Thanks for this very helpful video. Just a question at 1.36 min you show the output setup, however the output numbers do not correspond with the default numbers for Atmos for each stereo pair in the present version of Logic (11.x.). Does this matter for binaural listening. I assume that output1/2 is stereo 1, 3/4 stereo 2 etc. So there might be issues if the stereo pairs defined in the SY player do not correspond with the locations in the Atmos default.
Great video, thanks for posting that. Especially with a more "acoustic angle" on the Dolby Atmos topic in Logic. One question. The Surround Panner for the Main L-R has the Center speaker enabled but the level is muted. Is that on purpose, relying on the phantom center? Small side note. Since version 10.6, there is no "X" in the name anymore, so it is now only called "Logic Pro".
Glad you like it! As we have quite a big Decca Tree setup, we have a dedicated mic for the center (as the phantom center is not very prominent with such a setup). You can give it a try, but it won't sound as defined as the Decca Center mic. Thanks for the reminder about the X, I'll change that soon! Best, Paul
Hi Yasir! You'll need the Dolby Atmos Renderer for Nuendo, but that also comes with a free demo version to check out. I'll see what we can cover, maybe this video by Stephen Limbaugh will help with the basic steps (it shows how to use the Dolby Atmos Panner and Dolby Atmos Renderer in Logic, very similar setup): th-cam.com/video/W_Lf9leExEs/w-d-xo.html Paul
I hope someone is still monitoring the comments in this helpful video. I have a question about the height allocated to the high microphones but also the decca tree. As all figures are relative in the 3D object panner it can be a bit confusing if the real room size where the samples were recorded is considered or some virtual space . In the MIR manual on the Synchron Stage A it says the room is trapezoid 18x30 m2 and average 11.3 m height. So putting the high and high surround at relative height 1.0 for the real room in the object would mean they are at about 11 m. Is this really where they are or is a reduce virtual space used? Same for the decca tree L/R/C which is put at zero elevation in this video but which is reality would probably be at around 3 m above the stage. Maybe I am confused and it is not the sound recording position but the position of speakers outputting it to the listener which should be reproduced in the setup.
How do you sort reverb for multiple instruments. Do the rules for stereo ie different amount of sends to a atmos reverb work. Ie 20 percent for strings, 1p for brass and so on?
This is the best video I have found on this topic. I am now wondering how to use MIR 3D PRO with Dolby Atmos, any chance of a video on that?
+1
Thanks for this very helpful video. Just a question at 1.36 min you show the output setup, however the output numbers do not correspond with the default numbers for Atmos for each stereo pair in the present version of Logic (11.x.). Does this matter for binaural listening. I assume that output1/2 is stereo 1, 3/4 stereo 2 etc. So there might be issues if the stereo pairs defined in the SY player do not correspond with the locations in the Atmos default.
Great video, thanks for posting that. Especially with a more "acoustic angle" on the Dolby Atmos topic in Logic.
One question. The Surround Panner for the Main L-R has the Center speaker enabled but the level is muted. Is that on purpose, relying on the phantom center?
Small side note. Since version 10.6, there is no "X" in the name anymore, so it is now only called "Logic Pro".
Glad you like it! As we have quite a big Decca Tree setup, we have a dedicated mic for the center (as the phantom center is not very prominent with such a setup). You can give it a try, but it won't sound as defined as the Decca Center mic. Thanks for the reminder about the X, I'll change that soon! Best, Paul
Hopefully, you can make it for Nuendo as well.
Thanks, with best wishes.
Hi Yasir! You'll need the Dolby Atmos Renderer for Nuendo, but that also comes with a free demo version to check out. I'll see what we can cover, maybe this video by Stephen Limbaugh will help with the basic steps (it shows how to use the Dolby Atmos Panner and Dolby Atmos Renderer in Logic, very similar setup): th-cam.com/video/W_Lf9leExEs/w-d-xo.html
Paul
Vienna Symphonic Library
Thanks, Paul.
@@ViennaSymphonicLibrary Any updates? I'm pretty sure that Nuendo has come with Atmos natively for about 4 years +/-... And Cubase does now as well.
I hope someone is still monitoring the comments in this helpful video. I have a question about the height allocated to the high microphones but also the decca tree. As all figures are relative in the 3D object panner it can be a bit confusing if the real room size where the samples were recorded is considered or some virtual space . In the MIR manual on the Synchron Stage A it says the room is trapezoid 18x30 m2 and average 11.3 m height. So putting the high and high surround at relative height 1.0 for the real room in the object would mean they are at about 11 m. Is this really where they are or is a reduce virtual space used? Same for the decca tree L/R/C which is put at zero elevation in this video but which is reality would probably be at around 3 m above the stage.
Maybe I am confused and it is not the sound recording position but the position of speakers outputting it to the listener which should be reproduced in the setup.
How do you sort reverb for multiple instruments. Do the rules for stereo ie different amount of sends to a atmos reverb work. Ie 20 percent for strings, 1p for brass and so on?
Atmos is a different beast, there are no hard rules, I'm afraid.
- Paul