Stravinsky - Requiem Canticles (1966) with score

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  • เผยแพร่เมื่อ 28 มิ.ย. 2024
  • Prelude - 0:00
    Exaudi - 1:15
    Dies Irae - 3:05
    Tuba Mirum - 4:09
    Interlude - 5:25
    Rex Tremendae - 8:22
    Lacrimosa - 9:45
    Libera Me - 11:53
    Postlude - 13:11
    Stravinsky's last masterpiece not only takes his dodecaphonic technique in new directions (for instance using two different note rows for the first time), it also sums up his life's work, with quotations from Symphonies of Wind Instruments and Symphony of Psalms, referencing the violence of the Rite of Spring in the Dies Irae, and ending with a 12-note version of the bells of Les Noces.
    Robert Craft conducts the Philharmonia Orchestra and the Simon Joly Chorale.

ความคิดเห็น • 68

  • @lolz9449
    @lolz9449 2 หลายเดือนก่อน +5

    I find the chords Stravinsky writes here to be very otherworldly and beautiful, something I didn’t think previously possible.

  • @MisterMalleable
    @MisterMalleable 3 ปีที่แล้ว +35

    This piece is so twentieth century! It has 12-tone rows, prepared piano (I think in the postlude), sprechstimme and crazy meters. Only Stravinsky could’ve written a piece like this and made it work.

    • @RichardPJohn
      @RichardPJohn 2 ปีที่แล้ว +6

      There's no prepared piano in it.
      Still my favourite Stravinsky work though.

    • @rezziey4733
      @rezziey4733 11 หลายเดือนก่อน +3

      I mean Stravisnky was one of the pioneers of the style prevalent in 20th century. This feels like one of the best examples of that style.

    • @madrigal1956
      @madrigal1956 6 หลายเดือนก่อน +2

      There are a piano, a celesta, a xylophone, a vibraphone, tubular bells and a harp ; enough to give the impression of preparation!

    • @johnmcintyre9142
      @johnmcintyre9142 หลายเดือนก่อน

      He actually used 2 tone rows and used his hexachordal transposition-rotation scheme, which he 'borrowed' from Ernst Krenek.

  • @Chromexus
    @Chromexus ปีที่แล้ว +9

    the most amazing thing to me is that he was in his mid eighties when he wrote it

  • @truBador2
    @truBador2 2 หลายเดือนก่อน +2

    Nobody could write a piece of music by Stravinsky like Stravinsky.

  • @oritdrimer4354
    @oritdrimer4354 2 หลายเดือนก่อน +3

    This piece cements Stravinsky as a revolutionary, and proves why the 20th century is the best era of music

  • @firzaakbarpanjaitan9408
    @firzaakbarpanjaitan9408 4 ปีที่แล้ว +9

    Imagine what divine masterpiece if he had wrote the complete requiem...

  • @TdF_101
    @TdF_101 4 ปีที่แล้ว +18

    Prelude - 0:00
    Exaudi - 1:15
    Dies Irae - 3:05
    Tuba Mirum - 4:09
    Interlude - 5:25
    Rex Tremendae - 8:22
    Lacrimosa - 9:45
    Libera Me - 11:53
    Postlude - 13:11

  • @Snardbafulator
    @Snardbafulator 2 หลายเดือนก่อน +1

    There's nothing more otherworldly from acoustic instruments than an atonal celesta playing thick chords.

  • @Cardossian
    @Cardossian 6 ปีที่แล้ว +5

    Thanks for posting, and for posting with score!

  • @arielorthmann4061
    @arielorthmann4061 2 หลายเดือนก่อน

    Incredible. In every aspect. Not only does this piece sum up Stravinsky, it seems to sum up music as a whole.

    • @organman52
      @organman52 หลายเดือนก่อน

      GREAT point !

  • @efratgerlich8382
    @efratgerlich8382 4 ปีที่แล้ว +6

    Just amazing!

  • @hector3550
    @hector3550 3 ปีที่แล้ว

    Bravo!! Gracias por compartirla!!

  • @moherr1
    @moherr1 4 ปีที่แล้ว +37

    maybe Strawinski's very best piece. And what a great interpretation!

    • @Alekos-Maniatis
      @Alekos-Maniatis 4 ปีที่แล้ว +1

      maybe maybe or no maybe.

    • @pauljackson1029
      @pauljackson1029 3 ปีที่แล้ว +2

      really no, but very good in his late works

  • @UziNanaj
    @UziNanaj ปีที่แล้ว +1

    beautiful music, beautiful score, thanks for share it!!!

    • @ContemporaryClassical
      @ContemporaryClassical  ปีที่แล้ว

      Thank you for your comment. This one had to be scanned from the paper score!

  • @rubenmolino1480
    @rubenmolino1480 2 ปีที่แล้ว

    maravilloso ¡ tank you ¡

  • @Racosz
    @Racosz 3 ปีที่แล้ว +2

    Those bell-like sonorities of the Postlude remind me a little bit to Messiaen (Et expecto resurrectionem mortuorum). Excellent work

  • @rubenmolino1480
    @rubenmolino1480 3 ปีที่แล้ว

    EXCELENT !!

  • @siegebug
    @siegebug 11 หลายเดือนก่อน +6

    oppenheimer

  • @MrInterestingthings
    @MrInterestingthings 8 หลายเดือนก่อน +1

    He opens a Requiem with these irregular rhythms ? WoW! What is thi about .I guess I'll have to read analysis cuz...I luv Stravinsky the sound experience is unforgettable but there is always logic and meaning so....the tuba Mirum may be where that double trumpet concerto by Matthias Pintscher !

  • @hatephone
    @hatephone 3 ปีที่แล้ว +1

    GNARLY

  • @jrvasiosk
    @jrvasiosk ปีที่แล้ว +27

    Who's here from American prometheus

    • @ZJDoom
      @ZJDoom 7 หลายเดือนก่อน

      Bro

    • @balabanasireti
      @balabanasireti 7 หลายเดือนก่อน

      Like beggar

    • @roberthoward3175
      @roberthoward3175 5 หลายเดือนก่อน

      Myself

    • @JD1340
      @JD1340 4 หลายเดือนก่อน

      Yep. Realizing this is played throughout the whole movie too

    • @MrSudhir61
      @MrSudhir61 3 หลายเดือนก่อน

      Yes straight from there

  • @crisaltowka
    @crisaltowka 11 หลายเดือนก่อน +2

    ¿Estará escuchando Oppenheimer esto para siempre?
    Will be Oppenheimer listening to this forever?

  • @ethanblackburn5817
    @ethanblackburn5817 4 ปีที่แล้ว

    Where can I download the score?

    • @otacs2
      @otacs2 4 ปีที่แล้ว

      Aren't they on IMSLP?

    • @ContemporaryClassical
      @ContemporaryClassical  4 ปีที่แล้ว +1

      I scanned and cut up my own paper score. Don't think you can download it....

    • @BromeliadBro
      @BromeliadBro 3 ปีที่แล้ว +1

      NKODA is a good resource

    • @ethanblackburn5817
      @ethanblackburn5817 3 ปีที่แล้ว

      @@BromeliadBro They have good scores but the app is ATROCIOUS to use

    • @zgart
      @zgart 3 ปีที่แล้ว

      @@ethanblackburn5817 i'll try to screenshot it for you and put it in a pdf

  • @gekata2311
    @gekata2311 7 หลายเดือนก่อน

    Музыка Стравинского подняла Россию на бунт и последующую революцию в 1917, в ней заключается мощная, необъяснимая, движущая сила!

  • @maniceto9645
    @maniceto9645 5 หลายเดือนก่อน

    Why Oppenheimer?

  • @robertyakovlyev1641
    @robertyakovlyev1641 ปีที่แล้ว +6

    Bro was struggling to make the most grimy sounding peice before his death

    • @user-sn3vl3cn6o
      @user-sn3vl3cn6o 5 หลายเดือนก่อน +1

      Bro worked in dodecaphony in the last period

  • @docbailey3265
    @docbailey3265 3 ปีที่แล้ว

    Better than Agon? I think not.

  • @composer318
    @composer318 3 ปีที่แล้ว +1

    13:11 it sounds like church bell

  • @user-lv3wd3fg3v
    @user-lv3wd3fg3v 2 ปีที่แล้ว

    Who else could have been a genius who could write such a music using the twelve-tone technique, which was thought to be capable of writing only nonsense and broken musics?

    • @KenWalicki
      @KenWalicki ปีที่แล้ว +4

      Look at Berg's Violin Concerto. 12-Tone is an organizational technique, not a style.

  • @EdoardoFittipaldi
    @EdoardoFittipaldi 5 ปีที่แล้ว +2

    Ewige Musik. So sad he wasted his central life composing bad music.

    • @zgart
      @zgart 3 ปีที่แล้ว +5

      *music you don't enjoy

    • @EdoardoFittipaldi
      @EdoardoFittipaldi 3 ปีที่แล้ว +1

      I do enjoy it. But those other works show he could achieve much more

    • @zgart
      @zgart 3 ปีที่แล้ว +3

      @@EdoardoFittipaldi I think this piece shows off a lot of his genius, and besides he didn’t even spend his central life composing serialist music anyway

    • @BromeliadBro
      @BromeliadBro 3 ปีที่แล้ว +9

      Had he not composed that music, we wouldn't have this piece. An artist's progress is never linear, especially over a 60+ year career!

    • @EdoardoFittipaldi
      @EdoardoFittipaldi 3 ปีที่แล้ว +2

      @@BromeliadBro You may be right. There is no possibilità to know that. IS changed his style so radically so many times that in his particular case I would not be so sure. Even a short work like Renard is completely different from both the Sacre and his neoclassical s*. The same goes for his Zvezdolikij. And this is goes for his Canticum Sacrum as compared with Movements, composed just 5 years later.

  • @astorothwarriorofsunlight5471
    @astorothwarriorofsunlight5471 7 หลายเดือนก่อน +1

    Does sounds like something a dark souls boss would have as a theme…. Nice musical piece