Maybe it’s possible to make a simpler one with only access to the drive and threshold parameters, and the other parameters fixed in a setting that works on most dance music, without the EQ.
The 500 series makes more sence. The Carbon version for live sets is just weird. Ever fiddelt with small Knobs in a club? Let the sound engineer fix it. Selling at Thomann with boutique prices.. using a Perkons drumcomputer but the master module needs to be mini.. Adding metering is a good idea.
1.2 LUFS is absolutely not much at all. Plus: the most audible thing about the demo was the distortion it introduced. This is a brilliant studio tool, for controlled environments. But in live situations, it's an absolute train wreck... as a solo live act, you'd need to hire another person just to constantly monitor IMC and adjust the drive/threshold to keep that distortion in check. This is the exact opposite of "set-and-forget" I don't understand, why they keep marketing it as a live mastering tool.
well, using it live for a couple of years now I can assure its pretty much a set and forget weapon - given you do your homework beforehand. once its dialed in correctly there's no need to monitor it. and the 1.2 LUfs is a realistic number for most circumstances, of course it can be up to 2-2.5. its not possible to reach digital loudness (but it will keep the signal intact instead, pretty much always)
I got a great demo of this at the show, the sheer amount of gain reduction without sounding overall pumping and silly was pretty astonishing.
Stimming is such a great guy and this sounds like it really lifts a mix! Carl cox uses one live
big fan of Stimming real pro knows wtf is up. I highly recommend his new video course well worth the money especially if it's on sale.
This is awesome
Very cool. I like to add a touch of compression before hitting transformers as well, so I can saturate them as hard as I can without distorting them.
Please, Stimming as a Sonictalk guest one day.. Also, Great product for scene heros!
Yes!
Join us for episode 804 - hes on!
Maybe it’s possible to make a simpler one with only access to the drive and threshold parameters, and the other parameters fixed in a setting that works on most dance music, without the EQ.
Take my money
The 500 series makes more sence. The Carbon version for live sets is just weird. Ever fiddelt with small Knobs in a club? Let the sound engineer fix it. Selling at Thomann with boutique prices.. using a Perkons drumcomputer but the master module needs to be mini.. Adding metering is a good idea.
"for those who dont have a computer..." what? 😵💫 look interesting
Whoopy do.
1.2 LUFS is absolutely not much at all. Plus: the most audible thing about the demo was the distortion it introduced. This is a brilliant studio tool, for controlled environments. But in live situations, it's an absolute train wreck... as a solo live act, you'd need to hire another person just to constantly monitor IMC and adjust the drive/threshold to keep that distortion in check. This is the exact opposite of "set-and-forget" I don't understand, why they keep marketing it as a live mastering tool.
well, using it live for a couple of years now I can assure its pretty much a set and forget weapon - given you do your homework beforehand. once its dialed in correctly there's no need to monitor it. and the 1.2 LUfs is a realistic number for most circumstances, of course it can be up to 2-2.5. its not possible to reach digital loudness (but it will keep the signal intact instead, pretty much always)
This guy has no idea what he is talking about,
but since he is a "producer" i guess he doesn't have to..
Please explain why he “has no idea what he is talking about”
@jamaharon why don't you show us what you know, jacka$$
Sure, boss.
It’s a trap, don’t respond
@@lovecouch7451 thank you General Ackbar