This would be a magnificent teaching tool for for all grade schoolers building each year on their unit of world studies/civilizations….so much to learn reading the piece to deeper dives into for age appropriateness……loving this as a retired High School teacher and life long learner…..
Thank you for this. I'm getting ready to teach Ancient Sumar for my 7th-grade social studies class. I felt there was not enough emphasis on how Historians know what they know. The Standard of Ur is so important to Historians (and teachers). I still would like an even simpler video with more cartoons for younger students to engage with. I'm also planning to use a Brainpop video about Sumer, but it's better when students can see the actual physical artifacts and investigate for themselves.
The original video was great, but I can appreciate the improved editing for this new version (e.g. the map showing the locations of the stone / shell used to make this piece). It was worth watching again. The content here is and has always been fantastic. :)
Thank you, we are trying to remake some of the older content. In fact we have remade a couple of the videos you have recently commented on. But unlike the Standard of Ur, these are brand new recordings (see below). I will swap them in the playlist. • Temple of Portunus: smarthistory.org/temple-of-portunus/ • Arch of Constantine: smarthistory.org/arch-of-constantine-rome/ • The Colosseum: smarthistory.org/the-colosseum-rome/
Thank you for your wonderful channel. I find myself quite fixated at this exhibition in the British museum owing to me being from Kuwait. It would be wonderful if you could do an art analysis of Queen Puabi's headdress that is also in the exhibition.
No for the last 120 thousand years humans have the same mental and coginitive abilities, if you bring a man from 120k years ago to today he will be able to adapt and live a normal life and learn the new languages
So ancient. It’s absolutely mind blowing to think that it was made more than a thousand years before the time of the mythical trojan wars of the Iliad, and even those were so ancient to the Greeks that they didn’t exactly know when they would have supposedly taken place, given the anachronistic elements in the story which definitely belonged to a period that came after Mycenae. It’s simply wonderful, awesomely old, yet made by people that probably don’t look too different from the modern inhabitants of Mesopotamia.
Thanks For covering this super old masterpiece. I believe it is your first video on anything from Mesopotamia. Please Give us More and More. Lady of the night relief would be great to cover.
I wonder if the tesserae or diamond shaped decorations in the borders signify something, perhaps something important because if they were purely decorative, they should, perhaps, be fairly uniform across this artifact, but, they're not. We have Red diamond shapes and then either blue diamond shapes picked out by lighter colored triangles, or, groups of triangles. The bordering designs also differ on each side. What information could these designs be attempting to record or tell us about the scenes depicted? Also, if indicating numeric values, should they be considered through the lens of base 60, or however Sumerians counted?
Are you guys aware of any academic speculation about those chairs with the single animal leg? Such an interesting detail to include. It looks like some sort of prey animal's leg, which seems interesting for the king and his surrounding aristocrats to associate themselves with, since I think in later periods the iconography is all bulls and lions.
I wondered the same. I'd love to know more about this as it is a curious detail, and a bit unexpected; not only because of the animal, itself ('tho, I'd like to know that, too), but why just one leg? Why not two, or more? There must have been reason behind the design, and again; I'd love to know what. :)
All the guys sitting and drinking from the same type of cups have a chair with one animal leg, it must be the interior architect that liked that style, anyhow, everyone are kind of participating in the same activity, except this one single man, the one to the upper left corner, obviously busy with something else, or perhaps on his rest, finished with his tasks
I greatly dislike when people referred to Mesopotamia as the birthplace of civilization. Europeans may consider it the birthplace of their civilization (which I'd say it's quite the stretch) but there were plenty of other cradles such as Ancient Egypt, the Indus Valley, China, Mesoamerica and the Andes
NO! these civilizations came after Mesopotamia in Data Time. That's why it is called world first civilizations also its influence on early Egypt, the levant, Anatolian, which carried on to Greece is so clear that there is no argument about it being the cradle of the European and west Asian civilizations.
In both scenes you can see men only and they are all bald and clean-shaven. I wonder: where they really shaving their heads and facial hair or was it just an artistic expression? This is really quite surprising, because what we are more familiar with in the art of Mesopotamia are those bearded men with elaborate hair styles and braided beards... 🤔
they shaved as religious rituals for cleaning. this is the city states period of Mesopotamia when those cities were fighting each other, in the Uruk period the high priest who ruled the city too, had a beard but shaved mustaches. in the Akkadian, Babylonian ,Assyrian periods. Beard was grown and stylized as sign of manhood and wisdom.
@@marta9127 I advices you to see The Morgan Library & Museum lectures on Mesopotamia. there is one on calenders seal and another fantastic one about world first named author which was a women enheduanna.
@@starcapture3040 I've heard about this poet. This is so amazing she was a woman! I'll gladly watch the lectures. A long time ago, while studying at a uni, I read the fantastic "La Mésopotamie" by Georges Roux, maybe it's time to come back to this work :)
Wonderful....the Standard of Ur is truly a one of a kind piece....I love the history banter between you two...
This would be a magnificent teaching tool for for all grade schoolers building each year on their unit of world studies/civilizations….so much to learn reading the piece to deeper dives into for age appropriateness……loving this as a retired High School teacher and life long learner…..
We'll be watching it on Monday in my Jr High history class. :)
Thank you for showing off this work of art. It's exquisite!
Thank you for this. I'm getting ready to teach Ancient Sumar for my 7th-grade social studies class. I felt there was not enough emphasis on how Historians know what they know. The Standard of Ur is so important to Historians (and teachers). I still would like an even simpler video with more cartoons for younger students to engage with. I'm also planning to use a Brainpop video about Sumer, but it's better when students can see the actual physical artifacts and investigate for themselves.
This might be helpful: smarthistory.org/ancient-near-eastern-and-ancient-egyptian-art/
The original video was great, but I can appreciate the improved editing for this new version (e.g. the map showing the locations of the stone / shell used to make this piece). It was worth watching again. The content here is and has always been fantastic. :)
Thank you, we are trying to remake some of the older content. In fact we have remade a couple of the videos you have recently commented on. But unlike the Standard of Ur, these are brand new recordings (see below). I will swap them in the playlist.
• Temple of Portunus: smarthistory.org/temple-of-portunus/
• Arch of Constantine: smarthistory.org/arch-of-constantine-rome/
• The Colosseum: smarthistory.org/the-colosseum-rome/
@@smarthistory-art-history You're welcome! And thank you for the links / playlist swaps. More to love. 😌
Thank you for your wonderful channel. I find myself quite fixated at this exhibition in the British museum owing to me being from Kuwait. It would be wonderful if you could do an art analysis of Queen Puabi's headdress that is also in the exhibition.
stela of the vultures is another masterpiece
great video, thank you!!
Thank you
So, as in Iraqi I cant see this masterpiece cause some random dudes stole it and possibly even if I want to see it I wouldn't get a Visa, fantastic.
فعلآ آثار العراق جذابة ومهمة وخاصتآ الحضارة السومرية في مدينة أور حيث الإبداع والتطور وبيت النبي إبراهيم الخليل عليه السلام زرتها مرة واحدة إنها رائعة
It is so ancient and yet these figures look so modern. Are we that much different ?
No for the last 120 thousand years humans have the same mental and coginitive abilities, if you bring a man from 120k years ago to today he will be able to adapt and live a normal life and learn the new languages
@@LifeisajokeER
Is it that simple ? The inhabitants on Sentinel islands are living proof that human societies can be diametrically different
So ancient. It’s absolutely mind blowing to think that it was made more than a thousand years before the time of the mythical trojan wars of the Iliad, and even those were so ancient to the Greeks that they didn’t exactly know when they would have supposedly taken place, given the anachronistic elements in the story which definitely belonged to a period that came after Mycenae. It’s simply wonderful, awesomely old, yet made by people that probably don’t look too different from the modern inhabitants of Mesopotamia.
Thanks For covering this super old masterpiece. I believe it is your first video on anything from Mesopotamia. Please Give us More and More. Lady of the night relief would be great to cover.
We have many videos on art from Mesopotamia, find them here: smarthistory.org/ancient-mediterranean/ancient-near-east/
@@smarthistory-art-history but not in videos on youtube?
4:32 These are not donkeys but an excitant kind similar to onagers forgot its name.
It's difficult to follow the narration with the echoing voices in the background.
It's a crowded museum which we think is a good thing. You can always turn on the captions to help you follow along.
Love you
Everyone noticing the use of Donkey/Onagers? instead of horses or camels. Apparently no riders but many battle wagon/heavy chariots.
I wonder if the tesserae or diamond shaped decorations in the borders signify something, perhaps something important because if they were purely decorative, they should, perhaps, be fairly uniform across this artifact, but, they're not.
We have Red diamond shapes and then either blue diamond shapes picked out by lighter colored triangles, or, groups of triangles.
The bordering designs also differ on each side.
What information could these designs be attempting to record or tell us about the scenes depicted?
Also, if indicating numeric values, should they be considered through the lens of base 60, or however Sumerians counted?
Are you guys aware of any academic speculation about those chairs with the single animal leg? Such an interesting detail to include. It looks like some sort of prey animal's leg, which seems interesting for the king and his surrounding aristocrats to associate themselves with, since I think in later periods the iconography is all bulls and lions.
I wondered the same. I'd love to know more about this as it is a curious detail, and a bit unexpected; not only because of the animal, itself ('tho, I'd like to know that, too), but why just one leg? Why not two, or more? There must have been reason behind the design, and again; I'd love to know what. :)
Interesting.
All the guys sitting and drinking from the same type of cups have a chair with one animal leg, it must be the interior architect that liked that style, anyhow, everyone are kind of participating in the same activity, except this one single man, the one to the upper left corner, obviously busy with something else, or perhaps on his rest, finished with his tasks
I greatly dislike when people referred to Mesopotamia as the birthplace of civilization. Europeans may consider it the birthplace of their civilization (which I'd say it's quite the stretch) but there were plenty of other cradles such as Ancient Egypt, the Indus Valley, China, Mesoamerica and the Andes
Fair enough.
NO! these civilizations came after Mesopotamia in Data Time. That's why it is called world first civilizations also its influence on early Egypt, the levant, Anatolian, which carried on to Greece is so clear that there is no argument about it being the cradle of the European and west Asian civilizations.
In both scenes you can see men only and they are all bald and clean-shaven. I wonder: where they really shaving their heads and facial hair or was it just an artistic expression? This is really quite surprising, because what we are more familiar with in the art of Mesopotamia are those bearded men with elaborate hair styles and braided beards... 🤔
they shaved as religious rituals for cleaning. this is the city states period of Mesopotamia when those cities were fighting each other, in the Uruk period the high priest who ruled the city too, had a beard but shaved mustaches. in the Akkadian, Babylonian ,Assyrian periods. Beard was grown and stylized as sign of manhood and wisdom.
@@starcapture3040 that's really interesting. Thank you!
@@marta9127 I advices you to see The Morgan Library & Museum lectures on Mesopotamia. there is one on calenders seal and another fantastic one about world first named author which was a women enheduanna.
@@starcapture3040 I've heard about this poet. This is so amazing she was a woman! I'll gladly watch the lectures.
A long time ago, while studying at a uni, I read the fantastic "La Mésopotamie" by Georges Roux, maybe it's time to come back to this work :)
@@starcapture3040 Thanks again the lecture on cylindric seals is great! 🤩