this is what i think makes a Mountain Goats song special: these tender moments in forgotten figures on the edges of your vision who deserve a song celebrating them, the ones you thought are vestigial but were actually important all along. as my drama teacher said: "there is no such thing as a small role "
I waited here all by myself The room was dark and it smelled like sulfur I heard the screams from way down in the darkness Felt pretty sure my life was over I kept my hat on just for luck Sang simple tunes the whole night through I wondered if I'd wake to find myself in flames As I waited here for you Yeah when you came in I could breathe again I saw some guys dressed up like sorcerers Blue robes that flowed above the ground They came and went and I was frightened for my life I tried not to make a sound Just when my solitude was closing in I heard a howl like screeching tires And I told you the one thing I know how to say Through the bright ringing drone of 8-bit choirs Yeah when you came in I could breathe again
i love that this isn’t inherently a love song; like, yeah, Toad could just be super gay, but it could also be read as valuing a friend because of the comfort & reassurance they give you, or how the people you may not expect will be there for you when you’ve hit a low point
I always felt this showed johns talent because most of his sons are about serious topics and I always thought that was what I loved about his songs but then I found this and realized hes just amazing in general
hey there adventurer “I was talking about how - this childhood tendency of mine - I’m the most gullible person alive. I believe everything I’m told. Not just while it’s being told to me; a poet named Bill Direen has a very strong credo that, you know, for the duration of the story that someone is telling you, believe it. But I can’t escape at the end and so that’s sort of a thing about me. And consequently, I’m the kind of person who- and I think more people have this than admit it. You know how you hear a really dumb song - like you know it’s dumb, it’s just not the sort of stuff you maybe normally would listen to - and then you start to cry. And you say, ‘Why am I crying at ‘Nearest Distant Shore’, a country song from the eighties?’ Well, it’s that you let yourself get sucked into it and suddenly everything- the protagonist person was real, so maybe it’s dumb because they’re feeling beleaguered and they’re not really powerful enough to articulate things in a way that’s really clever because they’re in a whole, huge amount of psychic pain. Maybe that’s the reality of the dumb song. So anyway, I play video games and sometimes- and I’m not talking about video games with complex plot lines that everyone cries at, right. Everyone cries at 'Ocarina’. It’s true, when they seal Zelda up in the amber and you can’t- everybody cries at that. But this is not that. There’s not a lot of people who, when you reach the end of the maze and it blinks and Pac-Man has eaten all the dots and eaten a few ghosts while he was at it, so he has earned some right to freedom and rest… and the maze blinks and this music plays and you think, 'Oh, what music are they playing for Pac-Man?’ Maybe, as they usher him into the house that he won because he completed the maze. 'It’s so nice that he’s finished. He worked so hard at it. He died twice on the way through the maze and now he’s done! So now, good for him. And I helped him get there. So, this is great!’ And then a new maze full of dots presents itself. And there’s new ghosts, none of them are actually dead. Every time you eat them, the ghosts come back to life. And if you’re me, you reach a point where this feels like a crushing psychic weight. Like, 'Oh my god, Pac-Man will never be done. He will never be done. He has to eat the dots forever. There is no escape from the maze. There’s an exit on this side of the screen, but it just comes right back out on the other side of the screen. It’s hell. Pac-Man was born in and lives in hell. That’s all you’re doing, is helping him walk around down there and be chased by demons who have names like Inky and Blinky. You have to pool in a harsh universe through which he lives.’ So this song is about a little fellow who goes to free the woman he loves from an evil dragon. And he’s really not… he’s just a plumber. He’s not a hero or nothing. He’s just a little plumber-and he’s exceedingly little. I know it’s uncool to call people little, or something; like, people are all sorts of sizes but this guy’s literally like half an inch tall. And like one day, he just wakes up inside a sewer and the sewer has creatures that fly and he fights and fights and fights. But when he gets past the evil dragon, the person he’s looking for isn’t there. But somebody else he knows is, that he didn’t even know was being held prisoner. His name is Mario. His friend’s name is Toad. I find their story profoundly moving so I wrote this song for them.” - John Darnielle introducing Thank You Mario But Our Princess Is In Another Castle, Rio Theater on 2012-06-22. I don’t know about you, but the way he describes Pac-Man’s never ending time in hell really sounds to me like a thinly veiled illusion to facing your traumas from the past: no matter how long you fight it there’s no way you can really “beat” your traumas, you just strategize and try to hold them off to the best of your ability. Mario’s quest in this song is essentially coming to terms with your trauma, and coming to terms with thoughts and things that you didn’t even know you had to come to terms with. Perhaps my original comment was a bit too narrow, but it still is not far off. I would also like to add that I never said all of John’s music is about his abuse or any of the other trauma he’s been through. and even if I did say that, I wouldn’t be far off. He’s pretty open with how he uses his music to come to terms with the trauma he’s suffered in that past.
@@christianmccord9456 this song reminds me of something totally different than what John meant and I'm sure he would love what anyone holds to his music. That's why music is great. It transcends the artist you fuckwhit
last year I went to a fighting game tournament, realized I forgot the printer cable I use for my controller, then spent God knows how long wandering around town in sub-zero temperatures trying to find a store that sold the right kind of cable. By the time I got back to the venue, I could barely move my fingers and had to spend 5 minutes sitting in front of a space heater to warm them back up I was listening to this on a loop the whole time. My hands start to hurt a bit whenever I come back to it.
I know this song is literally about toad and Mario or whatever but if you listen to this thinking about taako and lup from the adventure zone you'll cry instantly
***** The name of the song is Toad's line every time you get to the end of a castle in the early Mario games, and he is always hidden in a dark room within a fiery castle, so it makes sense lyrically I suppose.
***** No it's not. It's pretty obviously meant to be Toad narrating. He's trapped in the castle 'all by myself' and he waits for Mario to turn up and rescue him, and when the unnamed saviour (Mario), he tells him 'the one thing I knew how to say' (that being the title of the song, the one line of dialogue Toad can respond with).
I remember the good times playing Mario on the DS with my cousins. Especially Mario Kart. The Balloon Battles were good fun. Except I used to get last place a lot and I had to spawn item boxes. I wasn’t angry, I just helped my cousins to destroy the older one. And the races we had. Oh my gosh we were so bad lol. We used to fall off the edges and lose power-ups. I used to come in like 5th or 1st. I wasn’t half bad. I think we were playing on like 50cc. But, thanks for the memories, everyone.
OMG! I heard this years ago, and now i remember it again! But it was different video i saw, anyway thanks for the memories, i completely forgot about this!
+Am Fah There's a female voice at the end, when Peach and Toad are both singing. Most of the song is from Toad's point of view, but as always, Peach comes in making this about her. It highlights how unfair it is to Toad, who faces just as much, if not more, as Peach.
So let me get this straight...throughout the entire song it's clear it's from Toad's perspective, the title of this song is a direct quote from Toad after you rescue him, the events in the song all directly relate to Toad, the last verse implies Toad is saying "Thank you, Mario, but our Princess is in another castle!" to the sound of 8-bit choirs", but because John decides to end the song uplifting and emotional by having Kaki sing the same chorus John's already sung previously entirely through Toad's perspective, "Yeah when you came in I could breathe again", to illustrate to the listeners about how relieved Toad is after being rescued from captivity trapped in a dungeon, somehow this means Peach is the one saying it at the end? You're free to interpret it however you want, but you're really grasping at straws.
If it's clear that the song is being sung from the perspective of a male character, why is it grasping at straws to say that the song is being sung from the perspective of a female character when the voice changes to a female voice? why is that less plausible than to say that it's the same character, despite introducing a totally new voice?
John could absolutely write a song about bestowing the danger and responsibility and power of a sword onto a kid who may or may not be ready for it and I would absolutely listen to it
I always thought this song was in the view of Peach waiting to be saved But now I think it's Toad.. Then again, Peach would make sense Then again, Toad is the only one in the series who says that Then again, I should stop saying "Then again"
My foster brother won a $20 bet beating mario 3 faced away from the tv in 10 mins (flute). Id love to see him and john 2 player that shit im good but respect game man
How does toad know that the choir is 8 bit? It is like fish being aware of water. This is dangerous knowledge for one to have. Perhaps his abduction was justified?
Because for a bunch of people that discussion is a part of appreciating a piece of art. You enjoy the piece itself and then try to take meaning from it you can relate to in some way. it's beautiful
not to have brain damage but i always thot this sounded a little gay. like oh you can breathe again? when you see a man? sounds a little saucy to me fellas
I've been a huge fan of tMG for about a decade now. I must admit, many songs grow on you over time -- and a few may even lose their original luster. It all depends on your own journey, I think, and where you are in life when you hear them. Sometimes the meaning just isn't there yet for the listener. This is a simple tune with simple but powerful lines (which JD has mastered IMO). It reminds me a lot of the Transcendental Youth album, and could really just slide right in with some of those numbers. More simple, jazzy in style... but, as always -- powerful, meaningful -- lyrics.
![The Mountain Goats and Kaki King - Black Pear Tree EP [Full]](http://i.ytimg.com/vi/dces-mUcNY0/mqdefault.jpg)
![The Mountain Goats and Kaki King - Black Pear Tree EP [Full]](/img/tr.png)
![[กูเพิ่งซื้อมึงปิดหนี] 20 นาที ผมรีวิวเกมที่แย่ที่สุดในโลก CONCORD](http://i.ytimg.com/vi/XhC-3q3Ii7I/mqdefault.jpg)
this is what i think makes a Mountain Goats song special: these tender moments in forgotten figures on the edges of your vision who deserve a song celebrating them, the ones you thought are vestigial but were actually important all along. as my drama teacher said: "there is no such thing as a small role
"
"Anyways, this is my rendition of Background Tree #5"
this song is amazing on so many levels. "it sounds great" and "its about Super Mario" being the most important ones
I waited here all by myself
The room was dark and it smelled like sulfur
I heard the screams from way down in the darkness
Felt pretty sure my life was over
I kept my hat on just for luck
Sang simple tunes the whole night through
I wondered if I'd wake to find myself in flames
As I waited here for you
Yeah when you came in
I could breathe again
I saw some guys dressed up like sorcerers
Blue robes that flowed above the ground
They came and went and I was frightened for my life
I tried not to make a sound
Just when my solitude was closing in
I heard a howl like screeching tires
And I told you the one thing I know how to say
Through the bright ringing drone of 8-bit choirs
Yeah when you came in
I could breathe again
i love that this isn’t inherently a love song; like, yeah, Toad could just be super gay, but it could also be read as valuing a friend because of the comfort & reassurance they give you, or how the people you may not expect will be there for you when you’ve hit a low point
i feel that way as well
i strive to be that person for my friends
Gross
@@jakc6247 how?
the way he enunciates every syllable of 'sorcerers' is fantastic.
goddamit i'm crying over a Mario song
Been learning it on guitar, and I *always* choke up on "I could breathe again". I'm not even completely sure why!
That's Darnielle for ya. He pulls no punches.
It only takes 8 bits to tug a tear. I met the freaking guitarist by chance these dudes are real too.
*both of them* "yeah when you came, in, I could breathe again" I was like *o* cutest song. ever.
but it's also really sad cause abuse...
Way to fight the big fights, Kyle.
I always felt this showed johns talent because most of his sons are about serious topics and I always thought that was what I loved about his songs but then I found this and realized hes just amazing in general
Justin Wildasin well this song is actually a metaphor for his abusive step father
hey there adventurer “I was talking about how - this childhood tendency of mine - I’m the most gullible person alive. I believe everything I’m told. Not just while it’s being told to me; a poet named Bill Direen has a very strong credo that, you know, for the duration of the story that someone is telling you, believe it. But I can’t escape at the end and so that’s sort of a thing about me. And consequently, I’m the kind of person who- and I think more people have this than admit it. You know how you hear a really dumb song - like you know it’s dumb, it’s just not the sort of stuff you maybe normally would listen to - and then you start to cry. And you say, ‘Why am I crying at ‘Nearest Distant Shore’, a country song from the eighties?’ Well, it’s that you let yourself get sucked into it and suddenly everything- the protagonist person was real, so maybe it’s dumb because they’re feeling beleaguered and they’re not really powerful enough to articulate things in a way that’s really clever because they’re in a whole, huge amount of psychic pain. Maybe that’s the reality of the dumb song. So anyway, I play video games and sometimes- and I’m not talking about video games with complex plot lines that everyone cries at, right. Everyone cries at 'Ocarina’. It’s true, when they seal Zelda up in the amber and you can’t- everybody cries at that. But this is not that. There’s not a lot of people who, when you reach the end of the maze and it blinks and Pac-Man has eaten all the dots and eaten a few ghosts while he was at it, so he has earned some right to freedom and rest… and the maze blinks and this music plays and you think, 'Oh, what music are they playing for Pac-Man?’ Maybe, as they usher him into the house that he won because he completed the maze. 'It’s so nice that he’s finished. He worked so hard at it. He died twice on the way through the maze and now he’s done! So now, good for him. And I helped him get there. So, this is great!’ And then a new maze full of dots presents itself. And there’s new ghosts, none of them are actually dead. Every time you eat them, the ghosts come back to life. And if you’re me, you reach a point where this feels like a crushing psychic weight. Like, 'Oh my god, Pac-Man will never be done. He will never be done. He has to eat the dots forever. There is no escape from the maze. There’s an exit on this side of the screen, but it just comes right back out on the other side of the screen. It’s hell. Pac-Man was born in and lives in hell. That’s all you’re doing, is helping him walk around down there and be chased by demons who have names like Inky and Blinky. You have to pool in a harsh universe through which he lives.’ So this song is about a little fellow who goes to free the woman he loves from an evil dragon. And he’s really not… he’s just a plumber. He’s not a hero or nothing. He’s just a little plumber-and he’s exceedingly little. I know it’s uncool to call people little, or something; like, people are all sorts of sizes but this guy’s literally like half an inch tall. And like one day, he just wakes up inside a sewer and the sewer has creatures that fly and he fights and fights and fights. But when he gets past the evil dragon, the person he’s looking for isn’t there. But somebody else he knows is, that he didn’t even know was being held prisoner. His name is Mario. His friend’s name is Toad. I find their story profoundly moving so I wrote this song for them.”
- John Darnielle introducing Thank You Mario But Our Princess Is In Another Castle, Rio Theater on 2012-06-22. I don’t know about you, but the way he describes Pac-Man’s never ending time in hell really sounds to me like a thinly veiled illusion to facing your traumas from the past: no matter how long you fight it there’s no way you can really “beat” your traumas, you just strategize and try to hold them off to the best of your ability. Mario’s quest in this song is essentially coming to terms with your trauma, and coming to terms with thoughts and things that you didn’t even know you had to come to terms with. Perhaps my original comment was a bit too narrow, but it still is not far off. I would also like to add that I never said all of John’s music is about his abuse or any of the other trauma he’s been through. and even if I did say that, I wouldn’t be far off. He’s pretty open with how he uses his music to come to terms with the trauma he’s suffered in that past.
@@christianmccord9456 did you really well actually a personal comment. Art is subjective bb
@@christianmccord9456 like it feels you took something more profound but don't fucking correct a personal feeling and what they may hold to the song.
@@christianmccord9456 this song reminds me of something totally different than what John meant and I'm sure he would love what anyone holds to his music. That's why music is great. It transcends the artist you fuckwhit
last year I went to a fighting game tournament, realized I forgot the printer cable I use for my controller, then spent God knows how long wandering around town in sub-zero temperatures trying to find a store that sold the right kind of cable. By the time I got back to the venue, I could barely move my fingers and had to spend 5 minutes sitting in front of a space heater to warm them back up
I was listening to this on a loop the whole time. My hands start to hurt a bit whenever I come back to it.
damn
The FGC values you friend
"i told you the one thing i know how to say"
Love that snare brush.
Its also a very well written and touching song based off of literally a few seconds of an NES game.
When you're a 6 year old kid in 1991, those few seconds felt like an eternity.
Ohh dear I think John is becoming a god
I know this song is literally about toad and Mario or whatever but if you listen to this thinking about taako and lup from the adventure zone you'll cry instantly
wow now i'm sobbing thanks
please,,,, I didn't want to cry today
what the fuck
What in the weeb hell is this dude on about.
Wow. You really did this to me :/
Fun Fact: the narrator is meant to be toad.
You'd have to ask john Darnielle
***** Lead singer of the Mountain Goats bro
Toad's a little mushroom looking fella. Also, JD isn't just the lead singer, he is The Mountain Goats in their entirety.
***** The name of the song is Toad's line every time you get to the end of a castle in the early Mario games, and he is always hidden in a dark room within a fiery castle, so it makes sense lyrically I suppose.
***** No it's not. It's pretty obviously meant to be Toad narrating. He's trapped in the castle 'all by myself' and he waits for Mario to turn up and rescue him, and when the unnamed saviour (Mario), he tells him 'the one thing I knew how to say' (that being the title of the song, the one line of dialogue Toad can respond with).
Next song “Whaddya buyin, whaddya sellin?” but it’s a sad song about how money can’t buy you everything
i wouldnt be surprised
Where can I find that song?
@@meesmart4243 I’m looking for it too. Don’t see it on TH-cam when I look up that title….
@@localscissors4036 its a joke einstein
@@meanintellectual5222 It's not a joke it's a suggestion sherlock
Sometimes I imagine this being in a Super Mario musical thing.
I remember the good times playing Mario on the DS with my cousins. Especially Mario Kart. The Balloon Battles were good fun. Except I used to get last place a lot and I had to spawn item boxes. I wasn’t angry, I just helped my cousins to destroy the older one. And the races we had. Oh my gosh we were so bad lol. We used to fall off the edges and lose power-ups. I used to come in like 5th or 1st. I wasn’t half bad. I think we were playing on like 50cc. But, thanks for the memories, everyone.
OMG! I heard this years ago, and now i remember it again! But it was different video i saw, anyway thanks for the memories, i completely forgot about this!
Why wasn't this in the movie?
Never thought a song about effing Super Mario could make me cry.
I don't know what ~random song, dark hole of TH-cam~ I have fell into but this is awesome 😁
With regards to the final line of the video description: Vincent, my man, you have rights to me.
Lowkey wants Starbomb to cover this
Thanks Mario
Imagine if this was actually sung by Toad lmao.
The Super Mario Bros. 1 Adventures SMBX Episode Brought Me Here
when peach starts singing I start crying because go away for once this is not about you
+Am Fah There's a female voice at the end, when Peach and Toad are both singing. Most of the song is from Toad's point of view, but as always, Peach comes in making this about her. It highlights how unfair it is to Toad, who faces just as much, if not more, as Peach.
THat's rachel
peach is the character whose pov she's singing from... you know, from mario... which this song is based on....
So let me get this straight...throughout the entire song it's clear it's from Toad's perspective, the title of this song is a direct quote from Toad after you rescue him, the events in the song all directly relate to Toad, the last verse implies Toad is saying "Thank you, Mario, but our Princess is in another castle!" to the sound of 8-bit choirs", but because John decides to end the song uplifting and emotional by having Kaki sing the same chorus John's already sung previously entirely through Toad's perspective, "Yeah when you came in I could breathe again", to illustrate to the listeners about how relieved Toad is after being rescued from captivity trapped in a dungeon, somehow this means Peach is the one saying it at the end?
You're free to interpret it however you want, but you're really grasping at straws.
If it's clear that the song is being sung from the perspective of a male character, why is it grasping at straws to say that the song is being sung from the perspective of a female character when the voice changes to a female voice? why is that less plausible than to say that it's the same character, despite introducing a totally new voice?
Ryan, you are probably watching this right now, and I want to say hi :)
Very pretty song.
I'm still in the stage where she comes in and I can't breath (takes my breathe away)
Great song!
long live 18wheeler-man
Perfect
What's next a song entitled "its dangerous to go alone take this"?
"Enough talk, have at you!"
John could absolutely write a song about bestowing the danger and responsibility and power of a sword onto a kid who may or may not be ready for it and I would absolutely listen to it
@@ZPM7 I am definitely gonna use that title
you would never expect a song about toad from super mario to be this poignant but here we are and toad absolutely deserves it
This is some Ben Folds Five stuff right here.
I always thought this song was in the view of Peach waiting to be saved
But now I think it's Toad..
Then again, Peach would make sense
Then again, Toad is the only one in the series who says that
Then again, I should stop saying "Then again"
It's Toad (acc to Darnielle) but if you like your own peach version better and aren't a fan of authorial intent, then go at it for sure!
Is your description a plea for help from some third-world country?
This comment is 7 years old but it still makes me laugh
@@zalyster i don't remember joke being so dark 7 years ago. Had a good laugh.
I love u more than u will ever know
This song reminds me of Link and the Champions :(
He says you can, as long as you donate to some charities of his choice.
名曲！
My foster brother won a $20 bet beating mario 3 faced away from the tv in 10 mins (flute). Id love to see him and john 2 player that shit im good but respect game man
Sorry but your dad is in another Walmart.
How does toad know that the choir is 8 bit? It is like fish being aware of water. This is dangerous knowledge for one to have. Perhaps his abduction was justified?
123450th view... I am special
Promethea brought me here.
plea from america.
Is there a download of this EP somewhere?
Hai c:
SAD...
Hey why not just appreciate the piece of art and avoid trying to analyze the meaning. their is enough debates in the world
Because for a bunch of people that discussion is a part of appreciating a piece of art. You enjoy the piece itself and then try to take meaning from it you can relate to in some way. it's beautiful
not to have brain damage but i always thot this sounded a little gay. like oh you can breathe again? when you see a man? sounds a little saucy to me fellas
Yea and? What if it is gay? Maybe toad does want to give Mario a little kiss, a gay kiss even. Ain't nothing wrong with that
So it's hipster music?
i love the goats but this song just doesnt do anything at all.
I used to think the same but now it's one of my favorites
+cuthere80 Funny, it's my favourite.
cuthere80
You need to listen again
I've been a huge fan of tMG for about a decade now. I must admit, many songs grow on you over time -- and a few may even lose their original luster. It all depends on your own journey, I think, and where you are in life when you hear them. Sometimes the meaning just isn't there yet for the listener. This is a simple tune with simple but powerful lines (which JD has mastered IMO). It reminds me a lot of the Transcendental Youth album, and could really just slide right in with some of those numbers. More simple, jazzy in style... but, as always -- powerful, meaningful -- lyrics.