Thanks! I play in a Pink Floyd tribute band and we often play the whole Live at Pompei. Unfortunally I can't carry the Hammond in our show, and so I often use the Nord Electro...but the Farfisa compact duo is not so heavy and so I always have it on the stage...and I love it!!!
i spent 13 years on tour and we lugged around a hammond b3 and a giant leslie case for the keyboardist… absolute nightmare, and i was the lighting guy. great version of the tune !!
I remember when I was a child and my big brother played it for me. I felt so strong the beauty of it, felt like the warmth from a big, orange star shone on me. I became so moved so I laid myself behind my daddys back, he took a rest. Daddy was a calm and friendly and I felt how much i loved him. I just cried and criep and wept when I heard and thought of this WONDERFUL music.
Sono anni che non riesco a non sentire celestial voice almeno una volta al giorno.....un po' in tutte le versioni dalle originali alle artigianali....fatte con chitarre, organi, fiati, eccc..... sarò bischero, e mia moglie conferma, ma questi 5 minuti di puro suono bello, pacifico, celestiale appunto, ti rilascia qualcosa nel cervello non c'è verso....distende, rilassa, ripulisce la testa da mille minchiate accumulate.....troppo spettacolare.....bravissimo comunque nella tua esibizione....complimenti!!!!
Ti posso capire, bro. Anche io l'ascolto ogni giorno in tutte le Versioni. Richard Wright era incredibile. Le sue sonorità e il sui modo di suonare hanno dato tanto ai Pink Floyd. Riposa in pace Rich manchi da morire
One thing worthy noting - you remained true to Rick's "reverse" playing. He usually played chords with right hand and melody with left. I appreciate that.
I agree. Being right handed, this is the way I would play this song. The chords with my right hand, and the simple melody part, which resembles a monophonic bass line, with my left hand.
The Moog sounds were done by Gilmour with a tone bar on his Strat without picking the strings to give a violin-ish sound (as can be seen on the Pompeii film).
when i printed the chords out, i realized it was just a standard repetitive riff structure... but the way they played it, it's like one continuous rff that doesn't repeat...a soft flowing story without words... that i find incredible...
Pha! Anyone could play like this............... All you need is a huge amount of natural talent, years of practice and a huge sympathy for such etherial music. Haunting innit?
Dude you deserve ALOT more views!!! I have a Hammond Rt3 and a Leslie 122.... The Hammond RT3 is the organ that was used to record dark side of the moon and is the same thing as a B3 but in a different wood case because it was made for churches BUT everything electronically is the same.... I really admire people like you who do this... I need a Moog little phatty like you!!! That's next on my list along with a farfisa organ and a fender Rhodes!!
There was a Floyd song I tapwd many years ago that has the same organ sound. It was sung by Richard,was upbeat,and had the lyric: "captured in time now that movements are all mine". I no longer have this tape.. Do you happen to know the song title?
fantastic performance!! rick wright used a hammond L100 with leslie 122 (or 145) in the early days!! the version on 'stamping ground' is the definitive version for me..... with yours being a close second!! great job!!
Wonderful performance! @CrazyHorse151 I obviously don't have access to his exact settings on the Moog but alot of the effect comes from having the correct filter setting, the long portamento (glide) and the delay/reverb. Also there is a quite subtle yet triangle-wave LFO modulating what I believe is OSC 2 pitch, even though it is subtle it contributes quite a lot to the emotionality in the sound. That's partly from what I hear, but mostly from what I can see from the Moog's LED:s in the video.
Very nice job here, well done. I took a stab at this thru midi sims, got really close, the DAW I used had a weird built in sound called a "modern electric violin" I added some Efx and got close to the patented Gilmour cow magnet technique, truly a magical sound , using the proper Efx and bells & whistles ..... Great job, you nailed it on the head , man
i have a hammond m102 just like that. truly a remarkable instrument and you demonstrated that very well. sadly i have to sell it. anyone looking for one?
It's one thing to nail a note. But you have to have real talent, feel and soul to nail the pauses. This is what makes great musicians and furthermore great music. You play remarkably!
Le toucher bucolique, teinté de mélancolie de cette complainte provoque un mouvement de plongée abyssal dans mon inconscient pour que je finisse par ressentir une apathie avant les problèmes, non pas comme une évasion mais comme un exercice de connaissance de soi
My wild guess is it's a mixture of sine and saw waves, having the filter almost all the way down with a lots of resonance/emphasis. On top of that you have the vibrato modulation. Having a high setting on the resonance knob will make the cutoff filter sound more 'vocal'. Like a wah pedal.
@@WillieG1016 So, 7 years later and I wrote a master thesis on voice synthesis. I can confirm that, 50% of what makes the voice human is not the timbre specifically but how pitch etc change over time.
Is there any change you remember the drawbar settings? And what is the setting lever for the two intro chords? You've hit it spot on. I have a Hammond M101 and would like to try it. Rick used one of the presets for the main part on live at Pompeii.
It looks like L122 to me. I had one. The third Preset tab for upper manual is Clarinet which is 008080800. Drawbars: from the video it looks like the upper manual is set to something like this 767646045 and the lower manual sounds like (I can't see it) 8888000
@@Tarkus83 Grazie a te Simone! pensa che ho fatto la cazzata enorme di vendere il Mini Moog mod D nel 1990 anche perchè ero in difficoltà ma oltre tutto a 2 soldi xche eran di moda i digital fm tipo dx o il M1 korg o roland a volte vorrei provare a chiamare il produttore chitarrista x vedere se me lo può rivendere ma sarà difficile con quel che vale oggi, sono quasi tentato di prendere un poly D Behringer clone mini moog in fondo ha 4 voci e un sequencer, bello il tuo Voyager
I always loved Rick Wright's composition in this song. Dude was the soul of the floyd ambience, underappreciated
i just got introduced to this song. i'm still stunned and i agree completely!
This is honestly one of the most beautiful things ever made!!!
Play this music before i die, please
I agree!
It's from pink floyd
Yes, this the last thing I wish to hear before I pass away.
Thanks! I play in a Pink Floyd tribute band and we often play the whole Live at Pompei. Unfortunally I can't carry the Hammond in our show, and so I often use the Nord Electro...but the Farfisa compact duo is not so heavy and so I always have it on the stage...and I love it!!!
i spent 13 years on tour and we lugged around a hammond b3 and a giant leslie case for the keyboardist… absolute nightmare, and i was the lighting guy.
great version of the tune !!
Splendido...di dove sei?
What’s your Tribute Band’s name?
Get roll or kari’s….ez pz . And you can cut a piece of plywood With casters and this can be screwed down to the bottom of a Leslie With wing nuts.
sounds like live at pompeii
yes because it is the same organ
@@darkrevan2622 I think he used a farfisa at Pompeii not hammond
No, the Farfisa is used for "Echoes Part II" but in "Saucerful of Secret" it's a Hammond M-100 :th-cam.com/video/cEfS98F89Ho/w-d-xo.html
I remember when I was a child and my big brother played it for me. I felt so strong the beauty of it, felt like the warmth from a big, orange star shone on me. I became so moved so I laid myself behind my daddys back, he took a rest. Daddy was a calm and friendly and I felt how much i loved him. I just cried and criep and wept when I heard and thought of this WONDERFUL music.
Sono anni che non riesco a non sentire celestial voice almeno una volta al giorno.....un po' in tutte le versioni dalle originali alle artigianali....fatte con chitarre, organi, fiati, eccc..... sarò bischero, e mia moglie conferma, ma questi 5 minuti di puro suono bello, pacifico, celestiale appunto, ti rilascia qualcosa nel cervello non c'è verso....distende, rilassa, ripulisce la testa da mille minchiate accumulate.....troppo spettacolare.....bravissimo comunque nella tua esibizione....complimenti!!!!
Ti posso capire, bro. Anche io l'ascolto ogni giorno in tutte le Versioni. Richard Wright era incredibile. Le sue sonorità e il sui modo di suonare hanno dato tanto ai Pink Floyd.
Riposa in pace Rich manchi da morire
R.I.P Richard Wright ;(
Excellent interpretation of The most beautiful song on our planet Earth.
It allways will put a smile in my face - the celestial voices!
Man, this made me cry, huge Floyd fan here, bravo!
One thing worthy noting - you remained true to Rick's "reverse" playing. He usually played chords with right hand and melody with left. I appreciate that.
What does it matter?
Ed Collins I don't even call that reverse. It's pretty common to do that and switch back and forth
I agree. Being right handed, this is the way I would play this song. The chords with my right hand, and the simple melody part, which resembles a monophonic bass line, with my left hand.
Ed, it matters to me obviously.
@@Kris.G Maybe you should add Ed Collins to the list of NSF casualties, JC.
One of the most beautiful pieces of music
I love "A saucerfull of secrets" from '68 until now! And this is a very fine version!
Richard is a Genius. That music make anyone teary
I agree! No wonder celestial voices from heaven makes it to you.
The Moog sounds were done by Gilmour with a tone bar on his Strat without picking the strings to give a violin-ish sound (as can be seen on the Pompeii film).
rien a dire , c'est vraiment le meilleur groupe du monde merci pour ce chef d'oeuvre .......quel génie ce Richard
A wonderful cover of a wonderful song !
when i printed the chords out, i realized it was just a standard repetitive riff structure...
but the way they played it, it's like one continuous rff that doesn't repeat...a soft flowing story without words...
that i find incredible...
Pha! Anyone could play like this...............
All you need is a huge amount of natural talent, years of practice and a huge sympathy for such etherial music.
Haunting innit?
The most underrated piece of music ever, RIP 🪦 Rick Wright😢😢😢😢
Excelente interpretación de una de las mejores partes del disco A Saucerful of Secrets
Sublime, grazie Maestro
I like how you did this. In my mind I had drums and bass and guitar following along.
MAN ! This is AWESOME Music from Pink Floyd ..one of the Greatest Rock Groups in Time
(Rick Wright ..GENIUS )
a shame that roger didn't see it that way.
Dude you deserve ALOT more views!!! I have a Hammond Rt3 and a Leslie 122.... The Hammond RT3 is the organ that was used to record dark side of the moon and is the same thing as a B3 but in a different wood case because it was made for churches BUT everything electronically is the same.... I really admire people like you who do this... I need a Moog little phatty like you!!! That's next on my list along with a farfisa organ and a fender Rhodes!!
There was a Floyd song I tapwd many years ago that has the same organ sound. It was sung by Richard,was upbeat,and had the lyric: "captured in time now that movements are all mine". I no longer have this tape.. Do you happen to know the song title?
Imcomparável! Magnífico! Canção maravilhosa e única! Grande Rick Wright's !
Outra obra magistral de RICK é a última parte de SHINE ON YOU CRAZY DIAMOND (PART IX). Um último adeus a SYD BARRET.
Deja solo el Hammond! 🤲🙌
Thank you very much! I learned a lot from this video. I have a similar setup and really had a good time trying to follow you.
excellent interpretation ...congratulations ...and that time is very exact
Beautiful sound.
Classic song buetiful sound
Nicely done! My favorite cover of this beautiful instrumental.
Epic! Whoever gave it a thumbs down just doesn't understand
MUCHAS GRACIAS POR EL TEMAZO, ABRAZOS!!!
que somzera;;; combinação dos sonhos Hammond e Moog.. parabéns!!!!!
Damn... Now i have to drop my eyes from tears... Rest in eternal peace Mr Richard Wright
Wonderful performance. I especially love the 'vocal' over you were able to achieve!!
This was beautiful, thank you!
this makes me feel that we earthlings aren't a complete waste of time.
Danny D - We are. We just happened to like good music.
fantastic performance!! rick wright used a hammond L100 with leslie 122 (or 145) in the early days!! the version on 'stamping ground' is the definitive version for me..... with yours being a close second!! great job!!
Adam Ziolkowski nope, definitely an L122.... Though the only real difference between an m102 and l102 is the starter switch (I own both)!
@schreineinAv stupid german, he used a m102. ... use Google and the main difference is the vibrato between those organs...
beautiful work... congratulation!
Wonderful performance!
@CrazyHorse151 I obviously don't have access to his exact settings on the Moog but alot of the effect comes from having the correct filter setting, the long portamento (glide) and the delay/reverb. Also there is a quite subtle yet triangle-wave LFO modulating what I believe is OSC 2 pitch, even though it is subtle it contributes quite a lot to the emotionality in the sound. That's partly from what I hear, but mostly from what I can see from the Moog's LED:s in the video.
Awesome version!!
great performance! thank you
Man !! VERY VERY NICE..Bravo !
Rick would be really proud of your version.
Awesome. I'd love to collaborate on a full cover, I can do the bass/drums and slide.
Aaaahhhhh I'm at a different place and time when I listen to thissss😌
This is fucking amazing, does anyone could be so kind to tell me what keys to play for the harmony with the left hand?
Oooooh! That IS celestial! Wonderful. Me like.
Awesome 👍 x
Love that Bm to Gm change.
Very nice job here, well done.
I took a stab at this thru midi sims, got really close, the DAW I used had a weird built in sound called a "modern electric violin" I added some Efx and got close to the patented Gilmour cow magnet technique, truly a magical sound , using the proper Efx and bells & whistles .....
Great job, you nailed it on the head , man
Bravissimo....complimenti!
Brilliant 👌
Brilliant!!!!
Very nice. Also, nice choice of instruments.
Tarkus? ELP at heart?
i have a hammond m102 just like that. truly a remarkable instrument and you demonstrated that very well. sadly i have to sell it. anyone looking for one?
Mi piacerebbe molto imparare a suonarla
It's one thing to nail a note. But you have to have real talent, feel and soul to nail the pauses. This is what makes great musicians and furthermore great music. You play remarkably!
Wonderful
Thanks for saying what you were using gearwise
Professional. marvelous.
i love the sound of that little piano dont know what is called
+aynjel011 Moog sub 37
+Andrej Ivanovic No, Moog Little Phatty II
Isso foi lindo! ❤
Excellent, thanks for that...
stunning
Bloody Fantastic !!!! : D
Stupenda!
molto bello!! Bravo!!
Very very very Good, bombastic
BRAVO!!!!
On 2nd thoughts, the Moog should be more in the background in the beginning! After the opening it's fine.
That's amazing !!
It nearly made me cry
The sounds of my youth....
thankyou..¡ very best..¡
Le toucher bucolique, teinté de mélancolie de cette complainte provoque un mouvement de plongée abyssal dans mon inconscient pour que je finisse par ressentir une apathie avant les problèmes, non pas comme une évasion mais comme un exercice de connaissance de soi
lots of love ♥️
Genial!!!! 👏🏼👏🏼👏🏼👏🏼
Just brilliant.
this video gives me chills ufff
i got chills!!
Hi,
how are you making those vocal sounds with the Moog? They sound great!
My wild guess is it's a mixture of sine and saw waves, having the filter almost all the way down with a lots of resonance/emphasis. On top of that you have the vibrato modulation. Having a high setting on the resonance knob will make the cutoff filter sound more 'vocal'. Like a wah pedal.
Jussi .Karasti just to add there’s a fair bit of glide/portamento that gives it a more “human” voice sound.
That's the guitar part that he did with Moog
@@WillieG1016 So, 7 years later and I wrote a master thesis on voice synthesis. I can confirm that, 50% of what makes the voice human is not the timbre specifically but how pitch etc change over time.
@@CrazyHorse151 Now that's some crazy character development
Bravo!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Well done!
Moog had no higher pitch than Pompeii's Gilmour's guitar. Yet sounds very good.
Could you please do a tutorial on this song?
WOW!!! QUE GENIAL!!!
Awesome.. Kudos for your interpretation and not just a copy cover..
You Sir are a keyboard God
You nailed this
can you give me the sheet part of the hammond? is perfect!
love it, nice job
Is there any change you remember the drawbar settings? And what is the setting lever for the two intro chords? You've hit it spot on. I have a Hammond M101 and would like to try it. Rick used one of the presets for the main part on live at Pompeii.
It looks like L122 to me. I had one. The third Preset tab for upper manual is Clarinet which is 008080800.
Drawbars: from the video it looks like the upper manual is set to something like this 767646045 and the lower manual sounds like (I can't see it) 8888000
I so wish I had this setup
Complimenti bella esecuzione che modello utilizzi di Moog?
Grazie, all’epoca avevo un Little Phatty II che ho venduto passando a un Voyager ma era davvero un bel synth
@@Tarkus83 Grazie a te Simone! pensa che ho fatto la cazzata enorme di vendere il Mini Moog mod D nel 1990 anche perchè ero in difficoltà ma oltre tutto a 2 soldi xche eran di moda i digital fm tipo dx o il M1 korg o roland a volte vorrei provare a chiamare il produttore chitarrista x vedere se me lo può rivendere ma sarà difficile con quel che vale oggi, sono quasi tentato di prendere un poly D Behringer clone mini moog in fondo ha 4 voci e un sequencer, bello il tuo Voyager
Super
R.I.P. Rick
Awesome