THE SPRING 1960 EUROPEAN TOUR: March 21, 1960 Olympia Theatre, Paris: th-cam.com/video/8VE_dP90V84/w-d-xo.html March 22, 1960 Konserthuset, Stockholm [1st concert]: th-cam.com/video/HgaAM4pTIqw/w-d-xo.html March 22, 1960 Konserthuset, Stockholm [2nd concert]: th-cam.com/video/2Q1Id17jZJI/w-d-xo.html March 24, 1960 Tivoli Konsertsal, Copenhagen: th-cam.com/video/P5euQkE61yk/w-d-xo.html March 30, 1960 Kongresshalle, Frankfurt: th-cam.com/video/wpvATm-54_s/w-d-xo.html April 3, 1960 Kongress-Saal, Munich: th-cam.com/video/sAoIzcNOcY0/w-d-xo.html April 8, 1960 Kongresshaus, Zürich: th-cam.com/video/edyadk0cWB0/w-d-xo.html April 9, 1960 Kurhaus, Scheveningen: th-cam.com/video/-EDuIQ9sAQQ/w-d-xo.html April 9-10, 1960 Concertgebouw, Amsterdam: th-cam.com/video/4-UwM9s0svc/w-d-xo.html
This is such an iconic Jazz recording. Listening to Coltrane absolutely ripping apart the concrete with his Tenor Saxophone, blasting out scales like a well oiled machine, also Miles who's musical prowess exceeded, what reality could handle, and the both of them on one stage ripped a hole in time. Luckily, they took a cigarette break and it was able to repair itself.
"A few years ago I had one of the worst nights of my life," he recalls. "I heard a Miles Davis bootleg, featuring John Coltrane, from Stockholm. Trane was massive, intense. I wanted to quit. It wasn't like I could say, 'Well if I start to do this or that, I might get there.' Forget it. How do you explain that to people who say, 'You're on "The Tonight Show," isn't that the ultimate achievement?' I think to myself, 'Obviously you've never heard Trane live in Stockholm.' "--B.Marsalis
If you listen---I mean--REALLY LISTEN --to Coltrane's so very long solo on the last blues, (Listen now) and you'll hear that each and every chord -or "change" he played had Only the chordal notes. It took me a few times listening before I realized this. Then, his solo meant WAY MORE for me. I hope you can dig it like I FINALLY DUG IT. Need I say that this just makes me love him MORE. WHAT A GENIUS.
@@joek6729 No. I meant he played all the notes in any chord which was in the tune. If it was a "fifth", he would play, e.g., C-E-G-B flat. If it was an "augmented" he would play, e.g., C-E-G sharp-B. And, like that. He practiced unceasingly. And he had concepts of what he WANTED TO PLAY. He played with lots of emotion in his musicianship.
Amazing... Winton, Chambers, Miles, and of course Coltrane, all took it to the next level. My understanding is that at the time it left some fans behind... some just could not hear.
It seems like Coltrane is a bit more constrained here in comparison to the show from the night before in Paris. I wonder If the boos in that show got to him or Miles told him to tone down a little bit. It's clear they're going in different directions. Obviously he's great here but in the March 21st show he is blowing his horn like a furious caged animal trying to escape, It's amazing. I'll be listening to the other gigs in this run to see where the music goes. This is so good. Thanks!!
what is greater than great, bigger than large and tremendous more than and extremely durable like a Bach, Beethoven - these two musicians! The so what guys. great!!!
It's interesting at around 25:35 to see Coltrane work his way around to Harmonique and then hit the main refrain at 27:30. I guess he was really ready to do his own thing
This duo’s combined genius made me realise that like Yo-yo creating their format as they play. My appreciation for their creativity lay toward Îb Iîbg*
They must have got the plane from Paris that morning because they played there the night before, and then in Stockholm played two totally insane sets, just at the very peak of anything.
![Miles Davis with John Coltrane- March 22, 1960 Konserthuset, Stockholm [2nd concert]](http://i.ytimg.com/vi/2Q1Id17jZJI/mqdefault.jpg)
THE SPRING 1960 EUROPEAN TOUR:
March 21, 1960 Olympia Theatre, Paris: th-cam.com/video/8VE_dP90V84/w-d-xo.html
March 22, 1960 Konserthuset, Stockholm [1st concert]: th-cam.com/video/HgaAM4pTIqw/w-d-xo.html
March 22, 1960 Konserthuset, Stockholm [2nd concert]: th-cam.com/video/2Q1Id17jZJI/w-d-xo.html
March 24, 1960 Tivoli Konsertsal, Copenhagen: th-cam.com/video/P5euQkE61yk/w-d-xo.html
March 30, 1960 Kongresshalle, Frankfurt: th-cam.com/video/wpvATm-54_s/w-d-xo.html
April 3, 1960 Kongress-Saal, Munich: th-cam.com/video/sAoIzcNOcY0/w-d-xo.html
April 8, 1960 Kongresshaus, Zürich: th-cam.com/video/edyadk0cWB0/w-d-xo.html
April 9, 1960 Kurhaus, Scheveningen: th-cam.com/video/-EDuIQ9sAQQ/w-d-xo.html
April 9-10, 1960 Concertgebouw, Amsterdam: th-cam.com/video/4-UwM9s0svc/w-d-xo.html
This is such an iconic Jazz recording. Listening to Coltrane absolutely ripping apart the concrete with his Tenor Saxophone, blasting out scales like a well oiled machine, also Miles who's musical prowess exceeded, what reality could handle, and the both of them on one stage ripped a hole in time. Luckily, they took a cigarette break and it was able to repair itself.
#blessed that someone recorded this in such pristine quality.
"A few years ago I had one of the worst nights of my life," he recalls. "I heard a Miles Davis bootleg, featuring John Coltrane, from Stockholm. Trane was massive, intense. I wanted to quit. It wasn't like I could say, 'Well if I start to do this or that, I might get there.' Forget it. How do you explain that to people who say, 'You're on "The Tonight Show," isn't that the ultimate achievement?' I think to myself, 'Obviously you've never heard Trane live in Stockholm.' "--B.Marsalis
Good Lord, this is so freaking good...hard to believe ANYONE was ever this good...oh, wait...no one else ever was... :)
that's right. you're right and they're not. you're the best, yay
Combination of two maestros, explosion!
Here because of Jerry Maguire Movie. To listen for myself.
me too hahaha
YO TAMBIEN 😎
Me too
If you listen---I mean--REALLY LISTEN --to Coltrane's so very long solo on the last blues, (Listen now) and you'll hear that each and every chord -or "change" he played had Only the chordal notes. It took me a few times listening before I realized this. Then, his solo meant WAY MORE for me. I hope you can dig it like I FINALLY DUG IT. Need I say that this just makes me love him MORE. WHAT A GENIUS.
hat
i don't know what you mean by chord tones, but if you mean the triad notes, 1-3-5, he's using a lot more than those.
@@joek6729 No. I meant he played all the notes in any chord which was in the tune. If it was a "fifth", he would play, e.g., C-E-G-B flat. If it was an "augmented" he would play, e.g., C-E-G sharp-B. And, like that. He practiced unceasingly. And he had concepts of what he WANTED TO PLAY. He played with lots of emotion in his musicianship.
@@charlesliles2966 Impressive, but does it all sound good and fit into the context of this "concert"? Meh.
@@djscott9207 🤦♂
Man no fear of the unknown it doesn’t get more real let it all out 😮☮️💗🔥💥✨
Amazing... Winton, Chambers, Miles, and of course Coltrane, all took it to the next level. My understanding is that at the time it left some fans behind... some just could not hear.
Fuck, this is fantastic....
John's playing especially on the second track is intimidatingly good.... :D
Beautiful
Wynton Kelly is killing it.
When all else fails...
It seems like Coltrane is a bit more constrained here in comparison to the show from the night before in Paris. I wonder If the boos in that show got to him or Miles told him to tone down a little bit. It's clear they're going in different directions.
Obviously he's great here but in the March 21st show he is blowing his horn like a furious caged animal trying to escape, It's amazing. I'll be listening to the other gigs in this run to see where the music goes. This is so good. Thanks!!
still love this music!!
Two GIANTS in the same room - the sky was not large enough for them.
what is greater than great, bigger than large and tremendous more than and extremely durable like a Bach, Beethoven - these two musicians! The so what guys. great!!!
It's interesting at around 25:35 to see Coltrane work his way around to Harmonique and then hit the main refrain at 27:30. I guess he was really ready to do his own thing
Yeah he was exploding on this tour, you can hear him doing stuff he'd work out with his group over the next four, five years
I'm here for Jerry Maguire.
hahahahaha yes!!!
me too hahaha
This duo’s combined genius made me realise that like
Yo-yo creating their format as they play. My appreciation for their creativity lay toward
Îb
Iîbg*
A reminder that one of the most stunning musical documents of the past fifty-plus years, was down-voted here nine times.
this stuff aint for deafs...
They must have got the plane from Paris that morning because they played there the night before, and then in Stockholm played two totally insane sets, just at the very peak of anything.
Anyone have the Coltrane solo on So What transcribed?
제리맥과이어 영화에 소개된 테잎
Ok