TN Seshagopalan- Meenakshi Memudam- Purvikalyani -Adi- Dikshitar

Indian Carnatic Music - Concert Recording
Lyrics:
Pallavi:
mInAkSi mE mudam dEhi mEcakAHNgi rAjamAtaHNgi
Anupallavi:
mAnamAtRmEyE mAyE marakata chAyE shivajAyE mInalOcani pAshamOcani mAnini
kadambavanavAsini
Charanam:
madhurApurinilayE maNivalayE malayadhvaja pANDya rAja tanayE vidhuviDambana vadanE vijayE
vINAgAna dashagamakakriyE madhumadamOdita hRdayE sadayE mahAdEva sundarEshapriyE
madhumuraripu sOdari shAtOdari vidhiguruguhavashaHNkari shaHNkari

[@sundaresanramanathan7636]

Excellent rendering by the legend.

[@5849sam]

மதுரை மணி ஐயர் ஜி என் பி சகாப்தத்திற்குப் பிறகு வந்தவர்களில் TNS மிகச்சிறந்த கலைஞர். தனக்கென ஒரு பெரிய ரசிகர் பட்டாளத்தையே வைத்திருந்தவர். சாரீரம் இறைவன் அவருக்குத்தந்த மிகப்பெரிய வரப்ரசாதம்.

[@121iamyou]

An imitable style taking to the pinnacle in every canvas 🙏

[@ponnsiva]

Guru Karaikudi Mani sir on mridangam! :)

[@shankari15bala]

very nice as usual

[@venkatakrishnansuryanaraya4076]

After MS AMMA he is the one who has sung the song to great excellency

[@manjunathml7887]

One has to listen to KVN’s rendition

[@SribalaRamakrishnan]

His rendition is a lacklustre version according to me.

[@narendrahn9884]

Violin m.s. gopalakrishnan???

[@ganesanbala7283]

There is no need to go like a super fast train when doing Kalpana swaras. The melody of this beautiful piece by Dikshitar that he heard on his deathbed is completely lost.

[@gayathriseshadri2834]

Swara exposition has been undertaken in Khanda nadai which is a laya feat in itself. A befitting climax to this masterpiece, especially since Dikshithar's compositions are known for their tremendous intricacy in laya. Nothing is lost for those who wish to experience as professed by Sadhguru himself "svara rAga sudhA rasayuta bhakti svargApavargamurA O manasA"

[@SribalaRamakrishnan]

Who are you to determine what is needed and where when it comes to music? If you dont like it, we respect that. Your comment is proof enough to understand your understanding of music. Such comments expose the person who does, than the artist himself.
What is demonstrated here is a feat only a handful of great artists could even attempt.