This concept of villains turning into giant-sized humanoid monsters is Shataro Ishinamori's answer to the mech battles of Super Sentai, which the American adaptation of Mighty Morphin Power Rangers introduced me to as a kid growing up. Tokusatsu was the thing that wanted me to get into Japan's live-action library of Superhero shows, always new and original in every year, which I say impresses me, unlike Marvel & DC, which is just a countless series of reboots, that could sometimes be a little too much. Though I have no problem with having a multiverse in fiction especially polytheism, which I think could make a good concept of original gods and goddesses outside of the real world cultures, which I think could be really good influence to get creative with their personalities, while borrowing elements from Monotheism just to make them feel as kind and loving while others are just and nobly strict and do not have to be 100% perfect either, but still have that omniscient and omnipresent atmosphere, while the cheif deity either All-Father & All-Mother can be the omnipotent one that controls the pantheon like the allegory of angels following commandments to guide mortals as guardian spirits from any kind negativity that they battle against especially demons that can be based on our own fears and nightmares that we experienced not just in dreams but also real life experiences from our recorded history and personal past lives.
This concept of villains turning into giant-sized humanoid monsters is Shataro Ishinamori's answer to the mech battles of Super Sentai, which the American adaptation of Mighty Morphin Power Rangers introduced me to as a kid growing up. Tokusatsu was the thing that wanted me to get into Japan's live-action library of Superhero shows, always new and original in every year, which I say impresses me, unlike Marvel & DC, which is just a countless series of reboots, that could sometimes be a little too much. Though I have no problem with having a multiverse in fiction especially polytheism, which I think could make a good concept of original gods and goddesses outside of the real world cultures, which I think could be really good influence to get creative with their personalities, while borrowing elements from Monotheism just to make them feel as kind and loving while others are just and nobly strict and do not have to be 100% perfect either, but still have that omniscient and omnipresent atmosphere, while the cheif deity either All-Father & All-Mother can be the omnipotent one that controls the pantheon like the allegory of angels following commandments to guide mortals as guardian spirits from any kind negativity that they battle against especially demons that can be based on our own fears and nightmares that we experienced not just in dreams but also real life experiences from our recorded history and personal past lives.
しかしまぁ、何度見てもダイターンを呼ぶ前の会話の台詞回しは素敵
「カメラを止めるな」はここからきていたのかｗ
曽我部さんに鈴置さんと良い声の聞ける回だから好きだ
お二人とももう亡くなってるなんて未だに信じられない
バンコランだったのかこの人…通りでうまいわけだ
ダイターン３は一話ごとの出来不出来が激しい作品だったんだけどこれは当たりの回
ダイターンはユーモアありの富野作品だから、色々と実験があるのが面白いな。
富野監督のセンス爆発な回だなw
ついでに無念も爆発w
コマンダー・ウォンローとメガボーグ・ウォンローが好きです。
コロスが圧倒的に素晴らしい……❤️
イケメンが充血した小峠に巨大化
今日のメガノイドは 、ダイモス編鏡四郎、ヤットデタマン風のヒューイの声ですね
☕️
公式配信ではあった場面。
2024年27話から続編期待してます
7:31 当時は表現に遠慮がなかったなー
前作の方が遠慮がない…人間ばk…
今回登場したデスバトルがタイムボカンシリーズの悪玉メカみたいで笑えた、まぁ、デザイナーさんが同じ人だからネ！
あれ・・😓バンコランがいる？なんで？パタリロ放送とどっちが早いんだ？😅しかもイケメンカンフーの達人メガノイドが巨大化したらハゲしいイカついメガノイドに変わったで？！😁笑える😁
破裏拳ポリマー
寒い時代だとは思わんか？万丈ｗ
ウォンローは中国拳法を扱いとするのです。
アジバ3