From all the Grant Don Quixote Pas de Deux I've seen here on TH-cam or live this is easily the most elegant and refine version I've ever seen...and it was lovely to watch. Both was technically strong but they presented it will calm effortlessness and quiet assurance. Simply wonderful.
There's people who say that Cojocaru is no Kitri, unlike Osipova. I disagree. It's a role, and it can be interpreted in different ways. Just think of Baryshinikov's and Nureyev's Albrechts in Giselle: so different, and both fantastic! Ospiova's Kitri is fierce, loud, brave and sometimes a bit aggressive - and extremely good. Cojocaru's Kitri is girlish, playful and flirtateous, but I love that interpretation, too. I would find it regrettable indeed if all Kitri interpretations were the same.
It was just BEAUTIFUL! i love the music and their dancing! how do you strengthen your back in arabesque to make it look nice and straight like that AMAZING LIFT
Ballet would be so boring if everybody would do the role the same way. Every dancer must bring his own individuality to the role. This is what sets them apart. Alina is too perfect to not dance this just because someone says she doesen;t dance like the other ballerinas. And I think that we should not forget the effort a dancer puts into doing a choreography. I appreciate her for the huge work she does in ballet classes to dance so perfect.
Alina is lovely in this pdd. I think she comes close to Osipova in technique. Her interpretation is different, not as fierce, I agree, but charming and girlish, quite acceptable. She's a joy to watch!
А что, балерина сама вращаться не может? Чего танцовщик ее так откровенно подкручивает? Позорище! Максимова и Васильев - эталон этого па-де-де! Остальные все - жалкие подобия! Особенно в коде!
А кода какая убогая! Музыка в разы замедлена, да и в ту не поспевают! Фуэте недокручено! Лучше бы ногами работала, а не веер раскрывала-закрывала! А танцору при такой сомнительной технике ваще не надо было замахиваться на вариант Владимира Васильева во втором выходе, когда у тебя нет ни высоты прыжка, ни пролетности, ни центровки!
I don't think ballet can get much better than this... This right here is as close to perfection as anyone will ever be. Simply wonderful.
Many people watching them dancing together easily forget just how much of a fantastic dancer Koborg is!! Just amazing!
Johan make all his jumps and turns seem so effortless....and Alina, as always is beautiful and AMAZING!!!
From all the Grant Don Quixote Pas de Deux I've seen here on TH-cam or live this is easily the most elegant and refine version I've ever seen...and it was lovely to watch. Both was technically strong but they presented it will calm effortlessness and quiet assurance. Simply wonderful.
i love how he's always smiling! cute
soooo many fouettes........ plus she has to use the fan at the same time! Alina and Johan just get better and better every time!
Oh they are fantastic!!!
Alina is a great Prima! Flawless technique, need I say more...
!!!!..ME MOVILIZA EL ALMA, DUELA LAS ENTRAÑAS, Y ESPERO UN ESCENARIO PARA BAILAR ETERNAMENTE EN EL CIELO!!
Thanks for this video! Sweet birds of our soul both of you were made to fly over the notes of the song. Perfect timming! Love you both.
It was just BEAUTIFUL! i love the music and their dancing! how do you strengthen your back in arabesque to make it look nice and straight like that
great partnership
God, they're terrific.
There's people who say that Cojocaru is no Kitri, unlike Osipova. I disagree. It's a role, and it can be interpreted in different ways. Just think of Baryshinikov's and Nureyev's Albrechts in Giselle: so different, and both fantastic! Ospiova's Kitri is fierce, loud, brave and sometimes a bit aggressive - and extremely good. Cojocaru's Kitri is girlish, playful and flirtateous, but I love that interpretation, too. I would find it regrettable indeed if all Kitri interpretations were the same.
It was just BEAUTIFUL! i love the music and their dancing! how do you strengthen your back in arabesque to make it look nice and straight like that
AMAZING LIFT
Ballet would be so boring if everybody would do the role the same way. Every dancer must bring his own individuality to the role. This is what sets them apart. Alina is too perfect to not dance this just because someone says she doesen;t dance like the other ballerinas. And I think that we should not forget the effort a dancer puts into doing a choreography. I appreciate her for the huge work she does in ballet classes to dance so perfect.
stupendiiiiiiiiiiiii!!
Alina is lovely in this pdd. I think she comes close to Osipova in technique. Her interpretation is different, not as fierce, I agree, but charming and girlish, quite acceptable. She's a joy to watch!
AMAZING!
The best forever.
Все от нее в восторге, ну, ничего сверх
4:58 .. perfect
wow!!
absolutely fabulous, is she from Royal Ballet of London?
Superior.
技巧真是沒話說!
ALINA COJOCARU ESTE ROMANCA SI SUNTEM MANDRI DE EA
still think Herrera and Corello dance this the best, there's no contest.
Svetlana will show you how its done,need I say more...
Molodets Alina!!!!! l
А что, балерина сама вращаться не может? Чего танцовщик ее так откровенно подкручивает? Позорище! Максимова и Васильев - эталон этого па-де-де! Остальные все - жалкие подобия! Особенно в коде!
Not a respectful audience. They think they're at a circus.
コジョカル顔ちっちゃ！
А кода какая убогая! Музыка в разы замедлена, да и в ту не поспевают! Фуэте недокручено! Лучше бы ногами работала, а не веер раскрывала-закрывала! А танцору при такой сомнительной технике ваще не надо было замахиваться на вариант Владимира Васильева во втором выходе, когда у тебя нет ни высоты прыжка, ни пролетности, ни центровки!
Слабо.
I have seen better .... Tx!