trial and error and luck
I know, the synth pairs so well with the guitar in the chorus, it doesn't detract from the "metal" vibe or give it a softer edge, it just ups the creep factor, which can only be a good thing in a song like this
One of these is true: 1. You work for Facebook 2. You spend far too much time on facebook 3. No 4. Facebook has found a way to insert subliminal messaging into YT videos
I wish I could give you good news bud, especially after a compliment like that, but even if I had the original file to upload(?), somehow I just don't think it would happen
Honestly, with the overwhelmingly positive response this video has received, I already feel like I've gotten that. But thank you, its a nice sentiment ☺
Ngl they kept Frank's stuff so recessed in the mix for most of the albums he was on that the songs sound weird live bc he's actually like, even in the mix live lmao. He really got the Newstead treatment lmao
True enough. I guess its a good thing that his contributions on record are quite seamless (because it's hard to be a DJ in a rock band and not come across as a bit of a gimmick) but at the same time it's nice (for us with less keen/clean ears) to be able to actually HEAR what those contributions are so we can appreciate them more
I heard this version at the dia de los deftones show where the synth in the chorus is more prevalant than the studio ver and i fuck with this waaaay more. probably my favorite thing about this song. i wish they didnt have to tune it down as much.
Me too. Well, I wish they hadn't chosen to do it that way. I like the riff, but its a bit too simple to be sticking out like that, the synths just give it a lift. My fav part of the song is those menacing verse lyrics and the way Chino delivers them. His screaming is a bit subpar for the majority of this record, but those two verses are mint 👌
Hello biscuit!! i know this is almost a decade old but i just wanted to say i love this SO much and listen to it instead of the album version. frank's synths really make it so much more unbelievable. only downside is js the ending part where it switches to the live part. 😅😅 this is a non-rushing request, but could you post this SAME thing, no changes to any part but basically have it sound where it has the same outro as the studio version with the synth? thatd make my month, honestly. thanks!
Hello, thank you so much for your kind words! I would love to make your month but, unfortunately, I don't have the original file anymore :( I have two compromised solutions for you. The first is that you d/l this and the original from YT and paste them together. The second is to find the 2011 version of this, which has the synth boost in the chorus but the rest of the song is unchanged. Its not on YT anymore, the only person who might have it goes by the name of Mr Vesanic and has commented in this section, so if you find him you can dm a request. I also did find that file on soulseek, I'm not sure if it said 2011 version or not, but Vesanic was the user. That was over a decade ago, but worth a shot all the same
I was only going to admit to tampering with it, but now that I know this strange new word and the positive vibe it carries, I'll own it. I am the yassifier 😁
Ngl I thought this was a joke until I read the comments. I respect the creator for putting the work in but it is honestly crazy that people prefer this version. The guitar riff is diluted now and it was by far my favorite part of the song. Just my opinion tho
@@biscuit2702 yeah it does 🤣. Hey at least I mentioned that you actually put work into this. I just don’t like how the guitar riff is quieter in this version that’s really it. It just matters a lot to me haha
@@mronedollar You went pretty hard considering that's your only criticism, but that's ok. Dialling back the axe volume is a deal breaker for you, I can respect that 🤟
The easiest fix for this dilemma is also the cockiest one on my part, so I won't say it. What I will say is that everything you hear on this version was originally created and performed by the band, so you don't have to feel guilty for liking it ;D
@@biscuit2702 yeah the first time was like "why'd he fix it it wasn't broken" but then the second time I was like "name this Is a solid remix especially the outro and reverb"
@@anonymousandy2789 Thanks man, much appreciated 😉 Sounds like thats more of a "you" thing though, as in, I don't think others will necessarily share that same listening experience. I mean, they might, but that wasn't my intention
I take it your talking about the bridge part, it's actually Frank doing that bit live, its from Pinkpop 2006, I just overlaid the audio. Glad that s*** worked for you :D
No sorry, I made this a long time ago and just didn’t keep hold of it. You can ask Vesanic whether he still has the file for his version, which has the synth boost in the chorus. I found that version on soulseek. That was years ago, but maybe it’s still floating around
Could i possibly get the isolated synth track in a google drive link or something? I want to make my own rendition of this with the synth and your videos the only one with the synths mixed up LOL - awesome job btw!
I'm sorry bud, I used an already existing version with the synths mixed up and just added more stuff, so I don't know how that synth part was done, it wasn't me. I know who it was though, it was Vesanic! He's here in the comment section somewhere, he has his own channel. He's the one that did the original, so your better off asking him
very good version. now... could someone tell me what type of sound or synthesizer did frank use? Any synth expert who could say what type of effect it occupies or particular sound? If someone manages to decipher it, they could re-record it and make an almost identical version. On my channel I have practically all the Incubus samples that I have been collecting over the years, the ones I didn't find were made by myself. I would like to do the same with deftones! I would appreciate it very much!
My man Vesanic will be disappointed to hear that, but since he may never come back here, I'll be disappointed on his behalf. I'll take credit for the bridge though, that was mine :D Thanks
Now, I dont mind the addition of the synth. But we need to find a way to incorporate without it clashing with the guitar, I doesn’t seem right me 🤷🏻♀️
@@danielwalsh9137 Ah yes, I completely forgot about that. I wouldn't say the bridge suffers without the vocals, but the drop in intensity doesn't do the song any favours either. It's a comfortable fence
@@biscuit2702 agree to disagree. It's a rare thing for chino to drop out of the song for an entire minute. I think it's one of their most epic moments live.
Good song, painful memories. In my case, my older brother snatches the phone out of my clutches, locks himself in his room, and proceeds to have simulated phone coitus. My 'girlfriend' didn't skip a beat. Ho(s) and RIP. I was 13 then, I'm 40 now and haven't had a girlfriend since.
No and no. Unfortunately I don't have any of the original files I used to create this, so you and I and everyone else are stuck with YT quality. The best I can do to help you is say that I found the 2011 version on soulseek (I think it was titled as such), then I did the bridge just basically overlaying a live version from Pinkpop 2006 and then the end was taken from Area4 2009. Oh, and the "something"s I just cut up using audacity
You can create a backing track of sorts using Audacity. Can't remember exactly how, I think you duplicate the file, then invert one of them and combine it again. Something like that :P
All the remastering was done in the 2011 version (not official) which boosted the synth in the chorus and bridge. I’m not sure how that was done, our friend may have had access to stems. I added a sample of a live version to the bridge, chopped up the vocals a bit and added the live bit at the end. All that was done using Audacity, nothing fancy
@@R3sulツ I assume you mean how did I isolate the vocals in the bridge to chop them up (?) I honestly can't remember, it was a long time ago. I know I used Audacity, but usually if you try to isolate the vocal it comes out sounding a bit rubbish, so I must have done some additional thing to improve the quality
@@mariaterrazaz2570 I don't know about it being art. To me, this is a mod, which is probably why losing the file means less to me than it does to you. Regardless, I am sorry. Believe me, if I had to file to give I would gladly share it with all of you. Thank you for the compliment ;D
@@andiarrohnds5163 😅Tbh, I wasn't sure what to make of your comment, positive or negative, so I just guessed. Obviously I guessed wrong, which I am happy about 😁 I shall go forth with the knowledge that ear rape is a good thing 🤪
![Deftones - Be Quiet And Drive (Far Away) (Official Video) [HD Remaster]](http://i.ytimg.com/vi/KvknOXGPzCQ/mqdefault.jpg)
LOL, the graphic.
:D
Chortling
Need it on a shirt lmaoo
@@TETOMOKOROKII need one too
The synth boost is exactly what this song needed to enhance the eery vibe and tone. The repeat effect on him saying "something" after the fibonacci moment is pure ecstasy. The ending swap into a live performance sounds unwelcoming to the ears at first, then all of a sudden just becomes acceptable almost in an instant, drawing you into the faster pace and finishing with a freakish scream that is appreciated for how it awkwardly fits so perfectly. Thank you for doing this for everyone. I'm sorry others aren't showing appreciation for this, but its likely their conscious just wasnt ready.
Dw about them, your comment alone makes it all worthwhile. I have to admit, it's a little strange having "my" "work" critically appraised like that, but I'd be lying if I said I wasn't a bit tickled by it :D Speaking of critical appraisal, your name looks awfully familiar.....are you really he?
@@biscuit2702 That was all I intended, to make sure you know this didn't go unappreciated. It depends my friend, do you know where you recognize the name from?
The obligatory pitching of the fork?
@@biscuit2702 no, doesnt ring any bells. its a family name though, so might have been someone from the bloodline
Brent DeCrescenzo, music critic for Pitchfork. Really no bells? That would be an uncanny coincidence, you definitely have some critic blood in you, although at the same time I don’t know why a professional music critic would be commenting on random TH-cam vids :P That’s not a slight btw, I do really appreciate your comment. Anyway, he gave Lateralus a 1.9/10. True story
I always love their live versions of this track b/c you can actually hear the synth, and the bridge during live shows with Frank playing the synth notes.
The live arrangement of this song is killer, it’s a shame they didn’t use it for the studio version
I always wondered why Frank's samples were so low in mix on the album version. The live version is what it should've sounded like. I remember as far back as 2006 when they first started playing it live, and Frank was playing his parts louder in the mix than the album back then. Pinkpop Fest 2006, for example.
The melodic bridge part is addictive with the embelishment over the top. Its Deftones at their stunning best.
FR 🤟
I kinda can't go back to really getting into the studio edition as much anymore. I really love this, thank you. When Girls Telephone Boys is one of my favorite Deftones tracks out of their entire discography.
Awww, your welcome. I think. I definitely have mixed feelings about kinda ruining the original for you. But anyway...I don't rank it quite so highly, but it's definitely one of my favs on ST
Much better with all the extra stuff to bring the song alive more. Its like a second singer with it all sat in there. You can hear it all live so nice to hear it in the studio version.
Thanks. Yeah, Frank's synth work brings so much to the song, its a mystery why they buried it 🤔
its sad because the synth bit is my favourite part.. and chino screaming 'i hope we never do meet agaaaaain'
But the synth is louder in this version (?) Sorry about cutting the fade out, I really like this live bit. Can't win em all :P Theres always the original to cheer you up ;D
@@biscuit2702 I meant it's sad that the original song has the quiet synth, I prefer this version more :)
@@swaggypanda1808 Oh, in that case, I'm glad I misunderstood :D
This took something I adored and made it slap even harder. Thank you.
Wow! Your very welcome :D Again, I can't take all the credit, and I can't speak for Vesanic, but for me personally, I felt this. Thank you
The more i listen to it, the more it sounds natural and better than the original
Awesome job bro
Thank you kindly friend :D
This is so good!! The synth in this song puts me in a different world😴
Thanks Paddington :D Nothing like a bit of escapism
The thumbnail is killing me
Bro same😭 I had to take a double take cuz I was like what da hell💀
Frank's synths! AMAZING!
I know, they really flesh out the song nicely
Love this version so, so, so, much. I love you for this
🥰🙏🏾 I must stress once again that I am only responsible for about half of this, so I will split the love with my co-creator Mr Vesanic, and speak for both of us when I say it is much appreciated
Thats whats up. Great song. I can never get enough of that album. Thank You for this upload. I wouldve missed it. ENCORE! Cheers from Ohio 2023
Your welcome! It's an intriguing album for sure, definitely some rough gems in there. Greetings from Australia 👋
this synth boost makes this song straight out of vampire the masquerade bloodlines
Had to look this up. I don't get it and I love it 😝
Damn pal, you gave me even more of a reason to love this version, I totally see it.
Trip’s Pawn Shop, always help Mercurio, Ocean House, Deb of Night, fuck the Warrens, fuck the Tremere, Fishmalk, ISOLATED, Griffith Park door trap, money # cheat, and last but not least, Don’t open it!
Best damn RPG almost made, if you ask me. VTMB forever. In WESPs we trust.
Yo my man I thought in the original version those sounds were guitar feedback because you can barely hear them but this sounds so damn edgy and haunting like its hard to hear the original without hearing that nightmare sound. I had no idea this is what it was supposed to sound like. Definitely hearing this instead from now on.
Yeah, I don't know why they decided to bury it. Maybe they wanted the song to have a harder edge...who knows. But you can thank my man Vesanic for resurrecting the synth part. It was all him. Sadly, his 2011 version is no longer up here, but it's the only reason this version exists, so shoutout to him 🤟
Frank Delgado = 🐐, It sucks that his work is buried so deep into the mix
Indeed. This was the best I could do to honour his contribution. To Frank 🥂
@@biscuit2702What sound did you use for the synth? do you have that track bro?
The synth boost in the chorus I have no idea about, not my work. For the bridge I overlaid audio from a live performance. I don’t have the track now but you can probably find it on soulseek or something, the show/bootleg is Area 4 2009
the synths are literally perfect, thank you so much
Your very welcome. Once more, I can't take credit for the chorus synths, but I'm sure Vesanic would accept your compliment with open arms as well ☺
I love this, it's more atmospheric.👍🏽👍🏽
Agreed ☺ Thanks 👍
I been listening to this on repeat for about a week now. You got me addicted 🤭
Better this than crack 😛 Y'allways come back now 😁
Ur right🕺 I’ll always come back to thissss😌
Love it! This is how it sounded live when the record 1st dropped. I'm always filling in those notes when I hear this. Thank you 🤝
Your welcome 🙂 I don't think they played this live much in '03, your lucky to have witnessed it. Interesting that even THEN the synth was much louder than on the record, I thought that's a change they made later on
Wow that synth is amazing nice mix. I love this album
Uhm... good job? You can hear the freaking synth!!! 🥰
The synth part I can't take credit for, except the bridge. But thanks? :P
my man , this sounds sick ,great job.
Cheers bud 👍Happy to be your man 😝
Wow. I simply cannot thank you enough
One will do just fine :D
Thanks for this. Every time I listen to this now I'm coming to this video 💯
Glad I could convert you
Hell yeah. I can’t even listen to the original version anymore. I made my own playlist of the self titled album and replace the original song with this version, as well as the regular version of hexagram with a fan remastered version, which is great by the way, you guys should check that one out to
@@junkyardwillie8320 holdup i didnt even know they had one for hexagram
Star Bmak check this out
th-cam.com/video/Nhq2VYYWFBU/w-d-xo.html
you are a genius for raising the synths and adding a live performance at the end
That's very kind of you good sir/ma'am. I assure you I am not a genius. I'm just a guy who had an idea, that built off another guys idea, and I followed it through with lots of trial and error and luck
The synth somehow takes this song up another level, it just adds so much to the mix
I know, the synth pairs so well with the guitar in the chorus, it doesn't detract from the "metal" vibe or give it a softer edge, it just ups the creep factor, which can only be a good thing in a song like this
Was that a facebook messsenger blip at 1:42?
One of these is true:
1. You work for Facebook
2. You spend far too much time on facebook
3. No
4. Facebook has found a way to insert subliminal messaging into YT videos
The synthz kinda give this pleasant existential dread.
Dude, what's with the "kinda"? If your going to have such a unique, awesome take on what your hearing, you've gotta commit to it 😉
@@biscuit2702 kamakaze
loving that juxtaposition between the last bridge line and chino's live "inhale banshee shriek" at 3:17
This specific bit was a happy accident, completely unintentional. I just got lucky :D
This is absolutely AMAZING
oh you! 🥰
I NEEED DIS ON SPOTIFY ITS SO GOOODD XD
I wish I could give you good news bud, especially after a compliment like that, but even if I had the original file to upload(?), somehow I just don't think it would happen
2:40 OMGG that so sickkkkkkk. i love this vibe way more lowkey
Wasn't going for a "lowkey" vibe as such, but sure, glad you be diggin it 🤙
love this sm
☺🙏
i didn't even know that was a synth, it sounded like an edited guitar part
Now that you mention it, it does sound like a guitar! I suppose its pretty easy for guitars to emulate synths and vice-versa to some extent these days
Perfection
Thanks! I wouldn't say its perfect, but I'm really happy with it, and glad you enjoyed it :D
This deserves a giant like
Honestly, with the overwhelmingly positive response this video has received, I already feel like I've gotten that. But thank you, its a nice sentiment ☺
Thanks, Recommended!
👍
Thanks for all
The ending swap caught me off guard and my soul almost left my fking body xD
lol, if thats all it takes, you should keep that soul on a tight leash
This image/thumbnail gives me sleep paralysis. Nice version tho
Sleep paralysis? Sorry, it was just meant to be some light hearted stupid/funny. Thanks anyway 🐱👍
@@biscuit2702 I'm just making a joke lol
@@liam5moriarty I get it now! It was the choice of condition that threw me, but I clearly overthought it. Nice joke 👌
Ngl they kept Frank's stuff so recessed in the mix for most of the albums he was on that the songs sound weird live bc he's actually like, even in the mix live lmao. He really got the Newstead treatment lmao
True enough. I guess its a good thing that his contributions on record are quite seamless (because it's hard to be a DJ in a rock band and not come across as a bit of a gimmick) but at the same time it's nice (for us with less keen/clean ears) to be able to actually HEAR what those contributions are so we can appreciate them more
love the cover
Thanks😁Some of my best work 😜
Great art 🌹
The original song was art, this is more like an appendage. But thank you 🙏
Never heard this before... 😳
And now that you have, go forth and spread the word my child
Love how ya put Frank's synth up! Sounds fucking amazing
Can't take credit for this particular part (I assume your referring to the chorus), that was my man Vesanic, but I'll say thanks bud! on his behalf
soooooo good
:-) thanks bud!
I heard this version at the dia de los deftones show where the synth in the chorus is more prevalant than the studio ver and i fuck with this waaaay more. probably my favorite thing about this song. i wish they didnt have to tune it down as much.
Me too. Well, I wish they hadn't chosen to do it that way. I like the riff, but its a bit too simple to be sticking out like that, the synths just give it a lift. My fav part of the song is those menacing verse lyrics and the way Chino delivers them. His screaming is a bit subpar for the majority of this record, but those two verses are mint 👌
ahahaa happens all the time. Thanks for putting this up Belial-Vermot.
Thanks chino now I know what to play next time I want to raise demons from under the ground 👌🏽
Chinos sees your demons and raises you emotionally unstable females
I think the demons will be more forgiving 😅
@@nicolasvilla9938 😄👍
anyone else gonna talk abt the photo lol
Hello biscuit!! i know this is almost a decade old but i just wanted to say i love this SO much and listen to it instead of the album version. frank's synths really make it so much more unbelievable. only downside is js the ending part where it switches to the live part. 😅😅 this is a non-rushing request, but could you post this SAME thing, no changes to any part but basically have it sound where it has the same outro as the studio version with the synth? thatd make my month, honestly. thanks!
Hello, thank you so much for your kind words! I would love to make your month but, unfortunately, I don't have the original file anymore :( I have two compromised solutions for you. The first is that you d/l this and the original from YT and paste them together. The second is to find the 2011 version of this, which has the synth boost in the chorus but the rest of the song is unchanged. Its not on YT anymore, the only person who might have it goes by the name of Mr Vesanic and has commented in this section, so if you find him you can dm a request. I also did find that file on soulseek, I'm not sure if it said 2011 version or not, but Vesanic was the user. That was over a decade ago, but worth a shot all the same
Perfect perfect perfect
Nice, got the triperfecta ;-D Thanks
Still revisiting this :)
Great song!!!
Can't take credit for the song, only the mods, but agreed!
ayyo who yassified the self titled album cover
I was only going to admit to tampering with it, but now that I know this strange new word and the positive vibe it carries, I'll own it. I am the yassifier 😁
Ngl I thought this was a joke until I read the comments. I respect the creator for putting the work in but it is honestly crazy that people prefer this version. The guitar riff is diluted now and it was by far my favorite part of the song. Just my opinion tho
Ouch. Your opinion got some teeth
@@biscuit2702 yeah it does 🤣. Hey at least I mentioned that you actually put work into this. I just don’t like how the guitar riff is quieter in this version that’s really it. It just matters a lot to me haha
@@mronedollar You went pretty hard considering that's your only criticism, but that's ok. Dialling back the axe volume is a deal breaker for you, I can respect that 🤟
@@biscuit2702 did you see my comment on your other video?
@@mronedollar I did. Thanx for subscribing btw 👍
Real nice
Whoops, missed this one. Thanks bud 👍
Now when I hear the original it feels wrong lol
My ego thanks you :D
Pink pop audio nice
This is amazing
Thanks kitty :D
That ending scream
I know, that whole last live bit is just amazing. How he found that in himself I’ll never know
i cant listen to this, the synth is so good that i will be sad listening to the original version
The easiest fix for this dilemma is also the cockiest one on my part, so I won't say it. What I will say is that everything you hear on this version was originally created and performed by the band, so you don't have to feel guilty for liking it ;D
@@biscuit2702 dude you won't believe but now i can hear the synth in the original version, just a little but i can notice that is there
@@ovatsuggv I can believe that ;-) It's mixed so low that it's easy to miss if your not listening for it
2018??!! 5 years ago??? holy cow
Yeah. Time aye 😉
Incredible!!
I'm stoked that you think so XD
Uhm... I never heard this and for some reason seems a lil spooky
Easily spooked much? :P
“It’s hella sensitive..”
♥️
🖤
I hear, laid down Delgado's party from "live pinkpop 2006" ;)
You heard correctly, nice find 👌
Amped up synth is nice
some vocal edits are choppy but they are cool
ending is choppy
Thank you still for editing this
Your commenting style is choppy :P Just kids, thanks for your feedback, glad you....enjoyed it?
@@biscuit2702 I did
love anything that has to do with 1990-2012 deftones
You have to hear it twice to really appreciate it
Shoutout to all my real appreciators
@@biscuit2702 yeah the first time was like "why'd he fix it it wasn't broken" but then the second time I was like "name this Is a solid remix especially the outro and reverb"
@@anonymousandy2789 Thanks man, much appreciated 😉 Sounds like thats more of a "you" thing though, as in, I don't think others will necessarily share that same listening experience. I mean, they might, but that wasn't my intention
2:40 gave Urdak vibes from doom eternal epic man very epic 🤟🏽🔥💯
Had to look this up, and it was indeed epic. Doom has come a long way since I last played it :P
I'm digging that extra guitar on top or whatever the f*** that sound is I feel that s***
I take it your talking about the bridge part, it's actually Frank doing that bit live, its from Pinkpop 2006, I just overlaid the audio. Glad that s*** worked for you :D
Nice
this is my lullaby >:O
Alrighty. We be rocking like that now 😉
Epic
Kyu! 👍🏾
2021 Version ???
Nah, I'm done. You have my blessing though
Yo solo entre aqui por la imagen 😂😂😂
Wasn't meant to be the main attraction, but hey, to each their own
Anyone know what live show the outro was pulled from?
Oooh, pick me! 🙋🏾♂️ Area4 Festival 2009
@@biscuit2702 thank you!
Download?
I would, but my pc caught a virus recently which corrupted all the files, so I don't have it to give. My sincerest sozzies
Love this version
@@michaellivesey1821 My man
Feel like the booster synth is perfect for the solo but overpowers the guitar riff on the choruses. Cool edit though
Thanks :D Solo? You mean the bridge, right?
any link for the file perhaps?
No sorry, I made this a long time ago and just didn’t keep hold of it. You can ask Vesanic whether he still has the file for his version, which has the synth boost in the chorus. I found that version on soulseek. That was years ago, but maybe it’s still floating around
@@biscuit2702 its all good dude. ive already looked on soulseek but i’ll look up that user, thank you!
3:53 GRIFFIIITTTTHHHHH! 🔪💪
If you know, you know. I don't 😔I was going to guess Family Guy, but then I realised it's Griffin
@biscuit2702 Berserk Griffith yell, all you need to know, that time stamp encapsulates Guts Rage bleeding out his left Arm.
@@Peanut_Buster90 K. No further questions then 😜
Could i possibly get the isolated synth track in a google drive link or something? I want to make my own rendition of this with the synth and your videos the only one with the synths mixed up LOL - awesome job btw!
I'm sorry bud, I used an already existing version with the synths mixed up and just added more stuff, so I don't know how that synth part was done, it wasn't me. I know who it was though, it was Vesanic! He's here in the comment section somewhere, he has his own channel. He's the one that did the original, so your better off asking him
and thank you! ☺👍 Can't take all the credit obviously, but thanks
@@biscuit2702 thanks man!!
@@pinbackstack No worries, hope you get your stems 🤞
very good version. now... could someone tell me what type of sound or synthesizer did frank use? Any synth expert who could say what type of effect it occupies or particular sound? If someone manages to decipher it, they could re-record it and make an almost identical version.
On my channel I have practically all the Incubus samples that I have been collecting over the years, the ones I didn't find were made by myself. I would like to do the same with deftones! I would appreciate it very much!
Thanks. Good luck on your quest. Now, about the way you've misspelt collection...
IT SOUNDS like a "MARXOPHONE" made in the late 1800s , of which I have one. Just put through some serious processing. I bet that's what it is.
Think the boost works better for the bridge but not the chorus
My man Vesanic will be disappointed to hear that, but since he may never come back here, I'll be disappointed on his behalf. I'll take credit for the bridge though, that was mine :D Thanks
Chuky
Now, I dont mind the addition of the synth. But we need to find a way to incorporate without it clashing with the guitar, I doesn’t seem right me 🤷🏻♀️
Mix sounds ok to me. It's certainly not goldilocks, but then again you seem to have a more discerning ear than the average bear
I would have left out the screaming during the bridge and let Frank shine.
Franks part is cool, I don't know if it's enough to carry the bridge on its own, but it would be interesting to hear
@@biscuit2702 pinkpop 2006
@@danielwalsh9137 Ah yes, I completely forgot about that. I wouldn't say the bridge suffers without the vocals, but the drop in intensity doesn't do the song any favours either. It's a comfortable fence
@@biscuit2702 agree to disagree. It's a rare thing for chino to drop out of the song for an entire minute. I think it's one of their most epic moments live.
Which show is the end part from?
Area4 Festival 2009
What the Hell is she saying exactly in the beginning? All I can make out is “It’s Hella sensitive”.
There's no more cops outside. This things working? Its got a little thumb tack/print. It's a hella sensitive
Good song, painful memories. In my case, my older brother snatches the phone out of my clutches, locks himself in his room, and proceeds to have simulated phone coitus. My 'girlfriend' didn't skip a beat. Ho(s) and RIP. I was 13 then, I'm 40 now and haven't had a girlfriend since.
For your own sake, I'm going to cast doubt on the veracity of this anecdote. Not that I don't believe you, but damn
I like this cover very much. What brand of lipstick is this? @ This song is okay.
lip smackers
Dios.
Por favor, solo galleta
do you have the stems for this? or can you create a guitar backing track version?
No and no. Unfortunately I don't have any of the original files I used to create this, so you and I and everyone else are stuck with YT quality. The best I can do to help you is say that I found the 2011 version on soulseek (I think it was titled as such), then I did the bridge just basically overlaying a live version from Pinkpop 2006 and then the end was taken from Area4 2009. Oh, and the "something"s I just cut up using audacity
Ask my man Vesanic whether he can send you his 2011 version, if you want it. He posted a comment somewhere on here
You can create a backing track of sorts using Audacity. Can't remember exactly how, I think you duplicate the file, then invert one of them and combine it again. Something like that :P
How did you remaster? Did you find stems? (I’m just getting into mixing and mastering so I don’t know too much)
All the remastering was done in the 2011 version (not official) which boosted the synth in the chorus and bridge. I’m not sure how that was done, our friend may have had access to stems. I added a sample of a live version to the bridge, chopped up the vocals a bit and added the live bit at the end. All that was done using Audacity, nothing fancy
BisCuit ahh ok 👍. I like the thumbnail btw 😂
Thanks 👍🏾 I’ve got way too much time on my hands 😛
those 'somethings' are naughty
Agreed ;-D
where i can download this?
You can't bud, sorry, I've lost the original file. Well, both the original files. The one I worked on already had the boosted synth in the chorus
@@biscuit2702 damn thats sad :(
how did you isolated the tracks tho? some ai?
@@R3sulツ I assume you mean how did I isolate the vocals in the bridge to chop them up (?) I honestly can't remember, it was a long time ago. I know I used Audacity, but usually if you try to isolate the vocal it comes out sounding a bit rubbish, so I must have done some additional thing to improve the quality
@@biscuit2702Damn, how could you lose these files? It's incredible this is art😭
@@mariaterrazaz2570 I don't know about it being art. To me, this is a mod, which is probably why losing the file means less to me than it does to you. Regardless, I am sorry. Believe me, if I had to file to give I would gladly share it with all of you. Thank you for the compliment ;D
Chucky
Holy fuck whats going on in the end
What live show is that from
@@methman9212 Just the whole band killing it live, no biggie 😝 Taken from Area9 Festival 2009
@@biscuit2702 thanks doge
Delgado is nice on the Elements though
oh god my ears are fucked... i feel like skateboarding after listening to this. im 40
Sounds like this probably isn't for you....
@@biscuit2702 bro????????? monster kickflip
@@andiarrohnds5163 😅Tbh, I wasn't sure what to make of your comment, positive or negative, so I just guessed. Obviously I guessed wrong, which I am happy about 😁 I shall go forth with the knowledge that ear rape is a good thing 🤪