Thank you so much, very happy that you enjoyed it. co artists were my guru, Kelucharan Mohapatra, Pt Rakhal Mohanty vocal, and composer of most of our musical compositions, Pt Bhubaneswar Misra, and guruji's son, Ratikant on manjiras.
Mam, my pernaam, to u, u look like,godess , aapko ,guruji ka sanidhya,mila,this is itself, blessings of lord jaggenath to u, the,great great,guruji was yr guruji, 😢 🙏🌺
Beautiful performance Ms Lowen. I have a question though. There is a small Nrtta portion after the sloka but before the Sabha pranam. I think it adds a unique charm to this mangalacharan, but it is not performed nowadays. Do you know why it isn't performed in Manikya Veena any more? Also, do you know why this was added to this item? What influenced Guruji to include this? Are there other Mangalacharans with a similar Nrtta part? Why don't other Mangalacharans have these short Nrtta portions? I greatly appreciate any insight ma'am.
a good question. This small nritta portion is also part of the Pade Vande Mangalacharan choreography. If other dancers no longer include this in these two mangalacharans it is because today every performance is required to be as short as possible or because their teacher didn't include it in the teaching process for their own reasons. During most of my career, performances were 2 1/2 hours with one 15 min inermission for costume change, now many choreographies are abridged. Namami vignarajan is the first and shortest mangalacharan so it was natural not have beginning dancers learn a longer Sabha pranam.
The ministrations were so beautifully delicate! The poses, where you stopped, were just so picturesque. Also ma'am, do you know what the raga of this composition is?
I see so many foreign people dancing odissi in stage program.small group of people kill this dance form and mam i salute you what a flow of movements i like it so much . Make expression work HARD...... And make your day
Thank you. my guru, the great Padma Vibushan Kelucharan Mohapatra had full confidence that the art is so great that it would not be killed by lesser presentations as the cream will always rise to the top, so generously teaching all who wished to learn was best for the art
K. Viswanath had asked me to learn a bit of Kuchipudi to perform in Swarna Kamalam but I am trained in Odissi and he allowed me to present that for the first time in a Telegu film as I was playing myself to inspire the heroine.
i agree, and i am fortunate to have recordings of Rakhal-da vocal, Bhubaneswar Misra-ji, Kelubabu and Shibu. We are also fortunate that Shibu and family are carrying Odissi forward.
An excellent dancer with great human being.. Salute to Sharon ji and her co artists
Thank you so much, very happy that you enjoyed it. co artists were my guru, Kelucharan Mohapatra, Pt Rakhal Mohanty vocal, and composer of most of our musical compositions, Pt Bhubaneswar Misra, and guruji's son, Ratikant on manjiras.
@@SharonLowen1 You are God gifted , Such a down to earth Human being and Great dancer. Salute to you.
@@SwaranjaliDelhi thanks Subroto. I am grateful for your feelings
This is so beautiful!! Such grace in your dance Guru Sharon. Thank you for sharing
Thank you so much!
😍😍😍 what a performance
very kind, thanks
@@SharonLowen1 thank you for replay ❤️❤️😍
The legend herself
My guru is the legend.
Many thanks!
Beautiful music.
Glad you like it! Gurujo on mardala, Misra ji on violin, Rakhal da vocal, Shibu manjiras
Mam, my pernaam, to u, u look like,godess , aapko ,guruji ka sanidhya,mila,this is itself, blessings of lord jaggenath to u, the,great great,guruji was yr guruji, 😢 🙏🌺
Thanks a lot
Beautiful performance Ms Lowen. I have a question though. There is a small Nrtta portion after the sloka but before the Sabha pranam. I think it adds a unique charm to this mangalacharan, but it is not performed nowadays. Do you know why it isn't performed in Manikya Veena any more? Also, do you know why this was added to this item? What influenced Guruji to include this? Are there other Mangalacharans with a similar Nrtta part? Why don't other Mangalacharans have these short Nrtta portions?
I greatly appreciate any insight ma'am.
a good question. This small nritta portion is also part of the Pade Vande Mangalacharan choreography. If other dancers no longer include this in these two mangalacharans it is because today every performance is required to be as short as possible or because their teacher didn't include it in the teaching process for their own reasons. During most of my career, performances were 2 1/2 hours with one 15 min inermission for costume change, now many choreographies are abridged. Namami vignarajan is the first and shortest mangalacharan so it was natural not have beginning dancers learn a longer Sabha pranam.
@@SharonLowen1 thank you so much for the insight, I really appreciate it.
are you sure you're not Indian? You look and move like one ha! ha! Really beautiful, thank you :)
This is so beautiful! Thank you for sharing such a lovely performance
Thank you so much!
¹
The ministrations were so beautifully delicate! The poses, where you stopped, were just so picturesque. Also ma'am, do you know what the raga of this composition is?
there are 4 ragas.Malkaus, Bagashri, Mishra Kamaj and Durga,
which equals ragamalika
@@SharonLowen1 oh okayy. Thank you so much ma'am
I see so many foreign people dancing odissi in stage program.small group of people kill this dance form and mam i salute you what a flow of movements i like it so much . Make expression work HARD...... And make your day
Thank you. my guru, the great Padma Vibushan Kelucharan Mohapatra had full confidence that the art is so great that it would not be killed by lesser presentations as the cream will always rise to the top, so generously teaching all who wished to learn was best for the art
@@SharonLowen1 ❤️❤️❤️
Thank you so much Guruma, for making these precious recordings available on TH-cam. My pranam to you! 🙏❤️😊
My pleasure 😊
Mam, do you also know kuchipudi?
K. Viswanath had asked me to learn a bit of Kuchipudi to perform in Swarna Kamalam
but I am trained in Odissi and he allowed me to present that for the first time in a Telegu film as I was playing myself to inspire the heroine.
@@SharonLowen1 yes I saw the film and I am learning kuchipudi now,I am 32 now and I wish I had learned it earlier
@@sasid6774 I have many students of your age who love dance and it is the right now is always the right age to dance
What an immense gem 🙏🌺
Thank you so much! I have more performances on my th-cam.com/users/sharonlowen1 channel
The Legends are just
Irreplaceable .......🙏🙏🙏🥀🥀🥀🥀🥀🥀🥀🥀🥀
you are too kind! thanks for viewing. please see more at my youtube channel @sharonlowen
ତିନି ବର୍ଷ ତଳର ପ୍ରୋଗ୍ରାମ ହେଲେ ବି ଆଜି ଜୀବନ୍ତ।vocalist rakhal sir ଙ୍କୁ ଏ ଦୁନିଆରେ କିଏ ନା chinhe।ତାଙ୍କର ଗୋଟି ଗୋଟି ନିର୍ଦ୍ଦେଶନା ଅତି ଉନ୍ନତ ମାନ ର। ସେଥିପାଇଁ ଓଡ଼ିଶା ଆଜି ଗର୍ବିତ।ବାକି ରତିକାନ୍ତ sir ଗୁରୁ କେଳୁଚରଣ ମହାପାତ୍ର ଙ୍କ ସୁପୁତ୍ର।କେବଳ ଭାରତ ନୁହେଁ, ବାହାରେ ମଧ୍ୟ ବହୁତ୍ ପାଂଶ ପାଇଛନ୍ତି।ସେଥି ପାଇଁ ଆଜି ମୁଁ ଅତି ଗର୍ବିତ।କେଳୁ ପରିବାର ପାଇଁ ତାଙ୍କ ପରିବାର ଧନ୍ୟ ହୋଇଗଲା।।।।ଲେଖି ବସିଲେ ପୁରାଣ ପାଲଟି ଯିବ।ଜୟ ଜଗନ୍ନାଥ।
i agree, and i am fortunate to have recordings of Rakhal-da vocal, Bhubaneswar Misra-ji, Kelubabu and Shibu. We are also fortunate that Shibu and family are carrying Odissi forward.
So beautiful ❤️
Thank you! 😊
Beautiful performance 😊😊😊👏👏
Thank you so much 😊
Beautiful shloka .jay jagaanth ❤❤❤🙏🙏🙏
many thanks
Good effort by all.
thanks
🙏🙏🙏
Thank you so much
🙏🙏🙏
thanks