You have so much potential, break into the world of Cinema do look, and then give meaning
That's actually pretty insane and inspiring! The level of expertise behind the camera is mind-blowing as well! I'm actually curious about your experience with the og camera, since I'm planning to buy either og or 4k. As for novice, would you recommend the og camera over 4k pocket? I want to get into cinematography but it's seems pretty hard to decide since now they're both cost almost the same and I love some footage that I see from both.
Thank you so much! 🥰 Both cameras are great, and I use them both. The Pocket 4K can also be used for commercial work, while the BMPCC-OG has a great organic look-really awesome. It's your decision. If you need more info or you want to learn filmmaking with the BMPCC-og, send me a message to my Instagram or Facebook "Neogray Films"
What people need is to feel, no matter what your gear and how expensive it is. And you delivered it.
You are a true Artist. I can't wait to see the movie you're working on 😃
Great Work!! In this day and age where we are being constantly bombarded with "buy this, you need that, Is it still worth it?.. blah blah blah..", You are proof it's not so much about the gear but the one using it.
Thank you so much! 🙏🏻🥰 The camera is just a tool, not the filmmaker. 😇
hello , the shots are great!!! what lenses did you use?
Thank you so much! 🙏🏻🥰 a few...Minolta 50/1.7, Sigma Art 18-35/1.8, TT Artisan 17mm/1.4, Samyang 16mm T2.2, Lumix 12-35/2.8
Absolutely amazing work. Keep up and looking forward to your next cinematic video
One thing i always loved about this camera was how portable it was! And wow incredible images
The compositions are superb! Great work!
@@NEOGRAYFILMS What lens was used on the second shot at the start of the video? I love the bokeh, it looks like an anamorphic lens but I can't say for sure which one
@@MattiLoimarantaSigma Art 18-35/1.8 with 0.71 Viltrox speedbooster plus oval bokeh mod aperture insert. (similar to Vid Atlantic)
@@NEOGRAYFILMS Whoa, it totally sold me as a true anamorphic lens. Did you do any post processing with stretching or distortion? Looks super good!
How do you feel looking back to all your creations during one year? Congratulations, amazing!
@@arhiiso Thank you so much! 🙏🏻🥰
My opinion: The BMPCC-OG is a great little powerful beast. The camera is just a tool; the rest is cinematography. Because of its organic look, it is definitely the best choice for budget filmmaking. You shoot with whatever camera you own. Don't focus on the camera's capabilities; just trust in its capabilities. Light, composition, production design, movement, angle, sound, story, costume, psychology, and color are more important than your camera. Yes, the BMPCC-OG is my "first love." 🌞 In the near future, cheating with Alexas and Monstros would not be a sin. 😇
@@NEOGRAYFILMS Thank you for your answer! Yes, I agree with what you are saying, in the end all of those that you are saying will make the viewer feel a certain emotion.
I saw a list of the lenses you use, which one of them all is your favorite with this camera? I'm in the process of buying the bmpcc og and your work is stunning
@@EllmarBenitez Thank you so much! I would say Sigma Art 18-35 with speedbooster or Lumix 12-35. Both are great choice! 🌞
Truly talented! I would rather have you on set with the OG than a uninterested dp with a Arri
Such great cinematic works. Hope you keep it going with the Blackmagic. Its organic, filmic look and your eye for composition begs the thought for a full feature in the future
@@KeithWhatshisname Thank you so much! 🙏🏻 I am continuing with filmmaking but in a less camera-oriented way...Focusing more on cinematography. Of course, the BMPCC-OG is one of the cameras that I enjoy using. 🌞
This is sooo good! Can you tell us more about your Rig and the lenses used? Maybe a tutorial as well on how you achieve this look?! Thank you!
@@atharvakambli9048 Thank you so much! 🙏🏻 35 films and 35 different looks. Minolta 50/1.7, Sigma Art 18-35/1.8, TT Artisan 17mm/1.4, Samyang 16mm T2.2, Lumix 12-35/2.8. About the rig...long story, external NPF batteries, monitor, follow focus etc. 🙂 I have a BMPCC-og school too. If you need more info send me a message to my Instagram or Facebook page "Neogray Films"
Hi there when you film outside you use nd filter snd pro mist ? When do usually film morning or when ever ? Thanks
Variable ND filter, mist filter sometimes, depend on the mood. I prefer late afternoon and golden hours.
Amazing! What lens is it shot with? 😃
@@srensloth7357 Thank you so much! 🙏🏻 It's about 35 films... It's a long list but here is a few lenses that I enjoy using with BMPCC-og. Minolta 50/1.7, Sigma Art 18-35/1.8, TT Artisan 17mm/1.4, Samyang 16mm T2.2, Lumix 12-35/2.8,
The fast these images are so visually stunning is one thing, but the fact theyre on the OG Pocket camera is a whole different level of talent. You're an artist! Do the LUTs you sell apply to footage thats already graded to R709? Or do you drop them directly on LOG footage? I haver the S1H and I have a great Vlog-R709 LUT and id like to use these to grade my footage.
@@PontasticMP Thank you so much! 🙏🏻🥰 If you want the Luts for Rec709 footages let me know, otherwise you can apply directly to the log file or you can control them with key output (DW).
@@NEOGRAYFILMS Awesome! I have the Panasonic S Series and I shoot in Vlog. I have a great LUT to make the Vlog into R709, so if you have a LUT pack for R709 id LOVE to buy that
Brother, can you help me in my torment, learn to draw like this, I know the basics of Davinci determination and I want to learn from you how you draw. I watched a lot of tutorials and my choice was based on your work, the way you drew it and you drew it the way I expected and that impressed me. Can you make a video tutorial and post it on your channel?
@@d.a9567 Thank you so much! 🥰 Send me a message to my Instagram or Facebook "Neogray Films"
So cinematic! Wich lenses do you use with the Og?
Thank you so much! 🙏🏻 It's a long list but here is a few favorite: Minolta 50/1.7, Sigma Art 18-35/1.8, TT Artisan 17mm/1.4, Samyang 16mm T2.2, Lumix 12-35/2.8,
After seeing your work I’m no longer selling my Bmpcc 4K.
All films was shot on the BMPCC-OG not on the 4K version. All Cine DNG and upscaled to 4K resolution bacause of TH-cams hard compression. Thank you!! 🙏🏻🙂
hey! quick question. I'm having problems matching the color of the RAW Cinama DNG footage with the ProRes Footage. In davinci I set the Cinema DNG to Blackmagic Design Film Gen 1. But when I compare it with the ProRes footage looks different. Do you know why? thanks!
@@NailujProducciones can you please send me message to my Instagram or Facebook "Neogray Films" ?
Damnit, you're making me want to keep my OG. I recently bought a Sigma FP on the condition I sell my BMPCC OG, but seeing stuff like this makes me question that decision. :/
This is when bm was listening to arri and they cared about the sensor now they care about doing crazy shit lol
what lens do you use on this camera?
@@lifeofahfei1996 Thanks for Watching! 🙏🏻 It's a long list but here is a few favorite: Minolta 50/1.7, Sigma Art 18-35/1.8, TT Artisan 17mm/1.4, Samyang 16mm T2.2, Lumix 12-35/2.8,
What lenses you ised for these videos?
@@avivtsani632 a few...Minolta 50/1.7, Sigma Art 18-35/1.8, TT Artisan 17mm/1.4, Samyang 16mm T2.2, Lumix 12-35/2.8
what lenses are you using?
поздравляю) где Luts?
@@SatDjonatanGreen send me a message to Facebook or Instagram "Neogray Films"
Fantastic. What lens or lenses are you using?
Thank you so much! 🙏🏻🥰 a few...Minolta 50/1.7, Sigma Art 18-35/1.8, TT Artisan 17mm/1.4, Samyang 16mm T2.2, Lumix 12-35/2.8
what lens did you use in this images?
Thanks for watching! 🙏🏻 It's a long list but here is a few favorite: Minolta 50/1.7, Sigma Art 18-35/1.8, TT Artisan 17mm/1.4, Samyang 16mm T2.2, Lumix 12-35/2.8,
another proof that is never the camera that creates beauty. it's what is infront of it and who captures it. Great work!
@@NOIRGRADE Thank you so much! 🥰