Bergman and Antonioni

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  • เผยแพร่เมื่อ 3 ส.ค. 2012
  • In this archived episode from the Movie Geeks United podcast, the hosts pay tribute to Ingmar Bergman and Michelangelo Antonioni days after their deaths on July 30, 2007 with guests Peter Burnett and NY Times writer Adam Bernstein.
    For more information on Movie Geeks United, and to listen to our archive of over 600 filmmaker interviews, visit us at www.moviegeeksunited.net.
    Facebook: / moviegeeksunited
    Twitter: / moviegeeksunite
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ความคิดเห็น • 19

  • @jackspry9736
    @jackspry9736 ปีที่แล้ว +1

    RIP Michelangelo Antonioni (September 29, 1912 - July 30, 2007), aged 94
    And
    RIP Ingmar Bergman (July 14, 1918 - July 30, 2007), aged 89
    You both will be remembered as legends.

  • @markvegar33
    @markvegar33 3 ปีที่แล้ว +5

    Navigating the interior world is the objective of a great film maker like Bergman.

  • @amantidereligiosa13
    @amantidereligiosa13 9 ปีที่แล้ว +15

    They are the best... I can't remember how many times I watched "La Notte" and "The Seventh Seal"...

  • @detriplea
    @detriplea 12 ปีที่แล้ว +6

    La notte...what a film. I watch it every week and just simply wow. Same goes to Persona.

  • @boheem3451
    @boheem3451 8 ปีที่แล้ว +11

    Maybe both can be right. Hitchcock uses close-up to convey emotion, Antonioni uses full frame wide shots to convey emotion.

  • @JesusCristo2002
    @JesusCristo2002 11 ปีที่แล้ว +5

    Just saw "The Virgin Spring" last weekend and the ending is once bleak and optimistic. In my mind, the greatest film ever made on revenge.

  • @buffery333
    @buffery333 10 ปีที่แล้ว +3

    peter burnett is the first author speaking about antonioni, wong kar-wai, heneke etc..

  • @moviegeeksunited
    @moviegeeksunited  11 ปีที่แล้ว

    Thanks for listening, Febbra!

  • @ByronQDirector
    @ByronQDirector 9 ปีที่แล้ว +1

    good stuff thanks for posting

  • @g2kmaster
    @g2kmaster 10 ปีที่แล้ว +1

    Five minutes into this, and I got to wonder why certain motifs of expression are put at odds. Antonioni didn't want a lot of cutting in conversational scenes as to create a oneness of character and location, but I could easily see that both goals can be achieved. Expressive lighting and set design/art direction in a conversational scene kept in medium close up could very well work - that is whether or not the conversation is in a public or private place due to having to take into account the onlookers.

  • @LeonardoPaolini
    @LeonardoPaolini 9 ปีที่แล้ว

    spettacolo

  • @seanv567
    @seanv567 8 ปีที่แล้ว

    I thought Serpents Egg is a definite must watch. I have seen it a few times and like suggested ,it is really a horror war film to the point that it actually gives you his version of Armageddon.

  • @febbra2
    @febbra2 11 ปีที่แล้ว +1

    Haha, life can be boring, indeed. Superb podcast, I loved it!

  • @juanitaolr
    @juanitaolr 11 ปีที่แล้ว +1

    I wonder if it's possible to know what's the name of the writer of the interview and I also want to know where can I find his books about Antonioni, Haneke, etc.
    Thank you, great video!

    • @kurtbaty9576
      @kurtbaty9576 4 ปีที่แล้ว +1

      I believe it was Peter Burnett.

  • @peterkerj7357
    @peterkerj7357 3 ปีที่แล้ว +1

    16:40
    Aristotle was an idiot toothbrusher I guess.

  • @azzouzhassan8721
    @azzouzhassan8721 7 ปีที่แล้ว +2

    i feel like simplicity is the hardest thing to do all those genius directors bergman godard antonioni are great but they seem to push it so hard it feels like existential art lol whats wrong with a cose up or even a stupid story but hey who iam to judge if will say that scorcese is the real deal for me or comic books or porn whatever smell intuitive or childish gives me joy lol