What Takeshi deliveres to us is, his own emotions and ideas, which sometimes are quite wicked. In Takeshi's virtual world, real life is toned up. Human emotions are sharper, revenge is more significant. This particular scene displays Takeshi's own oil paintings, which were not created for the film, but became part of the film. He makes us touch his soul, his entire being. That is what impresses me _ Takeshi makes me watch his being, he makes me believe that he is alive
+Aleksander Mikhailov Well, I'd say EVERYTHING needs context . . . . . . but I'll grant you that this builds it's own. But folks should still watch it in the film, if only to reach the finalé.
This scene, watched on his own, is astonishing. If you put this scene in the movie contest is one of the most brutally poetic scene ever made in the history of cinematography
When I saw this first time in movie theatre (1998) I remember this part 1:57 - and I couldn't but cry. I don't know what made me react like this to the beautiful music and these naive images but I couldn't help but feel the tears rolling on my cheeks and try to understand what I'm seeing and why I feel like I feel. Now, years later the same thing happens like there is no time between these two moments.
Thank you for your post. The same thing happened to me. I couldn't help it. Upon viewing again, I find myself with tears rolling down my face. So profound, simple. An exquisite scene.
An incredible diversion from the 'action' of this film. An amazing blossoming of a man who has been stripped of what he feels keeps him relevant. Amazing.
Un des meilleurs films de Kitano et une des plus belles scènes, emplie de poésie et d’émotions, que j’ai vu. Je replonge dans la nostalgie et le cœur qui s’emballe en revoyant cette scène culte. La musique de Joe Hisaishi est parfaite pour cette scène ! Un peu dommage que par la suite Kitano n’ai plus fait appel à lui...
Si il le fit par trois fois encore. Ce fut « Dolls » pour la dernière d'entre elles. Les deux se disputèrent à propos de celle-ci et ne se virent plus après, hélas...
I agree, it's a very powerful combination this music and the images. You are completely human to have such a strong reaction, as most people should. What I really mean to say is Beat Takeshi is an amazing filmmaker and that's why this scene is so great!
Le parfait alchimie entre un réalisateur et un compositeur, cette scène prend un dimension métaphysique , chaque plan nous montre le cheminement de la création à travers le personnage et les fleurs , la musique démarre par un séquence de piano nous faisant penser à la partition de mike olfied pour l'exorciste mais cependant d'autres instruments viennent s'installer dans le développement de la réflexion de l'homme, les arpèges de guitare nous dévoile toute ses angoisses , sa tristesse , ses retenues dues à son infirmité récente mais cependant un instrument à vent nous permet de le faire rebondir et commencer à visualiser sa projection créative à travers la transposition des fleurs en forme humaine, un pur moment de poésie et de bonheur qui se termine par l'envolé de violons pour clôturer la scène lorsque la fleuriste intervient auprès de l'individu.
What Takeshi deliveres to us is, his own emotions and ideas, which sometimes are quite wicked. In Takeshi's virtual world, real life is toned up. Human emotions are sharper, revenge is more significant. This particular scene displays Takeshi's own oil paintings, which were not created for the film, but became part of the film. He makes us touch his soul, his entire being. That is what impresses me _ Takeshi makes me watch his being, he makes me believe that he is alive
RIP Ren Osugi ...
This scene really shook me when I first saw it. Has the same effect every time. So many emotions.
This scene is so fucking good. It doesn't even need any context. It's perfect.
+Aleksander Mikhailov Well, I'd say EVERYTHING needs context . . .
. . . but I'll grant you that this builds it's own.
But folks should still watch it in the film, if only to reach the finalé.
This scene, watched on his own, is astonishing. If you put this scene in the movie contest is one of the most brutally poetic scene ever made in the history of cinematography
yeah assolutamente, così fu e così è
l'essenza del cinema. Aprirsi allo spettatore per inghiottirlo nella sua dimensione. Rottura della quarta parete, tutti diveniamo Ren Osugi.
strongly agree
Pure art. Outstanding cinematography.
When I saw this first time in movie theatre (1998) I remember this part 1:57 - and I couldn't but cry. I don't know what made me react like this to the beautiful music and these naive images but I couldn't help but feel the tears rolling on my cheeks and try to understand what I'm seeing and why I feel like I feel. Now, years later the same thing happens like there is no time between these two moments.
Thank you for your post. The same thing happened to me.
I couldn't help it. Upon viewing again, I find myself with tears rolling down my face. So profound, simple. An exquisite scene.
Lucky, i wasn’t even born when this movie came out.
Both men are painting themselves out of their problems. A powerful scene. A great movie.
An incredible diversion from the 'action' of this film. An amazing blossoming of a man who has been stripped of what he feels keeps him relevant. Amazing.
When you see this scene from this beautiful movie for the first time in a movie theater..you cry like this ancient cop in his weelchair. Believe me...
Amazing film, amazing cast, amazing soundtrack, amazing scene.
Un des meilleurs films de Kitano et une des plus belles scènes, emplie de poésie et d’émotions, que j’ai vu.
Je replonge dans la nostalgie et le cœur qui s’emballe en revoyant cette scène culte.
La musique de Joe Hisaishi est parfaite pour cette scène !
Un peu dommage que par la suite Kitano n’ai plus fait appel à lui...
Si il le fit par trois fois encore. Ce fut « Dolls » pour la dernière d'entre elles. Les deux se disputèrent à propos de celle-ci et ne se virent plus après, hélas...
I agree, it's a very powerful combination this music and the images. You are completely human to have such a strong reaction, as most people should. What I really mean to say is Beat Takeshi is an amazing filmmaker and that's why this scene is so great!
After watching Hana Bi, I played this segment again and again to myself....very touching, melodious and moving.
Rest in peace, my friend
Federico Allocca thank you. I'm so sad, too
パトカーにしていくシーン音楽も相まって好き
che bello a non essere soli, pazzi per il cinema
Thanks, this is simply poetry.
This and thank you for everything are my favorite songs from this movie.
Le parfait alchimie entre un réalisateur et un compositeur, cette scène prend un dimension métaphysique , chaque plan nous montre le cheminement de la création à travers le personnage et les fleurs , la musique démarre par un séquence de piano nous faisant penser à la partition de mike olfied pour l'exorciste mais cependant d'autres instruments viennent s'installer dans le développement de la réflexion de l'homme, les arpèges de guitare nous dévoile toute ses angoisses , sa tristesse , ses retenues dues à son infirmité récente mais cependant un instrument à vent nous permet de le faire rebondir et commencer à visualiser sa projection créative à travers la transposition des fleurs en forme humaine, un pur moment de poésie et de bonheur qui se termine par l'envolé de violons pour clôturer la scène lorsque la fleuriste intervient auprès de l'individu.
Et peinteur
Masterpiece.
Probably my preferred Kitano/Hishaishi moment... in italian :) Thanks for sharing.
most amazing peace in the soundtrack!
yurinkab do you happen to know the title of it?
@@Rovou7
painters-joe hisaishi
th-cam.com/video/O4Zm0EVfh8k/w-d-xo.html
I have no words...
Ce film me fait pleurer du début à la fin...le meilleur film de tous les temps
I always cry when i see this
Even if Hana-bi might be the most clichéed Kitano movie ever, I still love it to death
大杉さん ご冥福お もう少し見たかったです。ありがとうございました。
These were actually painted by Takeshi Kitano. Stunning.
大杉 漣様：ご冥福をお祈りします。残念に今このような映画は全然じゃないし。最高な映画
Beautiful scene ❤️❤️
Grazie dal cuore Alexander.
RIP Mr Osugi...So sad...
A beautiful film, thanks for sharing
絵が凄く綺麗。武さんが描いたんでしょうか？ちょっとウルっときちゃう。
神作!
Love ya, Mr Kitano
i was very sad when reading kitano had no more money to continue paying and having hisaishi for his soundtrack
deserve a piano sheet
3:40 The girl spoke Italian and he didn't understand a word of it.
Don you like Kitano's movies,Alex?,scenes at the sea,one of my favorites (:
what a movie
Real epiphany
Altre scene in italiano non ce ne sono?
Trés belle scène -
"Painters"
hello what's the name of this track so I can watch it without the film clips...?
Joe Hisaishi - Painters
@@jayzjar many thanks
大杉漣さんのご冥福をお祈り致します。
何だ、イタリア語か。
Yes, it is.