BEETHOVEN Cello Sonata No. 3 in A major (Op. 69) Score
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- เผยแพร่เมื่อ 10 มิ.ย. 2020
- "Ludwig van Beethoven's Cello Sonata No. 3 in A major, Op. 69 was written in 1808, during his middle period. The sonata was composed in the same year as the Piano Trios Op. 70 and the Choral Fantasy, and the same year the Fifth and Sixth Symphonies, which were begun earlier, premiered. It was first performed in March 1809 by cellist Nikolaus Kraft and pianist Dorothea von Ertmann, and dedicated to Baron Ignaz von Gleichenstein, who was a cellist himself.
In the course of his life, Beethoven composed five sonatas for cello and piano. The Op. 69 was the first he had written since his Op. 5 over a decade earlier. Mark Kaplan writes: "In general, the writing in op. 69 is thinner than in the early cello sonatas ... greater compositional technique allowed Beethoven the possibility of using fewer notes with confidence." The contemporary cellist Steven Isserlis describes it as the first cello sonata in history to give the two instruments equal importance."
- Wikipedia 2020
Performed by Mischa Maisky and Martha Argerich
Allegro ma non tanto - 00:05
Scherzo. Allegro molto - 12:44
Adagio cantabile - 17:44
Allegro vivace - 19:43 - เพลง
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I am beginning weekly uploads with this, a great example of the 'heroic' style of middle-period Beethoven (one of my favourites). I shall also be considering suggestions for future pieces so do comment below if you want to see anything in particular!
Simplemente hermosa
The amount of joy in that piece! The openness and spaciousness of the first theme is like open arms just before a warm hug
Uhmmmm the backdrop of this piece is the Napoleonic Wars…
@@jameso1553 Beethoven is greater than history.
Thema 1 A 3:16
A klein- Thema 2A 4:19
Thema 2B 5:35
-
Begin doorwerking 6:29
Transformatie thema 1 6:57
-
Reprise f# klein 7:59
Thema 1 A 8:25
A klein 8:57
Thema 2A A groot nu 9:18
Thema 2B A groot 10:15
D groot 11:09
Thema 1 in A 11:40
Einde achtig 12:22
The scherzo is so patiently developed and so simple - it sounds as though it was written yesterday
22:55 the left hand bears a striking resemblance to a certain Etude No 1 from the School of Velocity by a certain student of Beethoven.
What form! Absolutely loved colossal sonata form.
Thank you so much !! Expecting other 4 cello sonatas by Beethoven ~~
Nice
Thank you for putting the effort in these videos. Very useful.
Your videos are amazing! The collection of Beethoven's Piano Trios you uploaded was simply beautiful. Keep it up!
Fantastic audio quality!
Keep up the good work, thanks.
Beautiful 😻
감사합니다. 오늘, 방금 우연찮게 이 연주를 듣게 되어서 유튜브로 있을까 찾아보다가 당신이 올리신 영상을 보게 됐어요.
정말 감사하고 또 감사합니다.
지금 힘든 이 팬데믹 시기에, 더더욱 더 조심하시고 열심히 버티시길 바랄게요.
힘내세요. ♡♡♡♡
This is a wonderful performance. Thank you for uploading it with the score. Could you do Beethoven’s sonata for piano and horn Op.17 sometime?
Sure, I'll add it to my list!
What a great compositional technique...
I totally agree with the comment of Monsieur DylanXylan, because this marvellous performance along with its high quality of sound does really include lots of elements that the so-called many past maestros could not express and communicate at all in their recorded media.
Great post of what may be the greatest duo sonata of all.
Í think so
quite beautiful. The opening reminds me of the theme from cinema paradiso just a little bit.
Bravo !!! Hermosísimo.
12:45 La Folia Progression
21:42
24:03
21:44
24:06
24:33
22:10
A la fin du mouvement 3 ,un infime instant , un entre 2 notes ,donnent un aperçu sur un infini derrière ,ce que je ne dirais pas , car trop subjectif , si il n y avait à mon sens la même chose-,et que là ( chez Beethoven)- a la fin de la sonate op 96
Thank you so much! Can you upload Cello Sonata No. 4 as well :) ?
Yeah sure! I have my next few uploads already planned but shall add it to the list.
1:25
9:13
1:58
9:46
My preferred Cello and Piano Sonata by Beethoven 🎼###
2:23 5:34 7:12 10:13
nice
0:05
8:25
0:47
1:08
6:28
8:57
13:22
מהיר ביותר וקשה ביותר לניגון סתמי עם הבלחות רגש כאילו הם כלום עם 1 ו6 הפוך ו6 ו3 וסיום איטי דנטלי ב5 ו2 ו4 ו4 עם רגש ושמח ושחרזו ארוך. סתמי כזה ומהיר בצורה מטורפת וקשה אפילו יותר לניגון גם עם הצ'לו. בגלל חטאי הדור האחרון.
"The Emergence of a Masterpiece": th-cam.com/video/KMjtJsImbDo/w-d-xo.html
Lewis Lockwood, American Musicologist, born in 1930, gives insight into this composition in a lecture at the American Academy of Arts and Sciences in 2013.
8:00
0:06
Αγαπημενο κοματι ποιοι ειναι οι ερμηνευτες;
Mischa Maisky και Martha Argerich
22:07
07:13
"Inter lacrymas et luctus"
Il volume di piano è troppo alto
Every time I hear that high E, like at 21:42, I think about the same high E during the second movement of his 14th string quartet (about 40 seconds in). Every fucking time!
2:08;
7:15
Equal importance? I definitely would not say that.
What do you think about it?
Mmore notes does not mean one part is more important than the other. Their really are three parts to this, the bass piano, treble piano and the cello which all are equal.
Nice
17:44
19:43