How can I copy this camera raw settings to all the timeline? I have my settings on RAW on project settings and I do this per clip on my projects, but selecting all doesn't apply it through the timeline...
Set these standard camera raw settings for Red and other cameras in your project settings. Have that resolve project saved as a template you can duplicate for each new project, and you never have to touch the RAW settings again.
according to white paper of DWG/DI, the dynamic range is 18.2 stops, 9.1 above mid grey and 9.1 below mid grey, which is less dynamic range than Arri LogC4 , Red Log3G10 and also less than Blackmagic design wide gamut Gen 5 which encodes 10.2 stops above middle grey according official documents. is there any official info about Davinci intermediate log curve having 30 stops dynamic range like ACES APO?
Please download and see the graphs and charts of white paper pdf about DWG/DI and there clearly mentioned about how Davinci intermediate log curve encodes related to mid grey which is total 18.2 stops, less than Arri LOG C4 having 22.8 stops(11 plus stops above and below mid grey according to official white paper of Arri
In the aspects gamut colour volume, yes DWG is larger than BMD wide gamut Gen 5 . In terms of Dynamic range BMD Film Log curve( 20 plus stops)is larger than DWG/DI(18 plus stops). Fujifilm F-Gamut C is larger color gamut than DWG but dynamic range(17+stops) is same as DWG/DI
I've spent way too many hours researching how to work with RAW files in the last few days. I eventually figured it out but this video would've helped me A LOT, great explanation, thanks for sharing!
“Thank you, Mr. Ghazi, for your generosity and dedication to sharing your knowledge. Your honesty and authenticity have made you a true reference in color grading and the best channel for learning. Your effort and kindness truly inspire and make a difference!” ❤❤❤❤
stop saying "a mini masterclass that you don't have to pay for" in your videos......we basically pay your rent and foods with views and discoverability....stop making everything about you, someone needs to tell you that you're arrogant af
@mrshaheedmalik why are so d umb ? youtube paid creators from ads, are you okay dude ? and He basically the one who wanted to upload this video to get money and discoverability.....is that clear for your below average brain ?
@mrshaheedmalik that's why you d umb and still is.....the ads only pay google when there is a view, and views are counted from people watching videos on youtube.....still d umb now ???
All the time many colourists saying DWG/DI is Largest Colour gamut and dynamic rang ever had,But F-Gamut C/F-Log2C having more colour volume than DWG after ACES AP0 and almost same dynamic range(17+ Stops) as Davinci intermediate which is 18 plus stops and even Blackmagic design wide gamut gen 5/BMD Film log Curve having less color volume than DWG, but more dynamic range(20 plus stops) than DWG/DI according BMD offical document that is surprising. if i convert Alexa 35 footage(LOG C4) to DWG/DI through CST, the 22 plus stops of log curve changes to just 18 stops of intermediate curve and there is some Dynamic rage loss occures because alexa 35 capures 19 stops of DR with noise floor, 16 plus stops of DR excluding noise floor according Cined Lab test and this may not be issue in SDR workflows, may be with Dolby vision workflows so, how we consider DWG/DI as Working Colour Space compared to other colour spaces having larger colour volume and higher dynamic range than DWG?please give insights on this aspects, Thank you
Watch is a Coral Red Oyster Perpetual. Love a little more of the raw personality shining through. F bombs and the whole nine. Sick watch. Wear it in good health.
9:44 I'm so glad somebody actually talked about this
Do you recommend wearing Zeiss BlueProtect lenses while colour grading for hours at 100% monitor brightness?
Just asking if there is any possibility of colour shift if blue cut coated lenses are worn to protect eyes from artificial blue light from monitor🤗
I have go pro 12 and i shooted in log but in davinci there not there gp log or any color gumat stuff like. Any gopro user HERE?
How can I copy this camera raw settings to all the timeline? I have my settings on RAW on project settings and I do this per clip on my projects, but selecting all doesn't apply it through the timeline...
You can set it as the project settings.
You can set it as the project settings.
Set these standard camera raw settings for Red and other cameras in your project settings. Have that resolve project saved as a template you can duplicate for each new project, and you never have to touch the RAW settings again.
Yep mentioned that at the beginning for the vid but that's not the same as explaining why we are doing it this way which was the point of this vid.
Happy Holidays Qazi!! That’s a Rolex watch, right? It looks DOPE!!
according to white paper of DWG/DI, the dynamic range is 18.2 stops, 9.1 above mid grey and 9.1 below mid grey, which is less dynamic range than Arri LogC4 , Red Log3G10 and also less than Blackmagic design wide
gamut Gen 5 which encodes 10.2 stops above middle grey according official documents. is there any official info about Davinci intermediate log curve having 30 stops dynamic range like ACES APO?
Yes. Look it up.
Where does it state 9.1 stops below mid grey in the white paper?
Please download and see the graphs and charts of white paper pdf about DWG/DI and there clearly mentioned about how Davinci intermediate log curve encodes related to mid grey which is total 18.2 stops, less than Arri LOG C4 having 22.8 stops(11 plus stops above and below mid grey according to official white paper of Arri
@foxrawstudios you got your information wrong. DaVinci Wide Gamut is clearly bigger than Blackmagic Gen 5.
In the aspects gamut colour volume, yes DWG is larger than BMD wide gamut Gen 5 . In terms of Dynamic range BMD Film Log curve( 20 plus stops)is larger than DWG/DI(18 plus stops). Fujifilm F-Gamut C is larger color gamut than DWG but dynamic range(17+stops) is same as DWG/DI
W Video great job!
Amazing tutorial!!!! Thanks my friend!
Of course
Do you edit your videos in Resolve as well?
Yes
@@theqazman Thanks
I've spent way too many hours researching how to work with RAW files in the last few days. I eventually figured it out but this video would've helped me A LOT, great explanation, thanks for sharing!
Happy to help bro
It would be awesome if you can make some similar video on new nikon/red clips
Thanks for aded audio track in different language
Wasn't expecting that F-bomb haha
You're welcome 😁
Amazing 🔥🔥🔥🔥
RED.. Yeh..very important indeed... Love you, MAN... PEACE
My man. 🙏🏽
Please for black magic
This is gold Free class Qazi🙌 Thanks so much!
I hope you can make a video for BlackmagicRaw too🙏
Qazi is pissed today 😬
You just called me stupid😂😂😂
“Thank you, Mr. Ghazi, for your generosity and dedication to sharing your knowledge. Your honesty and authenticity have made you a true reference in color grading and the best channel for learning. Your effort and kindness truly inspire and make a difference!”
❤❤❤❤
Somebody shooting on an iPhone isn't going to have the budget for sh*t LMAO
Hello, Sir Ji 😊
Rolex Oyster Perpetual 🎉
Love all my watch people
The clock is 1:05 AM ,
Am i right ?❤
New plzzz😂😂😂
stop saying "a mini masterclass that you don't have to pay for" in your videos......we basically pay your rent and foods with views and discoverability....stop making everything about you, someone needs to tell you that you're arrogant af
How much did you pay to watch this video?
I'll wait.
@mrshaheedmalik why are so d umb ? youtube paid creators from ads, are you okay dude ? and He basically the one who wanted to upload this video to get money and discoverability.....is that clear for your below average brain ?
@@bromoboy ? If I am so dumb, answer the question.
How much did you pay to watch this video?
I'm still waiting.
@mrshaheedmalik that's why you d umb and still is.....the ads only pay google when there is a view, and views are counted from people watching videos on youtube.....still d umb now ???
@mrshaheedmalik without me as his view, nobody as a creator can get money from youtube, the total amount of views from me and others pay his bills
Rolex Oyster Perpetual
Let's go!
All the time many colourists saying DWG/DI is Largest Colour gamut and dynamic rang ever had,But F-Gamut C/F-Log2C having more colour volume than DWG after ACES AP0 and almost same dynamic range(17+ Stops) as Davinci intermediate which is 18 plus stops and even Blackmagic design wide gamut gen 5/BMD Film log Curve having less color volume than DWG, but more dynamic range(20 plus stops) than DWG/DI according BMD offical document that is surprising. if i convert Alexa 35 footage(LOG C4) to DWG/DI through CST, the 22 plus stops of log curve changes to just 18 stops of intermediate curve and there is some Dynamic rage loss occures because alexa 35 capures 19 stops of DR with noise floor, 16 plus stops of DR excluding noise floor according Cined Lab test and this may not be issue in SDR workflows, may be with Dolby vision workflows so, how we consider DWG/DI as Working Colour Space compared to other colour spaces having larger colour volume and higher dynamic range than DWG?please give insights on this aspects, Thank you
Watch is a Coral Red Oyster Perpetual. Love a little more of the raw personality shining through. F bombs and the whole nine. Sick watch. Wear it in good health.
My man. ✊🏼 No more filters. If it's too much for anyone leave and don't let the door hit you in the ass on your way out.
@@theqazman Love it, dude. Much respect. Happy holidays to you and your family.