Very well done. For me as someone who loves photography but occasionally wants to capture video. This little camera has been such a relief. I absolutely love how easy it is and how small it is. No more having to worry about does my camera do "Hybrid" well enough. No, just get the right photography camera and let this little bad guy take care of all the video needs. It goes with me on all my travels now and it's the main random last second family moment capture device for video needs now.
Great video, i bought one in the Fall and I'm so pleased with the shots I'm getting. Really amazing little camera. I love that you always shoot a minidoc with your reviews!
The one-inch sensor makes a huge difference in the fall off. This is the most convincing small profile camera I've seen in a long time. The DOF makes it seem like a Sony pocket cam, which is big for usability.
Amazing work. The doc, story and editing of this shows it’s also not about the camera, but contents. That being said this is some of the best OP3 work out there, if it wasn’t in the title I don’t think any would guess it wasn’t on something 5-10x the cost. Thank you for showing this in use for professional setting/work.
Nice documentary - reminds me of my track days. I used to stuff my Honda CBR into the back of my Honda Element. You captured the behind the scenes vibe well. Good luck to Wakamatsu-san. Keep the shiny side up!
Thank you for this video, Johnny. I watch your Mini-Documentaries, especially the ones from Japan, always twice - one time for enjoying the topic and one time for the gear review. The Osmo Pocket 3 is so popular, I think a dedicated MZed-course, showing how to use it for documentaries as this one, would be really great. Maybe you find some time for teaching? 😉
Thank you for taking the time to watch those mini-docs! Great idea, to create an MZed course and feature the Osmo Pocket 3. It might take time, but I'll get there. Thanks again ❤
Oh my god this was fantastic. Quite blown away by how good the footage looked in these cloudy circumstances. Would love to see you give this a shot on a sunny day with higher dynamic range out in the open.
Thank you Johnnie. I remember enjoying the interviews with Wakamatsu-san as the sympathetic Mastermind behind the FP. The "Auto-Bio-Mist-Filter" in my Eyes re-ensures me, that we are witnessing friendship in bloom. Thanksfor sharing :) yet another case of "missed to analyse the footage". good sign :)
Masterful work here! The way this was shot and edited + the image quality -- I would have been hard-pressed to guess this was on an OSMO Pocket 3! The only giveaway about a smaller sensor were some of the darker meals scenes toward the end.
This was fantastic! Watched it on a 75” TV. Amazing work CineD! Unrelated: I hope DJI makes smaller/invisible mics (no logos) and 32-bit float recording in the near future. The newly announced Hollyland M2S has an interesting size form factor.
You sold me Johnnie. Sometimes I admit, as an owner of this camera and Blackmagic Pockets Cameras, I’ve dismissed this camera because it’s small. Now I’m encouraged to use this camera beyond vlogs and BTS content. Thank you, Johnnie. Also, a tele lens adapter would be helpful.
Hey. Apply the DJI D-Log M, Rec.709 official LUT (www.dji.com/uk/downloads/softwares/osmo-pocket-3-dlog-to-rec709), then grade to your liking. You can use the CineD LUT builder to do so (cined.fylm.ai/). In the "ACES input transform" Choose Rec 709 to start with, and take it from there. Thank you!
I love this camera, the quality for the size is amazing. Take anywhere and just slip it out in seconds so to not miss anything in busy Bangkok. I love it ❤
Its a very capable setup, however filters can be fiddly if they are too thick to remain on the lens when turning off the camera. I wish someone made a 35mm "lens" for it.
We are curious to find out if the next generation of the Osmo Pocket Camera will surpass the existing picture quality of the current one (whenever it comes).
Excellent documentary -- regardless of the equipment. The Pocket 3 looks to capture 'interview' and small-group very well (like the shots at the dinner table) -- but yes, some sort of tele lens would be useful. Unfortunately it exhibits one thing common with most modern stabilization -- it stabilizes the horizon and not the subject. So when you were shooting Wakamatsu-san as he was driving, the distant horizon was stabilized, not his head. In a traditional documentary with this sort of shot, the goal would be to keep his head as stable/centered as possible, to help keep the visual attention on him as he speaks -- with the Pocket 3 I found it a little distracting that his head moved while the distant horizon, out the window, was stable. But that's a limitation of the design of most modern equipment -- doing such a shot with traditional equipment is very difficult to stabilize any elements of the shot! But the 'close' audio, head shots and shots of Wakamatsu-san working on his motorcycle had just the right FOV. I did have one question -- in the shots of the motorcycles racing on the track, sometimes the shot would shift to slow-motion and then back to regular motion -- was that simply shooting at a high frame rate on the Pocket 3 and then dropping the playback speed in post for just those sections? It worked very well, but I'm just interested in the exact technique used. Thanks!
Very well done. For me as someone who loves photography but occasionally wants to capture video. This little camera has been such a relief. I absolutely love how easy it is and how small it is. No more having to worry about does my camera do "Hybrid" well enough. No, just get the right photography camera and let this little bad guy take care of all the video needs. It goes with me on all my travels now and it's the main random last second family moment capture device for video needs now.
This is exactly why I ordered one this week.
Great video, i bought one in the Fall and I'm so pleased with the shots I'm getting. Really amazing little camera. I love that you always shoot a minidoc with your reviews!
Thank you for taking the time to watch the video and your support!
The one-inch sensor makes a huge difference in the fall off. This is the most convincing small profile camera I've seen in a long time. The DOF makes it seem like a Sony pocket cam, which is big for usability.
Bought one and it literally saved my entire pay for a day when my main cam went down. Worked great
Amazing work. The doc, story and editing of this shows it’s also not about the camera, but contents. That being said this is some of the best OP3 work out there, if it wasn’t in the title I don’t think any would guess it wasn’t on something 5-10x the cost. Thank you for showing this in use for professional setting/work.
Thank you for your kind words. It is good for what it is. (Product review)
OOOHH! It's Takuma! Good job on this vid, Johnnie.
Hey Ted, good to see you here, and thank you for taking the time to watch the video!
Nice documentary - reminds me of my track days. I used to stuff my Honda CBR into the back of my Honda Element. You captured the behind the scenes vibe well. Good luck to Wakamatsu-san. Keep the shiny side up!
Thank you for this video, Johnny. I watch your Mini-Documentaries, especially the ones from Japan, always twice - one time for enjoying the topic and one time for the gear review. The Osmo Pocket 3 is so popular, I think a dedicated MZed-course, showing how to use it for documentaries as this one, would be really great. Maybe you find some time for teaching? 😉
Thank you for taking the time to watch those mini-docs! Great idea, to create an MZed course and feature the Osmo Pocket 3. It might take time, but I'll get there. Thanks again ❤
Hands down the best purchase I made last year. I need to shoot Pro mode to take advantage of all it has to offer.
I agree with it being a best purchase.
Fabulous documentary and great quality
Oh my god this was fantastic. Quite blown away by how good the footage looked in these cloudy circumstances. Would love to see you give this a shot on a sunny day with higher dynamic range out in the open.
Thank you! In the future, we will try and do another round of content with this camera in brighter weather conditions. Thanks again!
Amazing work!
Thank you!
Thank you Johnnie. I remember enjoying the interviews with Wakamatsu-san as the sympathetic Mastermind behind the FP. The "Auto-Bio-Mist-Filter" in my Eyes re-ensures me, that we are witnessing friendship in bloom. Thanksfor sharing :)
yet another case of "missed to analyse the footage". good sign :)
Thank you for watching and leaving a comment. Truly appreciated!
Masterful work here! The way this was shot and edited + the image quality -- I would have been hard-pressed to guess this was on an OSMO Pocket 3! The only giveaway about a smaller sensor were some of the darker meals scenes toward the end.
Thank you, Anthony! Jay my colleague did a great job editing this piece!
Which no one would notice if you weren’t looking for them.
This was fantastic! Watched it on a 75” TV. Amazing work CineD! Unrelated: I hope DJI makes smaller/invisible mics (no logos) and 32-bit float recording in the near future. The newly announced Hollyland M2S has an interesting size form factor.
DJI mic mini is just a magnet without logo on outside of shirt
@ wish the DJI Mic Mini had 32-bit and no visible logo.
@ the logo isn’t visible if you put the mic inside the shirt and the magnet on outside
@@TheEditingResource It was my mistake. I simply forgot to cover the magnet with gaffer tape...(As I always do)
You sold me Johnnie. Sometimes
I admit, as an owner of this camera and Blackmagic Pockets Cameras, I’ve dismissed this camera because it’s small.
Now I’m encouraged to use this camera beyond vlogs and BTS content. Thank you, Johnnie.
Also, a tele lens adapter would be helpful.
I have to admit that I dismissed it too :(. It's only after taking it on a family vacation that I discovered what a small and powerful tool it is.
This was great, i own one myself, low light is insane for the size...i guess the next step for DJI is getting a mavic 3 4/3 camera onto the next osmo.
thank you for this, it's amazing! I love mine, also I agree, maybe a bigger sensor with more lenses options!
Let's hope so!
Share Colour grading video of this episode
Hey. Apply the DJI D-Log M, Rec.709 official LUT (www.dji.com/uk/downloads/softwares/osmo-pocket-3-dlog-to-rec709), then grade to your liking. You can use the CineD LUT builder to do so (cined.fylm.ai/). In the "ACES input transform" Choose Rec 709 to start with, and take it from there. Thank you!
Nice video! I use the osmosis pocket 3 for all my videos for my TH-cam channel and its amazing quality!
I love this camera, the quality for the size is amazing. Take anywhere and just slip it out in seconds so to not miss anything in busy Bangkok. I love it ❤
Absolutely right!
Great job.
Its a very capable setup, however filters can be fiddly if they are too thick to remain on the lens when turning off the camera. I wish someone made a 35mm "lens" for it.
Hey. With some filters, indeed. With this specific K&F vari ND filter, there was no issue at all. Thank you!
This is an amazing compact camera. They should bring back the original DJI OSMO 4K wich is the smartphone gimbal with the drone cameras. Cheers.
Quality looks so good, it looks like it was recorded with an expensive high end camera.
We are curious to find out if the next generation of the Osmo Pocket Camera will surpass the existing picture quality of the current one (whenever it comes).
charming doco, regardless of the gear
Thank you, Terry!
Excellent documentary -- regardless of the equipment. The Pocket 3 looks to capture 'interview' and small-group very well (like the shots at the dinner table) -- but yes, some sort of tele lens would be useful. Unfortunately it exhibits one thing common with most modern stabilization -- it stabilizes the horizon and not the subject. So when you were shooting Wakamatsu-san as he was driving, the distant horizon was stabilized, not his head. In a traditional documentary with this sort of shot, the goal would be to keep his head as stable/centered as possible, to help keep the visual attention on him as he speaks -- with the Pocket 3 I found it a little distracting that his head moved while the distant horizon, out the window, was stable. But that's a limitation of the design of most modern equipment -- doing such a shot with traditional equipment is very difficult to stabilize any elements of the shot! But the 'close' audio, head shots and shots of Wakamatsu-san working on his motorcycle had just the right FOV. I did have one question -- in the shots of the motorcycles racing on the track, sometimes the shot would shift to slow-motion and then back to regular motion -- was that simply shooting at a high frame rate on the Pocket 3 and then dropping the playback speed in post for just those sections? It worked very well, but I'm just interested in the exact technique used. Thanks!
Hey, thank you for leaving a comment. Yes, shot at a high frame rate and manipulated in post. Thank you!
At 120 fps or 60 fps? @@CineD
@@ariefindrabayu7688 Hey. at 120fps. Thank you!
And no weather sealing
You are using DJI camera to shoot the Sigma guy instead of FP camera 😜 nice Doc
No more a SIGMA guy :) And thanks for watching!
@ haha nice doc. Your Doc’s are always authentic and relaxing
Video payed by DJI..just selling the camera 😢
No, NOTHING was paid by DJI!