Another tip that Josh shared in a random video is to turn off the IR on 2 guitar tracks and mix them together with the other ones, they used this technique in "Animals"
@@viniciuspacheco8878 thanks for the reply! wouldn't not using ir on 2 of the 4 tracks make those 2 tracks sound really 'weak'? Or is that intended in his method? Would he use some other cab sim to punch up those tracks? Or is the idea to have 2 'strong' tracks and 2 'weak' (no-ir) tracks
@@wavewithus4081 The idea is to create a more industrial tone, like a synth, bringing more of the high frequency spectrum that the no IR tracks does. Try to hear the intro of Animals so you will properly understand what I'm saying.
This is awesome! Wondering if you would ever do a video on their older sound? LF//LT - Holy Hell sort of era? Would love to see you cover that. LF//LT and All Our Gods Have Abandoned us were produced by Fredrik Nordstrom, and I love his sound. Suicide Season by BMTH was also produced by him and sounds amazing (There is a Hell was also but I don't like the mix as much), would be awesome to see you make a video on one of those
This is the first time I've seen anyone boost 350Hz on the guitars. I usually see people cut around 300Hz but this sounds really good. Maybe that's what's missing.
Usually I cut guitars around there too, but in this kind of mix, with the bass guitar and synth bass being so huge, the guitars needed to really handle the midrange more than usual to balance out all the bass. I do find modern metalcore guitars tend to be very strong in the 200-350hz range
awesome video, subbed from this! personally I subbed bc you went in depth with Vital, on how you got that sound.. I can't tell you how long I've been trying to get that deep bass sound, I knew it had to be easier than I was making it out to be, and bc of that I never got one with that deep gritty bass undertone, and so much clarity in the top end that it doesn't muddy up the mix and wash out the cymbals. one that actually compliments the guitars. I love this. I would want to see more of how to get more of these synth sounds not just bass, but leads for choruses, how to do motiffs in a modern way, etc. I come from early 2000's to like 2012 era of playing guitar. so my writing is similar to that era, which is over a decade ago. so watching your channel has really help me update my knowledge! keep this stuff up! I'm going to go through your catalogue here and see what else I can learn!
Just watched this video and man, you have a lot of knowledge and amazing tips without making it too complicated. Quality content. So helpful. Definitely a sub.
_I’m hoping to see your channel grow. You have the sickest tutorials on how to make the music sound thicker and more distorted but in a positive way. 😈😈😈😈 No Beethoven music lessons here. Just heavy monstrous music!_
Hey man, first of all, great content, secondly I have a question about your drum routing and processing, when you process for example the snare, and you add compression and distortion and stuff to it, do you apply that to the sum of it? Meaning the reverb, room mic, OH mic or just on the close mic and then process the room mics for example of all the drum pieces in another track? I tend to overthink stuff and I'm not sure what would be the best way to process my drums :p. From what I understand when you record real drums, you have the individual close mics on separate tracks, then the OH mic of all the instruments in another track and then the Room mic with all the instruments in another right (at least on a basic configuration)? But I guess with a plugin like GGD you can route them however. Well what's your advice?
same here for my nu-deathcore, modern metal has great production that other genres can learn from. knocked loose is a great example of this, heavy asf beatdown hardcore with the best production in the genre
Great work🔥🔥🔥🔥🔥 Crazy guitar riff Thank you for your tutorial! 👍👍👍 Please tell me, how do your basses not conflict with each other? Do you equalize them? Thank you!
Excellent video brother! You really captured the essence of what it takes to make an Architects track. Just a quick question, regarding the Pitchproof plug in, are you able to do something like this on a Quad Cortex for instance and blend it into your tone? I am unsure if you are familiar with it at all, but any advice would be super helpful. Can't wait for your next video! You earned a fan and a subscriber!
Thanks for the kind words man! Means a lot. I know nothing about the Quad Cortex to be honest. I'm sure it'll have a pitch shifter but I don't know if you can blend the dry signal with the pitched one. But if it can't do it then I don't see why it wouldn't be an option to just find a cheap octaver pedal that can do that and put it before the cortex? Maybe would be a workaround for getting the tone. Sorry I can't help more!
Such a great video! Do you think a TSC 808 core tube screamer could work instead of the SS-11x? The TSC808 is free on Mercuriall so I'm trying with that, but I'm having trouble with finding the right settings.
Hey! Great video! Would it be too much to ask if I wanted a tutorial video on riffs like that? I don't usually play in drop tunings soo..also maybe you've already done a video on that. I'm still going through your vids but thought I'd comment anyway. Let you know I appreciate what you're doing ❤
Sounds like something that could have been of classic symptoms, especially with that saw synth sounds like tear gas. Not as much like their last two singles
I watched like 5 of your videos and wondered what is the thing that is off. Then it hit me after the video about Mick Gordon and other stuff. You never use palm muting which is the very essence of metal. Its also the best way to find the right amount of distortion when searching for perfect tone. If it doesnt chug then its missing something. Dont know if you just dont know how to do it or what is the case, but i highly suggest to perfect the art of palm muting. Just listen Doom ost bfg division and you see how much of a game changer it is
great channel and approach great advice brother, very helpful indeed. but if you read this i challenge you to do a song like "moonlight rendezvous " by beast in black. its very interesting to see your approach on it.
I just checked that track out. Holy wow. That's the most epic, most 80s thing I've ever heard hahaha. Amazing. Idk if I'll do a vid on them, but thanks for turning me onto a great band regardless!
@@RichiiWainwright ohh wow...thanks for your kind response bro...its nice to hear that u listen the track n love them i love them too...their 80's sound with metal and Yannis Papadopoulos got some amazing range man...love his tone.....your welcome....its very helpful if you do a video on them...but totally love your channel bro...the inside you are giving to us are very helpful and interesting...keep it up bro...God Bless you \m/ Edit : its very kind and very generous if you could please provide Vital presets you are using in videos bro...it helps a ton (Because im not good in synths).
very cool vid dude, seriously what about your recording gear? like guitar, audio interface or other stuff like if you connected straight to your audio interface or if you have a DI in the middle
Just using my hartwood charger with a Seymour Duncan JB in the bridge and Jazz in the neck. Scarlett 2i2 going straight into my Mac. Nothing crazy. I try to be a minimalist with gear haha
@@RichiiWainwright hahaha same here actually, but your guitar sounds huge. I got an Ibanez GIO GRG7221QA 7 strings (with stock pickups) prilarly for djent music and I'm looking for a big guitar sound like you did in this video. Do you think that new pickups could be a game changer?
@@mipiaceiltubo upgrading pickups does improve the tone a little if the stock ones suck, but I think people way overhype pickups. Getting the right sound imo comes almost entirely from the right amp head and cab, with the right distortion and EQ. Training your ear to know what to EQ is a huge part of it. If I played a $50 guitar into the tone in this vid it’d sound probably almost exactly the same. Pickups I’d say are 5% of less of the tone
Seems like single notes is the thing these days for most bands. Especially when using an octaver -chords can get messy when there's a lower octave in there. It varies between tracks though, sometimes power chords sounds better, sometimes single notes, but for this style usually I go for single notes!
@@RichiiWainwright Thank you !! I imagine older metal uses more power chords (Metallica etc ?). And do you know what sounds best for pop-punk (kind of blink-182, sum 41, green day ..?)
it’s basically a high pass filter being slowly released (letting in more high frequencies slowly). not sure that there’s a specific name for it or anything. just high-passing
I don’t follow why your drum tracks are split out like this. I get the mixing them out of the box thing, but don’t you typically just have your one drum track and that’s where all your midi stays?
Typically yes, but it limits options. You can route each track out to its own bus track but I’ve had issues when I tried doing that with GGD drums so I just do it this way so I can focus on each one separately
Can’t wait for a metal type band to make a raw sound that’s heavy as fuck. Steve albini for instance made records way heavier than all the triggered drum over produced modern sounds. Was glad to see knocked loose used a swollen pickle fuzz previously for live shows but they’re even doing digital pedals and live stuff now. This sound is so overdone with everything being massively over produced. Having said that you do a great job of getting this sound. This channel is massively beneficial for musicians looking to get good sounding recordings who aren’t engineers or producers. Manson used to be one the more digital fake sounding bands live with more tracks than other bands at the time usually besides industrial bands etc and their live stuff from back then sounds RAW relative to these modern metal core or thrash core sounds. On albums Manson did sound extremely digital though to be fair. I used to like this sound for certain artists but it’s been pushed so far and sounds so generic now.
Same, I am waiting for the same thing. I love Architects and their production, but what you're saying is definitely true for most modern metal. Same tones, same production, same sounds everywhere. I'm all about the digital approach though personally, as long as it's done right. Not that I don't love the Albini approach too, but hyper-digitized music like this and some Manson stuff is my kinda thing! It's just when everyone uses the same sounds and there's no creativity it gets boring. Digital production can open a way more possibilities for creativity too though, we're just not exploring that enough in heavy music
@@RichiiWainwright yep I completely agree. I also love it for certain albums, and especially when it wasn’t done so often and made the norm. Great work man, so many people have forums and pages dedicated to trying to get the Trent Reznor old NIN guitar sound which was also used in Manson as you know when he produced them and after… and you nailed it. All the parts. Usually harder for people even if they get the individual parts to make it so they blend well together and sit on their own. You do a pretty awesome job of showing how to do this and the result for wanting this sound is 👌🏾
I love this kind of music but that's definitely NOT something you can come up with jamming with a band, how the hell do you even play this live, with so many sounds, layers and effects that don't even exist in pedal form?
@@rockboy360 lots and lots of tracks my friend lol like enough for their own show haha I’ve played in bands with tracks and bands without. If used sparingly and not for main parts or to cover things up it can add to the show… but I still prefer bands like Radiohead or mars Volta etc who have much more complex music than this but that play the parts live or cover most. Also more doesn’t equal heavy, not knocking Architects but Swans for example…wayyyy heavier than this. It’s really cool for people wanting this sound to see how to do it, I’ve just dealt with the live tracks thing with bands in the past and it always seems to be more and more as it goes. Starts with a loop a synth or percussion and many shows or tours in and you’ve basically got a full band on the track. And the members who speak up about it never really get their point through ass the singer or bands love having all the extra sounds bc they feel naked without it
@@rockboy360 oh and it could be done with triggers and band members covering multiple parts or Also triggering things, using synth pedals on guitar where needed, drummer triggering pads, even other instrumentalists having pads or pedals to trigger parts etc. That’s at least having them put in the work, and I’ve done all this live so I’m not just talking out of my ass or being a basement dwelling Twitter badass lol. Either way the tracks have been here for longer than most like to admit or know and it’s gonna continue. Bands you’d never guess All use them too it’s become the standard unfortunately.
Hey when making an offer on your site for this, it says "Expiration date" and I'm confused. What's the expiration date for? Is that when the offer expires or the exclusive rights payed for expire? Which one? I'm confused.
On my beatstars page? I’m not sure, I’d guess it’s the expiry for the offer. If the license is set to expire after a while that’s something in beatstars terms that I’ll have to look into. But I’m not enforce that anyway if it was the case, once someone’s bought it’s theirs forever as far as I’m concerned
hello , i am a guitarist but noob at using daw. why does lots of youtube cover videos have guitar sounds soo good unlike jaming in the room, meanwhil ewhen i record the guitars they sound soo lifeless
Your room has its own acoustic properties, which will influence the sound. Unless you have a properly prepared practice room, you might want to grab some decent headphones. Are you recording the clean signal into a DAW and put a VST on top? Or are you trying to record your amp?
Damn. This is why I need to get sponsored by these companies asap. I'm selling their gear for them and I'm not even meaning to. This amp and pedal are by no means the "right" thing to use, and the band no way used these products for their music. It's just what I have, and the idea with this vid is to show people you can use whatever you have and don't have to buy the same gear the band used. Whatever gear you're using it always comes down to using your ears. The only other thing I'm using though, besides the amp and Tubescreamer, is EQ, so I don't know how your tone could be far off if you're using the same things. I'd probably have to hear a clip or something to help
For someone who knows nothing about music production about from basic tuning for Guitars & Drums.. Seeing the computer programs being used, looks like absolute fucking witchcraft to me
@@RichiiWainwrightI wouldnt consider Static X disco influenced. Closer examples might be Electric Callboy (big room house + metal aka electronicore) or Bill McClintocks Close Fire mashup (industrial + funk)
Not a fan of quad tracking. I’m doubling and just using two amps/tones for each channel, so both L tones are working together to make one sound, and same with R
I don't pay attention to a lot of modern metal tbh. But I wouldn't imagine bands like Architects would list them as a main influence? I hope I'm wrong haha
this is a great channel, lots of insider cheat codes given for layered sounds.
This was so useful. Most vidoes spend forever talking about stuff that doesnt matter, you went straight to the point. Perfect.
the octave thing sounds insane, great tip, awesome video!
are you into counterparts? i'd love a how to sound like them.
I swear this dude is the new Jordan Fish
bro this was an amazing watch, ty for all the sauce and for being straight to the point. Youre a great musician and a great teacher too, keep it up
Another tip that Josh shared in a random video is to turn off the IR on 2 guitar tracks and mix them together with the other ones, they used this technique in "Animals"
As in, when doing quad takes, he only uses IR on 2 of the 4 takes/tracks? I'm not really sure I understand
@@wavewithus4081 Yea, that's it
@@viniciuspacheco8878 thanks for the reply! wouldn't not using ir on 2 of the 4 tracks make those 2 tracks sound really 'weak'? Or is that intended in his method? Would he use some other cab sim to punch up those tracks? Or is the idea to have 2 'strong' tracks and 2 'weak' (no-ir) tracks
@@wavewithus4081 The idea is to create a more industrial tone, like a synth, bringing more of the high frequency spectrum that the no IR tracks does. Try to hear the intro of Animals so you will properly understand what I'm saying.
excellent video! Showed up in my feed today and super glad it did.. great work here.
God-tier video. Hope the page blows up, definitely worthy of a sub 🤘
Appreciate you! Thanks so much
Sick video, sick format...No filler, No fat!
Would love to see you try and recreate the sound of The Acacia Strain. Great video!
_I just discovered them a year ago and love the fact they’re local to me too!_ 🏆
Dude this is so sick! Love this series too. Would love to see some BMTH, Motionless in White or Starset next!
Absolutely criminal you only have 8k followers brother. That was phenomenal
You are amazing bro. Bless from Argentina, please more videos like this. ADTR, BMTH, great use neural!
This is awesome! Wondering if you would ever do a video on their older sound? LF//LT - Holy Hell sort of era? Would love to see you cover that. LF//LT and All Our Gods Have Abandoned us were produced by Fredrik Nordstrom, and I love his sound. Suicide Season by BMTH was also produced by him and sounds amazing (There is a Hell was also but I don't like the mix as much), would be awesome to see you make a video on one of those
you're amazing
This is the first time I've seen anyone boost 350Hz on the guitars. I usually see people cut around 300Hz but this sounds really good. Maybe that's what's missing.
Usually I cut guitars around there too, but in this kind of mix, with the bass guitar and synth bass being so huge, the guitars needed to really handle the midrange more than usual to balance out all the bass. I do find modern metalcore guitars tend to be very strong in the 200-350hz range
If def subbing and some notes from here. Thanks dude! amazing work here
Sounds killer. I'd probably use that main riff for a chorus though...
straight into details....subscribed
Listening to you working on the verse, that is super reminiscent of the COD Zombies music! This is an awesome video, dude!
awesome video, subbed from this! personally I subbed bc you went in depth with Vital, on how you got that sound.. I can't tell you how long I've been trying to get that deep bass sound, I knew it had to be easier than I was making it out to be, and bc of that I never got one with that deep gritty bass undertone, and so much clarity in the top end that it doesn't muddy up the mix and wash out the cymbals. one that actually compliments the guitars. I love this. I would want to see more of how to get more of these synth sounds not just bass, but leads for choruses, how to do motiffs in a modern way, etc. I come from early 2000's to like 2012 era of playing guitar. so my writing is similar to that era, which is over a decade ago. so watching your channel has really help me update my knowledge! keep this stuff up! I'm going to go through your catalogue here and see what else I can learn!
Just watched this video and man, you have a lot of knowledge and amazing tips without making it too complicated.
Quality content.
So helpful. Definitely a sub.
You are mind-blowing 🤯
your content is super!!! cheers from brazil bro
Great video dude! Your format is very easy to follow 🤘🏼
sick vid man love your stuff
Amazing video
Geat job and perfect video speed. Congrats
Thank you, this video is really amazing, I learn a lot from this
_I’m hoping to see your channel grow. You have the sickest tutorials on how to make the music sound thicker and more distorted but in a positive way. 😈😈😈😈 No Beethoven music lessons here. Just heavy monstrous music!_
Ok super dumb question because I'm not used to the Cubase interface, but does the Octaver go before or after the amp sim?
@@VMODofficial Whenever I’m using an octaver I always put it first, or at least first after the noise gate. Definitely sounds weird after the amp
Bro is a cheatcode page. Amazing work
Great video, man! Everything straight to the point, thanks! ✨🙏🤘 liked and subbed 👉
Love your insight! And everything else, sick stuff man!
this is REALLY good bro, great job! make a "how to sound like while she sleeps/bad omens" video, pleassssse!
you got yourself a new subscriber this was awesome
Hey man, first of all, great content, secondly I have a question about your drum routing and processing, when you process for example the snare, and you add compression and distortion and stuff to it, do you apply that to the sum of it? Meaning the reverb, room mic, OH mic or just on the close mic and then process the room mics for example of all the drum pieces in another track? I tend to overthink stuff and I'm not sure what would be the best way to process my drums :p. From what I understand when you record real drums, you have the individual close mics on separate tracks, then the OH mic of all the instruments in another track and then the Room mic with all the instruments in another right (at least on a basic configuration)? But I guess with a plugin like GGD you can route them however. Well what's your advice?
Great video, dude! I really love that Vital distorted preset. Would you ever consider sharing it?
do monuments, erra, periphery, northlane, spiritbox and old thornhill?
I don't like modern metal at all but this came up on my feed. Lots of interesting stuff to incorporate into the brutal death metal I like to make.
same here for my nu-deathcore, modern metal has great production that other genres can learn from. knocked loose is a great example of this, heavy asf beatdown hardcore with the best production in the genre
Sick as always
This was a great video
I learned a lot. I would be forever grateful if you did a 90s death metal video 😂 👍
Basically electronic music with a bit of guitar
Best kind! 🎵
Sounds mostly guitar
First time viewer, great video!
Great work🔥🔥🔥🔥🔥 Crazy guitar riff Thank you for your tutorial! 👍👍👍 Please tell me, how do your basses not conflict with each other? Do you equalize them? Thank you!
This is genius!
What a tasty colour your guitar has😍😍😍😍
+1 subscriber here! You content is absolutely great!
Killer!!
Thanks man!
Nice job🎉
Excellent video brother! You really captured the essence of what it takes to make an Architects track. Just a quick question, regarding the Pitchproof plug in, are you able to do something like this on a Quad Cortex for instance and blend it into your tone? I am unsure if you are familiar with it at all, but any advice would be super helpful.
Can't wait for your next video! You earned a fan and a subscriber!
Thanks for the kind words man! Means a lot. I know nothing about the Quad Cortex to be honest. I'm sure it'll have a pitch shifter but I don't know if you can blend the dry signal with the pitched one. But if it can't do it then I don't see why it wouldn't be an option to just find a cheap octaver pedal that can do that and put it before the cortex? Maybe would be a workaround for getting the tone. Sorry I can't help more!
if I'm honest, the build up plus the main riff remind me more of Mick Gordon's work (Doom 2016) rather than Architects. Great tips though!
another banger from richii wainwright 0o0o0o0o0o0ooo
architects or BMTH?
Great 👍
Such a great video! Do you think a TSC 808 core tube screamer could work instead of the SS-11x? The TSC808 is free on Mercuriall so I'm trying with that, but I'm having trouble with finding the right settings.
Cool 🎸🎸🎸
Can you do how to sound like Falling in Reverse? Taking Popular Monster as an example perhaps.
@@natalierivera1853 probably will do at some point!
@@RichiiWainwright Awesome thank!!
Hey! Great video!
Would it be too much to ask if I wanted a tutorial video on riffs like that? I don't usually play in drop tunings soo..also maybe you've already done a video on that. I'm still going through your vids but thought I'd comment anyway. Let you know I appreciate what you're doing ❤
Great video! What daw are you using? looking for other options as I want to move on from PT 😅
It's Cubase! I switched over to cubase from Reaper about a year ago I love it, it's super powerful.
We need that Cubase Project! I'll buy it!
Hit my email in the description!
@@RichiiWainwright Done! ;)
Great video! Do you have any advice on vocal production i that style?
Nice work. Truly talented
Request: Kmfdm, PIG, Die Krupps.
Sounds like something that could have been of classic symptoms, especially with that saw synth sounds like tear gas. Not as much like their last two singles
We need dayseeker!!
what you do for guitar tones? they re crazy
Plz make one of these videos for Sleep Token if you haven’t already
Planning to soon!
W vid
I watched like 5 of your videos and wondered what is the thing that is off. Then it hit me after the video about Mick Gordon and other stuff. You never use palm muting which is the very essence of metal.
Its also the best way to find the right amount of distortion when searching for perfect tone. If it doesnt chug then its missing something.
Dont know if you just dont know how to do it or what is the case, but i highly suggest to perfect the art of palm muting.
Just listen Doom ost bfg division and you see how much of a game changer it is
I use palm muting all the time. Guess I just didn’t in the 5 vids you watched haha
@@RichiiWainwright no u never
Based
great channel and approach great advice brother, very helpful indeed. but if you read this i challenge you to do a song like "moonlight rendezvous " by beast in black. its very interesting to see your approach on it.
I just checked that track out. Holy wow. That's the most epic, most 80s thing I've ever heard hahaha. Amazing. Idk if I'll do a vid on them, but thanks for turning me onto a great band regardless!
@@RichiiWainwright ohh wow...thanks for your kind response bro...its nice to hear that u listen the track n love them i love them too...their 80's sound with metal and Yannis Papadopoulos got some amazing range man...love his tone.....your welcome....its very helpful if you do a video on them...but totally love your channel bro...the inside you are giving to us are very helpful and interesting...keep it up bro...God Bless you \m/
Edit : its very kind and very generous if you could please provide Vital presets you are using in videos bro...it helps a ton (Because im not good in synths).
very cool vid dude, seriously
what about your recording gear? like guitar, audio interface or other stuff like if you connected straight to your audio interface or if you have a DI in the middle
Just using my hartwood charger with a Seymour Duncan JB in the bridge and Jazz in the neck. Scarlett 2i2 going straight into my Mac. Nothing crazy. I try to be a minimalist with gear haha
@@RichiiWainwright hahaha same here actually, but your guitar sounds huge. I got an Ibanez GIO GRG7221QA 7 strings (with stock pickups) prilarly for djent music and I'm looking for a big guitar sound like you did in this video.
Do you think that new pickups could be a game changer?
@@mipiaceiltubo upgrading pickups does improve the tone a little if the stock ones suck, but I think people way overhype pickups. Getting the right sound imo comes almost entirely from the right amp head and cab, with the right distortion and EQ. Training your ear to know what to EQ is a huge part of it.
If I played a $50 guitar into the tone in this vid it’d sound probably almost exactly the same. Pickups I’d say are 5% of less of the tone
@@RichiiWainwright thanks!
Very useful! +1subs
So nice... When you play thoose kind of riff, do you play 5th or single notes ? When would you prefer one or another ?
Seems like single notes is the thing these days for most bands. Especially when using an octaver -chords can get messy when there's a lower octave in there. It varies between tracks though, sometimes power chords sounds better, sometimes single notes, but for this style usually I go for single notes!
@@RichiiWainwright Thank you !! I imagine older metal uses more power chords (Metallica etc ?). And do you know what sounds best for pop-punk (kind of blink-182, sum 41, green day ..?)
Is there any processing on the guitar enhancing synths? I mean what are the eq settings there?
LFG tyy
11:02 what's the name of that production to make guitar sound like riser. It's really cool and I tend to learn it.
it’s basically a high pass filter being slowly released (letting in more high frequencies slowly). not sure that there’s a specific name for it or anything. just high-passing
First five seconds sounds more like bmth on amo
Comment for the algorithm
Appreciate it!
I don’t follow why your drum tracks are split out like this. I get the mixing them out of the box thing, but don’t you typically just have your one drum track and that’s where all your midi stays?
Typically yes, but it limits options. You can route each track out to its own bus track but I’ve had issues when I tried doing that with GGD drums so I just do it this way so I can focus on each one separately
What software do you use?
how can i achieve the same thing with the octave but with a pedal?
You mean with an octave pedal? Pitch it down an octave and blend that with the original signal about 1/3rd octave to 2/3rds original
@@RichiiWainwright yes, a whole octave down blended with my signal.
Wanna make something 😁 I’m not the best but I’d love too try
is that mic a t.bone sct800?
@@garethmeyer4623 indeed it is
Can’t wait for a metal type band to make a raw sound that’s heavy as fuck. Steve albini for instance made records way heavier than all the triggered drum over produced modern sounds. Was glad to see knocked loose used a swollen pickle fuzz previously for live shows but they’re even doing digital pedals and live stuff now. This sound is so overdone with everything being massively over produced.
Having said that you do a great job of getting this sound. This channel is massively beneficial for musicians looking to get good sounding recordings who aren’t engineers or producers. Manson used to be one the more digital fake sounding bands live with more tracks than other bands at the time usually besides industrial bands etc and their live stuff from back then sounds RAW relative to these modern metal core or thrash core sounds. On albums Manson did sound extremely digital though to be fair. I used to like this sound for certain artists but it’s been pushed so far and sounds so generic now.
Same, I am waiting for the same thing. I love Architects and their production, but what you're saying is definitely true for most modern metal. Same tones, same production, same sounds everywhere.
I'm all about the digital approach though personally, as long as it's done right. Not that I don't love the Albini approach too, but hyper-digitized music like this and some Manson stuff is my kinda thing! It's just when everyone uses the same sounds and there's no creativity it gets boring. Digital production can open a way more possibilities for creativity too though, we're just not exploring that enough in heavy music
@@RichiiWainwright yep I completely agree. I also love it for certain albums, and especially when it wasn’t done so often and made the norm. Great work man, so many people have forums and pages dedicated to trying to get the Trent Reznor old NIN guitar sound which was also used in Manson as you know when he produced them and after… and you nailed it. All the parts. Usually harder for people even if they get the individual parts to make it so they blend well together and sit on their own. You do a pretty awesome job of showing how to do this and the result for wanting this sound is 👌🏾
I love this kind of music but that's definitely NOT something you can come up with jamming with a band, how the hell do you even play this live, with so many sounds, layers and effects that don't even exist in pedal form?
@@rockboy360 lots and lots of tracks my friend lol like enough for their own show haha I’ve played in bands with tracks and bands without. If used sparingly and not for main parts or to cover things up it can add to the show… but I still prefer bands like Radiohead or mars Volta etc who have much more complex music than this but that play the parts live or cover most. Also more doesn’t equal heavy, not knocking Architects but Swans for example…wayyyy heavier than this. It’s really cool for people wanting this sound to see how to do it, I’ve just dealt with the live tracks thing with bands in the past and it always seems to be more and more as it goes. Starts with a loop a synth or percussion and many shows or tours in and you’ve basically got a full band on the track. And the members who speak up about it never really get their point through ass the singer or bands love having all the extra sounds bc they feel naked without it
@@rockboy360 oh and it could be done with triggers and band members covering multiple parts or Also triggering things, using synth pedals on guitar where needed, drummer triggering pads, even other instrumentalists having pads or pedals to trigger parts etc. That’s at least having them put in the work, and I’ve done all this live so I’m not just talking out of my ass or being a basement dwelling Twitter badass lol. Either way the tracks have been here for longer than most like to admit or know and it’s gonna continue. Bands you’d never guess All use them too it’s become the standard unfortunately.
Hey when making an offer on your site for this, it says "Expiration date" and I'm confused. What's the expiration date for? Is that when the offer expires or the exclusive rights payed for expire? Which one? I'm confused.
On my beatstars page? I’m not sure, I’d guess it’s the expiry for the offer. If the license is set to expire after a while that’s something in beatstars terms that I’ll have to look into. But I’m not enforce that anyway if it was the case, once someone’s bought it’s theirs forever as far as I’m concerned
@@RichiiWainwright Okay thanks
hello , i am a guitarist but noob at using daw. why does lots of youtube cover videos have guitar sounds soo good unlike jaming in the room, meanwhil ewhen i record the guitars they sound soo lifeless
Your room has its own acoustic properties, which will influence the sound. Unless you have a properly prepared practice room, you might want to grab some decent headphones.
Are you recording the clean signal into a DAW and put a VST on top? Or are you trying to record your amp?
Industrial metalcore? where have we gotten to?...
singularity, apparently
Industrial music is laced in metalcore especially from the 2010s onwards
A good place. Metalcore is way better than it's ever been imo
How the hell you get that tone 😂 ive dropped £150 on the tube screamer and the fortin with the dree octiver but by god my tone is miles off this
Damn. This is why I need to get sponsored by these companies asap. I'm selling their gear for them and I'm not even meaning to. This amp and pedal are by no means the "right" thing to use, and the band no way used these products for their music. It's just what I have, and the idea with this vid is to show people you can use whatever you have and don't have to buy the same gear the band used. Whatever gear you're using it always comes down to using your ears.
The only other thing I'm using though, besides the amp and Tubescreamer, is EQ, so I don't know how your tone could be far off if you're using the same things. I'd probably have to hear a clip or something to help
Tuning?
I am willing to buy the Cubase template. Are you selling that?
I can do but you’d need to have all the same plugins? If you do then hit me on my email in the description!
@@RichiiWainwright email sent! 🤘
For someone who knows nothing about music production about from basic tuning for Guitars & Drums.. Seeing the computer programs being used, looks like absolute fucking witchcraft to me
I have a challenge for you: Industrial Metal... Disco
Sounds like Static-X? Which for sure I will do a video on at some point!
@@RichiiWainwrightI wouldnt consider Static X disco influenced. Closer examples might be Electric Callboy (big room house + metal aka electronicore) or Bill McClintocks Close Fire mashup (industrial + funk)
Can anyone tell me what DAW this is please?
Cubase
Did you just copy paste your take for quads?
Not a fan of quad tracking. I’m doubling and just using two amps/tones for each channel, so both L tones are working together to make one sound, and same with R
Great content man!!!! Pure porn to me 😅 It would be extremely helpful if you could add chapters to these videos!
Cheers from Chile!
Korn isn't an influence on modern metal bands? Lol
I don't pay attention to a lot of modern metal tbh. But I wouldn't imagine bands like Architects would list them as a main influence? I hope I'm wrong haha
Thats why i give my songs to someone else for mixing and mastering. Dont have time and motivation to learn all this
Илья спишь?