Physical Education 7 Week 1 4th quarter Philippine Folk Dances

#Physical #Education7 #Week1 #4thquarter #Philippine #FolkDances
PHYSICAL EDUCATION ACTIVITY
ACTIVITY 1
1. Folk Dance in a Nutshell
A. Basic Concept of Folk Dance
 Folk dancing is the oldest form of dance probably one of the earliest forms of communication. It is this self-expression that separates folk dancing from
the functional aspects of games and gymnastics in the physical education
program
 Dance is the expression of oneself through rhythmic movement. Folk dance,
which is also the expression of oneself, is an expression through patterned
movements. It is probably this characteristic of folk dance that has turned
many youngsters off to dance - their inability to perform a set of patterned
movements.
 Folk dance may be defined as the traditional dance of a given country which
evolved naturally and spontaneously with everyday activities, e.g.
occupations, customs, festivals, rituals and innumerable themes common
to all people everywhere.7
B. Characteristics of Philippine Folk Dances
 Dances begin and end with a saludo.
 In general, dancers are about 6-8ft. apart is normal.
 There is little body contact, although holding hands is common.
 Most dances are done in pairs.
 Performed by both young and old and by both sexes.
 Hand movements play a very important role.
C. Classification of Philippine Folk dance
1. Dances of the Cordillera Groups
The Cordillera groups composed of the Bontocs, Ifugao, Benguet, Apayao, Kalinga, Itneg,
Ilonggot, and gadding BIBAKIIG) have their own unique customs reflected in their dances.
Most of their dances are reflections of daily living. They used metal gongs called ganza and
other percussive instruments. Examples:
#Balangbang - victory dance performed after head hunting; Bumayah - a festival dance among the Ifugao for thanksgiving in their Gods; #Ragragsakan - a work dance of Kalinga women where they carry basket on their heads; Idaw - a mock battle dance ensues between two tribes.
2. Western Influenced Dances
When the Spaniards came to the Philippines in the 16th century, the natives started to lose most of their ancient traditions which include performing arts. In no time dances from Spain such as Jota, balse, pandanggo, habanera, mazurka, paseo and escotis were
adapted and adopted to the tastes and needs of the society. Examples:
#Pandanggo sa ilaw - a dance from Mindoro using tighoy or oil lamps; #Carinosa -the famous National dance of the Philippines depicting the character of Filipina; Jota De
Manila - Manila’s version of the famous Jota
3. Dances of the Muslim Groups - the ethnic groups are the Maranao,
Maguindanao, Tausug, Yakan, Samal, and Badjao. Common to their dances are the use of fingers to express emotions.
Examples: #Singkil ( a Maranao dance derived from the sounds of the bell anklets worn by the Princess) #Janggay( a Tausug female dance using extended fingernails) #Sua-kusua(a dance from Jolo Sulu meaning “ My Pomelo Tree”)
4. Dances of the lesser-known groups/Ethnic dances - are Ethnic groups living
in the different locations in the country that are untouched or never been
influenced by the Westerners. They are Bukidnons, Bagobo, Manobo,T’boli
and B’laan.
Examples: #Dugso (a dance by women commonly wearing bell anklets driving away bad spirits) Binanog (version of hawk dance)
5. Dances of the Countryside - dances that typically characterized the nature and kind of work of the people. Depicts daily activities and mostly light and more informal.
Examples: Bulaklakan (dance using arches festooned with flowers) Binasuan ( dance
which requires skill in balancing glasses of wine) Maglalatik ( playful dance of young
men beating coconut shells) Tinikling (derived from the long-legged Philippine bird called “Tikling”) Gayong-Gayong ( a game dance) Tinolabong is a danced name after a bird
called Tolabong I Capiz.

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