Same. I watched it once in IMAX, a second time at my local cinema, and twice on digital already. I feel sorry for anyone who loves this movie but didn’t get the chance to see it in IMAX.
It’s insane to me how Nolan went from Hans to Ludwig and STILL found a masterful composer to reach that emotional, powerful impact with a different and unique score we wouldn’t hear from anyone else. Ludwig is a genius. Chris is a genius. The score is genius.
And all this happened because Zimmer was busy for Tenet and recommended Göransson. Such an amazing and innovative musician. I'm so stunned by all of his work
@@vladicgrabot6019 Not just Dune, but also Zimmer has been touring recently. Without one commitment or the other, he may have had time for Tenet and Oppenheimer, but not with both.
I took up running as a fitness activity this year and for the 2nd half of the year I've only just listened to this soundtrack whenever I ran. It helped me get more focused and motivated me to keep pushing further. I was able to complete 10+ 5Ks, 3 10Ks and even a half marathon, always had this on during the race and also during training runs and never skipped even one track. I was initially concerned with Hans not being onboard this movie but man Ludwig just blew me off. Not just one of the best soundtracks of the year but one of the best of all time. Thank you Ludwig and Nolan for this amazing masterpiece, so grateful!
I tend to listen to the TDK trilogy soundtrack while working. Switched to Oppenheimer’s soundtrack after watching the movie, and it was a different experience entirely.
After Black Panther and The Mandalorian i was sure that Ludwig will create a phenomenal score for Tenet, just like Hans did with the previous Nolan movies. And after Tenet I knew that there will be another masterful score that will inspire me and million other people. The power of talent of guys like them is such a blessing ❤
IMO Goated film scores are ones where if you listened to it like an album, you can visually see the movie playing in your mind. And vice versa, if you watched the movie with the sound fully muted, you can still hear the score in your mind. Nolan has had so many of these collaborating with Hans Zimmer. But Ludwig Göransson has also knocked it out of the park for both Tenet and Oppenheimer. Both scores since the day they’ve dropped have heavily been in my rotation of albums I listen to. Give that man more awards!!!!
@@breeze5440 ATSV and Oppenheimer soundtracks coming out in the same year make my "... of the year" ranking essentially impossible. How do you even compare two pieces of music so perfect???
Ludwig Göransson singlehandedly made a 3 hour movie full of just dialogues not boring Listening to his scores in an IMAX theatre only makes it a lot better
@@IndySidhu88 yes, I'm exaggerating a bit. The editing and writing definitely take a big role as well, but I think it's the score that can be felt the most that drives the emotion forward and keeps the engagement there. edit: also I have ADHD and I wasn't expecting to be fully engaged throughout those 3 hours, but I somehow did.
@@juliengmusic So does the majority of Hollywood film composers working nowadays. His orchestrator Thomas Kotcheff is credited as being a co-writer for some cues, and Ngawang Samphel is credited with additional music arrangements.
This theme song has NEVER left my mind for more than a day, it always just pops up on occassion. The point about making a courtroom into an action movie through sound is an incredibly interesting prospect - always inspired to see Directors taking new approaches!
I cant remember a single note of that soundtrack, despite how stupidly loud it was in the mix. His Mandolorian theme on the other hand? Catchy as fuuuuuuuuck.
Ludwig Goransson does it again and surprises in a big way, if he already won before, his collaboration with Nolan has to win yes or yes for best soundtrack. It will always be in my head: Can you hear the music
He also got gifted the Oscar for Black Panther in 2018, in case you don't remember. That score wasn't even top 15 that year and just awarded it because of the title of the film. Tenet was better but still not in my top 5 of 2020. Oppenheimer is similar; maybe number 5 or 4 but not more. Still, don't put your hopes to high, see what they did to Justin Hurwitz in 2018 with First Man and last year with Babylon. Howard Shore in 2002 for The Two Towers and John Williams and Morricone all their careers.
@@r.c.c.10 I agree. The best score of 2018 was If Beale Street Could Talk, followed by Isle of Dogs imo. Ludwig won for Black Panther because he put in the work to learn African music
Goransson did so well with this score. My number one artist on Spotify for the year and it’s not even close. Brilliant. If I heard “Can You Hear The Music” live I think I would cry and I’m not ashamed to admit that.
The score for me was one of the main selling points. The fact that is maintains a certain melodic consistency was excellent, having a main theme that shows up in the beginning as exciting and new then becomes much more terrifying in the final scene. I’m trying to learn in on guitar so I can feel as amazing as these violin players must have felt. Cool short video!
Chris had one of the most perfect composers to base a score around the violin. Ludwig's wife is a professional violinist so he has a lot of exposure to the instrument. In fact, she has been in the last two films.
I was so happy to watch Nolan's movie for the very first time in theaters, how the hell he managed to get tons of great people come together to create masterpiece
Ludwig is on another level than all other film composers. He’s such a creative mastermind. It’s a good bet that Nolan will have Ludwig composing the rest of his future films.
It's fantastic. Looking at the violin score at 0:40, all you gotta do is hold down the note and don't let go until the rest. Repeat and you've perfected it.
One of the most intricate score for a lifetime... those rhythm violinists should have a standing ovation! I really hope this wins the Oscar's fr the score at least 🙏 bravo 👏
I seen the film twice and I still remember feeling the intensity and pace of the film and being completely swept up in the music of it. I wish I could see it for the first time again
Man, Ludwig created such a masterpiece, one of my all time favourite scores alongside Hans Zimmer's work The last few months I've been enjoying the slowed + reverb versions of the music, Groves, A Lowly Shoe Salesman are my favourites
Exactly man ! I haven't listened before. And one of recommendation fro hans goat work is 'JOI' from blade runner and Entire Interstaller OST try first one .
here after cillian & christopher nolan won oscars just as i knew they would! so happy that i saw this in theaters’ we enjoyed the movie greatly! was really wonderful!
Im a huge fan of of the interstellar soundtrack but this one was moved up to number 1 for me. Those violins are special. Meeting Kitty was perfect. Reminds me of the Corn field song from interstellar
It's not a remarkable score, it's a history momentary mark of pure genius and incredible amount of originality, as a phenomenal composured technically of marksmanship in feeling dynamics, tempo changes are out of this world. If this was having to be played live would they string sections have in ear click monitors for the click track told a bar before when the tempo was going to change. I've never heard a score like it in my life. It's definitely one to teach in music composition college class. Out of this world.
One of the best thing about the score is that every score begins as something beautiful, like the early pursuit of knowledge, something that is under control and then it gets progressively violent as if the knowlede is cursed to a point where it becomes chaotic, uncomfortable and uncontrollable like a chain reaction.
The Interstellar score was moving emotionally, but the Oppenheimer score was a beast of its own I’ve never experienced in my life. It represented the universe’s beautiful intricate elements but it traverses into something grand, out of control, chaotic, in the course of the dilemma and impact on the world.
Oppenheimer proved once again why cinema will never die. I can watch this film on Netflix in the future and it won't be the same as it was in theaters.
It's interesting, Ludwig did the musical scores for both Tenet and Oppenheimer because Hans Zimmer was busy doing the scores for Denis Villenuve's Dune movies. Once the Dune duology or (fingers crossed) trilogy is complete, I'm curious who will continue on doing the scores for future Nolan movies?
I really hope I get to see the film again in the cinema. After watching it a few times at home I have a real love for the characters and the music. It would be so nice to sit back and enjoy it all on the big without the anticipation of not knowing what happens
The black panther and now Oppenheimer. Ludwig went to another level of genius. Remarkable score that I feel like listening to just for inspiration. 👏🏻👏🏻👏🏻
What I loved most was how the score totally changed for the Einstein scenes and really captured the poetry of his perspective the profoundness of his work and just the magic of his soul as a person
Never have i ever thought i would get past Interstellar as Theme & movie. Oppenheimer did. Oppenheimer theme gives me chills and goosebumps everytime. I had doubts over Ludwig instead of Hans but he proved me wrong.
You’ve read my mind. The Interstellar score was moving emotionally, but the Oppenheimer score was a beast of its own I’ve never experienced in my life. It represented the universe’s beautiful intricate elements but it traverses into something grand, out of control, chaotic, in the course of the dilemma and impact on the world.
The moment I learnt Ludwig scored Tenet, I knew from there going forward he would be Christopher's go to composer. I hope Chris and Hans will reunite again though 😉
I was high when I saw the movie. It was a out of body experience. I felt the music deep inside me. It was breathtaking, mesmerizing och huge in every way!
I thought there could've been less music used in the first half or so, some scenes could've just been dialogue, but the score was fantastic and one of the best aspects of the film.
Oppenheimer blew me away in theatres
Same. I watched it once in IMAX, a second time at my local cinema, and twice on digital already. I feel sorry for anyone who loves this movie but didn’t get the chance to see it in IMAX.
It blew the Japanese away as well!
@@YeLeaks1824JAIL
Your mom blew me away in the theatres
@@frankenstein1091your*
It’s insane to me how Nolan went from Hans to Ludwig and STILL found a masterful composer to reach that emotional, powerful impact with a different and unique score we wouldn’t hear from anyone else. Ludwig is a genius. Chris is a genius. The score is genius.
Hans was the one actually who recommended Ludwig to Chris and yeah it takes one genius to another.
*His name is Ludwig ?!! Is this his real name?*
Ludwig also composed for Tenet.
Yes and him and Donald Glover are good friends and came up together@@leonardopimenta9077
Absolutely not
And all this happened because Zimmer was busy for Tenet and recommended Göransson. Such an amazing and innovative musician. I'm so stunned by all of his work
Görannson also made the Tenet soundtrack
@@tn8183that’s the same thing OP said
i think hans zimmer had already committed to dune if i remember correctly
Was it Dune? I heard it was Planet Earth II. Not sure though@@vladicgrabot6019
@@vladicgrabot6019 Not just Dune, but also Zimmer has been touring recently. Without one commitment or the other, he may have had time for Tenet and Oppenheimer, but not with both.
I took up running as a fitness activity this year and for the 2nd half of the year I've only just listened to this soundtrack whenever I ran. It helped me get more focused and motivated me to keep pushing further. I was able to complete 10+ 5Ks, 3 10Ks and even a half marathon, always had this on during the race and also during training runs and never skipped even one track. I was initially concerned with Hans not being onboard this movie but man Ludwig just blew me off. Not just one of the best soundtracks of the year but one of the best of all time. Thank you Ludwig and Nolan for this amazing masterpiece, so grateful!
Bro same, the score and running hits different.
I have the same experience with 'Supermarine' from Dunkirk
I tend to listen to the TDK trilogy soundtrack while working. Switched to Oppenheimer’s soundtrack after watching the movie, and it was a different experience entirely.
After Black Panther and The Mandalorian i was sure that Ludwig will create a phenomenal score for Tenet, just like Hans did with the previous Nolan movies.
And after Tenet I knew that there will be another masterful score that will inspire me and million other people.
The power of talent of guys like them is such a blessing ❤
I also run to this!
IMO Goated film scores are ones where if you listened to it like an album, you can visually see the movie playing in your mind. And vice versa, if you watched the movie with the sound fully muted, you can still hear the score in your mind. Nolan has had so many of these collaborating with Hans Zimmer. But Ludwig Göransson has also knocked it out of the park for both Tenet and Oppenheimer. Both scores since the day they’ve dropped have heavily been in my rotation of albums I listen to. Give that man more awards!!!!
The word “goated” needs to end
YES, i experienced the same “journey” through the movie with the across the spider verse and interstellar sound tracks
My Spotify number one artist was the one and only Ludwig Göransson and most listened Oppenheimer
Couldn't have said it better myself dude, I whole-heartedly agree! Tenet is a Godly soundtrack.
@@breeze5440 ATSV and Oppenheimer soundtracks coming out in the same year make my "... of the year" ranking essentially impossible.
How do you even compare two pieces of music so perfect???
Ludwig Göransson singlehandedly made a 3 hour movie full of just dialogues not boring
Listening to his scores in an IMAX theatre only makes it a lot better
It's not boring even if the score was more subdued, the editing the pace the jumps between times is all part of it.
@@IndySidhu88 yes, I'm exaggerating a bit. The editing and writing definitely take a big role as well, but I think it's the score that can be felt the most that drives the emotion forward and keeps the engagement there.
edit: also I have ADHD and I wasn't expecting to be fully engaged throughout those 3 hours, but I somehow did.
pretty sure he has assistants
@@juliengmusic So does the majority of Hollywood film composers working nowadays. His orchestrator Thomas Kotcheff is credited as being a co-writer for some cues, and Ngawang Samphel is credited with additional music arrangements.
@@Mark_TDD yeah i know i just meant that ludwig didnt do it "singlehandedly" as BortaMega said...
Nolan's film scores never disappoint. The score in that final scene gave me goosebumps 😭🙌🏼
This theme song has NEVER left my mind for more than a day, it always just pops up on occassion.
The point about making a courtroom into an action movie through sound is an incredibly interesting prospect - always inspired to see Directors taking new approaches!
I cant remember a single note of that soundtrack, despite how stupidly loud it was in the mix. His Mandolorian theme on the other hand? Catchy as fuuuuuuuuck.
Ludwig Goransson does it again and surprises in a big way, if he already won before, his collaboration with Nolan has to win yes or yes for best soundtrack.
It will always be in my head: Can you hear the music
The musical score is phenomenal.
He won with black panther Hopefully he wins again with this
@@vivekbarran4323sure I hope after his snub for tenet, he really deserves for Oppenheimer
Suzume, The Boy and the Heron and Poor Things have better soundtracks no doubt.
@@vivekbarran4323 Black Panther winning was one of the worst robberies in Oscar history. Not even top 15 that year.
After getting snubbed at the Oscars for Tenet in 2020, I will accept nothing less than a win for Ludwig this year
He also got gifted the Oscar for Black Panther in 2018, in case you don't remember. That score wasn't even top 15 that year and just awarded it because of the title of the film. Tenet was better but still not in my top 5 of 2020. Oppenheimer is similar; maybe number 5 or 4 but not more.
Still, don't put your hopes to high, see what they did to Justin Hurwitz in 2018 with First Man and last year with Babylon. Howard Shore in 2002 for The Two Towers and John Williams and Morricone all their careers.
@@r.c.c.10 I agree. The best score of 2018 was If Beale Street Could Talk, followed by Isle of Dogs imo. Ludwig won for Black Panther because he put in the work to learn African music
trust me oscars will find ways to disappoint you
And for wakanda forever
@@椎名ましろ-z3e NOT THIS YEAR BABY
Goransson did so well with this score. My number one artist on Spotify for the year and it’s not even close. Brilliant. If I heard “Can You Hear The Music” live I think I would cry and I’m not ashamed to admit that.
If this doesn't win an Oscar, Oppenheimer really should have set the atmosphere on fire
Ludwig seems so chill man. Yet such a genius
The musical score is phenomenal.
The score for me was one of the main selling points. The fact that is maintains a certain melodic consistency was excellent, having a main theme that shows up in the beginning as exciting and new then becomes much more terrifying in the final scene. I’m trying to learn in on guitar so I can feel as amazing as these violin players must have felt. Cool short video!
Honestly one of the best scores I’ve heard. Pure immersion.
"Hey can you write a 30-minute courtroom trial piece of music?" Wow. Sure, yeah. Haha.
And it won Best Original Score Oscar!!
Chris had one of the most perfect composers to base a score around the violin. Ludwig's wife is a professional violinist so he has a lot of exposure to the instrument. In fact, she has been in the last two films.
The score of this movie is the reason why a 3 hour movie felt like a 1.5 hr masterpiece. I tip my hat to you Ludwig.
Ludwig deserves another Oscar! He's changed my life yet again with this score 😅
Oppenheimer is now my favorite movie and seeing it at the big 70mm screen was breathtaking
That piece was incredible.
I was so happy to watch Nolan's movie for the very first time in theaters, how the hell he managed to get tons of great people come together to create masterpiece
Ludwig is on another level than all other film composers. He’s such a creative mastermind. It’s a good bet that Nolan will have Ludwig composing the rest of his future films.
Ludwig goransson deserves all the awards. Stunning
It's fantastic. Looking at the violin score at 0:40, all you gotta do is hold down the note and don't let go until the rest. Repeat and you've perfected it.
The soundtrack of this film is very unique and inspiring!
One of the most intricate score for a lifetime... those rhythm violinists should have a standing ovation! I really hope this wins the Oscar's fr the score at least 🙏 bravo 👏
Just all around amazing! The score, the effects, the story, the moral dilemma, and just the complexity of it all just all fits so well together.
First thing I notice in every movie is score. And this one is just beautiful
I seen the film twice and I still remember feeling the intensity and pace of the film and being completely swept up in the music of it. I wish I could see it for the first time again
Truly a showstopping score. Chills every time.
Man, Ludwig created such a masterpiece, one of my all time favourite scores alongside Hans Zimmer's work
The last few months I've been enjoying the slowed + reverb versions of the music, Groves, A Lowly Shoe Salesman are my favourites
Exactly man ! I haven't listened before. And one of recommendation fro hans goat work is 'JOI' from blade runner and Entire Interstaller OST try first one .
here after cillian & christopher nolan won oscars just as i knew they would! so happy that i saw this in theaters’ we enjoyed the movie greatly! was really wonderful!
You know the score fit perfectly when you get chills when pairing it with the film scene!
From the days with Bino to this... crazy
Amazing score.
One of the best movie scores of all-time. Yes, seriously.
Im a huge fan of of the interstellar soundtrack but this one was moved up to number 1 for me. Those violins are special. Meeting Kitty was perfect. Reminds me of the Corn field song from interstellar
the music alone for the film is outstanding and deserves any award that its nominated for.
I'm very happy I saw this in an IMAX theaters
I would watch an hour documentary just about how "can you hear the music" was made
chris's direction and film making is the bone and flesh of the movie but ludwigs music is what gave life to it honestly
I watched it twice in in IMAX, life time core memory! it was amazing!
The sound & visuals of the movie got almost engraved in my mind. Remarkable cinema.
Can you hear the music is and will be one of the most memorable scores
It's not a remarkable score, it's a history momentary mark of pure genius and incredible amount of originality, as a phenomenal composured technically of marksmanship in feeling dynamics, tempo changes are out of this world. If this was having to be played live would they string sections have in ear click monitors for the click track told a bar before when the tempo was going to change. I've never heard a score like it in my life. It's definitely one to teach in music composition college class. Out of this world.
Ludwig nailed it with the music on this film. Gonna be a well-deserved Oscar for him!
One of the best thing about the score is that every score begins as something beautiful, like the early pursuit of knowledge, something that is under control and then it gets progressively violent as if the knowlede is cursed to a point where it becomes chaotic, uncomfortable and uncontrollable like a chain reaction.
The Interstellar score was moving emotionally, but the Oppenheimer score was a beast of its own I’ve never experienced in my life. It represented the universe’s beautiful intricate elements but it traverses into something grand, out of control, chaotic, in the course of the dilemma and impact on the world.
I absolutely love that fucking soundtrack. Every time I hear it, I couldn't get enough of it.
It's kind of morbidly hilarious that even with all of this insane talent ludwig will never be the most famous musician named ludwig
perfect in every way
They deserve more love than appreciation 🥺♥️
He heard the music.
Now all he hears are the screams.
When I stepped away from the theater, I KNEW that he was gonna win the oscars for that film, such a masterpiece.
I would love to see “can you hear the music” being recorded uncut.
The score was one of the best parts. Can you hear the music... hell yes I can!
Oppenheimer proved once again why cinema will never die. I can watch this film on Netflix in the future and it won't be the same as it was in theaters.
Christopher nolan and emma. You Both are angels who change the view of the universe.
Those scores were absolutely amazing! Ludwig deserves another Oscar
the GOAT "CHRISTOPHER NOLAN"
Music was absolutly incredible. I am listining "can you hear the music" to this day.
Based on just this docu-clip, I MUST see this film!
The movie is amazing but the score by Ludwig is absolutely perfect and Can You Hear the Music will be forever written in history
It quickly jumped into my top 5 scores. Phenomenal.
Forget about the visuals, I have never heard anything like what I did in Oppenheimer
Sooo good! Thank you to both him and Nolan. Masters of their craft.
Ludwig created magic in this movie. Never witnessed such amazing background music before. It's even better than Interstellar imo
crazy ludwig was producing songs for Childish Gambino years ago and now he's cooking up some of the best movie scores in recent memory
I was scrolling looking for a comment like this haha. Ludwig been him 💯
@@nxctpit real shit
It's interesting, Ludwig did the musical scores for both Tenet and Oppenheimer because Hans Zimmer was busy doing the scores for Denis Villenuve's Dune movies. Once the Dune duology or (fingers crossed) trilogy is complete, I'm curious who will continue on doing the scores for future Nolan movies?
I really hope he brings back Hans Zimmer since they have a strong collaboration like Steven Spielberg and John Williams.
Hans is the best@@francotaningco1708
@@stephenlimbaugh I never heard of Nolan saying that to Hans
@stephenlimbaugh It means that Nolan has been doing bad habits to his colleagues are there any more of those?
@@stephenlimbaugh where did you even hear all the things youre saying?
Amazing how ludwig transitions between producing really popular music in the mainstream to wonderful movie scores
I really hope I get to see the film again in the cinema. After watching it a few times at home I have a real love for the characters and the music. It would be so nice to sit back and enjoy it all on the big without the anticipation of not knowing what happens
The black panther and now Oppenheimer. Ludwig went to another level of genius. Remarkable score that I feel like listening to just for inspiration. 👏🏻👏🏻👏🏻
What I loved most was how the score totally changed for the Einstein scenes and really captured the poetry of his perspective the profoundness of his work and just the magic of his soul as a person
Score for this film is winning the oscar no doubt!
Masterpiece
John Williams blessed ET, as Ludwig Göransson blessed Oppenheimer. Its his very best score and one of the best scores in Cinema.
Gravity swallows light is so awesome, my favourite score in a long time.
He never misses.
Never have i ever thought i would get past Interstellar as Theme & movie. Oppenheimer did.
Oppenheimer theme gives me chills and goosebumps everytime.
I had doubts over Ludwig instead of Hans but he proved me wrong.
You’ve read my mind. The Interstellar score was moving emotionally, but the Oppenheimer score was a beast of its own I’ve never experienced in my life. It represented the universe’s beautiful intricate elements but it traverses into something grand, out of control, chaotic, in the course of the dilemma and impact on the world.
That 70mm iMax viewing was an experience of visual and sound I will never forget
Its 2024 & im still here. Ludwig deserves everything this awards season
The moment I learnt Ludwig scored Tenet, I knew from there going forward he would be Christopher's go to composer. I hope Chris and Hans will reunite again though 😉
Beautiful work
Just remarkable! both the film and the music
BRILLIANT MUSIC AS THE MOVIE
It's kinda crazy to think that a composer like Ludwig or Hans would be consider as classic 100 years from now
Average Nolan fan be like:
I was high when I saw the movie. It was a out of body experience. I felt the music deep inside me. It was breathtaking, mesmerizing och huge in every way!
Ludwig is so fucking talented
Mr Göransson proved he is truly a top tier composer with this film. His talent is at the level of Zimmer.
That score was a character unto itself. Just beautiful!
great score, but sound mix only slightly better than tenet. maybe Nolan can dial it down a little more imo
Better win best score at the Oscar’s
I thought there could've been less music used in the first half or so, some scenes could've just been dialogue, but the score was fantastic and one of the best aspects of the film.
I swear to god if this doesnt win best score, i dont know what will.
2:45 I've never seen a black conductor/ maestro. I'm black so this was a welcome surprise.
Look up Jermaine Stegall and Terence Blanchard. BTW, the conductors name is Anthony Parnther.
This is a movie where the music made me feel emotions during the movie, it was amazing.
Ludwig deserves this Oscar more than anyone else