From all the Grant Don Quixote Pas de Deux I've seen here on TH-cam or live this is easily the most elegant and refine version I've ever seen...and it was lovely to watch. Both was technically strong but they presented it will calm effortlessness and quiet assurance. Simply wonderful.
There's people who say that Cojocaru is no Kitri, unlike Osipova. I disagree. It's a role, and it can be interpreted in different ways. Just think of Baryshinikov's and Nureyev's Albrechts in Giselle: so different, and both fantastic! Ospiova's Kitri is fierce, loud, brave and sometimes a bit aggressive - and extremely good. Cojocaru's Kitri is girlish, playful and flirtateous, but I love that interpretation, too. I would find it regrettable indeed if all Kitri interpretations were the same.
Ballet would be so boring if everybody would do the role the same way. Every dancer must bring his own individuality to the role. This is what sets them apart. Alina is too perfect to not dance this just because someone says she doesen;t dance like the other ballerinas. And I think that we should not forget the effort a dancer puts into doing a choreography. I appreciate her for the huge work she does in ballet classes to dance so perfect.
It was just BEAUTIFUL! i love the music and their dancing! how do you strengthen your back in arabesque to make it look nice and straight like that AMAZING LIFT
Alina is lovely in this pdd. I think she comes close to Osipova in technique. Her interpretation is different, not as fierce, I agree, but charming and girlish, quite acceptable. She's a joy to watch!
А что, балерина сама вращаться не может? Чего танцовщик ее так откровенно подкручивает? Позорище! Максимова и Васильев - эталон этого па-де-де! Остальные все - жалкие подобия! Особенно в коде!
А кода какая убогая! Музыка в разы замедлена, да и в ту не поспевают! Фуэте недокручено! Лучше бы ногами работала, а не веер раскрывала-закрывала! А танцору при такой сомнительной технике ваще не надо было замахиваться на вариант Владимира Васильева во втором выходе, когда у тебя нет ни высоты прыжка, ни пролетности, ни центровки!
Johan make all his jumps and turns seem so effortless....and Alina, as always is beautiful and AMAZING!!!
I don't think ballet can get much better than this... This right here is as close to perfection as anyone will ever be. Simply wonderful.
Many people watching them dancing together easily forget just how much of a fantastic dancer Koborg is!! Just amazing!
From all the Grant Don Quixote Pas de Deux I've seen here on TH-cam or live this is easily the most elegant and refine version I've ever seen...and it was lovely to watch. Both was technically strong but they presented it will calm effortlessness and quiet assurance. Simply wonderful.
i love how he's always smiling! cute
Alina is a great Prima! Flawless technique, need I say more...
soooo many fouettes........ plus she has to use the fan at the same time! Alina and Johan just get better and better every time!
!!!!..ME MOVILIZA EL ALMA, DUELA LAS ENTRAÑAS, Y ESPERO UN ESCENARIO PARA BAILAR ETERNAMENTE EN EL CIELO!!
Oh they are fantastic!!!
Thanks for this video! Sweet birds of our soul both of you were made to fly over the notes of the song. Perfect timming! Love you both.
There's people who say that Cojocaru is no Kitri, unlike Osipova. I disagree. It's a role, and it can be interpreted in different ways. Just think of Baryshinikov's and Nureyev's Albrechts in Giselle: so different, and both fantastic! Ospiova's Kitri is fierce, loud, brave and sometimes a bit aggressive - and extremely good. Cojocaru's Kitri is girlish, playful and flirtateous, but I love that interpretation, too. I would find it regrettable indeed if all Kitri interpretations were the same.
great partnership
God, they're terrific.
Ballet would be so boring if everybody would do the role the same way. Every dancer must bring his own individuality to the role. This is what sets them apart. Alina is too perfect to not dance this just because someone says she doesen;t dance like the other ballerinas. And I think that we should not forget the effort a dancer puts into doing a choreography. I appreciate her for the huge work she does in ballet classes to dance so perfect.
It was just BEAUTIFUL! i love the music and their dancing! how do you strengthen your back in arabesque to make it look nice and straight like that
The best forever.
It was just BEAUTIFUL! i love the music and their dancing! how do you strengthen your back in arabesque to make it look nice and straight like that
AMAZING LIFT
Все от нее в восторге, ну, ничего сверх
Alina is lovely in this pdd. I think she comes close to Osipova in technique. Her interpretation is different, not as fierce, I agree, but charming and girlish, quite acceptable. She's a joy to watch!
stupendiiiiiiiiiiiii!!
AMAZING!
Superior.
absolutely fabulous, is she from Royal Ballet of London?
still think Herrera and Corello dance this the best, there's no contest.
4:58 .. perfect
wow!!
ALINA COJOCARU ESTE ROMANCA SI SUNTEM MANDRI DE EA
技巧真是沒話說!
Svetlana will show you how its done,need I say more...
Molodets Alina!!!!! l
コジョカル顔ちっちゃ！
Not a respectful audience. They think they're at a circus.
А что, балерина сама вращаться не может? Чего танцовщик ее так откровенно подкручивает? Позорище! Максимова и Васильев - эталон этого па-де-де! Остальные все - жалкие подобия! Особенно в коде!
Слабо.
I have seen better .... Tx!
А кода какая убогая! Музыка в разы замедлена, да и в ту не поспевают! Фуэте недокручено! Лучше бы ногами работала, а не веер раскрывала-закрывала! А танцору при такой сомнительной технике ваще не надо было замахиваться на вариант Владимира Васильева во втором выходе, когда у тебя нет ни высоты прыжка, ни пролетности, ни центровки!