To this day I don't ever remember seeing the beginning of this episode. I only remember just changing channels in time to see the middle to end of it.
Surprised that Jones supervised the abstract logo, makes me appreciate it more
Always makes me expect to hear -
"NUMBER 9? NUMBER 9? NUMBER 9? NUMBER 9?"
The closing Abstract WB logo which was also used for Bartholomew vs. the Wheel and Señorella and the Glass Huarache with the bell sound effects (mainly Big Ben) and a tricycle horn for the bouncing “O”s in CARTOON only suited this cartoon.
The 1st abstract intro prototype in the us and in the uk.
(1:30) I know this is one of Chuck Jones’ cartoon shorts that has no spoken dialogue throughout, but it seems he couldn’t leave out longtime voice acting great Mel Blanc.
Actually, it's reused from the "Wackyland Rubber Band" from the Friz Freleng short _Dough for the Do-Do._
It was a Bugs Bunny cartoon called Knights Must Fall which was re-used and sampled in this cartoon.
This may be a Looney Tunes cartoon, but it has all the charisma of a National Film Board of Canada short.
This was Chuck Jones' final short with WB before he was fired for doing _Gay Purr-ee_ for UPA while still under contract with Warners.
wouldn't that be war and pieces? or are we counting shorts _released_ before he was fired
(Basses, Celli, Violas and Violins screeching warbly loudly)
Voice: QUIET!!!
To be fair the black and white Looney Tunes shorts prior to The Hep Cat didn't have rings either. Therefore this was the 1st color Looney Tunes short to not have the rings.
One of my favourite Chuck Jones cartoons. 💛
The director's DVD commentary track on Kong Skull Island brought me here.
What a shock this opening must have been to viewers accustomed to the padded concentric circles and the traditional WB logo zooming forward in the middle.
It's make in a 1962 but released in 1963
most looney tunes shorts are never released the year they're produced. warner bros liked to have a backlog
@@CrashFan03, said backlog also allowed for a short two-month gap between Warner Bros. Animation's final short ("Senorella and the Glass Huarache") and DePatie-Freleng's first Looney Tunes short ("Pancho's Hideaway").
NOW
TEAR
This
Get mad at me all you want but i love the abstract logo
1:23 Quiet!
1963
Just imagine if this was made by depatie freleng.
2:45 lol
Dialogue free Sound Effect episode
Don’t turn off the comments.
2:52 Big Ben Sound
wth does this have to do with bendy and the ink machine TheMeatly
0:25 Where does that laughter come from?
(moral & the end)
Oops sorry guys
MPAA No. 20228
Do they have this on HBO MAX.
I think they did but they removed all of the post 1950 shorts.
How come all your videos are marked for kids now
Heh, I'm wondering if anyone who first saw this on TV saw the "Abstract WB" opening sequence start up and was like "Oh no, not another Speedy vs. Daffy cartoon!" Only to be in for a BIG surprise...
Not me. I first saw this cartoon on Toon In with Me.
@@nickp2271 Yeah, it'd have to be someone watching a regular Looney Tunes block and is somewhat unfamiliar with the cartoons' history, and had already seen the "Abstract" logo sequences on those Speedy vs. Daffy cartoons and Rudy Larriva's Road Runner shorts (such as on Nickelodeon in the 1990s or Cartoon Network in the early 2000s.)
I normally saw Wile E. & Roadrunner cartoons around the time.
I remember first seeing this intro on the 3rd disc of SUPERSTARS volume 1