ฝัง
- เผยแพร่เมื่อ 27 ก.พ. 2022
- First published 1886.
Brüll (1846-1907) was a Moravian-born pianist and composer who lived and worked in Vienna.
His operatic compositions included Das goldene Kreuz (The Golden Cross), which became a repertory work for several decades after its first production in 1875, but eventually fell into neglect after being banned by the Nazis because of Brüll's Jewish origins. He also wrote a small corpus of finely crafted works for the concert hall and recitals. Brüll's compositional style was lively but unabashedly conservative, in the vein of Mendelssohn and Schumann.
Brüll was also highly regarded as a sensitive concert pianist. Johannes Brahms regularly wanted Brüll to be his partner in private performances of four-hand piano duet arrangements of his latest works. Indeed, Brüll was a prominent member of Brahms's circle of musical and literary friends, many of whom he and his wife frequently entertained.
2 years after these pieces were published, in 1882, Brüll married Marie Schosberg, a banker's daughter who became a popular hostess to Viennese musical and artistic society. Brüll now shifted his attention towards composition, reduced the number of concert engagements, and permanently gave up touring. He also found himself playing host to Johannes Brahms's circle of friends, including the powerful music critic Eduard Hanslick, the musically minded eminent surgeon Theodor Billroth, and composers such as Carl Goldmark, Robert Fuchs, and even Gustav Mahler.
When Brahms wanted to audition his latest orchestral compositions, as was his habit, to a select group of connoisseurs in four-handed versions for two pianos, Brüll regularly played alongside the senior composer. From 1890, Brüll's new holiday home (the Berghof) in Unterach am Attersee also became a social venue.
Unlike Brahms, Brüll was a man of the theatre, and he went on to compose at least seven more operas, which however did not approach the same level of popular success as Das goldene Kreuz. His final opera, the two-act comedy Der Hussar, was well received when it was staged in Vienna in 1898.
I played a mazurka of him
• Ignaz Brüll: Mazurka, ...
--------------------------------------------------------------------------------------------------------------------------
- A method to find scores: • Where I get most of th...
- My donation link to keep the channel growing: www.paypal.com/paypalme/gamma...
Thanks for listening :-) - เพลง
Julian, you are no amateur pianist . Your interpretation is exquisite. Thank you for bringing this music to life in such a rewarding way. Brull is a sublime composer and your interpreter is truly beautiful.
Произведение словно пархающие бабочки🦋 нежная, приятная музыка
Que pronto hoy!!! Gracias, es una suerte haberte encontrado! Todo un descubrimiento.
Bellissima... la minore è una delle mia tonalita' preferite!!!!!
Lovely! Thanks for posting. You have introduced me to to so many new pieces....and I thought that my knowledge of the piano repertoire was already extensive
Excellent
Like 79👍🎶🎹👏
Огромное вам спасибо
I love the chords progression in the start of the pieces
A brilliant piece, a brilliant performance as usual.
MAGNIFIQUE !!! Aussi beau que Chopin !!! Quel génie Ignaz Brüll 🙏🏼
Such beautiful melancholy ... Thank you, Gamma
Je ne saurais jamais vous remercier assez, pour tout le bonheur et le plaisir que vous nous offrez avec toute la musique que vous nous faites découvrir et la touche de sensibilité que vous donnez à tout morceau que vous jouez.
Le jour où je me suis abonnée à votre chaîne, c'était mon jour de chance.
Continuez ainsi!
Obrigada por nos proporcionar momentos tão lindos,que elevam a nossa alma ❤❤❤
I absolutely love the way you stretch each phrase, you can almost feel it just as much as you're hearing it. A 99% perfect performance 👏🏽👏🏽👏🏽
How did you forget 1%
Strepitoso brano e strepitosa interpretazione! Un canale magnifico! Grazie Maestro!
Very nice piece and playing. I love to find unknown composers and this one was born in a city close to my hometown (10 minutes) cool.
You played this gem with such profound understanding and tact and tenderness that you must be fascinated with this composition? I am. Thanks a million. PS. I will listen to it again and again.
Ноты есть?Сапасибо вам за душевную музыку❤
splendid!! Your channel is a rarity to find and I appreciate this very much!!!!
thank you!
Wonderful! Tnx for postíng, I will try to get the sheet music so I can play this, it is so beautiful 😍😍😍
I hear Mendelssohn, Beethoven and Chopin here... It's like a new "Song without words"
A real gem
I like literally every piece I've heard, please keep it up.
great!
Muy bella pieza!
Прекрасное произведение,интересно в техническом плане есть над чем поработать.
😍 I LOVE IT!!!
Очень хорошо сыграно
Lovely!!
A lot of character in this piece. Very nice.
Wow, I’m starting to learn it! Even though I just started the arrieta.
Very nice!
The beginning of the theme reminds Tsaykovski's "12 months" part.
Very good piece!
Nice
Die phasenweise Betonung der jeweils ersten Achtel der linken Hand als gleichsam eigenständige Melodie gegenüber der rechten gefällt mir!
ja, das war eine Idee die ich beim spielen plötzlich hatte , der Bass gibt das hier her
👍👍👍👏👏👏
0:44 Rach 3 ;)
1:00, 1:07 beethoven tempest 3rd mov be like
Мелодичная пьеса.Но композитор что- то чрезмерно наваял.