Sylvia Sass - Turandot - In questa reggia / Straniero ascolta! - with Franco Bonisolli

[@hermajesty52]

always an exciting singer

[@FranciscoFerrerGaliana1930]

Maravillosa escena de Turandot

[@juanantoniomunozherrera9280]

O divina bellezza.

[@lesliesykes-warren5664]

thrilling!

[@aiolosgr]

The role is perfect for her voice, as she is a dramatic soprano, but the tempo is too fast sometimes for her.

[@draganvidic2039]

She’s barely a spinto.
With better technique she could sing Liu...

[@charlesrhodes1358]

Perhaps shedid not last long as she is singing on her principal rather than her interest. A world class voice to be sure.

[@draganvidic2039]

Yes she overtaxed

[@altx111]

How Turandot should look like

[@draganvidic2039]

With better technique she could have been the Liu of the world of her short career, instead she constantly was given too heavy roles ending her career in a few years...

[@Operacrazed]

A significant voice of individuality and interpretation. Capable bt over stretched in this role which demands a huge impersonal quality of delivery.
Too gentle here.

[@draganvidic2039]

Because she’s even not a full spinto...

[@aetion]

Regret, this aria is not for Sylvia's voice. It's obvious though.

[@richardrittelmann233]

do you prefer Netrebko ' s version?

[@aetion]

No. I prefer Callas', Dimitrova's, Nilisson's and Borkh's versions, just to mention the most important for me.

[@xxsaruman82xx87]

@@aetion Sutherland (studio, she never sang it on stage), Marton? I certainly agree with you on Dimitrova, Nilsson and Borkh, but not Callas. It wasn't really her role, in my opinion. Her greatest achievements were her Lucia, Norma, and Violetta. I also love her in the studio recording of Manon Lescaut with Di Stefano.

[@Yves_Ka]

Agreed she was completely out of her depth

[@pierpaolodemattia7370]

Voce piccola corta non è per Turandot mi dispiace dalla registrazione sembra cosi'